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Danish Gothic
AIKEN, Susan Hardy. “Gothic Cryptographies” (pp. 67-83). Isak Dinesen and the Engendering of Narrative. Chicago: University of Chicago Press, 1990. BLACK, Casey Bjerregaard. “The Fantastic in Karen Blixen’s Osceola Production.” [GGII: 1320]. FISK, Diana G. “Under Lucifer’s Watchful Gaze: Subversive, Covert Narrative in Isak Dinesen’s ‘The Caryatids, An Unfinished Tale.’” Master’s Thesis, California State University, Long Beach, 1997. GLIENKE, Bernhard. “Karen Blixens Schauerroman, Gengaeldelsens Veje im Context.” Skandinavistik: Zeitschrift für Sprache, Literatur und Kultur der Nordisches 7 (1977): 28-43. [Karen Blixen’s Gothic, Gengaeldelsens Veje in Context.] JAMES, Sybyl. “Gothic Transformations: Isak Dinesen and the Gothic.” The Female Gothic. [GGII: 1330] JUHL, Marianne. “Why Gothic Tales?” (pp. 88-99). Isak Dinesen: Critical Views, ed. Olga Anastasia Pelensky. Athens, OH: Ohio University Press, 1993. KOBYLANSKI, Mieczyslaw. “Tva stora nordiska litterara framgangar pa engelska: Karen Blixens ‘Seven Gothic Tales’ och Axel Munthes ‘The Book of St. Michel’” (pp. 283-88). Andersens eventyr til den moderne novelle. Odense: Odense University Press, 1983. LYDENBERG, Robin. “Against the Law of Gravity: Female Adolescence in Isak Dinesen’s Seven Gothic Tales” (pp. 75-87). Isak Dinesen: Critical Views, ed. Olga Anastasia Pelensky. Athens, OH: Ohio University Press, 1993. PÉREZ GRACIA, César. “Isak Dinesen y la novela gótica (con motivo de su centenario).” [GGII: 1344]. VARGAS-LLOSA, Mario. “Los cuentos de la baronessa.” Letras Libras 1:5 (1999): 30-33. [The Tales of the Baroness.]
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