Charlotte Dacre ["Rosa Matilda"] (1782-1842)

BURLEY, Stephanie. "The Death of Zofloya: or, The Moor as Epistemological Limit." The Gothic Other: Racial and Social Constructions in the Literary Imagination. Eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004. 197-211. [GGIV: 0000]

CRACUIN, Adriana. Introduction. Zofloya, or the Moor by Charlotte Dacre. Peterborough, ON: Broadview Press, 1997. 9-32. [GGIII: 2392]

CRACUIN, Adriana. “‘I Hasten to be Disembodied’: Charlotte Dacre, the Demon Lover, and Representations of the Body.” European Romantic Review 6 (1995): 75-97. [GGIII:2393]

CRACUIN, Adriana. “Charlotte Dacre.” Encyclopedia of British Women Writers, eds. Paul Schlueter and Jane Schlueter. New York: Garland, 1997. 188-89. [GGIII: 2394]

DUNN, James A. “Charlotte Dacre and the Feminization of Violence.” Nineteenth-Century Literature 53 (19-98): 307-27.  [GGIII: 2395]

HOEVELER, Diane Long. “Charlotte Dacre’s Zofloya: A Case Study in Miscegenation as Sexual and Racial Nausea.” European Romantic Review 7 (1997): 411-22. [GGIII: 2396]

HOEVELER, Diane Long. "Charlotte Dacre's Zofloya: The Gothic Demonization of the Jew." The Jews and British Romanticism: Politics, Religion, Culture. Ed. Sheila A. Spector. New York: Palgrave/Macmillan, 2005. 165-78. [GGIV: 0000]

JONES, Ann H. “Chapter Eight: Charlotte Dacre.” Ideas and Innovations: Best Sellers of Jane Austen’s Age. New York: AMS Press, 1986. 224-49. [GGIII: 2397]

LUTZ, Courtney Leigh. “‘Consider not this as a romance merely’: The Feminine in Charlotte Dacre’s Zofloya.” Master’s Thesis, Appalachian State University, 1999. [GGIII: 2398]

MAGNIER, Mireille. “Zofloya et Le Moine.” Autour de l‘idée de nature: Histoire des idées et civilisation: Pedgogie et divers. Paris: Didier, 1977. 227-231. [GGII: 0635].

MELLOR, Anne K. “Interrracial Sexual Desire in Charlotte Dacre’s Zofloya.” European Romantic Review 13 (2002): 169-73. [GGIII: 2400]

MICHASIW, Kim. Introduction. Zofloya, or the Moor. New York: Oxford University Press, 1997. ix-xlii. [GGIII: 2401]

MICHASIW, Kim. “Charlotte Dacre’s Postcolonial Moor.”Empire and the Gothic: The Politics of Genre. Eds. Andrew Smith and William Hughes. Houndmills, Basingstoke, Hampshire, U.K.: Palgrave/Macmillan, 2003. 35-55. [GGIII: 2402]

MORENO, Beatrice González. "Gothic Excess and Aesthetic Ambiguity in Charlotte Dacre's Zofloya." Women's Writing 14.3 (2007): 419-434.

SUMMERS, Montague. “Byron’s Lovely Rosa.” Essays in Petto. London: Fortune Press, 1928; Rpt. Freeport, NY: Books for Libraries, 1967. [GGI: 1032].

SUMMERS, Montague. Introduction. Zofloya; or, The Moor. London: Fortune Press, 1928. i-xvii. [GGI: 1033].

THOMSON, Douglass H. “Charlotte Dacre [Rosa Matilda].” Gothic Writers:A Critical and Bibliographical Guide. Westport, CT: Greenwood Press, 2002. 99-103. [GGIII: 2405]

VARMA, Devendra P. Introduction. The Confessions of the Nun of St. Omer. New York: Arno Press, 1972. [GGI: 1034].

VARMA, Devendra P. Introduction. Zofloya, or the Moor. A Romance of the Fifteenth Century. Forword G. Wilson Knight. New York: Arno Press, 1974. [GGI: 1035].

VARMA, Devendra P. Introduction. The Passions. Forword Sandra Knight-Roth. New York: Arno Press, 1974. [GGI: 1036].

VARMA, Devendra P. Introduction. The Libertine. Forward John Garrett. New York: Arno Press, 1974. [GGI: 1037].

WILSON, Lisa. “Female Pseudonymity and the Romantic Age of Personality: The Career of Charlotte King/ Rosa Matilda/Charlotte Dacre.” European Romantic Review 9 (1998): 393-420. [GGIII: 2410]