Margaret Atwood (1939- ) 

DAVISON, Carol Margaret. “Margaret Atwood” (pp. 24-33). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller and Frederick S. Frank. Westport, CT: Greenwood Press, 2001.

GILLESPIE, Tracey. “Elements of the Gothic in the Novels of Margaret Atwood.” Master’s Thesis, University of Alberta , 1990.

MANDEL, Eli. “Atwood Gothic.” [GGI: 1294].

MANSEL, Eli. “Atwood’s Poetic Politics.” In Margaret Atwood: Language, Text, and System. [GGII: 0813].

MCCOMBS, Judith. “‘Up in the Air so Blue’: Vam-pire and Victims, Great Mother Myth, and Gothic Allegory in Margaret Atwood’s First Unpublished Novel.” [GGII: 0814].

MCKINSTRY, Susan Jaret. “Living Literally by the Pen: The Self-Conceived and Self-Deceiving Heroine Au-thor in Margaret Atwood’s Lady Oracle.” [GGII: 0815].

MCMILLAN, Ann. “The Transforming Eye: Lady Oracle and the Gothic Tradition.” In Margaret Atwood: Vision and Forms. [GGII: 0816].

POZNAR, Susan. “The Totemic Image and the ‘‘’bodies’ of the Gothic in Margaret Atwood’s Cat’s Eye.” Year Book of Comparative and General Literature 47 (1999): 81-107.  

ROCARD, Marcienne. “Approche gothique du pay-sage canadien: ‘Death by Landscape’ de Margaret At-wood.” Caliban 33 (1996): 14-156. [Gothic Approach to the Canadian Landscape].

STEIN, Karen F. Margaret Atwood Revisited. New York : Twayne, 1999.

SZALAY, Edina. “The Gothic as Maternal Legacy in Margaret Atwood’s Lady Oracle.” Neohelicon 28:1 (2001): 216-33.

TENNANT, Colette Giles. “Margaret Atwood’s Transformed and Transforming Gothic.” [GGII: 0818] .

TENNANT, Colette. Reading the Gothic in the First Seven Novels of Margaret Atwood. Lewiston. NY: Edwin Mellen Press. 2004.

TOLAN, Fiona. “Sucking the Blood Out of Second Wave Feminism: Postfeminist Vampirism in Margaret Atwood‘s The Robber Bride.” Gothic Studies 9:2 (2007): 45-57.

VAN VUREN, Darlene. “The Seduction of Genre: A Study of Organic Narrative Techniques in the Novels of Margaret Atwood.” Dissertation Abstracts International 60:1 (1998): 137A (University of Pretoria).

Bliss Carman (1861-1929)

MACKENDRICK, Louis K. “Grues and Gaunts: Carman’s Gothic.” In Bliss Carman: A Reappraisal. [GGII: 0812]. 

Marian Engel (1933-1985)

TURCOTTE, Gerry. “Sexual Gothic: Marian Engel’s ‘Bear’ and Elizabeth Jolley’s ‘The Well.’” ARIEL: A Review of International English Literature 26:2 (1995): 65-91.

                                                                               Stella Gibbons (1902-  )

HORNER, Avril and Sue ZLOSNIK. “Agriculture, Body Sculpture, Gothic Culture: Gothic Parody in Gibbons, Atwood, and Weldon.” Gothic Studies 4 (2002): 167-77.

CÖTÉ, Paul Raymond. “Kamouraska ou l’influence d’une tradition.” [GGII: 0809].

DAVIDSON, Arnold E. “Canadian Gothic and Anne Hebert’s Kamouraska.” [GGI: 1290].

Alexander Henry (1739-1824)

VENEMA, Kathleen Rebecca. “A Rhetoric of Colonial Exchange: Time, Space, and Agency in Canadian Exploration Narratives.” Dissertation Abstracts International 60:7 (2000): 2500 (University of Waterloo, Canada).

STEIN, Karen. “Speaking in Tongues: Margaret Lawrence’s A Jest of God as Gothic Narrative.” Studies in Canadian Literature 20:2 (1995): 74-95.

DREW, Lorna. “The Emily Connection: Anne Radcliffe, L.M. Montgomery and the Female Gothic.” Canadian Children’s Literature/Littérature Canadienne pour la Jeunesse 77 (1995): 19-32.

LAWSON, Kate. “The Alien at Home: Hearing Voi-ces in L.M. Montgomery’s Emily Climbs and F.W.H. My-ers.” Gothic Studies 4:2 (2002): 155-66.

BELYEA, Andrew Dean. “Redefining the Real: Gothic Realism in Alice Munro’s ‘Friend of my Youth.’” Master’s Abstracts International 37:1 (1998): 67 (Queen’s University, Kingston, Canada).

John Richardson (1796-1852)

CURRIE. Noel Elizabeth. “From Walpole to the New World: Legitimation and the Gothic in Richardson’s Wacousta.” Hungarian Journal of English and American Studies 6 (2000): 145-59.

HURLEY, Michael. “Wacousta: The Borders of Nightmare.” In Beginnings: A Critical Anthology. [GGI: 1292].

HURLEY, Michael. The Borders of Nightmare: The Fiction of John Richardson. Toronto and Buffalo: Toronto University Press, 1992.

MCLEAN, Ken. “The Dark Covert Mind: Wacousta.” [GGI: 1295].

 Eden Robinson

ANDREWS, Jennifer. “Native Canadian Gothic Refigured: Reading Eden Robinson’s ‘Monkey Beach.’” Essays on Canadian Writing 73 (2001): 1-24.

GORJUP, Branko. “Perseus and the Mirror: Leon Rooke’s Imaginary Worlds.” World Literature Today 73:2 (1999): 269-74.

                                                                             Jane Urquhart (1949  )

SPRENG, Angela. “‘It’s Only By Our Lack of Ghosts We’re Haunted’: Postcolonial Dynamics of the Fantastic in Canadian Women’s Fiction." Ahornblätter: Marburger Beiträge zur Kanada-Forschung 19 (2007): 49-76.

BECKER, Susanne. “Ironic Transformations: The Feminine Gothic in Aritha Van Herk’s No Fixed Address” (pp. 115-33). In Double Talking: Essays on Verbal and Visual Ironies in Contemporary Canadian Art and Literature, ed. Linda Hutcheon. Toronto : ECW, 1992.

EMERY, Michael J. “Canadian Gothic: Sheila Wat-son’s The Double Hook” (pp. 35-38). In Canada Week Papers at the University of Tennessee, Knoxville, ed. Joseph Weldon Flory. Knoxville: Center for International Education, 1994: 35-38.