Angela Carter (1940-1992)
COSTANTINI, Mariaconcetta. “Reconfiguring the Gothic Body in Postmodern Times: Angela Carter’s Exposure of Flesh-Inscribed Stereotypes.” Gothic Studies 4 (20-02): 14-27. [GGIII: 2841]
DAVIDSON-PÉGON, Claire. “Sub-Urban Gothic: Angela Carter’s The Magic Toyshop.” Une Littérature de l’inquiétude. Paris: l’Harmattan and Aix-Marseille, Université de Provence; No. 8 Annales du Monde anglophone, 1998. 148-56. [GGIII: 2842]
DAY, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester University Press. 1998. [GGIV: 0000]
DE LA Rochère, Martin Hennard Dutheil and Ute Heidmann. "'New Wine in Old Bottles': Angela Carter's Translation of Charles Paerrault's 'La Barbe Bleu.'" Marvels and Tales 23.1 (2009): 40-58, 211.
DUNCKER, Patricia. “Queer Gothic: Angela Carter and the Lost Narratives of Sexual Subversion.” Critical Survey 8 (1996): 58-68. [GGIII: 2843]
FOWL, Melinda. “Angela Carter’s The Bloody Chamber Revisited.” Critical Survey 3 (1991): 71-79. [GGIII: 2844]
GAMBLE, Sarah. The Fiction of Angela Carter. Basingstoke. UK: Palgrave Macmillan. 2002. [GGIV: 0000]
HAGOPIAN, Katherine A. "Apuleius and Gothic Narrative in Carter's The Lady of the House of Love." Explicator 66.1 (2007): 52-5.
HORNER, Avril. "Skin Chairs and Other Domestic Horrors: Barbara Comyns and the Female Gothic Tradition." Gothic Studies 6.1 (2004): 90-102.
JORDAN, Elaine. “Carter, Angela (1940-1992).” The Handbook of Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998. 35-37. [GGIII: 2845]
KOENEN, Anne. “Vampire of the Senses: The Feminist Fantastic of Angela Carter.” Anglistik und Englisch-unterricht 59 (1996): 143-61. [GGIII: 2846]LINKIN, Harriet Kramer. “Isn’t It Romantic? Angela Carter’s Bloody Revision of the Romantic Æsthetic in ‘The Erl-King.’” Contemporary Literature 35 (1994): 305-23. [GGIII: 2847]
LOKKE, Kari E. “‘Bluebeard’ and ‘The Bloody Chamber’: The Grotesque of Self-Parody and Self-Asser-tion.” Frontiers: A Journal of Women’s Studies 10:1 (19-88): 7-12. [GGIII: 2848]
MUNFORD, Rebecca Jane. “Re-Visioning the Gothic: A Comparative Reading of Angela Carter and Pierette Fleutiaux.” Master's Thesis. University of Exeter. 2003. [GGIV: 0000]
MUNFORD, Rebecca. “‘The Desecration of the Temple’: or, ‘Sexuality as Terrorism’? Angela Carter's (Post-)feminist Gothic Heroines,” Gothic Studies 9:2 (2007): 58-70. [GGIV: 0000]
MUNFORD, Rebecca. "Re-Vamping the Gothic: Representations of the Gothic Heroine in Angela Carter's Nights at the Circus." Paradoxa: Studies in World Literary Genres 17 (2002): 235-256. [GGIV: 0000]
NEUMEIER, Beate, “Postmodern Gothic: Desire and Reality in Angela Carter’s Writing.” Modern Gothic: A Reader. Eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press, 1996. 141-51. [GGIII: 2849]
SCEATS, Sarah. “Oral Sex: Vampiric Transgression and the Writing of Angela Carter.” Tulsa Studies in Women’s Literature 20 (2001): 107-21. [GGIII: 2850]STODDART, Helen. “The Passion of New Eve and the Cinema: Hysteria, Spectacle, and Masquerade.” The Gothic. Ed. Fred Botting. Cambridge: Boy-dell and Brewer, 2001: 111-31. 111-31. [GGIII: 2851]
YOSHOIKA, Chiharu. "Dialectic of Enlightenment in the 1960s Gothic: Angela Carter's Heroes and Villains." Gothic Studies 8 (2006): 68-79. [GGIV: 0000]