Wilkie Collins
(1824-1889)

ABBI-EZZI, Nathalie. The Double in the Fictions of R.L. Stevenson, Wilkie Collins, and Daphne du Maurier. Frankfurt am and New York: Peter Lang, 2003.

ANDERMAN, Elizabeth. "Hysterical Sensations: bodies in Action in Wilkie Collin's The Women in White. From Wollstonecraftto Stoker: Essays on Gothic and Victorian Sensation Fiction. Ed. Marilyn Brock. Jefferson, NC: McFarland & Company, 2009. 79-88

ANDREW, R.V. Wilkie Collins: A Critical Survey of his Prose Fiction with a Bibliography. New York: Garland Publishing, 1979. [GGIII: 2505]

BAKER, William. A Wilkie Collins Chronology. Basingstoke and New York: Palgrave-Macmillan, 2007.

BEETZ, Kirk H. Wilkie Collins: An Annotated Bibliography. Metchen, NJ: Scarecrow Press, 1978. [GGI: 1154].

BERNSTEIN, Stephen. “Reading Blackwater Park: Gothicism, Narrative, and Ideology in The Woman in White.” Studies in the Novel 25 91993): 291-305. [GGII: 0668].

BLOUS-REICHERT, Christine. "The Foreshadowed Life in Wilkie Collins's No Name," Studies in the Novel 41.1 (2009): 22-41.

BOLUS-RECHERT, Christine. "The Foreshadowed Life in Wilkie Collin's No Name." Studies in the Novel 41.3 (2009): 22

BOOTH, Bradford. “Wilkie Collins and the Art of Fiction.” Nineteenth-Century Fiction 6 (1951): 131-43. [GGIII: 2508]

COATES, J.D. “Techniques of Terror in The Woman in White.” Durham University Journal 73 (1981): 177-189. [GGII: 0669].

COSTANTINI, Mariaconcetta. "'I Hate him. No, I don't...I hate myself': Wilkie Collins and the Anatomy of Hatred." Revue LISA/LISA e-journal 6.3 (2009): 582-592. <http://lisa.revues.org/index147.html>

DONALDSON, Norman. “Wilkie Collins.” Supernatural Fiction Writers. Ed. E.F. Bleiler. New York: Charles Scribner's 1985, I, 233-238. [GGII: 0670].

ELLIS, S.M. Wilkie Collins, Le Fanu, and Others. London: Constable, 1931. [GGI: 1157].

FRANK, Frederick S. “Wilkie Collins (1824-1889).” Gothic Writers: A Critical and Bibliographical Guide, eds.  Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002. 90-98. [GGIII: 2512]

FU, Yu Hsiang Bennett. “Re-Imag(in)ing (Fe)male Subjectivities in The Woman in White." Studies in Language and Literature (Taiwan) 106 (2000): 9, 183-202. [GGIII: 2513]

FYFE, Paul. "The Random Selection of Victorian New Media." Victorian Periodicals Review 42.1 92009): 1-23.

GASSON, Andrew. Wilkie Collins: An Illustrated Guide. Oxford: Oxford University Press, 1998. [GGIII: 2514]

GATES, David Phillip. “The Image of the Labyrinth in Selected Novels by Wilkie Collins, Charles Dickens, and Joseph Sheridan Le Fanu.” Dissertation Abstracts International 43 (1983): 2678A (University of Western Ontario). [GGII: 0671].

HELDMAN, James M. Jr. “Wilkie Collins and the Sensation Novel.” Dissertation Abstracts 28 91968): 3637A-3638A (University of north Carolina). [GGI: 1158].

HELLER, Wendy Tamar. “Wilkie Collins and the Female Gothic: A Study in the Politics of Genre and Literary Revision.” Disertation Abstracts International 50 (1989): 1311A (Yale University). [GGII: 0672].

HELLER, Wendy Tamar. Dead Secrets: Wilkie Collins and the Female Gothic. New Haven, CT: Yale UP, 1992. [GGII: 0673].

HENDERSHOT, Cyndy. “A Sensation Novel’s Appropriation of Terror-Gothic: Wilkie Collins’ The Woman in White.” Clues: A Journal of Detection 13 (1992): 127-133. [GGII: 0674].

JOHNSTON, Judith. "Sensate Detection in Wilkie Collins's The Law and the Lady." Australasian Journal of Victorian Studies 14.2 (2009): 38-50.

KENDRICK, Walter M. “The Sensationalism of The Woman in White.” Nineteenth Century Fiction 32 (1977): 18-35. [GGI: 1159].

MILBANK, Alison. “Daughters of the House: Modes of the Gothic in the Fiction of Wilkie Collins, Charles Dickens, and Sheridan Le Fanu.” Dissertation Abstracts International 50 (1990): 3238A (University of Lancaster). [GGII: 0675].

MILBANK, Alison. “From the Sublime to the Uncanny: Victorian Gothic and Sensation Fiction.” Gothick Origins and Innovations. Eds. Victor Sage and Allan Lloyd Smith. Amsterdam; Atlanta, Georgia: Rodopi; Costerus New Series 91, 1994. 169-79. [GGIII: 2522]

MULLER, C.H. “Victorian Sensationalism: The Short Stories of Wilkie Collins.” Unisa English Studies 11.1 (1973): 12-24. [GGI: 1160].

PYKETT, Lyn, ed. Wilkie Collins. [New Casebooks]. New York: St. Martin’s Press, 1998.[GGIII: 2524]

RANCE, Nick. “‘A Terribly Strange Bed’: Self-Subverting Gothic.” Wilkie Collins Society Journal 7 (1987): 5-12. [GGII: 0676].

RANCE, Nick. Wilkie Collins and Other Sensation Novelists. Rutherford, NJ: Fairleigh Dickinson University Press, 1991. [GGIII: 2526]

REIERSTAD, Keith Brown. “The Demon in the House: Or, the Domestication of Gothic in the Novels of Wilkie Collins.” Dissertation Abstracts International 37 (1976): 2204A (University of Pennsylvania). [GGI: 1161].

SALOTTO, Eleanor. The Gothic Returns in Collins, Dickens, Zola, and Hitchcock. New York: Palgrave Macmillan, 2006. [GGIV: 0000]

SANDERS, Judith. "A Shock to the System to the Shocks: The Horrors of the 'Happy Ending' in The Woman in White. From Wollstonecraft to Stoker: Essays on Gothic and Victorian Sensation Fiction. Ed. Marilyn Brock. Jefferson, NC: Mcfarland & Company, 2009. 62-78.

SCHMITT, Cannon. Alien Nation: Nineteenth-Century Gothic Fictions and English Nationality. Philadelphia, Pennsylvania: University of Pennsylvania Press, 1997.

SUBOTSKY, Fiona. "Armdale (1866), Wilkie Collins --- Psychiatrists in 19th-Century Fiction." The British Journal of Psychiatry 194.5 (2009): 445.

THOMS, Peter. The Windings of the Labyrinth: Quest and Structure in the Major Novels of Wilkie Collins. Athens: Ohio University Press, 1992. [GGIII: 2528]

VAN THAL, Herbert. Introduction. Tales of Terror and the Supernatural by Wilkie Collins. New York: Dover, 1970. [GGI: 1162].

WAGNER, Tamara S. "Ominous Signs or False Clues? Difference and Deformity in Wilkie Collin's Sensation Novels." Demons of the Body and Mind: Essays on Disability in Gothic Literature. Ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland & Company, 2010.