DATABASEGG4

Guide to the Gothic IV

The list shows books, articles, dissertations, and book chapters published since the appearance of Guide to the Gothic III AND items that were overlooked in the previous three guides.
Updated: 26 December 2006
427 entries

ABBI-EZZI. Nathalie. The Double in the Fictions of R.L. Stevenson. Wilkie Collins. and Daphne du Maurier. Frankfurt am Main & New York: Peter Lang. 2003.
AHERN. Stephen. "????." (pp. ????). In Affected Sensibilities: Romantic Excess and the Evolution of the Novel, 1680-1810. New York: AMS Press, 2004.
ALBRIGHT, Richard. "No Time Like the Present: The Mysteries of Udolpho." Journal for Early Modern Cultural Studies 5 (2005): 49-75.
ALEXANDER. Bryan. "The Blair Witch Project: Expulsion from Adulthood and Versions of American Gothic." (pp. 145-61). In Nothing That Is: Millennial Cinema and the Blair Witch Controversies, eds. Sarah L. Higley, Jeffrey Andrew Weinstock. Detroit: Wayne State University Press, 2004.
AMICOLA. José. La Batalla de los géneros: Novela gótica versus novela de educación. Rosario, Argentina: Viterbo, 2003.
AMIGONI. David. "Gothic Choirs and Gothic Fictions: Habitus, Moral Space, and Identity in the Autobiographies of Ruskin and Newman." (pp. 231-46). In Mapping the Self: Space, Identity, Discourse in British Auto/Biography, ed. Frédéric Regard, preface Geoffrey Wall. Saint Etienne, France: Université de Saint Etienne, 2003.
ANCUTA. Katarzyna. Where Angels Fear to Hover: Between the Gothic Disease and the Metaphysics of Horror. Frankfurt am Main: Peter Lang. 2006.
ANDERSON. Mark. "The Shadow of the Modern: Gothic Ghosts in Stoker's Dracula." (pp. 382-98). In Literary Paternity: Literary Friendship. ed. Gerhard Richter. Chapel Hill. NC: University of North Carolina Press. 2002.
ANOLIK, Ruth Bienstock & Douglas HOWARD, eds. The Gothic Other: Racial and Social Constructions in the Literary Imagination. Jefferson, NC: McFarland, 2004.
ANOLIK, Ruth Bienstock. "The Infamous Svengali: George du Maurier's Satanic Jew." (pp. 163-93) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "Introduction: The Dark Unknown" (pp.1-14). In The Gothic Other: Racial and Social Constructions in the Literary Imagination., eds. Ruth Bienstock Anolik & Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "The Missing Mother: The Meanings of Maternal Absence in the Gothic Mode." Modern Language Studies 33:1-2 (2003): 24-43.
ANTHONY. David. "Banking on Emotion: Financial Panic and the Logic of Male Submission in the Jacksonian Gothic." American Literature 76 (2004): 719-48.
ANTHONY. David. "'Gone Distracted': 'Sleepy Hollow,' Gothic Masculinity and the Panic of 1819." Early American Literature 40 (2005): 111-44.
ANTOR. Heinz. “Unreliable Narration and (Dis)ori-entation in the Postmodern Neo-Gothic Novel: Reflections on Patrick McGrath’s The Grotesque." Miscelanea: A Journal of English and American Studies 24 (2001): 1137; Reprinted (pp. 357-82). In Erzahlen und Erzahlentheorie im 20. Jahrhundert: Festshrift für Wilhelm Fuger. ed. Jorg Helbig.
ARMSTRONG. Neil. "'Gothic Going Mad': Aspects of Christmas Church Decoration in the Nineteenth Century." (pp. 3-11). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
ARNOLD DE SIMNE, Silke. "'Denn das Haus, Was Wir Bewohnen...ist ein Spukhaus': Fontane's 'Effi Briest' und Fassbinder's Verfilmung in der Tradition des Female Gothic." Germanic Review 79 (2004): 83-113.
AUGUSTIN, Sabine. “Ann Radcliffe: The Mysteries of Udolpho” (XXXX). In Eighteenth-Century Female Voices: Education and the Novel. Frankfurt: Peter Lang, 2005.
BADDELEY, Gavin. Gothic, la Culture des Ténèbres. Paris: Denoël, 2004.
BAIRD, Justin. “History's Recesses: The Counter-Historical Fictions of Sophia Lee, William Godwin, and Mary Shelley." Dissertation Abstracts International 65:11 (2005): 4206 (University of Western Ontario).
BALL. Martin. "Pastoral and Gothic in Scuithorpe's Tasmania." TriQuarterly 116 (2003): 115-23.
BALLINGER. Gillian. "From Madmen to Vampires: Dickens's Gothic Law." (pp. 12-22). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
BANERJEE, Sukanya. "Political Economy, Gothic, and the Question of Imperial Citizenship." Victorian Studies 47 (2005): 260-71.
BÄR, Gerald. Das Motiv des Doppelgängers als Spaltungsphantasie in der Literatur und im Deutschen StimmFilm. Amsterdam: Rodopi, 2005.
BARNARD. Philip. SHAPIRO. Stephen. KAMRATH. Mark L. Revising Charles Brockden Brown: Culture. Politics. and Sexuality in the Early Republic. Nashville: University of Tennessee Press. 2004.
BARTA, Joy Allison. "Madness and the Romantic Woman Writer." Dissertation Abstracts International 65:4 (2004): 1377 (University of California, Riverside).
BAULCH, David. "Several Hundred Pages of Promise: The Phantom of the Gothic in Peacock's Nightmare Abbey and Coleridge's Biographia Literaria." Coleridge Bulletin: The Journal of the Friends of Coleridge 25 (2005): 71-77.
BEER. Janet & Avril HORNER. "'This Isn't Exactly a Ghost Story': Edith Wharton and Parodic Gothic." Journal of American Studies 37 (2003): 269-85.
BENNETT. Dean William. "Gothic Justice: Sweden's Myth of National Origin and the Rhetoric of Legitimacy, Legality, and Liberation, 1599-1632." Dissertation Abstracts International 65:4 (2004) 1500 (University of Washington).
BERGLAND, Renee L. "Diseased States, Public Minds: Native American Ghosts in Early National Literature." (pp. 90-103) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BERNSTEIN. Stephen. "Politics, Modernity, and Domesticity: The Gothicism of Conrad's The Secret Agent." Clio 32 (2003): 285-301.
BERTRANDIAS. Bernadette. "Refigure le gothique: Les Textes hantes de Charlotte Brontë." Ideologies dans le Monde Anglo-Saxon 12 (2001): 101-16.
BETJEMANN, Peter. “Talking Shop: Craft and Design in Hawthorne, James, and Wharton." Dissertation Abstracts International 65:6 (2004): 2199 (Princeton University).
BIENSTOCK. ANOLIK. Ruth & Douglas L. HOWARD. eds. The Gothic Other: Racial and Social Constructions in the Literary Imagination. Jefferson. NC: McFarland. 2004.
BILLI, Mirella. “Dal Terror all'ostensione dell'horror: The Mysterious Mother di Horace Walpole” (19-31). In Il Teatro della Paura: Scenari Gotici del Romanticismo Europeo, eds. Diego Saglia, Giovanna Silvani, Roma: Buzoni. 2005.
BILLY. Ted. "'Domesticated with Horror': Matrimonial Mansions in Edith Wharton's Psychological Ghost Stories." Journal of American & Comparative Cultures 25:3-4 (2002): 433-37.
BLACKFORD. Holly. “Haunted Housekeeping: Fatal Attractions of Servant and Mistress in Twentieth Century Female Gothic Literature.” Literature Interpretation Theory 16 (2005): 233-61.
BLACKFORD. Holly. “Mrs. Darling's Scream: The Rites of Persephone in Peter and Wendy and Wuthering Heights." Studies in the Humanities 32 (2005): 116-44.
BODZIOCK, Joseph. "The Cage of Obscene Birds: The Myth of the Southern Garden in Frederic Douglass's My Bondage and My Freedom." (pp. 251-63) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BOTTING, Fred & Dale TOWNSHEND. Gothic: Critical Concepts in Literary and Cultural Studies. 4 vols. London & New York: Routledge, 2004.
BOTTING, Fred. "Reading Machines." "Gothic Technologies: Visuality in the Romantic Era." Romantic Circles Praxis Series (December 2005): www.rc.umd/praxis/gothic/abstracts.html
BOTTING. Fred. Gothic: Critical Concepts in Literary and Cultural Studies. London & New York: Routledge, 2004.
BOVE. Cheryl. "The Gothic." (pp. 166-89). In Understanding Iris Murdoch. Columbia: University of South Carolina Press. 1983.
BOYD. J. Caleb. "Southernness, Not Otherness: The Community of the American South in New Southern Gothic Drama." Dissertation Abstracts International 65:7 (2005): 2433 (Florida State University).
BOYLE, Brenda M. "Monstrous Bodies, Monstrous Sex: Queering Alien Resurrection." Gothic Studies 7 (2005): 158-71.
BRABON, Benjamin. "Surveying Ann Radcliffe's Gothic Landscapes." Literature Compass 3:4 (2006): 840-XXX.
BRANAM, Amy C. "Poe and Early (Un) American Drama." Dissertation Abstracts International 66:4 (2005): 1354 (Marquette University).
BREWER, William D. "Intrkoduction" (XX). To St. Leon by William Godwin. (Peterborough, ON: Broadview Press, 2006).
BREWER. William D. "The French Revolution as a Romance: Mary Robinson's Hubert de Sevrac." Papers on Language & Literature 42 (2006): 115-49.
BREWER. William D. "Transgendering in Matthew Lewis's The Monk." Gothic Studies 6 (2004):192-207.
BREWSTER, Scott. "Borderline Experience: Madness, Mimicry, and Scottish Gothic." Gothic Studies 7 (2000): 79-86.
BRIDGWATER, Patrick. DeQuincey's Gothic Masquerade. Amsterdam: Rodopi, 2004.
BRIDGWATER. Patrick. Kafka. Gothic. and Fairytale. Amsterdam: Rodopi. 2003.
BRIX. Michel. "Du Château d'Otrante à la forteresse de Silling" (pp. 283-95). In "O saisons, O châteaux": Chateau et littérature des Lumières à l'aube de la modernité (1764-1914, eds. Pascale Auraix-Jonchière, Pierre Grouix. Clermont-Ferrand, France: Presses Universitaires Blaise Pascal, 2004.
BROOME, Judith. "'Her Lovely Arm a Little Bloody': Richardson's Gothic Bodies." Gothic Studies 8 (2006): 9-21.
BROWN. Marshall. The Gothic Text. Stanford. CA: Stanford University Press. 2004.
BRUHM, Steven. "Nightmare on Sesame Street: or, The Self-Possessed Child." Gothic Studies 8 (2006): 98-113.
BRUSKY. Sarah. "Nancy Prince and Her Gothic Odyssey: A Veiled Lady." (pp. 167-80). In Gender. Genre. and Identity in Women's Travel Writing. ed. Christi Siegel. New York: Peter Lang. 2004.
BRYANT. Cedric Gael."'The Soul Has Bandaged Moments': Reading the African American Gothic in Wright's 'Big Boy Leaves Home,' Morrison's Beloved, and Gomez's Gilda." African American Review 39 (2005): 541-53.
BUDGE, Gavin. "'The Vampyre': Romantic Metaphysics and the Aristocratic Other." (pp. 212-35) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BURLEY, Stephanie. "The Death of Zofloya: or, The Moor as Epistemological Limit." (pp. 197-211) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BURNS. Sarah. Painting the Dark Side: Art and the Gothic Imagination in Nineteenth Century America. Berkeley: University of California Press. 2004.
BURY. Laurent. "Trollopian Gothic." Cahiers Victoriens et Edouardiens: Revue du Centre d'Etudes et de Recherches Victoriennes et Edouardiennes de l'Universite Paul Valery 58 (2003): 35-45.
CABALLERO, Soledad. "Gothic Routes, or the Thrills of Ethnography: Francis Calderon de la Barca's Life in Mexico." (pp. 143-62) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
CAIN, Jimmie E. Bram Stoker and Russophobia: Evidence of the British Fear of Russia in Dracula and The Lady of the Shroud. Jefferson, NC: McFarland, 2006.
CAMDEN, Jennifer Bonnie. "The Other Woman: Secondary Heroines in the Nineteenth Century British and American Novel." Dissertation Abstracts International 66:5 (2005): 1760 (Ohio State University).
CAMERON. Ed. "Psychopathology and the Gothic Supernatural." Gothic Studies 5 (2003): 11-42.
CAMERON. Ed. “Matthew Lewis and the Gothic Horror of Obsessional Neurosis." Studies in Humanities 32 (2005): 168-200.
CANNON, Mercy. "Embodying Nature: Medicine, Law, and the Female Gothic." Dissertation Abstracts International 66:10 (2006): 3656 (University of Tennessee).
CARLSON, Julie A. "Baillie's Orra: Shrinking in Fear" (206-20). In Joanna Baillie, Romantic Dramatist: Critical Essays, ed. Thomas C. Crochunis. London: Routledge, 2004.
CARNEY. Mary. "Gothic Undercurrents in the Novels of Lewis Nordan." Southern Quarterly 41:3 (2003): 78-91.
CARSE. Wendy and Nicole Burkholder-Mosco. “'Wondrous material to play on': Children as Sites of Gothic Liminality in The Turn of the Screw. The Innocents. and The Others." Studies in the Humanities 32 (2005): 201-220.
CASTRICANO, Jodie. "The Haunting of Hill House and the Strange Question of Trans-Subjectivity." Gothic Studies 7 (2000): 87-101.
CHASE. Richard & David TEASLEY. "Little Red Riding Hood: Werewolf and Prostitute." Historian 57 (1995): 769-76.
CHATTERJEE. Ranita. "Sapphic Subjectivity and Gothic Desires in Eliza Fenwick's Secresy (1795)." Gothic Studies 6 (2004): 45-56.
CHELMINSKI. Rudy. "The Curse of Count Dracula." Smithsonian 34:1 (2003): 110-15.
CLABOUGH. Casey. "Appropriations of History, Gothicism, and Cthulhu: Fred Chappell's Dagon." Mosaic: A Journal for the Interdisciplinary Study of Literature 36:3 (2003): 37-53.
CLAUSSEN, Nils. "Degeneration, Fin de Siecle Gothic, and the Science of Detection: Arthur Conan Doyle's The Hound of the Baskervilles and the Emergence of the Modern Detective Story." Journal of Narrative Theory 35 (2005): 60-87.
CLAUSSEN. Nils. “The Case of the Anomalous Narrative: Gothic 'Surmise' and Trigometric 'Proof' in Arthur Conan Doyle's 'The Musgrave Ritual.'” Victorian Newsletter 107 (2005): 5-10.
CLAUSSON. Nils. "'Culture and Corruption': Paterian Self-Development Versus Gothic Degeneration in Oscar Wilde's The Picture of Dorian Gray." Papers on Language and Literature 39 (2003): 339-64.
CLOSE. Anne. "Notorious: Mary Robinson and the Gothic." Gothic Studies 6 (2004): 172-91.
COLOGNE-BROOKS, Gavin. Dark Eyes on America: The Novels of Joyce Carol Oates. Baton Rouge: Louisiana State University Press, 2005.
CONNELL.Philip. "British Identities and the Politics of Ancient Poetry in Later Eighteenth-Century England." The Historical Journal 49 (2006) 161-92.
CONRICH, Ian. "Kiwi Gothic: New Zealand's Cinema of a Perilous Paradise" (114-27). In Horror International, ed. Tony Williams. Detroit: Wayne State University Press, 2005.
CONTENTI. Alessandra. Fantasi e palazzi: Leggende gotiche metropolitane dai diari di Augustus Hare. Roma: Carocci, 2002.
COOPER, Andrew. "Gothic Threats: The Role of Danger in the Critical Evaluation of The Monk and The Mysteries of Udolpho." Gothic Studies 8 (2006): 18-34.
COOPER, Joanna. "Gothic Impurity: Race, Sex, and the Uncanny in American Literature, 1895-1905." Dissertation Abstracts International 66:5 (2005): 1766 (Temple University)
COOPER, Lawrence Andrew, Jr. "Gothic Realities: The Emergence of Cultural Forms Through Representations of the Unreal." Dissertation Abstracts International 66:1 (2005): 186 (Princeton University).
COPELAND. Edward. "Gothic Economics: The 1790s; Minerva Gothic; Genteel Gothic; Revisionist Gothic." (pp. 35-60). In Women Writing About Money: Women's Fiction in England, 1790-1820. Cambridge & New York: Cambridge University Press, 1995.
CORDOVA, Sarah Davies. "Gothic Moves? Stepping Out with the Devil in Romantic Ballet." Women in French Studies (2005): 19-30.
CORTI. Claudia. "'An Amphitheatrical Attack on the Bastille': Orrori gotici e terrori giocobinisulle scene del Romanticismo inglese" (91-108). In Il teatro della paura: Scenari gotici del romanticismo europeo. eds. Diego Saglia. Giovanna Silvani. Roma: Bulzoni. 2005.
CORTI. Claudia. “Il teatro di Matthew G. Lewis: è di scena il terrore” (77-90). In Il teatro della paura: Scenari gotici del romanticismo europeo. eds. Diego Saglia. Giovanna Silvani. Roma: Bulzoni. 2005.
COSS, David L. "Sutpen's Sentient House." Journal of the Fantastic in the Arts 15 (2005): 101-18.
COTTOM. Daniel. "I Think; Therefore, I am Heathcliff." ELH 70:4 (2003): 1067-88.
COX, Jeffrey N. “Baillie. Siddons. Larpent: Gender. Power. and Politics in the Theatre of Romanticism.” Women in British Romantic Theatre: Drama. Performance. and Society. 1790-1840. ed. Catherine Burroughs. Cambridge. UK: Cambridge University Press. 2000.
COYKENDALL, Abby. "Gothic Genealogies, the Family Romance, and Clara Reeve's The Old English Baron." Eighteenth Century Fiction 17 (2005): 443-80.
COYKENDALL, Abby. "Gothic Genealogies, the Family Romance, and Clara Reeve's The Old English Baron." Eighteenth Century Fiction 17 (2005): 443-80.
CRISMAN. William. "Romanticism Repays Gothicism: E.T.A. Hoffmann's 'Councilor Krespel' as a Recovery of Matthew G. Lewis' The Monk." Comparative Literature Studies 40 (2003): 311-28.
CROLEY. Laura Sagolla. "The Rhetoric of Reform in Stoker's Dracula: Depravity, Decline, and the Fin de Siècle 'Residuum.'" Criticism 37 (1995): 85-108.
DAVIS. Michael. "Gothic's Enigmatic Signifier: The Case of J. Sheridan Le Fanu's 'Carmilla.'" Gothic Studies 6 (2004):223-35.
DAVIS. Mike Lee. Reading the text that isn't there: Paranoia in the Nineteenth Century American Novel. New York: Routledge
DAVISON. Carol Margaret. "Haunted House/Haunted Heroine: Female Gothic Closets in 'The Yellow Wallpaper.'" Women's Studies: An Interdisciplinary Journal 33 (2004): 47-75.
DAVISON. Carol Margaret. Anti-Semitism and British Gothic Literature. New York: Palgrave Macmillan, 2004.
DAVISON. Carol. "The Ghost of Genres Past: Theorizing the Gothic in the Victorian Novel." (pp. 23-40). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
DAWES. James. "Fictional Feeling: Philosophy. Cognitive Science. and the American Gothic." American Literature 76 (2004): 437-66.
DAY. Aidan. Angela Carter: The Rational Glass. Manchester: Manchester University Press. 1998.
DEBENHAM. Helen. "The Victorian Sensation Novel." (pp. 209-22). In A Companion to the Victorian Novel, eds. William Baker & Kenneth Womack. Westport, CT: Greenwood Press, 2002
DEL PRINCIPE, David. "The Reality of Ugo Tarchetti's Gothic." Gothic Studies 98 (2006): 52-67.
DELAMOTTE, Eugenia. "White Terror, Black Dreams: Gothic Constructions of Race in the Nineteenth Century." (pp. 17-31) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
DELAMOTTE. Eugenia. "'Collusions of the Mystery': Ideology and the Gothic in Hagar's Daughter." Gothic Studies 6 (2004): 69-79.
DEMATA, Massimiliano. "Introduction: Italy and the Gothic." Gothic Studies 8 (2006): 1-8.
DERJANECZ. Agnes. Das Motiv des Doppelgängers in der Deutschen Romantik und im Russischen Realimus: E.T.A. Hoffmann. Chamisso. Dostojewskij. Marburg: Tctum Verlag. 2003.
DIAMOND, Jennifer. "Ivory Towers and Ivory Soap: Composition, Housewife Humor, and Domestic Gothic, 1940-1970." Dissertation Abstracts International 66:5 (2005): 1760 (Ohio State University).
DISCH, Thomas M. "Luncheon in the Sepulcher: Poe in the Gothic Tradition" (xxx). In On SF. Ann Arbor: University of Michigan Press, 2005.
DOLAN, Marc. "'Neither in nor out of Blackwood's': The Marketing of Edgar Allan Poe's Prose Address." Dissertation Abstracts International 65:12 (2005): City University of New York).
DOMINGUEZ-RUE. Emma. "Mad Women in the Drawing Room: Female Invalidism in Ellen Glasgow's Gothic Short Stories." Journal of American Studies 38 (2004): 425-38.
DRYDEN. Linda. "'City of Dreadful Night': Stevenson's Gothic London" (253-64). In Robert Louis Stevenson: Writer of Boundaries. ed. Richard Dury. Madison: University of Wisconsin Press. 2006.
DRYDEN. Linda. "'The Coming Terror': Wells's Outcast London and the Modern Gothic." (pp. 41-55). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
DUPEYRON-LAFAY, Françoise. L'Hybridation Génerique: Representations Gothiques et Fantastiquesdes Maisonset de la Ville dans la Fiction Realiste Victorienne. ????
DUROT-BOUCÉ, Elizabeth. Le Lierre et la chauve-souris; Réveils gothiques; Émergence du roman noir anglais 1764-1824. Paris: Sorbonne Nouvelle, 2004.
DUROT-BOUCÉ. Elizabeth. "Parodie. Burlesque. Pastiche: Décadence du Genre 'Gothique' des la Fin du Siècle XVIIIe?." Bulletin de la Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe Siècles 58 (2004): 199-215.
DUROT-BOUCÉ. Elizabeth. Le Lierre et la chauve-souris: Réveils gothiques: Émergence du roman noir anglais, 1764-1824, Preface by Maurice Levy. Paris: Presses Sorbonne Nouvelle, 2004.
DUSSAILLANT, Chantal. "Decadencia por Principio: Decadentismo en la Narrativa Hispanoamericana de fines del Siglo XIX y Comienzos del XX." Dissertation Abstracts International 65:12 (2005): 4580 (New York University).
EBERLE SINATRA, Michael. "Exploring Gothic Sexuality." Gothic Studies 7 (2005): 123-26.
EBERLE SINATRA, Michael. "Readings of Homosexuality in Mary Shelley's Frankenstein and Four Film Adaptations." Gothic Studies 7 (2005): 185-202.
EDGECOMBE. Rodney Stenning. "O'Connor's 'A Good Man Is Hard to Find.'" The Explicator 64:1 (2005): 56-58.
EDMOND. Murray. "How Gothic Is S/He? Three New Zealand Dramas." Australasian Drama Studies 44 (2004): 113-29.
EDWARDS, Justin. Gothic Canada: Reading the Spectre of a National Literature. Edmonton, AB: University of Alberta Press, 2005.
EDWARDS, Justin. Gothic Canada: Reading the Spectre of a National Literature. Edmonton: University of Alberta Press, 2005.
EGBERT. Marie-Luise. "The English Landscape Garden and the Romantic Era Novel: Changing Concepts of Space." Cardiff Crovey: Reading the Romantic Text 5 (Nov 2000). Online: Internet (1 June 2005): <http://www.cf.ac.uk/encap/corvey/articles/cco5_n01.html>.
ELBERT. Monika. "Wharton's Hybridization of Hawthorne's 'Brand' of Gothic: Gender Crossings in 'Ethan Brand" and "Bewitched.'" American Transcendental Quarterly 17 (2003): 221-41.
ELIA. Adriano. “Sublime and Word Painting in Ann Radcliffe's The Mysteries of Udolpho.” English Studies in Italy 18 (2005): 61-76.
EUDELINE, Patrick. Goths: Le Romantisme noir de Baudelaire a Marilyn Manson. Paris: Scali, 2005.
EVANS. Tim "A Last Defense Against the Dark: Folklore, Horror, and the Uses of Tradition in the Works of H.P. Lovecraft." Journal of Folklore Research 42 (2005): 99-135.
FAFLAK. Joe. "The clearest light of reason;' Making Sense of Hogg's Body of Evidence." Gothic Studies 5:1 (2003): 94-110.
FANGMANN, Cristina I. "Modos del Exceso en dos Escritores Argentinos de Siglo XX: Silvina Ocampo y Nestor Perlongher." Dissertation Abstracts International 65:12 (2005): 4580 (New York University).
FARESE, Carlotta. ""Rule, Kotzebue, then, and Britannia Rule!: Considerazioni sulla recezione dell'opera di August von Kotzebue in Inghilterra fra Sette e Ottocento" (47-59). In Il Teatro della paura: Scenari gotici del romanticismo europeo, eds. Diego Saglia, Giovanna Silvani. Roma: Bulzoni, 2005.
FERNANDEZ. Francisco. "Gothic Manifestations in Late Nineteenth- and Early Twentieth Century Spanish Writers." Dissertation Abstracts International 65:5 (2004): 1769 (Indiana University).
FITZGERALD. Lauren. "Crime. Punishment. Criticism: The Monk as Prolepsis." Gothic Studies 5:1 (2003): 43-54.
FITZGERALD. Lauren. "Female Gothic and the Institutionalization of Gothic Studies." Gothic Studies 6 (2004): 8-18.
FITZGERALD. Lauren. "The Gothic Villain and the Vilification of the Plagiarist: The Case of the Castle Spectre." Gothic Studies 7 (2005): 5-7.
FLASDIECK, Claudia. Die Rezeption der Gothic Novel in Ausgewählten Werken der Viktorianischen Literatur. Frankfurt: Peter Lang, 2005.
FORLINI. Stephania. "The Machinic-Human Body and Charlotte Mew's Aesthetic of (Dis)embodiment." Gothic Studies 5:1 (2003): 111-20.
FRANK. Frederick S. Guide to the Gothic III: An Annotated Bibliography of Criticism. 1994-2003. 2Vols. Lanham. MD. Toronto. Oxford: Scarecrow Press. 2005.
FRANK. Frederick S. The Origins of the Modern Study of Gothic Drama, Together with a Re-Edition of Gothic Drama from Walpole to Shelley (1947) by Bertrand Evans. Lewiston, NY: Edwin Mellen Press, 2006.
FRANK. Marcie. "Horace Walpole's Family Romances." Modern Philology 100 (2003): 417-35.
FREEMAN, Nick. "'A decadent appetite for the lurid': James Herbert, The Spear, and 'Nazi Gothic.'" Gothic Studies 8 (2006): 80-97.
FRY. Carol. "'Unfit for Earth, Undoomed for Heaven': The Genesis of Coppola's Byronic Dracula." Literature/Film Quarterly 30 (2002): 271-78.
GALLAGHER. Sharon May. "Three Nineteenth Century Irish Novelists, Their Gothic Myth, and National Literature: Charles Robert Maturin, Joseph Sheridan Le Fanu, and Bram Stoker." Dissertation Abstracts International 65:1 (2004): 151 (Indiana University of Pennsylvania).
GAMBLE. Sarah. The Fiction of Angela Carter. Basingstoke. UK: Palgrave Macmillan. 2002.
GIBBONS, Luke. Gaelic Gothic: Race, Colonization, and Irish Culture. Galway, Ireland: Arlen House, 2004.
GIBBONS. Luke. "Ireland. America. and Gothic Memory: Terror in the Early Republic." Boundary 31 (2004): 25-47.
GIBSON. Matthew. "Bram Stoker and the Treaty of Berlin (1878)." Gothic Studies 6 (2004): 236-51.
GIES. David T. "Larra. La Galeria funebre y el gusto por lo gotico." (pp. 60-68). In Romanticismo 3-4: Atti del IV Congresso sul Romanticismo Spagnolo e Ispanoamericano. ed. Ermanno Caldera. Genoa: Biblioteca di Lett.. 1988.
GLEIBERMAN. Owen. "This Gothic Thriller Takes a Rural Route to Suspense." Entertainment Weekly 29 October 2004: 49.
GOH. Robbie B. "(M)othering the Nation: Guilt. Sexuality. and the Commercial State in Coleridge's Gothic Poetry." Journal of Narrative Theory 33 (2003): 270-91.
GOLDEN. Catherine J. The Yellow Wallpaper: A Source Book and Critical Edition. New York: Routledge. 2004.
GOMEL. Elana. "The Picture of Dorian Gray and the (Un)Death of the Author." Narrative 12 (2004): 74-92.
GONZALEZ, Tanya. "Murders, Madness, Monsters: Latina/o Gothic in the U.S.A." Dissertation Abstracts International 65:8 (2005): 2988-89 (University of California, Riverside).
GRAHAM, Kenneth W. "Perverse Interactions of the Gothic, Enlightened, and Oriental: William Beckford's Vathek with the Episodes of Vathek." (pp. 119-30) In William Beckford and the New Millennium, eds. Kenneth W. Graham & Kevin Berland. New York: AMS Press, 2004.
GRAHAM, Kenneth W. & Kevin BERLAND, eds. William Beckford and the New Millennium. AMS Press: New York, 2004.
GRAHAM, Kenneth W. “'Painting the Eyes of the Circassians': Samuel Henley's Mistranslations in Vathek.” English Studies in Italy 18 (2005): 173-88.
GRAMLICH, Charles A. "Robert E. Howard in the Gothic Tradition." Dark Man: The Journal of Robert E. Howard Studies 8 (2004): 13-24.
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JUÁREZ, Leonor. "Ghostly Traces: Gender and Genre in the Popular Gothic Fiction of Early Nineteenth-Century Spain." Dissertation Abstracts International 66:3 (2005): 986 (University of Miami).
KAFER. Peter. Charles Brockden Brown's Revolution. Philadelphia: University of Pennsylvania Press. 2004.
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