Angela Carter

(1940-1992)

Internet Resource:

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COSTANTINI, Mariaconcetta. “Reconfiguring the Gothic Body in Postmodern Times: Angela Carter’s Exposure of Flesh-Inscribed Stereotypes.” Gothic Studies 4 (20-02): 14-27.

DAVIDSON-PÉGON, Claire. “Sub-Urban Gothic: Angela Carter’s The Magic Toyshop” (pp. 148-56). In Une Littérature de l’inquiétude. Paris: l’Harmattan and Aix-Marseille, Université de Provence; No. 8 Annales du Monde anglophone, 1998.

DAY, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester University Press. 1998. 

DUNCKER, Patricia. “Queer Gothic: Angela Carter and the Lost Narratives of Sexual Subversion.” Critical Survey 8 (1996): 58-68.

FOWL, Melinda. “Angela Carter’s The Bloody Chamber Revisited.” Critical Survey 3 (1991): 71-79.

GAMBLE, Sarah. The Fiction of Angela Carter. Basingstoke. UK: Palgrave Macmillan. 2002.

JORDAN, Elaine. “Carter, Angela (1940-1992)” (pp. 35-37). In The Handbook of Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.

KOENEN, Anne. “Vampire of the Senses: The Feminist Fantastic of Angela Carter.” Anglistik und Englisch-unterricht 59 (1996): 143-61.

LINKIN, Harriet Kramer. “Isn’t It Romantic? Angela Carter’s Bloody Revision of the Romantic Æsthetic in ‘The Erl-King.’” Contemporary Literature 35 (1994): 305-23.

LOKKE, Kari E. “‘Bluebeard’ and ‘The Bloody Chamber’: The Grotesque of Self-Parody and Self-Asser-tion.” Frontiers: A Journal of Women’s Studies 10:1 (19-88): 7-12.

MUNFORD, Rebecca Jane. “Re-Visioning the Gothic: A Comparative Reading of Angela Carter and Pierette Fleutiaux.” Master's Thesis. University of Exeter. 2003.

MUNFORD, Rebecca. “‘The Desecration of the Temple’: or, ‘Sexuality as Terrorism’? Angela Carter's (Post-)feminist Gothic Heroines,” Gothic Studies 9:2 (2007): 58-70.

MUNFORD, Rebecca. "Re-Vamping the Gothic: Representations of the Gothic Heroine in Angela Carter's Nights at the Circus." Paradoxa: Studies in World Literary Genres 17 (2002): 235-256.

NEUMEIER, Beate, “Postmodern Gothic: Desire and Reality in Angela Carter’s Writing” (pp. 141-51). In Modern Gothic: A Reader, eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press, 1996.

SCEATS, Sarah. “Oral Sex: Vampiric Transgression and the Writing of Angela Carter.” Tulsa Studies in Women’s Literature 20 (2001): 107-21.

STODDART, Helen. “The Passion of New Eve and the Cinema: Hysteria, Spectacle, and Masquerade” (pp. 111-31). In The Gothic, ed. Fred Botting. Cambridge: Boy-dell and Brewer, 2001: 111-31.

YOSHOIKA, Chiharu. "Dialectic of Enlightenment in the 1960s Gothic: Angela Carter's Heroes and Villains." Gothic Studies 8 (2006): 68-79.