The Brontë Sisters

Charlotte (1816-1855), Emily (1818-1848), Anne (1820-1849)

Charlotte Brontë (1816-1855)

ALEXANDER, Christine. "Educating 'the Artist's Eye': Charlotte Brontė and the Pictorial Image." The Brontės in the World of the Arts. Eds. Sandra Hagan and Juliette Wells. Burlington, VT: Ashgate, 2008. 11-30.

ALEXANDER, Christine. “‘That Kingdom of Gloom’: Charlotte Brontë, the Annuals, and the Gothic.” Nineteenth-Century Literature 47 (1993): 409-38. [GGIII: 2411]

ANDERSON, Victoria. “Investigating the Third Story: ‘Bluebeard’ and ‘Cinderella’ in Jane Eyre.” Horrifying Sex: Essays on Sexual Difference in Gothic Literature. Ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007. 111-121. [GGIV: 0000]

BAER, Surella. “The Gothic Garden: Jane Eyre to Rebecca.” Master’s Thesis, Queens College, New York, 1998. [GGIII: 2412]

BARBOUR, David. “Moonlight and Madness.” Lighting Dimensions 25:3 (2000): 36. [GGIII: 2413]

BAZIN, Claire. La Vision du mal chez les soeurs Brontë. Toulouse: PU du Mirail, 1995. [The Vision of Evil in the Work of the Brontë Sisters]. [GGIII: 2414]

BAZIN, Claire. “Le nouveau gothique de Charlotte Brontë” (pp. 63-87). In Une Littérature de l’inquiétude. Paris: l’Harmattan and Aix-Marseille, Université de Provence, Annales du Monde Anglophone 8 (1998). 63-87. [The New Gothic of Charlotte Brontë]. [GGIII: 2415]

BERNSTEIN, Sara T. "'In This Same Gown of Shadow.': Functions of Fashion in Villette." The Brontės in the World of the Arts. Eds. Sandra Hagan and Julliette Wells. Burlington, VT: Ashgate, 2008. 149-

BERTRANDAIS, Bernadette. "Charlotte's transvestites." Brontė Studies 34.2 (2009): 138-46.

BERTRANDIAS. Bernadette. "Refigure le gothique: Les Textes hantes de Charlotte Brontë." Ideologies dans le Monde Anglo-Saxon 12 (2001): 101-16. [GGIV: 0000]

BORIE, Charlotte. "From Shrine to Stage: Inner Space and the Curtain in Jane Eyre." Brontė Stusies 34.2 (2009): 107-16.

BRITTON, Terry D. “From Ambivalence to Acquiescence: Studies in Gothic Metaphor.” Dissertation Abstracts International 42 (1982): 4829A-4830A (University of Oklahoma). [GGI: 1102].

BUSHNELL, Nelson S. “Artistic Economy in Jane Eyre: A Contrast with The Old Manor House.” English Language Notes 5 (1968): 197-202. [GGI: 11-15].

CROSBY, Christina. “Charlotte Brontë’s Haunted Text.” Studies in English Literature 24 (1984): 701-715. [GGII: 0647].

CROWTHER, Kathyrn. "Charlotte Brontė's Textual Relics: Memorializing the material in Villette." Brontė Studies 35.2 (2010): 128-136.

DICKERSON, Vanessa. “Spells and Dreams, Hollows and Moors: Supernaturalism in Jane Eyre and Wuthering Heights.” Victorian Ghosts in the Noontide. Columbia, MO: University of Missouri Press, 1996. 48-79. [GGIII: 2419]

DUNN, Richard. "Out of the Picture?: Branwell Brontė and Jane Eyre." The Brontės in the World of the Arts. Eds. Sandra Hagan and Julliette Wells. Burlington, VT: Ashgate, 2008. 31-44.

DUNN, Richard J. “The Natural Heart: Jane Eyre’s Romanticism.” [GGII: 0648].

GRIESINGER, Emily A. “Before and After ‘Jane Eyre’: The Female Gothic and Some Modern Views.” Dissertation Abstracts International 51 91990): 511A-512A (Vanderbilt University). [GGII: 0650].

HEILMAN, R.B. “Charlotte Brontë’s ‘New Gothic.” Victorian Literature: Modern Essays in Criticism. Ed. Austi Wright. Oxford: Oxford UP, 1961. 71-85; Rpt. From Jane Austin to Joseph Conrad: Essays Collected in Memory of James T. Hillhouse. Eds. Robert C. Rathburn and Martin Steinmann, Jr.Minneapolis, MN: Minnesota UP, 1958. 118-132. [GGI: 1116].

HELLER, Tamar. “Jane Eyre, Bertha, and the Female Gothic.” Approaches to Teaching Brontë’s Jane Eyre. Eds. Diane Hoeveler, Beth Lau. New York: Modern Language Association of America, 1993. 69-55. [GGIII: 2423]

HOEVELER, Diane Long. “Smoke and Mirrors: Internalizing the Magic Lantern Show in Vilette.” Gothic Technologies: Visuality in the Romantic Era. Ed. Robert Miles. Romantic Circles Praxis Series (December 2005): www.rc.umd/praxis/gothic/abstracts.html [GGIV: 0000]

HOMANS, Margaret. “Dreaming of Children: Literalization in Jane Eyre and Wuthering Heights.” The Female Gothic. Ed. Juliann E. Fleenor. Montreal, PQ: Eden Press, 1983. 257-279. [GGII: 0652].

JACKSON, Rachel. "Empty Letters and the Ghost of Desire in Charlotte Brontė's Villette." Brontė Studies 35.2 (2010): 95-106.

JOHNSON, E.D.H. “‘Daring the Dread Glance’: Charlotte Brontë’s Treatment of the Supernatural in Villette.” Nineteenth Century Fiction 20 (1966): 325-336. [GGI: 1118].

JUNG, Sandro. "Curiosity, Surveillance and Detection in Charlotte Brontė's Villette." Brontė Studies 35.2 (2010): 160-171.

JUSTUS, James. “Wuthering Heights and an American Tradition.” Tennessee Studies in Literature 5 (1960): 25-33. [GGI: 1322].

KLEIN, Katherine. "Ambivalent Desires in Charlotte Brontė's Villette and Grace Aguilar's Vale of Cedars." Brontė Studies 35.2 (2010): 107-117.

LYDON, Susan. Abandoning and Re-inhabiting Domestic Space in Jane Eyre, Villette and Wide Sargasso Sea." Brontė Studies 35.1 (2010: 23-29.

MILLER, Kathleen Ann. "Haunted Heroines: the Gothic Imagination and the Female Bildungsromane of Jane Austen, Charlotte Brontė, and L.M. Montgomery." The Lion and the Unicorn 34.2 (2010): 125-147.

NUNGESSER, Verena-Susanna. “From Thornfield Hall to Manderley and Beyond: Jane Eyre and Rebecca as Transformations of The Fairy Tale, the Novel of Development, and the Gothic Novel." A Breath of Fresh Eyre: Intertextual and Intermedial Reworkings of Jane Eyre. Eds. Margarete Rubik, Elke Mettinger-Schartmann. Amsterdam, Netherlands: Rodopi, 2007. 209-226. [GGIV: 0000].

RAMLI, Aimillia Mohd. "From Pasha to Cleopatra and Vashti: The Oriental Other in Charlotte Brontė's Villette." Brontė Studies 35.2 (2010): 118-127.

REANEY, James. “The Brontës: Gothic Transgressor as Cattle Drover.” Gothic Fictions: Prohibition/ Transgression. Ed. Kenneth W. Graham. New york: AMS Press, 1989. 227-244. [GGII: 0655].

RILEY, Michael. “Gothic Melodrama and Spiritual Romance: Vision and Fidelity in Two Versions of Jane Eyre.” Literature/Film Quarterly 3 (1975): 145-159. [GGI: 1120].

SCHONBERGER-SCHLEICHER, Esther. Charlotte and Emily Brontë: A Narrative Analysis of Jane Eyre and Wuthering Heights. Berne, Frankfort: Peter Lang, 1999. [GGIII: 2429]

SOYA, Michiko. "Villette: Gothic Literature and the Homely Web of Truth." Brontë Studies: The Journal of the Brontë Society 28:1 (2003): 15-24. [GGIV: 0000]

STONEMAN, Patsy. "Jane Eyre's Other: The Emergence of Bertha." The Brontes in the World of the Arts. Eds. Sandra Hagan and Julliette Wells. Burlington, VT: Ashgate, 2008. 197-

TALAIRACH-VIELMAS, Laurence. "'Portrait of a governess, disconnected, poor and plain': Staging the Spectral Self in Charlotte Brontė's Jane Eyre." From Wollstonecraft to Stoker: Essays on Gothic and Victorian Sensation Fiction. Ed. Marilyn Brock. 49-61.

THOMSON, Douglass H. “Charlotte Brontë and Emily Brontë.” Gothic Writers: A Critical and Bibliographical Guide. Eds. Douglass H. Thomson, Jack G. Voller and Frederick S. Frank. Westport, CT: Greenwood Press, 2002. 69-75. [GGIII: 2430]

TOFANNELLI, John. “The Gothic Confessional: Language and Subjectivity in the Gothic Novel, Villette and Bleak House.” Dissertation Abstracts International 48 (1988): 1780A-1781A (Stanford University). [GGII: 0656].

TOURNEBIZE, Cassilde. “Complexité et ambivalence de l’space ‘gothique’ dans Jane Eyre.” Caliban 33 (1996): 29-42. [Complexity and ambivalence of Gothic space in Jane Eyre]. [GGIII: 2432]

UNSIGNED. Aspects of Jane Eyre. London: BBC Educational Publishing, 1998.  [GGIII: 2433]

WEIN, Toni. “Gothic Desire in Charlotte Brontë’s Villette.” Studies in English Literature, 1500-1900 39 (19-99): 733-46. [GGIII: 2434]

WINSOR, Dorothy A. “The Continuity of the Gothic: The Gothic Novels of Charlotte Brontë, Emily Brontë, and Iris Murdoch.” Dissertation Abstracts International 40 (1980): 5882A (Wayne State University). [GGI: 1122].

YOUNG, Arlene. “The Monster Within: The Alien Self in Jane Eyre and Frankenstein.” Studies in the Novel 23 (1991): 325-338. [GGII: 0657].

Emily Brontë (1818-1848)

BAZIN, Claire. “Les Reves d’angoisse dans Wuthering Heights.” Clermont Ferrand: Publications de la Faculté des Lettres de Clermont, ed. Christian La Cassagnere. Clermont Ferrand: Publications de la Faculté des Lettres et Sciences Humaines de l’Université Blaise Pascal, 1989. 249-60. [GGIII: 2437]

BLACKFORD, Holly. “Mrs. Darling's Scream: The Rites of Persephone in Peter and Wendy and Wuthering Heights." Studies in the Humanities 32 (2005): 116-44. [GGIV: 0000]

CONGER, Syndy M. “The Reconstruction of the Gothic Feminine Ideal in Emily Brontë’s Wuthering Heights.” The Female Gothic. Ed. Juliann E. Fleenor. Montreal, PQ: Eden Press, 1983. 91-106. [GGII: 0646].

COTTOM, Daniel. "I Think; Therefore, I am Heathcliff." ELH 70:4 (2003): 1067-88. [GGIV: 0000]

FENTON, Edith M. “The Spirit of Wuthering Heights as Distinguished from that of Gothic Romance.” Washington University Studies Humanistic Series 1, 8 (1920): 103-122. [GGI: 1103].

HAGGERTY, George. “The Gothic Form of Wuthering Heights.” Victorian Newsletter 74 (1988): 1-6. [GGII: 0651].

HELLER, Tamar. “Haunted Bodies: The Female Gothic of Wuthering Heights”. Approaches to Teaching Emily Bronte. Eds.Terri A. Hasseler. Sue Lonoff. New York: Modern Language Association of America, 2005. 67-74. [GGIV: 0000]

HOLLAND, Meridel. "Lord Byron's The Dream and Wuthering Heights." Brontė Studies 34.1 (2009): 31-46.

IMLAY, Elizabeth. “The Brontës.” The Handbook to Gothic Literature, ed. Marie Mulvey Roberts. New York: New York University Press, 1998. 27-30. [GGIII: 2441]

LANONE, Catherine. “Wuthering Heights ou le labyrinthe de l’obsession.” Caliban 33 (1996): 73-82. [Wuthering Heights or the labyrinth of obsession].  [GGIII: 2442]

LOE, Thomas Benjamin. “The Gothic Strain in the Victorian Novel: Four Studies.” Dissertation Abstracts International 35 (1974): 2231A (University of Iowa). [GGI: 1106].

MAGIE, Lynne A. “The Dæmon Eros: Gothic Elements in the Novels of Emily and Charlotte Brontë, Doris Lessing, and Iris Murdoch.” Dissertation Abstracts International 49 (1989): 2669A (University of Washington). [GGII: 0653].

MITCHELL, Giles. “Incest, Demonism, and Death in Wuthering Heights.” Literature and Psychology 23 (1973): 27-36. [GGI: 1107].

MOERS, Ellen. “Female Gothic: Monsters, Goblins, Freaks.” New York Review of Books (April 4, 1974): 35-39. [GGI: 1108].

PATTERSON, Charles I. Jr. “Empathy and the Dæmonic in Wuthering Heights.” In The English Novel in the Nineteenth Century: Essays on Literary Mediation of Human Values. Ed. George Goodin. Urbin, IL: Illinois UP, 1972. 81-96. [GGI: 1110].

POOLE, Meredith June. “The Brontës and Victorian Gothic.” Master's Thesis. University of Virginia, 1971. [GGII: 0654].

PYKETT, Lyn. “Gender and Genre in Wuthering Heights: Gothic Plot and Domestic Fiction.” Wuthering Heights, New Casebooks. Ed. Patsy Stoneman. London: Macmillan, 1993. 86-99. [GGIII: 2449]

SLATTERY, Eugene E.M. “The Brontës: Refined Gothic.” Unisa English Studies 12.3 (1974): 24-27. [GGI: 1111].

THUR, Robert. “Longing for Union: The Doppel-gänger in Wuthering Heights and Frankenstein.” Dissertation Abstracts International 37 (1977): 1472B (California School of Professional Psychology, San Fransisco). [GGI: 2297].

TWITCHELL, James. “Heathcliff as Vampire.” Southern Humanities Review 11 (1971): 355-62. [GGIII: 2452]

VITTE, Paulette. "Emily Bronte. Rimbaud. Poe and the Gothic." Bronte Society Transactions 24 (1999): 182-85.

 Anne Brontë (1820-1849)

BERG, Maggie. "'Let me have its bowels then.': Violence, Sacrificial Structure, and Anne Brontė's The Tenant of Wildfell Hall." LIT: Literature Interpretation Theory 21.1 (2010): 20-40.

GORDON, Jan B. “Gossip, Diary, Letter, Text: Anne Brontë’s Narrative Tenant and the Problematic of the Gothic Sequel.” ELH 51 (1984): 719-745. [GGII: 0649].

LEAVER, Elizabeth. "Why Anne Brontė Wrote as She Did." Bronte Studies 32.3 (2007): 227-243.

LOSANO, Antonia. "Anne Brontė's Aesthetics: Painting in The Tenant of Wildfell hall." The Brontės in the World of the Arts. Eds. Sandra Hagan and Julliette Wells. Burlington, VT: Ashgate, 45-66.

LUPOLD, Rebecca Lynn. "dwelling and the Woman Artist in The Tenant of Wildfell Hall." Master's Thesis, The University of Montana, 2008 (Missoula, Montana).

WAGNER, Tamara S. "Speculations on Inheritance and Anne Brontė's Legacy for the Victorian Custody Novel." Women's Writing 14.1 (2007): 117-139.