Updated:03/31/07
Number of Entries: 6,152

AARON. Jane. “The Return of the Repressed: Reading Mary Shelley’s The Last Man” (pp. 9-21). In Feminist Criticism: Theory and Practice. ed. Susan Sellers. Linda Hutcheon. and Paul Perron. Toronto: Toronto University Press. 1991.
ABADI. Nagy Zoltan. “Gothic Fiction.” Hungarian Journal of English and American Studies 6 (2000): 145-96.
ABARTIS. Cæsarea. “Ugly-Pretty. Dull-Bright. Weak-Strong Girl in the Gothic Mansion.” [GGI: 2239].
ABBI-EZZI. Nathalie. The Double in the Fictions of R.L. Stevenson. Wilkie Collins. and Daphne du Maurier. Frankfurt am Main & New York: Peter Lang. 2003.
ABDULATIEF. Soraya. “Of Pain or Pleasure: The Construction of Women as Sado-Masochistic Subjects in Radcliffe’s The Mysteries of Udolpho” (pp. 6-14). In Inter Action. eds. Loes Nas and Lesley Marx. Capetown. South Africa: Department of English. University
ABENSOUR. Liliane and Françoise CHARRAS. Romantisme Noir. Paris: Herne, 1978. [GGII: 0037].
ABENSOUR. Liliane. “Limites––non frontières d‘une oeuvre: Le Moine de M.G. Lewis.” [GGII: 0310].
ABREU. John Warren. “Philosophy into Fiction: The Novels of William Godwin.” [GGI: 0608].
ACCETTA. Michael Angelo. “Gothic Elements in the Early American Novel.” [GGI: 1299].
ACHILLES. Jochen. “Composite Dis(Order): Cultural Identity in Wieland. Edgar Huntly. and Arthur Gordon Pym.” 1650-1850: Ideas. Æsthetics. and Inquiries in the Early Modern Era 3 (1997): 251-69.
ACHILLES. Jochen. “Fantasy as Psychological Necessity: Sheridan Le Fanu’s Fiction” (pp. 150-68). In Gothick Origins and Innovations. eds. Victor Sage and Allan Lloyd Smith. Amsterdam; Atlanta. Georgia: Rodopi; Costerus New Series 91. 1994.
ACHILLES. Jochen. Sheridan Le Fanu und die schauerromantische tradition: Zur Psychologischen funktion der motrivik von sensationsroman und geister ge-schichte. [GGII: 0679].
ACKERMAN. Forrest J. The Frankenscience Monster. [GGI: 2449].
ADAIR. Gerald M. “Feasting with Banquo: The Ghost Stories of Fritz Leiber.” Master’s Thesis. Florida Atlantic University. 2000.
ADAMS. Donald K. “Introduction.” To The Vampyre. [GGI: 0967].
ADAMS. Donald K. “The Second Mrs. Radcliffe.” [GGI: 1016].
ADAMS. Harriet Farwell. “Domesticating the Brutal Passion in Nineteenth Century Fiction.” [GGII: 0396].
ADDISON. Agnes. Romanticism and the Gothic Revival. [GGI: 2018].
ADELMAN. Gary. “Possession and Gothic Horror: David Storey’s Use of The Idiot in Radcliffe.” Journal of Modern Literature 24:1 (2000): 181-88.
ADELSPERGER. Walter Charles. “Aspects of Staging of Plays of the Gothic Revival in England.” [GGI: 1053].
ADICKES. Sandra Elaine. “The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution.” [GGI: 0390].
ADICKES. Sandra Elaine. The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution. [GGII: 0238].
ADSHEAD. David. “The Design and Building of the Gothic Folly at Wimpole. Cambridgeshire.” The Burlington Magazine 140:1139 (February 1998): 76-84.
AGNEW. Jennifer Marie. “‘Trying to Name the Unspeakable’: Narrating Identity in Turn-of-the-Twentieth-Century Gothic Fiction.” Dissertation Abstracts International 62:5 (2001): 1831 (Saint Louis University).
AGUIRRE. Manuel. “Narrative Structure. Liminality. Self-Liminality: The Case of Gothic Fiction” (pp. 133-51). In A Place That Is Not a Place: Essays in Liminality and Text. ed. Isabel Soto. Madrid. Spain: Publisher not indicated 2000.
AGUIRRE. Manuel. “The Roots of the Symbolic Role of Woman in Gothic Literature” (pp. 57-63). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Villani. Peter Davidson. and Jane Stevenson. Amsterdam: Rodopi
AGUIRRE. Manuel. The Closed Space: Horror Literature and Western Symbolism. Manchester, UK & New York: Manchester University Press, 1990. [GGII: 0038].
AHERN. Stephen “Between duty and desire: Sentimental Agency in British Prose Fiction of the Later Eighteenth Century.” Dissertation Abstracts International 61:6 (1999): 246 (McGill University).
AHERN. Stephen. "????." (pp. ????). In Affected Sensibilities: Romantic Excess and the Evolution of the Novel, 1680-1810. New York: AMS Press, 2004.
AHLBRAND. Sheila. “Author and Editor: Mary Shelley’s Private Writings and the Author Function of Percy Bysshe Shelley” (pp. 35-61). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. ed
AHLSTROM. Helen. “The Gothic Novel: Criticism and Theory (1764-1832).” Master‘s Thesis. Northwestern University. 1929.
AIKEN. Susan Hardy. “Gothic Cryptographies” (pp. 67-83). In Isak Dinesen and the Engendering of Narrative. Chicago: University of Chicago Press. 1990.
AINO. Tsuyoshi. “Du château a l‘hôtel; Proceedings of the XVIIIth Congress of the International Comparative Literature Association.” 200-09 in The Force of Vision II; Visions in History; Visions of the Other. eds. Toru Haga. Gerald Gillespie. Margaret Hig
AIRAKSINEN. Timo. The Philosophy of H.P. Lovecraft: The Route to Horror. New York: Peter Lang. 1999.
AKERVIK. Caroline Isabelle. “The Gothic Monster: Exploring Victorian Fin de Siècle Fears.” Master’s Thesis. University of Wisconsin-Eau Claire. 1999.
AKIYAMA. Masayuki. “James and Nanboku: A Comparative Study of Supernatural Stories in the West and East.” [GGII: 0982].
ALAKI. Ahlam. “Potocki’s Gothic Arabesque: Embedded Narrative and the Treatment of Boundaries in The Manuscript Found in Saragossa” (pp. 183-203). In European Gothic: A Spirited Exchange 1760-1960. ed. Avril Horner. Manchester and New York: Manchester Uni
ALAMOUDI. Carmen. “Un Sourire dechire: L‘Ironie dans le Vathek de Beckford.” Eighteenth-Century Fiction 8 (1996): 401-14. [A lacerating smile: Irony in Beckford’s Vathek]
ALBERT. Lauren Gale. “The Friction of Experience: Community and Understanding in the Novels of Charles Brockden Brown.” Dissertation Abstracts International 61:2 (2000): 606 (City University of New York).
ALBERT. Walter and Doug HIGHSMITH. “Fantasy and Horror Art and Illustration” (pp. 573-618). In Fantasy and Horror: A Critical and Historical Guide to Literature. Illustration. Film. TV. Radio. and the Internet. ed. Neil Barron. Lanham. MD: Scarecrow Press. 1999.
ALBERTAZZI. Silvia. “Figurazinoni oniriche nel romance ‘Italiano‘ di Radcliffe.” [GGI: 0391].
ALBERTAZZI. Silvia. “Letteratura e cinema: David Cronenberg dagli incubi del gotico inglese ai disagi dell’eta postcoloniale.” Problemi: Periodico Quadrimestrale di Cultura 103 (1995): 234-41. [Literature and Cinema: David Cronenberg from the Incubi of th
ALBERTAZZI. Silvia. Il sogno gotico: fantasia onirica e coscienza femminile da Horace Walpole a Charlotte Brontë. Imola: Biblioteca di Spicilegio moderno. Galeati. 1980. [The Gothic dream: Oneiric fantasy and feminine conscience from Horace Walpole to Cha
ALBRIGHT, Richard. "No Time Like the Present: The Mysteries of Udolpho." Journal for Early Modern Cultural Studies 5 (2005): 49-75.
ALBRIGHT. Richard Sheldon. “Writing the Past. Writing the Future: Time and narrative in Gothic and Sensation Fiction.” Dissertation Abstracts International 63:4 (2002): 1350. (Lehigh University).
ALDISS. Brian W. “Introduction” (pp. vi-xi). To The Last Man. Lincoln: University of Nebraska Press. 1965.
ALDISS. Brian W. “Mary Wollstonecraft Shelley. 1797-1851.” In Science Fiction Writers: Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. [GGII: 0397].
ALDRIDGE. A. Owen. “The Vampire Theme: Dumas Père and the English Stage.” [GGI: 2316].
ALEGRE. Sara Martin. “Idolos del fantastico popular: el gotico cotidiano de Stephen King y la satira pseudohistorica de Terry Pratchett.” Lo Fantastico literatura y subversion: Quimera. Revista de literatura 218-219 (2002): 87-99. [Idols of the Popular Fa
ALEXANDER. Boyd. “The Decay of Beckford’s Genius.” In William Beckford of Fonthill. 1760-1844: Bicentenary Essays. [GGI: 0282].
ALEXANDER. Boyd. “William Beckford of Fonthill.” [GGI: 0283].
ALEXANDER. Boyd. “William Beckford: Man of Taste.” [GGI: 0281].
ALEXANDER. Boyd. England’s Wealthiest Son: A Study of William Beckford. [GGI: 0284].
ALEXANDER. Bryan. "The Blair Witch Project: Expulsion from Adulthood and Versions of American Gothic." (pp. 145-61). In Nothing That Is: Millennial Cinema and the Blair Witch Controversies, eds. Sarah L. Higley, Jeffrey Andrew Weinstock. Detroit: Wayne State University Press, 2004.
ALEXANDER. Bryan. “Dracula and the Gothic Im-agination of War.” Journal of Dracula Studies 3 (2002): 15-23.
ALEXANDER. Christine. “‘That Kingdom of Gloom’: Charlotte Brontë. the Annuals. and the Gothic.” Nineteenth-Century Literature 47 (1993): 409-38.
ALEXANDER. Meena. “Femininity and Betrayal: The Last Man” and “Confronting Chaos: Mary Shelley’s The Last Man” (pp. 155-60. 185-91). In Women in Romanticism: Mary Wollstonecraft. Dorothy Wordsworth. and Mary Shelley. Savage. MD: Barnes and Noble. 1989.
ALLARD. James. Robert. “Spectres. Spectators. Spectacles: Matthew Lewis’s The Castle Spectre.” Gothic Studies 3 (2001): 246-61.
ALLEN. Brooke. “A Universal Region: The Fiction of Eudora Welty.” The New Criterion 18:2 (1999): 35-41.
ALLEN. Bruce. “Delight and Terror.” [GGI: 1516].
ALLEN. Dennis W. “Horror and Perverse Delight: Faulkner’s ‘A Rose for Emily.’” [GGII: 1061].
ALLEN. Jeanne. “Harlequins. Gothics. and Soap Operas: Addressing Needs and Masking Fears.” [GGII: 14-32].
ALLEN. M.L. “The Black Veil: Three Versions of a Symbol.” [GGI: 1639].
ALLEN. Michael. Poe and the British Magazine Tradition. [GGI: 1517].
ALLEN. Virginia M. “Romantic Ballad and Gothic Plot.” In The Femme Fatale: Erotic Icon. [GGII: 1464].
ALLIATA.  Michela Vanon. “The Vertigo and the Abyss: Brown’s Internalization of Gothic in Wieland and Edgar Huntley." (pp. ????). In America Today: Highways and Labyrinths, ed. Gigliola Nocera. Grafià, Siracusa, Italy: Italy Publication, 2003.
ALLISTON. April. “Introduction” (pp. lx-xliv). To The Recess. A Tale of Other Times. ed. April Alliston. Lexington: University Press of Kentucky. 2000.
ALLISTON. April. “Secret Communications; or. Faults of Transmission” (pp. 148-87). In Correspondences in Eighteenth-Century British and French Women’s Fiction. Stanford. CA: Stanford University Press. 1996.
ALMER. Johan. Variation på götiskt tema: En studie i C.J.L. Almqvists “Sviavigamal.” Göteborg: Litteraturvetenskapliga institutionen. Göteborgs universitet. 2000. [Variation on a Gothic Theme: A Study in C.J.L. Almqvists “Sviavigamal”.]
ALMIRALL. Catherine L. “Smollett’s ‘Gothic’: An Illustration.” [GGI: 2137].
ALSOWAIFIN. Sabah Habes. “Qasim’s Short Stories: An Example of Arabic Supernatural/Ghost/Horror Story.” Dissertation Abstracts International 62:5 (2001): 1854 (University of Alberta).
ALTOMARI. Lisa. “Monstrous Dialogue: Ann Radcliffe and Matthew G. Lewis.” Dissertation Abstracts International 61:4 (2000): 1415 (New York University).
ALVAREZ. Villar Alfonso. “Análisis temático de la literatura terrifica.” Arbor 78 (1971): 331-42. [Thematic a-nalysis of terror literature].
ALWES. Karla. “The Alienation of Family in Mary Shelley’s Frankenstein” (pp. 109-19). In Jane Austen and Mary Shelley. and their Sisters. ed. Laura Dabundo. Lanham. MD: University Press of America. 2000.
AL-ZUBI. Hasan Abdallah. “Realistic and Naturalistic Representation in Henry James’s Fiction.” Dissertation Abstracts International 59:2 (1998): 486A (Indiana University).
AMERY. Francis. “CAZOTTE. Jacques (1719-1792)” (pp. 663-64). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMERY. Francis. “LEROUX. Gaston (1868-1927)” (pp. 672-73). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMERY. Francis. “VILLIERS DE L’ISLE ADAM. (Jean Marie-Mathias-Philippe-Auguste) Comte de” (pp. 682-83). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMES. Diane S. “Strawberry Hill: Architecture of the ‘as if.’” Studies in Eighteenth Century Culture 8 (1979): 353-63.
AMFREVILLE. Marc. “Charles Brockden Brown et Edgar Allan Poe: Transformations and Anamorphoses: Figures de la littérature américaine.” Imaginaires: Revue du Centre de Recherchesur l’imaginaire dans les Littératures de Langue An-glaise 4 (1999): 163-74.
AMFREVILLE. Marc. “L’ecriture de la subjectivite” (pp. 47-66). In Profils Americains II. eds. Marc Amfreville and Françoise Charras. Montpelier: Université de Paul Valery. 1999. [Writer of Subjectivity].
AMFREVILLE. Marc. “The House of the Seven Gables: Une Tragedie gothique.” Revue Française d’Études Américaines 83 (2000): 113-28. [The House of the Seven Gables: A Gothic Tragedy].
AMFREVILLE. Marc. “Wieland ou la transformation” (pp. 154-62). In Le Roman noir anglais dit gothique. ed. Max Duperray. Paris: Ellipses. 2000.
AMFREVILLE. Marc. Charles Brockden Brown: La part du doute. Paris: Belin. 2000. [Charles Brockden Brown: The Role of Doubt].
AMICOLA. José. La Batalla de los géneros: Novela gótica versus novela de educación. Rosario, Argentina: Viterbo, 2003.
AMIGONI. David. "Gothic Choirs and Gothic Fictions: Habitus, Moral Space, and Identity in the Autobiographies of Ruskin and Newman." (pp. 231-46). In Mapping the Self: Space, Identity, Discourse in British Auto/Biography, ed. Frédéric Regard, preface Geoffrey Wall. Saint Etienne, France: Université de Saint Etienne, 2003.
AMIS. Kingsley. “Dracula. Frankenstein. Sons and Co.” In What Became of Jane Austen? And Other Questions. [GGI: 2450].
AMPER. Susan. “Masters of Deceit: Poe’s Lying Narrators.”  Dissertation  Abstracts  International  62:1 (2001): 169 (Fordham University).
ANCUTA. Katarzyna. Where Angels Fear to Hover: Between the Gothic Disease and the Metaphysics of Horror. Frankfurt am Main: Peter Lang. 2006.
ANDERSEN. Jorgen. “Giant Dreams: Piranesi’s Influence in England.” [GGI: 0285].
ANDERSEN. Jorgen. “Giant Dreams: Piranesi’s Influence in England.” [GGI: 0285].
ANDERSON. Bonnie. “The Writings of Catherine Gore.” Journal of Popular Culture 10 (1976): 404-23. Details the life of the novelist and playwright Catherine Grace Frances Gore. Her best known novel is Cecil; or. The Adventures of a Coxcomb and her best kno
ANDERSON. Carol. “Emma Tennant. Elspeth Barker. Alice Thompson: Gothic Revisited” (pp. 117-30). In Contemporary Scottish Women Writers. eds. Aileen Christianson and Alison Lumsden. Edinburgh: Edinburgh University Press. 2000.
ANDERSON. Douglas. “Edgar Huntly’s Dark Inheritance.” Philological Quarterly 70 (1991): 453-73.
ANDERSON. George K. “The Neoclassical Chronicle of the Wandering Jew.” [GGI: 2302A].
ANDERSON. George K. “The Wandering Jew Returns to England.” [GGI: 2302]
ANDERSON. George K. The Legend of the Wandering Jew. [GGI: 2303].
ANDERSON. Howard. “Gothic Heroes.” In The English Hero. 1660-1800. ed. Robert Folkenflik. Newark: Delaware University Press. 1982: 205-21. [GGII: 0039].
ANDERSON. Howard. “Introduction.” To The Monk. [GGI: 0531].
ANDERSON. Howard. “The Manuscript of M.G. Lewis’s The Monk: Some Preliminary Notes.” [GGI: 0530].
ANDERSON. James. “Morality in the Horror Fiction of Stephen King.” Studies in Weird Fiction 22 (1998: 29-33.
ANDERSON. Kenneth Mark. “The Foreign Relations of the Family State: The Empire of Ethics. Æsthetics. and Evolution in Meiji Japan.” Dissertation Abstracts International 60:4 (1999): 1139 (Cornell University).
ANDERSON. Linda. “‘OH DEAR JESUS. IT IS FEMALE’: Monster as Mother/Mother as Monster in Stephen King’s It” (pp. 111-25). In Imagining the Worst: Stephen King and the Representation of Women. eds. Theresa Thompson and Kathleen Margaret Lant. Westport. CT:
ANDERSON. Mark. "The Shadow of the Modern: Gothic Ghosts in Stoker's Dracula." (pp. 382-98). In Literary Paternity: Literary Friendship. ed. Gerhard Richter. Chapel Hill. NC: University of North Carolina Press. 2002.
ANDERSON. Robert. “‘Ruinous Mixture’: Godwin Enclosure and the Associated Self.” Studies in Romanticism 39 (2000): 617-45.
ANDERSON. Walter E. “From Northanger Abbey to Woodston: Catherine’s Education to Common Life.” [GGII: 0615].
ANDOLA. John Anthony. “Nathaniel Hawthorne’s Use of Mesmerism in Four Major Works.” [GGI: 1640].
ANDREAS. James. “‘If It’s a Symbol. the Hell with It’: The Medieval Gothic Style of Flannery O’Connor.” [GGII: 1091].
ANDREW. R.V. Wilkie Collins: A Critical Survey of his Prose Fiction with a Bibliography. New York: Garland Publishing. 1979.
ANDREWS. Jennifer. “Native Canadian Gothic Refigured: Reading Eden Robinson’s ‘Monkey Beach.’” Essays on Canadian Writing 73 (2001): 1-24.
ANDREWS. S.G. “The Wandering Jew and The Tra-vels and Adventures of James Massey. [GGI: 2304].
ANDREWS. William L. The Literary Career of Charles W. Chesnutt. [GGI: 1722].
ANDRIANO. Joseph D. “Our Ladies of Darkness: Jungian Readings of the Female Daimon in Gothic Fiction.” Dissertation Abstracts International 47 (1986): 2150A (Washington State University). [GGII: 0040].
ANDRIANO. Joseph D. Our Ladies of Darkness: Feminine Dæmonology in Male Gothic Fiction. [GGII: 0041].
ANDRIANO. Joseph. “‘Our Dual Existence’: Archetypes of Love and Death in Le Fanu’s ‘Carmilla’” (pp. 49-55). In Contours of the Fantastic: Selected Essays from the Eighth International Conference on the Fantastic in the Arts. ed. Michele K. Langford. Westp
ANDRIOPOULOS. Stefan. “The Invisible Hand: Supernatural Agency in Political Economy and the Gothic Novel.” ELH 66 (1999): 739-58. Links the Gothic novel to Adam‘s Smith‘s The Wealth of Nations (1776).
ANDRZEJEWSKI. Gregory Scott. “Sibling Incest: “Revolution” and “Narcissism“ in Selected Romantic and Gothic works.” B.A. Honors Thesis. Albion College. 1994.
ANGENOT. Marc. La Littérature populaire française au dix-neuvième siècle.” [GGII: 1283].
ANGLO. Michael. “Gothic Foundations” (pp. 67-91). In Penny Dreadfuls and Other Victorian Horrors. London: Jupiter, 1978 [GGI: 0039].
ANIEVAS GAMALLO. Isabel C. “Motherhood and the Fear of the Other: Magic. Fable. and the Gothic in Doris Lessing’s The Fifth Child” (pp. 113-24). In Theme Parks. Rainforests. and Sprouting Wastelands: European Essays on Theory and Performance in Contempora
ANOLIK, Ruth Bienstock & Douglas HOWARD, eds. The Gothic Other: Racial and Social Constructions in the Literary Imagination. Jefferson, NC: McFarland, 2004.
ANOLIK, Ruth Bienstock. "The Infamous Svengali: George du Maurier's Satanic Jew." (pp. 163-93) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "Introduction: The Dark Unknown" (pp.1-14). In The Gothic Other: Racial and Social Constructions in the Literary Imagination., eds. Ruth Bienstock Anolik & Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "The Missing Mother: The Meanings of Maternal Absence in the Gothic Mode." Modern Language Studies 33:1-2 (2003): 24-43.
ANSPAUGH. Kelly. “‘Three Mortal Hour[i]s’: Female Gothic in Joyce’s ‘The Dead.’” [GGII: 1368].
ANTHONY. David. "Banking on Emotion: Financial Panic and the Logic of Male Submission in the Jacksonian Gothic." American Literature 76 (2004): 719-48.
ANTHONY. David. "'Gone Distracted': 'Sleepy Hollow,' Gothic Masculinity and the Panic of 1819." Early American Literature 40 (2005): 111-44.
ANTHONY. M. Susan. “‘Some Deed of  Dreadful Note’: Productions of Gothic Dramas in the United States. 1790 to 1830.” Dissertation Abstracts International 58:9 (1998): 3366A (University of Maryland).
ANTHONY. M. Susan. “Made in America: Adaptations of British Gothic Plays for the American Stage.” Journal of American Drama and Theatre 8:3 (1996): 19-34.
ANTIPPAS. Andy. “The Structure of Shelley’s St. Irvyne: Parallelism and the Gothic Mode of Evil.” [GGI: 0672].
ANTOR. Heinz. “Unreliable Narration and (Dis)ori-entation in the Postmodern Neo-Gothic Novel: Reflections on Patrick McGrath’s The Grotesque." Miscelanea: A Journal of English and American Studies 24 (2001): 1137; Reprinted (pp. 357-82). In Erzahlen und Erzahlentheorie im 20. Jahrhundert: Festshrift für Wilhelm Fuger. ed.  Jorg Helbig.
APPEL. Alfred. “The Grotesque and the Gothic.” In A Season of Dreams: The Fiction of Eudora Welty. [GGII: 1220].
ARAKI.  James T.  “A  Critical  Approach  to  the  Ugetsu Monagatari.” Monumenta Nipponica 22:1-2 (1967): 49-64.
ARATA. S.D. “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization.” [GGII: 0708].
ARATA. Stephen. “Scott’s Pageants: The Example of Kenilworth.” Studies in Romanticism 40 (2001): 99-107.
ARMITAGE. Shelley S. “The Dragon’s Black Breath: Evil and Moral Vision in the New Gothic Novel.” Master’s Thesis. Texas Tech University. 1971.
ARMITT. Lucy J. “Ghosts and Hauntings in the Victorian Novel” (pp. 151-61). In A Companion to the Victorian Novel. eds. William Baker. Kenneth Womack. Westport. CT: Greenwood Press. 2002.
ARMOUR. Richard W. “The Caliph of Fonthill.” [GGI: 0286].
ARMSTRONG. Neil. "'Gothic Going Mad': Aspects of Christmas Church Decoration in the Nineteenth Century." (pp. 3-11). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
ARNAUD. Pierre. “Au Service du Lucifer: Le Diable. la magie. et le pacte dans Le Moine de Lewis.” In Maître et Serviteur dans le monde anglo-américain des XVIIe et XVIIIe siècles. [GGII: 0312].
ARNAUD. Pierre. “Crime et châtiment dans le roman romantique” (pp. 165-71). In La Mort. le fantastique. le surnaturel du XVIe siècle a l‘epoque romantique, ed. Michele Plaisant. Villeneuve d'Ascq: Universite de Lille, 1981.. [GGI: 0040]. Reprinted (pp. 62-68). In Le Roman noir anglais dit gothique. ed. Max Duperray. Paris: Ellipses. 20
ARNAUD. Pierre. “Le Double dans le roman go-thique: The Monk de Matthew Greogory Lewis.” In Le Double dans le romantisme anglo-américain. [GGII: 0311].
ARNAUD. Pierre. “Le Roman Gothique et l‘Avéne-ment de Femme Moderne.” Bulletin de la Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe Siècles 20 (1985): 167-84.
ARNAUD. Pierre. “The Gothic Novel” (pp. 123-28). In  A Handbook to English Romanticism. eds. Jean Raimond and J.R. Watson. New York: St. Martin‘s. 1992.
ARNAUD. Pierre. “Un Document inédit: Le Contrat de Mysteries of Udolpho.” [GGI: 0393].
ARNAUD. Pierre. “William Godwin: Caleb Williams: Bibliographie sélective et critique.” [GGI: 0609].
ARNAUD. Pierre. Ann Radcliffe et le fantastique: Essai in psychobiographie. [GGI: 0394].
ARNAUD. Pierre. Les Jardins dans les romans de Mrs. Radcliffe.” In Autour de l‘idée et civilisation: Pédagogie de livers. [GGII: 0239].
ARNOLD DE SIMNE, Silke. "'Denn das Haus, Was Wir Bewohnen...ist ein Spukhaus': Fontane's 'Effi Briest' und Fassbinder's Verfilmung in der Tradition des Female Gothic." Germanic Review 79 (2004): 83-113.
ARNOLD DE SIMNE. Silke. “Die Lust an der Angst: Zur Schauerliteratur von Autorinnen um 1800” (pp. 55-79). In Geschlecht Literatur Geschichte. ed. Gudrun Loster Schneider. St. Ingebert. Germany: Rohrig. 1999. [Desire and Fear: On the Shudder Literature of
ARNOLD. Donna. “Frankenstein’s Monster: Paragon or Paranoic?“ [GGI: 0698].
ARNOLD. Ellen. “Deconstructing the Patriarchal Palace: Ann Radcliffe’s Poetry in The Mysteries of Udolpho.” Women and Language 19:2 (1996): 21-29.
ARNZEN. Michael Andrew. “The Popular Uncanny.”  Dissertation  Abstracts  International 60:8 (2000): 2985 (University of Oregon).
ARTER. Janice. Feminist Reflections on Stoker’s He-roines. [GGII: 0709].
ARVIN. Newton. “Melville and the Gothic Novel.” [GGI: 1690].
ASH. RUSSELL. “Introduction.” To The Vampyre. [GGI: 0968].
ASHLEY.  Mike.  “Hoffmann.  E(rnst)  T(heodor)  A(madeus) 1776-1822” (pp. 668-69). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Michael. “Introduction.” To Mrs. Gaskell’s Tales of Mystery and Horror. [GGII: 0777].
ASHLEY. Mike. “BLACKWOOD. Algernon (Henry)” (pp. 59-62). In St. James Guide to Horror. Ghost. and Gothic Writers. ed.  David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “BRADDON. M(ary) E(lizabeth)”  (pp. 80-83). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/ Gale. 1998.
ASHLEY. Mike. “HUNT. (Isobel) Violet” (pp. 285-87). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “LE FANU. J(oseph) Sheridan” (pp. 356-58). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “LEWIS. M(atthew) G(regory)” (pp. 364-66). In St. James Guide to Horror. Gothic. and Ghost Writers. ed. David Pringle. Detroit and New York:  St. James Press. 1998.
ASHLEY. Mike. “PREST. Thomas Peckett” (pp. 459-61). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “RIDDELL. Mrs. J.H.” (pp. 478-80). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “Walpole. Horace” (pp. 615-17). In St. James Guide to Horror. Gothic. and Ghost Writers. ed. David Pringle. Detroit and New York: St. James Press. 1998.
ASHLEY. Mike. “WHARTON. Edith (Newbold)” pp. (635-37). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/ Gale. 1998.
ASHLEY. Mike."Reference Sources--Biography. Autobiogra­phy. and Bibliography. Criticism. Indexes. and General Reference. Periodicals. Societies. and Organizations. Awards. and Research Collections." (pp. 455-500). In Horror Literature: A Core Collection and Refer­_ence Guide. ed. Marshall B. Tymn. New York: R. R. Bowker. 1981.
ASTBURY. Katherine. “The Marquis de Sade and the Sentimental Tale: Les Crimes de l’amour as a Subversion of Sensibility.” Australian Journal of French Studies 39 (2002): 47-59.
ASTLE. Richard S. “Dracula as Totemic Monster: Lacan. Freud. Oedipus and History.” [GGI: 1214].
ASTLE. Richard S. “Ontological Ambiguity and His-torical Pessimism in Polidori’s ‘The Vampyre.’” [GGI: 0969].
ASTLE. Richard Sharp. “Structures of Ideology in the English Gothic Novel.” Dissertation Abstracts International 38 (1978): 5490A (University of California at San Diego). [GGI: 0041].
ASTLE. Richard. “Melmoth the Wanderer.” In Survey of Modern Fantasy Literature. [GGII: 0553].
ATKINSON. F.G. "Introduction." To Nocturnal Vis-it. [GGI: 1001].
ATWOOD. Margaret. “Canadian Monsters: Some Aspects of the Supernatural in Canadian Fiction.” In The Canadian Imagination: Dimensions of a Literary Culture. [GGI: 1289].
ATWOOD. Margaret. Strange Things: The Malevolent North in Canadian Literature. Oxford. UK and New York: Clarendon Press; Oxford University Press. 1995.
AUBIN. Robert A. “Grottoes. Geology. and the Gothic Revival.” [GGI: 2021].
AUBIN. Robert A. “Some Augustan Gothicists.” [GGI: 1995].
AUBIN. Robert. “Three Notes on Graveyard Poetry.” [GGI: 19-96].
AUERBACH. Nina. “Dracula Keeps Rising from the Grave” (pp. 23-27). In Dracula: The Shade and the Shadow: A Critical Anthology. ed.  Elizabeth Miller. Westcliffe-on-sea. Essex. UK: Desert Island Books. 1998. On the television adaptation by Gabrielle Beaumo
AUERBACH. Nina. “Jane Austen and Romantic Imprisonment.” In Jane Austen in a Social Context. [GGI: 09-74].
AUERBACH. Nina. “My Vampire. My Friend: The Intimacy Dracula Destroyed” (pp. 11-16). In Blood Read: The Vampire as Metaphor in Contemporary Literature. eds. Joan Gordon. Veronica Hollinger. Brian Aldiss. Philadelphia: University of Pennsylvania Press. 199
AUERBACH. Nina. “The Power of Hunger: Demon-ism and Maggie Tulliver.” [GGI: 2156].
AUFFRET-BOUCÉ. Héléne. “Contraintes et libertés du désir dans The Castle of Otranto d‘Horace Walpole.” [GGII: 0174].
AUFFRET-BOUCÉ. Helene. “Rebecca ou ‘le péril en la demeure.’” Caliban 33 (1996): 93-10. [Rebecca or the peril of the home].
AUGUSTIN, Sabine. “Ann Radcliffe: The Mysteries of Udolpho” (XXXX). In Eighteenth-Century Female Voices: Education and the Novel. Frankfurt: Peter Lang, 2005.
AUTRY. Max L. “A Source for Roger Chilling-worth.” [GGII: 0966].
AVSEY. Ignat. “The Gothic in Dostoevskii and Go-gol: The British Connection” (pp. 211-34). In The Gothic-Fantastic in Nineteenth-Century Russian Literature. ed. Neil Cornwell. Amsterdam. Netherlands: Rodopi. 1999.
AWAD. Louis. “The Alchemist in English Literature: Frankenstein.” [GGI: 0699].
AXELROD. Alan David. “Charles Brockden Brown: An American Tale.” [GGI: 1345]
AXELROD. Alan David. Charles Brockden Brown: An American Tale. [GGII: 0853].
AXTON. William F. “Charles Robert Maturin.” In Supernatural Fiction Writers. [GGII: 0554].
AXTON. William F. “Introduction.” To Melmoth the Wanderer. [GGI: 0866].
AYERS. Carolyn Jursa. “Elena Gan and the Female Gothic in Russia” (pp. 171-87). In The Gothic-Fantastic in Nineteenth-Century Russian Literature. ed. Neil Cornwell. Amsterdam. Netherlands: Rodopi. 1999.
AYLES. Daphne. “The Two Worlds of Bram Sto-ker.” [GGI: 1215].
AYLESWORTH. Thomas G. Monsters from the Movies. [GGI: 2451].
BABB. James T. “William Beckford of Fonthill.” [GGII: 0203].
BABENER. Liahana. “Predators of the Spirit: The Vampire Theme in Nineteenth-Century Literature.” [GGI: 2317].
BACKSCHEIDER. Paula R. “Gothic Drama and National Crisis.” In Spectacular Politics: Theatrical Power in Mass Culture in Early Modern England. [GGII: 0636].
BACKSCHEIDER. Paula R. “Reflections on the Importance of Romantic Drama.” Texas Studies in Literature and Language 41 (19-99): 311-29.
BACKUS. Margot Gayle. “Homophobia and the Imperial Demon Lover: Gothic Narrativity in Irish Representations of the Great War.” Canadian Review of Comparative Literature 21:1-2 (1994): 45-63.
BACKUS. Margot Gayle. The Gothic Family Romance: Heterosexuality. Child Sacrifice. and the Anglo-Irish Colonial Order. Durham. NC: Duke University Press. 19-99.
BADDELEY, Gavin. Gothic, la Culture des Ténèbres. Paris: Denoël, 2004.
BAER. Surella. “The Gothic Garden: Jane Eyre to    Rebecca.” Master’s Thesis. Queens College. New York. 1998.
BAGBY. Lewis. Alexander Besttuzhev Marlinsky and Russian Byronism. University Park: Pennsylvania State University Press. 1995. A detailed study of Byronic and Gothic traits with closes analyses of the fiction.
BAGCHI WILLIAMSON. Nivedita. “Reinscribing Genres and Representing South African Realities in Nadine Gordimer’s Later Novels (1977-1994).” Dissertation Abstracts International 59:6 (1998): 2017 (Boston University).
BAILEY. Dale Frederick. “The Haunted House Formula in American Fiction.” Dissertation Abstracts International 59:1 (1998): 168A (University of Tennessee).
BAILEY. Dale Frederick. American Nightmares: The Haunted House Formula in American Popular Fiction. Bowling Green. OH: Bowling Green University Popular Press. 1999.
BAILEY. Jutta M. “A Study of Women Characters in Selected Novels of Women Writers of the Romantic Pe-riod.” [GGII: 0398].
BAINE. Rodney M. Defoe and the Supernatural. [GGI: 2139].
BAINES. Paul. “‘This Theatre of Monstrous Guilt’: Horace Walpole and the Drama of Incest.” Studies in Eighteenth Century Culture 28 (1999): 287-309.
BAINES. Paul. ed. “Introduction” (pp. vii-xlvi). To Five Romantic Plays. 1768-1821. Oxford and New York: Oxford University Press. 2000.
BAIRD, Justin. “History's Recesses: The Counter-Historical Fictions of Sophia Lee, William Godwin, and Mary Shelley." Dissertation Abstracts International 65:11 (2005): 4206 (University of Western Ontario).
BAKER. Christopher P. “Spirits of London Past.” The Australian Way 1 December 1995: 52-55.
BAKER. Donald Whitelaw. “Themes of Terror in Nineteenth Century English Fiction: The Shift to the Internal.” Dissertation Abstracts  16 (1956): 118-19 (Brown University).
BAKER. Ernest. “Introduction.” To The Monk. [GGI: 0532].
BAKER. Ernest. “Introduction” (pp.i-xxvi). To Ca-leb Williams. London: Routledge. 1904.
BAKER. Ernest. “The Novel of Sentiment and the Gothic Romance” (pp. 175-227). In The History of the English Novel. New York: Barnes & Noble, 1939 [GGI: 0043].
BALAAM. Peter. “‘Misery’s Mathematics’: Mourning. Compensation and Reality in Emerson. Warner and Melville.” Dissertation Abstracts International 61:5 (2000): 1836 (Princeton University).
BALDENSPERGER. Fernand. “Le Moine de Lewis dans la littérature française.” [GGI: 0533].
BALDICK. Chris and Robert MIGHALL. “Gothic Criticism” (pp. 209-28). In A Companion to the Gothic. ed. David Punter. Oxford and Malden. MA: Blackwell Publishers. 2000. 
BALDICK. Chris and Robert MORRISON. eds. Tales of Terror from Blackwood’s Magazine. Oxford: Oxford  University Press.  1995. The introduction emphasizes the role played by Blackwood’s in developing the Gothic short story. “The Blackwood’s authors differ m
BALDICK. Chris. “Introduction” (pp. vii-xix). To Melmoth the Wanderer. ed. Douglas Grant. New York: Oxford University Press. 1998.
BALDICK. Chris. “The End of the Line: The Family Curse in Shorter Gothic Fiction” (pp. 147-57). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler-Vilani. Peter Davidson and Jane Stevenson. Amsterdam and At
BALDICK. Chris. “The Politics of Monstrosity” (pp. 48-67). In Frankenstein/Mary Shelley. ed. Fred Botting. New York: St. Martin’s Press. 1995.
BALDICK. Chris. ed. The Oxford Book of Gothic Tales. [GGII: 1449].
BALDICK. Chris. ed. The Vampyre and Other Tales of the Macabre. New York: Oxford University Press. 1997. Fourteen tales by John Polidori and others including James Hogg. Joseph Sheridan  Le Fanu.  Letitia Landon. Edward Bulwer-Lytton. and  William Carleto
BALDICK. Chris. In Frankenstein’s Shadow: Myth. Monstrosity and Nineteenth Century Writing. [GGII: 0399].
BALESTRA. Dominic J. “Technology in a Free Society: The New Frankenstein.” [GGII: 0400].
BALL. Martin. "Pastoral and Gothic in Scuithorpe's Tasmania." TriQuarterly 116 (2003): 115-23.
BALLASTER. Ros. “Wild nights and buried letters: The Gothic ‘unconscious’ of feminist criticism” (pp. 58-70). In Modern Gothic: A Reader. eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press. 1996.
BALLESTEROS GONZALES. Antonio. “Vampirism as Metaphor of Millennial Disease: The Case of Anne Rice’s Vampire Chronicles” (pp. 165-76). In East Central European Traumas and a Millennial Condition. eds. Zbigniew Bialas and Wieslaw Krajka. Boulder. CO: East
BALLINGER. Gillian. "From Madmen to Vampires: Dickens's Gothic Law." (pp. 12-22). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
BALLINGER. Leonora M. “‘Apparitions and Night Fears’: Psychological Tension in ‘The Ghostly Tales of Henry James’.” Dissertation Abstracts International 57:8 (1997): 3490A (New York University).
BANERJEE, Sukanya. "Political Economy, Gothic, and the Question of Imperial Citizenship." Victorian Studies 47 (2005): 260-71.
BANERJI. Krishna. “Enlightenment and Romanticism in the Gothic: A Study of Mary Shelley’s Frankenstein.” In The Romantic Tradition. [GGII: 0401].
BANERJI. Krishna. “Mary Shelley. Frankenstein. and the Woman Writer’s Fate” (pp. 69-87). In Romantic Women Writers: Voices and Countervoices. ed. Paula R. Feldman and Theresa M. Kelley. Hanover. NH: University Press of New England. 1995.
BANN. Stephen. ed. Frankenstein. Creation. and Monstrosity. London: Reaktion Books. 1994.
BANTA. Martha. “American Apocalypses Excrement and Ennui.” [GGI: 1300].
BANTA. Martha. “The Ghostly Gothic of Whar-ton’s Everyday World.” American Literary Realism 27 (1994): 1-10.
BANTA. Martha. “The House of Seven Ushers and How They Grew: A Look at Jamesian Gothicism.” [GGI: 1725].
BANTA. Martha. “The Two Worlds of Henry James: A Study in the Fiction of the Supernatural.” [GGI: 1724].
BANTA. Martha. Henry James and the Occult: The Great Extension. [GGI: 1726].
BÄR, Gerald. Das Motiv des Doppelgängers als Spaltungsphantasie in der Literatur und im Deutschen StimmFilm. Amsterdam: Rodopi, 2005.
BARAN. Henryk. “Some Reminiscences in Blok: Vampirism and Its Antecedents.” In Aleksandr Blok Centennial Conference. [GGII: 1405].
BARBER. Paul. Vampires. Burial. and Death: Folklore and Reality. [GGII: 1406].
BARBOLINI. Roberto. La Chimera e il Terrore: Saggi sul Gotico L‘Aventura e L‘Enigma. [GGII: 0043].
BARBOUR. David. “Moonlight and Madness.” Lighting Dimensions 25:3 (2000): 36.
BARBOUR. Judith. “‘The meaning of the tree’: The Tale of Mirra in Mary Shelley’s Mathilda” (pp. 98-114). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. eds. Syndy M. Conger. Frederi
BARBOUR. Judith. “Dr. John William Polidori. Author of the Vampyre” (pp. 85-110). In Imagining Ro-manticism: Essays on English and Australian Romanticisms. eds. Deidre Coleman. Peter Otto. West Cornwall. CT: Locust Hill. 1992.
BARCLAY. Glen St. John. Anatomy of Horror: The Masters of Occult Fiction. New York: St. Martin's Press, 1978. [GGI:0044].
BARDIN. Barbara. “Clara Reeve“ (pp. 211-13). In Eighteenth Century Anglo-American Women Novelists: A Critical Reference Guide. eds. Doreen Alvarez Saar. Mary Anne Schofield. New York: G.K. Hall. 1996.
BARFOOT. C.C. “The Gist of the Gothic in English Fiction; or. Gothic and the Invasion of Boundaries” (pp. 159-72). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Viviani. Peter Davidson and Jane Stevens
BARFOOT. C.C. “The Gist of the Gothic in English Fiction; or. Gothic and the Invasion of Boundaries” (pp. 159-72). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Viviani. Peter Davidson. Jane Stevenson.
BARIDON. Michel. “La Modernité de Beckford.” [GGII: 0204].
BARIDON. Michel. “Les Figures du corps et leur rapport à 1‘espace dans The Monk de Lewis” (pp. 81-92). In Les Figures du corps dans la littérature et la peinture anglaises et américaines de la renaissance à nos jours. ed. Bernard Brugière. Paris: Pres. de
BARIDON. Michel. “The Gothic Revival and the Theory of Knowledge in the First Phase of the Enlightenment” (pp. 43-56). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Villani. Peter Davidson. and Jane St
BARIDON. Michel. “Vathek––Megalomaniac Caliph or Pundit of the Avant Garde?” In Vathek and the Escape from Time: Bicentenary Revaluations. [GGII: 0205].
BARINE. Arvède. Poètes et Nevroses: Hoffmann. De Quincey. Edgar Poe. Gerard de Nerval. [GGI: 1930].
BARKER. Gerard A. “Fernando Falkland’s Fall: Grandison in Disarray.” [GGI: 0611].
BARKER. Gerard A. “Justice to Caleb Williams.” [GGI: 0610].
BARNARD. Philip. “Charles Brockden Brown: Early Romantic Literature in the United States.” [GGII: 0854].
BARNARD. Philip. SHAPIRO. Stephen. KAMRATH. Mark L. Revising Charles Brockden Brown: Culture. Politics. and Sexuality in the Early Republic. Nashville: University of Tennessee Press. 2004.
BARRELL. R.A. “Horace Walpole and France.” Humanities Association Bulletin 23:2 (1972): 33-40. [GGI: 0211].
BARRON. Neil and Michael E. STAMM. “Listings; Best Books; I. The Early and Later Gothic Traditions. 1764-1896” (p. 658). In Fantasy and Horror: A Critical and Historical Guide to Literature. Illustration. Film. Radio. and the Internet. Lanham. MD: Scarecrow Press. 1999.
BARRON. Neil and Michael E. STAMM. “Reference Sources and Online Resources“ (pp. 435-51). In Fantasy and Horror: A Critical and Historical Guide to Literature. Illustration. Film. TV. Radio. and the Internet. Lanham. MD: Scarecrow Press. 1998.
BARRON. Neil. “Fantasy and Horror and Libraries.” (pp. 327-46).  In Horror Literature: A Reader’s Guide, ed. Neil Barron. New York: Garland Publishing, 1990. [GGII: 0002].
BARRON. Neil. “Fantasy and Horror Literature in Libraries” (pp. 429-34). In Fantasy and Horror: A Critical and Historical Guide to Literature. Illustration. Film. TV. Radio. and the Internet. Lanham. MD: Scarecrow Press. 1998.
BARRON. Neil. “General Reference Books.” (pp. 335-46).  In Horror Literature: A Reader’s Guide, ed. Neil Barron. New York: Garland Publishing, 1990. [GGII: 0003].
BARRON. Neil. ed. Fantasy and Horror: A Critical and Historical Guide to Literature. Illustration. Film. TV. Radio. and the Internet. Lanham. MD: Scarecrow Press. 1999.
BARRON. Neil. ed. Horror Literature: A Reader’s Guide. New York: Garland Publishing, 1990. [GGII: 0001].
BARROS. Carolyn A. and Johanna M. SMITH. eds. “Ann Radcliffe” (pp. 322-33). In Life-writings by British women. 1660-1815: An Anthology. Boston:: Northeastern University Press. 2000.
BARRY. Elaine. “‘Beyond the Veil’: A Reading of ‘The Minister’s Black Veil.’” [GGII: 0967].
BARSKII. O.V. “Pushkin i angliiskii ‘Goticheskii’ roman.” Moskovskii Pushkinist 8 (2000): 192-213.
BARTA, Joy Allison. "Madness and the Romantic Woman Writer." Dissertation Abstracts International 65:4 (2004): 1377 (University of California, Riverside).
BARTH. Johannes. “Eine Art Schuld and Sühne des romantischen Zeitalters E.T.A. Hoffmann und Dostojew-skij.” Wirkendes Wort 48 (1998): 345-54. [A Type of Guilt and Atonement of the Romantic Ages; E.T.A. Hoffmann and Dostoevsky.]
BARTH. Marilyn. “Exploring the Book Arts Through one Fine Copy of The Castle of Otranto” (pp. 287-310). In The English  Novel. eds. Susan Spencer. Albert Riviero. and Margo Collins. New York: AMS Press. 2001.
BARTLETT, Wayne & Flavia IDRICEANU. Legends of Blood: The Vampire in History and Myth. Westport, CT: Praeger, 2006.
BARTOLOMEO. Joseph E. “Subversion of Romance in The Old Manor House.” [GGII: 0305].
BASSIN. Henry A. “The Gothic Transformation: Developments in the British Gothic Romance.” Dissertation Abstracts International 35 (1974): 6700A (Indiana University). [GGI: 0045].
BATAILLARD. Pascal. “Ethos du sentiment. e-thique du sujet” (pp. 99-117). In Les Mystères de Mrs. Radcliffe: Nouveaux essais sur Les Mysteres d‘Udolphe (1794): The Mysteries of Udolpho Revisited. ed. Max Du-perray. Aix-en-Provence. France : Université de
BATCHELOR. Rhonda. “The Rise and Fall of the Eighteenth Century Feminine Voice.” Eighteenth-Century Fiction 6 (1994): 347-68.
BATCHLOR. John. “Arthur Machen’s The Hill of Dreams.” [GGI: 1196].
BATTILLANA. M. “‘The Castaway.’ Caleb Williams. The Mysteries of Udolpho: The Story Behind the Page.” In Itinari negati momenti della tradizione ingleze e scozzese nel settecento e letterature moderne. [GGII: 0355].
BAUER FUNKE. Cerstin. “Aline et Valcour et les effets de violence: Violence et progres dans Aline et Valcour ou le Roman Philosophique du Marquis de Sade” (pp. 167-86). In Progres et violence au XVIIIe siècle. eds. Valerie Cossie. Deidre Dawson. Michel De
BAUER. Ralph. “Between Repression and Transgression: Rousseau’s Confessions and Charles Brockden Brown’s Wieland.” American Transcendental Quarterly 10 (1996): 311-29.
BAUGH. Albert C. “Gothic Romance and the Novel of Doctrine.” In A Literary History of England. [GGI: 00-46].
BAULCH, David. "Several Hundred Pages of Promise: The Phantom of the Gothic in Peacock's Nightmare Abbey and Coleridge's Biographia Literaria." Coleridge Bulletin: The Journal of the Friends of Coleridge 25 (2005): 71-77.
BAUM. Joan. “The Lessons of Frankenstein.” [GGI: 0700].
BAUMGAERTNER. Jill P. Flannery O’Connor: A Proper Scaring. [GGII: 1092].
BAYER-BERENBAUM. Linda. “The Expansion of Consciousness in Gothic Literature and Art.” [GGI: 0047].
BAYER-BERENBAUM. Linda. The Gothic Imagination: Expansion in Gothic Literature and Art. [GGI: 0048].
BAYFORD. E.G. “Lewis’s Monk.” [GGII: 0313].
BAYLISS. Linda Sue Singer. “Mirrors: Literary Reflections as Psychic Process.” [GGII: 0314].
BAYM. Nina. “A Minority Reading of Wieland.” In Critical Essays on Charles Brockden Brown. [GGI: 1346].
BAYM. Nina. “Nathaniel Hawthorne’s Gothic Discards: Fanshawe and ‘Alice Doane.’” [GGI: 1641].
BAZIN. Claire. “Le nouveau gothique de Charlotte Brontë” (pp. 63-87). In Une Littérature de l’inquiétude. Paris: l’Harmat-tan and Aix-Marseille. Université de Provence. Annales du Monde Anglophone 8 (1998). [The New Gothic of Charlotte Brontë].
BAZIN. Claire. “Les Reves d’angoisse dans Wuthering Heights” (249-60). In Clermont Ferrand: Publications de la Faculté des Lettres de Clermont. ed. Christian La Cassagnere. Clermont Ferrand: Publications de la Faculté des Lettres et Sciences Humaines de l
BAZIN. Claire. La Vision du mal chez les soeurs Brontë. Toulouse: PU du Mirail. 1995. [The Vision of Evil in the Work of the Brontë Sisters].
BEACH. Joseph Warren. “The Sources of Stevenson’s ‘Bottle Imp.’” [GGI: 1256].
BEAHM. George W. Stephen King: America’s Best Loved Bogeyman. Kansas City. MO: Andrews and McMeel. 1999.
BEAHM. George W. The Stephen King Companion. [GGII: 1109].
BEATTIE. W. “‘Tales of Terror.’” Times Literary Supplement 14 January 1939: 26.
BEATY. Frederick L. “Mrs. Radcliffe’s Fading Gleam.” [GGI: 0395].
BEAUCHAMP. Gorman. “The Frankenstein Complex and Asimov’s Robots.” [GGI: 0701].
BEAUJEAN. Marion. “Frauen––familien––abenteu-er und schauerroman.” In Zwischen revolution und restauration: Klassik. romantik. 1786-1815. [GGI: 1971].
BEAVER. Harold. “The Heart’s Extremes.” [GGI: 1347].
BECK. Calvin. Heroes of the Horrors. [GGI: 2452].
BECK. Rudolph. “‘The Region of Beauty and De-light:’ Walton’s Polar Fantasies in Mary Shelley’s Frankenstein.” Keats-Shelley Journal 49 (2000): 24-29. Identifies the Miltonic source for Walton’s polar fantasies. “Walton’s prelapsarian fantasies give promi
BECKER. Alliene R. “‘Alice Doane’s Appeal’: A Literary Double of Hoffmann’s Die Elixiere des Teufels.” [GGII: 0968].
BECKER. Allienne R.  “Die Elixiere des Teufels: E.T.A. Hoffman’s House of Mirrors.” Journal of the Fantastic in the Arts 9 (1998): 117-30.
BECKER. Allienne Rimer. “The Fantastic in the Fiction of Hoffmann and Hawthorne.” Dissertation Abstracts International 45:10 (1985): 3126A-27A (Pennsylvania State University).
BECKER. Matthew. “Enlightenment Psychomachia: The Embattled Child in Radcliffe’s Gothic Romance and Wordsworth’s ‘Immortality Ode.’” Dissertation Abstracts International 60:6 (1998): 2035 (University of Southern California).
BECKER. Susanne. “Ironic Transformations: The Feminine Gothic in Aritha Van Herk’s No Fixed Address” (pp. 115-33). In Double Talking: Essays on Verbal and Visual Ironies in Contemporary Canadian Art and Literature. ed. Linda Hutcheon. Toronto: ECW. 1992.
BECKER. Susanne. “Postmodern Feminine Horror Fictions” (pp. 71-80). In Modern Gothic: A Reader. eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press. 1996. 
BECKER. Susanne. Gothic Forms of Feminine Fiction. Manchester: Manchester University Press. 1999.
BECKETT. Juliet. “Introduction.” To St. Leon: A Tale of the Sixteenth Century.” [GGI: 0613].
BEDFORD. Kristina. “‘This Castle Hath a Pleasant Seat’: Shakespearean Allusion in The Castle of Otranto.” [GGII: 0175].
BEEBE. Maurice and Jack HARDIE. “Criticism of Nathaniel Hawthorne: A Selected Checklist.” [GGI: 1642].
BEER. Gillian. “‘Our Natural No-Voice’: The Heroic Epistle. Pope. and Women’s Gothic.” [GGII: 1369].
BEER. Janet & Avril HORNER. "'This Isn't Exactly a Ghost Story': Edith Wharton and Parodic Gothic." Journal of American Studies 37 (2003): 269-85.
BEER. John. “Mary Shelley. Frankenstein” (pp. 227-36]). In A Companion to Romanticism. ed. Duncan Wu. Oxford. UK; Malden. MA: Blackwell Publishers. 1998.
BEERS. Henry A. “The Gothic Revival.” In A History of English Romanticism in the Eighteenth Century. [GGI: 0049].
BEERS. Henry A. “The Gothic Revival” In A History of English Romanticism in the Eighteenth Century. [GGI: 2023].
BEETZ. Kirk H. “Three Themes in Browning’s Gothic Satire ‘Mesmerism.’” [GGII: 1379].
BEETZ. Kirk H. Wilkie Collins: An Annotated Biblio-graphy. [GGI: 1154].
BEGNAL. Michael H. Joseph Sheridan Le Fanu. [GGI: 1166].
BEHR. Kate Elizabeth. “The Perfect Gentleman; The Representation of Men in the English Gothic Novel. 1762-1820.” Doctoral Thesis. Oxford University. 1993.
BEHR. Kate Elizabeth. The Representation of Men in the English Gothic Novel. 1762-1820. Lewiston. NY: Edwin Mellen Press. 2003.
BEHRENDT. Stephen C. “Frankenstein. and the Woman Writer’s Fate” (pp. 69-87). In Romantic Women Writers: Voices and Countervoices. eds. Paula R. Feldman and Theresa M. Kelley. Hanover. NH: University Press of New England. 1995.
BEHRENDT. Stephen C. “Introduction.” To Zastrozzi: A Romance and St. Irvyne; or. The Rosicrucian. [GGII: 0387].
BEHRENDT. Stephen C. “Introduction” (pp. 9-53). To Zastrozzi: A Romance and St. Irvyne; or. The Rosicrucian. Peterborough. ON: Broadview Press. 2001.
BEHRENDT. Stephen C. Approaches to Teaching Shelley’s Frankenstein. [GGII: 0402].
BELFORD. Barbara. Bram Stoker: A Biography of the Author of Dracula. New York: Knopf. 1996.
BELL. C. F. “William Beckford.” [GGI: 0288].
BELL. Michael Davitt. “‘The Double-Tongued De-ceiver’: Sincerity and Duplicity in the Novels of Charles Brockden Brown.” [GGI: 1348].
BELL. Michael Davitt. “Sentiments and Words: Charles Brockden Brown.” In The Development of American Romance: The Sacrifice of Relation. [GGII: 0855].
BELLET. Roger. “La Guillotine entre mélodrame. roman noir et humour” (pp. 381-97). In Mélodrames et romans noirs. 1750-1890. eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: PU du Mirail. 2000. [The Guillotine Enters Melodrama. Gothic Novel and Hum
BELLIS. Peter J. “Narrative Compulsion and Control in Charles Brockden Brown’s Edgar Huntly.” [GGII: 0856].
BELLOC. Hilaire. “On Vathek.” In A Conversation with an Angel and Other Essays. [GGI: 0289].
BELSEY. Catherine. “The Romantic Construction of the Unconscious.” In Reading. Writing. Revolution: Proceedings of the Essex Conference on the Sociology of Literature. July 1981. [GGII: 0044].
BELYEA. Andrew Dean. “Redefining the Real: Gothic Realism in Alice Munro’s ‘Friend of my Youth.’” Master’s Abstracts International 37:1 (1998): 67 (Queen’s University. Kingston. Canada).
BEN SLAMA. Kaouther. “Les Representations religieuses et leurs allegories dans l’oeuvre d’anne Rice: Une Approche postmoderniste.” Cahiers du Gerf 22 (2001-2002): 41-48. [Religious Representations and Their Allegories in the Work of Anne Rice].
BENDIXEN. Alfred. “Introduction.” To The Amber Gods and Other Stories. [GGII: 1222].
BENDIXEN. Alfred. “Introduction.” To The Wind in the Rose Bush and Other Stories of the Supernatural by Mary Wilkins Freeman. [GGII: 1221].
BENDIXEN. Alfred. ed. Haunted Women: The Best Supernatural Tales by American Women Writers. [GGII: 1450].
BENEDICT. Barbara M. “Pictures of Conformity: Sentiment and Structure in Ann Radcliffe’s Style.” [GGII: 0240].
BENEDICT. Barbara M. “Radcliffe. Godwin. and Self-Possession in the 1790s” (pp. 89-110). In Women. Revolution. and the Novels of the 1790s. ed. Linda Lang-Peralta. East Lansing: Michigan State University Press. 1999.
BENEDICT. Williston R. ”A Study of the ’second Self’ in James Hogg’s Fiction with Reference to its Employment in German Romantic Literature.” [GGI: 0932].
BENEDICT. Williston R.. “A Story Replete with Horror.” [GGII: 0587].
BENNETT. Betty T. “‘Not This Time. Victor’: Mary Shelley’s Reversioning of Elizabeth. from Frankenstein to Falkner” (pp. 1-17). In Mary Shelley in Her Times. eds. Betty T. Bennett and Stuart Curran. Baltimore: Johns Hopkins University Press. 2000.
BENNETT. Betty T. and Charles E. ROBINSON. The Mary Shelley Reader: Containing Frankenstein. Mathilda. Tales and Stories. Essays and Reviews. and Letters. [GGII: 0403].
BENNETT. Betty T. and Stuart CURRAN. eds.  Mary Shelley in Her Times. Baltimore: Johns Hopkins University Press. 2000.
BENNETT. Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press. 1998. An expanded revision of the introduction written for the eight volume set of Mary Shelley published by Pickering and Chatto.
BENNETT. Charles E. “Charles Brockden Brown: Man of Letters.” In Critical Essays on Charles Brockden Brown. [GGI: 1352].
BENNETT. Charles E. “The Charles Brockden Brown Canon.” [GGI: 1350].
BENNETT. Charles E.. “Charles Brockden Brown and the International Novel.” [GGI: 1351].
BENNETT. Dean William. "Gothic Justice: Sweden's Myth of National Origin and the Rhetoric of Legitimacy, Legality, and Liberation, 1599-1632." Dissertation Abstracts International 65:4 (2004) 1500 (University of Washington).
BENNETT. Maurice J. “Charles Brockden Brown and the Question of Art: Ormond; or. The Secret Witness.” In An American Tradition: Three Studies. Charles Brockden Brown. Nathaniel Hawthorne. Henry James. [GGII: 0858]
BENNETT. Maurice J. “Charles Brockden Brown’s Ambivalence Toward Art and Imagination.” [GGII: 0857].
BENNETT. Maurice. “‘The Madness of Art’: Poe’s ‘Ligeia’ as Metafiction.” [GGI: 1519].
BENRAHHAL-SERGHINI. El-Habib. “The Road to Istakhar: A Critical Study of the Text and Context of William Beckford’s ‘Vathek’ and the ‘Episodes.’ 1760-1844.” Dissertation Abstracts International 55:9 (1995): 2839A (Universitaire Instelling Antwerpen).
BENSON. E.F. “Sheridan Le Fanu.” [GGII: 0680].
BENTLEY. C.F. “The Monster in the Bedroom: Sexual Symbolism in Bram Stoker’s Dracula.” [GGI: 1216].
BENTMAN. Raymond. “Horace Walpole’s Forbidden Passion” (pp. 276-89). In Queer Representations; Reading Lives. Reading Cultures. ed. and Intro. Martin Duberman. New York: New York University Press. 1997.
BENTON. Richard P. “The Problems of Literary Gothicism.” [GGI: 1301].
BERANGER. Jean F. “A Psychoanalytic Approach to Structure.” [GGI: 1353].
BERENSTEIN. Rhona J. Attack of the Leading Ladies: Gender Sexuality and Spectatorship in Classic Horror Cinema. New York: Columbia University Press. 1996.
BERG. Temma. “Engendering the Gothic: Clara Reeve Redecorates The Castle of Otranto.” Reader: Essays in Reader-Oriented Theory. Criticism. and Pedagogy 44 (2001): 53-78.
BERGER. Arthur Asa. “Frankenstein: The New Prometheus” (pp. 737-43). In Popular Fiction: An Anthology. ed. Gary Hoppenstand. New York: Longman. 1998.
BERGLAND, Renee L. "Diseased States, Public Minds: Native American Ghosts in Early National Literature." (pp. 90-103) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BERGLUND. Birgitta. “Ann Radcliffe and Rebecca.” Studia Neophilologica 68 (1996): 73-81.
BERGLUND. Birgitta. Woman’s Whole Existence: The House as an Image in the Novels of Ann Radcliffe. Mary Wollstonecraft. and Jane Austen. Lund. Sweden: Lund University Press: Bromley. Kent. UK; Chartwell-Bratt. 1993.
BERGMAN. Eugene. “The Divided Self in Hawthorne and Dostoevsky.” [GGI: 1643].
BERGSTROM. Stefan S.O. Between Real and Unreal: A Thematic Study of E.T.A. Hoffmann’s ‘Die Serapionsbruder’; Studies on Themes and Motifs in Literature. New York: Peter Lang. 2000.
BERGSTROM. Stefan Sven Olof. “Dark Mirrors: Fantastic Elements in E.T.A. Hoffmann’s Die Serapionsbruder.” Dissertation Abstracts International 58:2 (1997): 467 (University of Kansas).
BERKEY-ABBOTT. Kristin Lee. “‘My Relations Act with me as my Enemies’: Domestic Violence as Metaphor. 1794-1850.” Dissertation Abstracts International 53:8 (1992): 2822A. (University of South Carolina).
BERMAN. Jeffrey. “Frankenstein; or. The Modern Narcissus.” In Narcissism and the Novel. [GGII: 0404].
BERMAN. Lorna. “The Marquis de Sade and Courtly Love.” Eighteenth-Century Fiction 11 (1999): 285-300.
BERMAN. Lorna. “The Marquis de Sade and His Critics.” [GGI: 1866].
BERMAN. Ruth. “Critical Reactions to Fantasy in Four Nineteenth Century Periodicals: Edinburgh Review. Blackwood’s. Fraser’s Magazine. and The Cornhill Magazine.” [GGI: 1083].
BERNARD. Kenneth. “Arthur Mervyn: The Ideal of Innocence.” [GGI: 1356].
BERNARD. Kenneth. “Charles Brockden Brown and the Sublime.” [GGI: 1355]
BERNARD. Kenneth. “Charles Brockden Brown.” In Minor American Novelists. [GGI: 1358]
BERNARD. Kenneth. “Edgar Huntly: Charles Brockden Brown’s Unsolved Murder.” [GGI: 1357]
BERNARD. Kenneth. “The Novels of Charles Brockden Brown: Studies in Meaning.” [GGI: 1354]
BERNARD. Maxime M. “The Religious Significance of Names in the Horror Fiction of Stephen King.” [GGII: 1110].
BERNARD-GRIFFITHS. Simone and Jean SGARD. eds. Mélodrames et romans noirs. 1750-1890. Toulouse: Presses de l’université Toulouse-Le Mirail. 2000. [Melodramas and French Gothic Novels. 1750-1890].
BERNS. Ute. “The Romantic Crisis of Expression: Laughter in Maturin’s Melmoth the Wanderer and Beyond” (pp. 83-98). In A History of English Laughter. ed. Manfred Pfister. Amsterdam. Netherlands: Rodopi. 2002.
BERNSTEIN. Stephen D. “Form and Ideology in the Gothic Novel.” [GGII: 0046].
BERNSTEIN. Stephen D. “Fugitive Genre: Gothicism. Ideology. and Intertextuality.” [GGII: 0045].
BERNSTEIN. Stephen. "Politics, Modernity, and Domesticity: The Gothicism of Conrad's The Secret Agent." Clio 32 (2003): 285-301.
BERNSTEIN. Stephen. “Reading Blackwater Park: Gothicism. Narrative. and Ideology in The Woman in White.” [GGII: 0668].
BERRYMAN. Charles. “Hawkes and Poe.” [GGII: 0927].
BERRYMAN. John. “Introduction.” To The Monk. [GGI: 0534].
BERTHIER. Patrick. “Un (Melo)drame romantique exemplaire: La Nonne sanglante (1835)” (pp. 365-79). In Mélodrames et romans noirs. eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: Presses de l’université Toulouse-Le Mirail. 2000. [An Exemplary Roman
BERTHIER. Philippe. “Stendhal. Mme. Radcliffe et l‘art du paysage.” [GGI: 0396].
BERTHIN. Christine. “Family Secrets and a Shameful Disease: ‘Aberrations of Mourning’ in Frankenstein.” QWERTY: Arts. Littératures. and Civilisations. du Monde Anglophone 3 (1993): 53-60.
BERTHOFF. Warner. “‘A Lesson on Concealment’: Brockden Brown’s Method in Fiction.” [GGI: 1361]
BERTHOFF. Warner. “Adventures of the Young Man: An Approach to Charles Brockden Brown.” [GGI: 1360]
BERTHOFF. Warner. “Introduction.” To Arthur Mervyn: or. The Me-moirs of the Year 1793. [GGI: 1362]
BERTHOFF. Warner. “The Literary Career of Charles Brockden Brown.” [GGI: 1359].
BERTHOLD. Dennis. “Charles Brockden Brown. Edgar Huntly. and the Origins of the American Picturesque.” [GGII: 0859]
BERTHOLD. Dennis. “Desacralizing the American Gothic: An Iconographic Approach to Edgar Huntly.” [GGII: 0860].
BERTHOLD. Dennis. “Hawthorne. Ruskin. and the Gothic Revival: Transcendental Gothic in The Marble Faun.” [GGI: 1644].
BERTRANDIAS. Bernadette. "Refigure le gothique: Les Textes hantes de Charlotte Brontë." Ideologies dans le Monde Anglo-Saxon 12 (2001): 101-16.
BERTSCHE. Allen Parker-Suarez. “The Unseen Spectre: The Gothic Mode in Nineteenth-Century Spanish Narrative.” Dissertation Abstracts International 61:8 (2000): 359 (University of Wisconsin. Madison).
BESSON. Françoise. “Une Mathematique de l'eau étrange dans Romance of the Pyrenees.” Caliban 33 (1996): 63-71. [ A Mathematics of the Strange Water in Romance of the Pyrenees].
BEST. Debra. “The Monster in the Family: A Reconsideration of Frankenstein’s Domestic Relationships.” Wo-men’s Writing 6 (1999): 365-84.
BETJEMANN, Peter. “Talking Shop: Craft and Design in Hawthorne, James, and Wharton." Dissertation Abstracts International 65:6 (2004): 2199 (Princeton University).
BETTS. William Jr. “The Faust Tradition in American Literature.” [GGI: 1302].
BEUTEL. Katherine Piller. “Disembodied and Re-Embodied Voices: The Figure of Echo in American Gothic Texts.” Dissertation Abstracts International 54:9 (1994): 4090A (Ohio State).
BEUTEL. Katherine Piller. “Gothic Repetitions: Toni Morrison’s Changing Use of Echo.” West Virginia  University Philological Papers 42-43 (1997-1998): 82-87.
BHALLA. Alok. “Shades of the Preternatural: Thematic and Structural Essays on the Gothic Novel.” [GGI: 0050].
BHALLA. Alok. Politics of Atrocity and Lust: The Vampire Tale as a Nightmare History of England in the Nineteenth Century. [GGII: 1407].
BHALLA. Alok. The Cartographers of Hell: Essays on the Gothic Novel and the Social History of England. [GGII: 0047].
BIALAS. Zbigniew. Under the Gallows of Zotto’s Brothers: Essays on The Manuscript Found in Saragossa. Katowice: Wydawn. Uniwersytetu Slaskiego. 2001.
BIANCHI. Ruggiero. E.A. Poe dal gotico alla fantacienza: Saggi de letteratura comparata. [GGI: 1520].
BIDNEY. Martin. “Beneficent Birds and Crossbow Crimes: The Nightmare Confessions of Coleridge and Ludwig Tieck.” Papers on Language and Literature 25 (1989): 44-58.
BIENSTOCK. ANOLIK. Ruth & Douglas L. HOWARD. eds. The Gothic Other: Racial and Social Constructions in the Literary Imagination. Jefferson. NC: McFarland. 2004.
BIERMAN. Joseph. “Dracula. Prolonged Childhood Illness. and the Oral Triad.” [GGI: 1217].
BIERMAN. Joseph. “The Genesis and Dating of Dracula from Bram Stoker’s Working Notes.” [GGI: 1218].
BIERWITH. Gerhard. “Die Problematik des englischen schauerromans: Ein kritisches modell zur behandlung diskriminierter literatur.” [GGII: 0048].
BIGLAND. Eileen. Mary Shelley. [GGI: 0702].
BIGNELL. Jonathan. “A Taste of the Gothic: Film and Television Versions of Dracula” (pp. 114-30). In The Classic Novel: From Page to Screen. eds.  Robert Giddings and Erica Sheen. New York: St. Martin’s Press. 2000.
BIGNELL. Jonathan. “A Taste of the Gothic: Film and Television Versions of Dracula” (pp. 114-30). In The Classic Novel: From Page to Screen. eds. Robert Giddings and Erica Sheen. New York: St. Martin’s Press. 2000.
BILLI, Mirella. “Dal Terror all'ostensione dell'horror: The Mysterious Mother di Horace Walpole”  (19-31). In Il Teatro della Paura: Scenari Gotici del Romanticismo Europeo, eds. Diego Saglia, Giovanna Silvani, Roma: Buzoni. 2005.
BILLI. Mirella. “La sublime ambiguita dell‘orrore.” Questione Romantica: Rivista Interdisciplinare di Studi Romantica 3-4 (1997): 35-50. [The Sublime Ambiguity of Horror].
BILLI. Mirella. Il Gothico Inglese: Il Romanzo del Terrore: 1764-1820. [GGII: 0049].
BILLIGHEIMER. Rachel V. “Smollett’s Ferdinand Count Fathom: A Problem Novel.” [GGII: 1370].
BILLY. André. “Lovecraft: Edgar Poe du XXe siè-cle.” [GGI: 1759].
BILLY. Ted. "'Domesticated with Horror': Matrimonial Mansions in Edith Wharton's Psychological Ghost Stories." Journal of American & Comparative Cultures 25:3-4 (2002): 433-37.
BINDMAN. David. “Blake’s ‘Gothicized Imagination’ and the History of England.” In William Blake: Essays in Honour of Sir Geoffrey Keynes. [GGI: 2070].
BINONGO. Jose Nilo G. “Tropical Gothic versus Joaquinesquerie: Quantifying Their Qualitative Differences.” Philippine Studies 43:1 (1995): 66-92.
BIRKERTS. Sven. “Aftergothic: consumption. machines. and black holes” (pp. 277-300). In The Cambridge Companion to Gothic Fiction.  ed. Jerrold E. Hogle. Cambridge.  UK: Cambridge University Press. 2002.
BIRKERTS. Sven. “Gothic Feminism.” Mirabella 3:2 (1991): 40-44.
BIRKERTS. Sven. “Gothic Schock: Modernity. Supernature. and Technology” (pp. 215-29). In Asthetische Erfindung der Moderne? Perspektiven und Modelle. eds. Britta Hermann und Barbara Thums. Wurzburg. Germany: Konigshausen und Neumann. 2003.
BIRKETT. Julian. “Frankensteins: The Monster Lives On.” [GGII: 0405].
BIRKHEAD. Edith. “Sentiment and Sensibility in the Eighteenth Century Novel.” [GGI: 0051].
BIRKHEAD. Edith. The Tale of Terror: A Study of the Gothic Romance. [GGI: 0052].
BISHOP. Morchard. “A Terrible Tangle.” Times Literary Supplement 19 October 1967: 989.
BISSETT. Alan. “‘The Dead Can Sing’: An Introduction.” (pp. 1-8). In Damage Land: New Scottish Gothic Fiction. Edinburgh: Polygon. 2001. 
BISSETT. Alan. ed. Damage Land: New Scottish Gothic Fiction. Edinburgh: Polygon. 2001. Contents: Alan Bissett. “‘The Dead Can Sing’: An Introduction”; Brian McCabe. “The Host”; Helen Lamb. “Letters from a Well-Wisher”; Toni Davidson. “Like a Pendulum in G
BITTNER. V.L. “Stikhotvorenie A.S. Pushkina ‘Ne dai mne Bog soiti s uma’ i risunok ‘Sumasshedshego do-ma’.” Russkaia Literatura: Istoriko Literaturnyi Zhurnal  2 (1999): 198-205.
BLACK. Casey Bjerregaard. “The Fantastic in Karen Blixen’s Osceola Production.” [GGII: 1320].
BLACK. George F. A List of Works Relating to Lycanthropy. [GGI: 2360].
BLACK. Robert K. “The Sadleir-Black Gothic Collection: An Address Before the Bibliographical Society of the University of Virginia.” [GGI: 2444].
BLACKBURN. Alexander. “The Picaro as Satan: Smollett’s Count Fathom.” In The Myth of the Picaro. [GGII: 1371].
BLACKE. Ian. “Lovecraft and the Dark Grail.” [GG-II: 1007].
BLACKFORD. Holly. “Haunted Housekeeping: Fatal Attractions of Servant and Mistress in Twentieth Century Female Gothic Literature.” Literature Interpretation Theory 16 (2005): 233-61.
BLACKFORD. Holly. “Mrs. Darling's Scream: The Rites of Persephone in Peter and Wendy and Wuthering Heights." Studies in the Humanities 32 (2005): 116-44.
BLACKWELL, Mark R. “The Gothic: Moving in the World of Novels." (pp. ????). In A Concise Companion to Restoration and Eighteenth Century, ed. Cynthia Wall. Malden, MA: Blackwell, 2005.
BLAKE. Nancy. “Other Voices. Other Rooms: Southern Gothic or Medieval Quest?” [GGI: 1814]
BLAKE. Warren Barton. “Brockden Brown and the Novel.” [GGI: 1363]
BLAKEMORE. Steven. “Matthew Lewis’s Black Mass: Sexual. Religious Inversion in The Monk.” Studies in the Novel 30:4 (1998): 521-39.
BLAKEY. Dorothy. The Minerva Press. 1790-1820. London: Oxford Press for the Bibliographical Society, 1939. [GGI: 0003].
BLAND. D.S. “Endangering the Reader‘s Neck: Background Description in the Novel.” [GGI: 0053].
BLASINGAME. Wyatt. “Plotting and Writing the Terror Story.” [GGI: 2228].
BLASZAK. Marek. Ann Radcliffe’s Gothic Romances and the Romantic Revival. Opole: Wyzsza Szkola Pedagogiczna im. Powstanców Slaskich w Opolu. 1991.
BLAU. Herbert. “The American Dream in American Gothic: The Plays of Sam Shepard and Adrienne Rich.” [GGII: 1223].
BLEIKASTEN. André. “Terror and Nausea: Bodies in Sanctuary.” [GGII: 1062].
BLEILER. E.F. “Edgar Allan Poe.” In Supernatural Fiction Writers. [GGII: 0928].
BLEILER. E.F. “Edward George Bulwer-Lytton” (pp. 195-204). In Supernatural Fiction Writers. ed. E.F. Bleiler. New York: Charles Scribner’s. 1985.
BLEILER. E.F. “Introduction.” To Five Victorian Ghost Novels. [GGI: 2159].
BLEILER. E.F. “Introduction.” To Ghost and Horror Stories of Ambrose Bierce. [GGI: 1744].
BLEILER. E.F. “Introduction.” To Ghost Stories of an Antiquary. [GGI: 1188].
BLEILER. E.F. “Introduction.” To The Best Tales of Hoffmann. [GGI: 1931].
BLEILER. E.F. “Introduction.” To The King in Yellow and Other Stories. [GGI: 1757].
BLEILER. E.F. “Introduction.” To The Vampyre. [GGI: 0970].
BLEILER. E.F. “Introduction.” To The Wild Irish Boy. [GGI: 0868].
BLEILER. E.F. “Introduction.” To Three Gothic Novels: The Castle of Otranto. Vathek. the Vampyre. [GGI: 0290].
BLEILER. E.F. “Introduction.” To Varney the Vampyre; or. The Feast of Blood. [GGI: 1163].
BLEILER. E.F. “Introduction.” To Wagner the Wehrwolf. [GGI: 2361].
BLEILER. E.F. “Introduction” (pp. 7-11). To Three Gothic Novels: The Castle of Otranto. Vathek. The Vampyre. New York: Dover Publications, 1966. [GGI: 0213].
BLEILER. E.F. “Introduction” (pp. v-xi) To The Best Ghost Stories of J. S. Le Fanu. New York: Dover. 1966: v-xi.
BLEILER. E.F. The Checklist of Science Fiction and Supernatural Fiction. Glen Rock, NJ: Firebell Books, 1978. [GGI: 0004].
BLEILER. E.F.. “G.W.M. Reynolds.” In Supernatural Fiction Writers. [GGII: 0779].
BLEILER. E.F.. “Introduction.” To Three Supernatural Novels of the Victorian Period: The Haunted Hotel [Wilkie Collins]. The Haunted House at Latchford [Mrs. J. H. Riddell]. The Lost Stradivarius [J. Meade Falkner]. [GGI: 2160].
BLEILER. E.F.. ed. Supernatural Fiction Writers. 2 vols. New York: Scribner's, 1985. [GGII: 0004].
BLEILER. Richard. “Stephen King.” In Supernatural Fiction Writers. [GGII: 1111].
BLINDERMAN. Charles S. “Vampurella: Darwin and Count Dracula.” [GGI: 1219].
BLOCH. Robert. “Introduction.” To The Best of H.P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre. [GGII: 1008].
BLOCH. Robert. “Monsters in Our Midst.” In Kingdom of Fear: The World of Stephen King. [GGII: 1112].
BLOCH. Robert. “Poe and Lovecraft.” In H.P. Lovecraft:  Four Decades of Criticism. [GGI: 1522].
BLOCK. Ed. “James Sully. Evolutionist Psychology. and Late Victorian Gothic Fiction.” [GGI: 2161].
BLOCK. Ed.. Rituals of Disintegration: Romance and Madness in the Victorian Psycho-Mythic Tale. New York: Garland Publishing. 1993.
BLODGETT. Harriet. “Emily Vindicated: Ann Radcliffe and Mary Wollstonecraft.” [GGII: 0241].
BLOEDÉ. Barbara R. “James Hogg’s Private Memoirs and Confessions of a Justified Sinner: The Genesis of the Double.” [GGI: 0933].
BLOEDÉ. Barbara R. “The Gothic Antecedents of The Three Perils of Man.” [GGII: 0588].
BLONDEL. Jacques. “James Hogg (1770-1835)” (pp. 137-38). In  A Handbook to English Romanticism. eds. Jean Raimond and J.R. Watson. New York: St. Martin’s. 1992.
BLONDEL. Jacques. “On ‘Metaphysical’ Prisons.” [GGI: 0054].
BLOOM. Clive. “Doyle. Arthur Conan” (pp. 47-49).  In The Handbook of Gothic Literature. ed. Marie Mulvey-Roberts. New York: New York University Press. 1998.
BLOOM. Clive. “Horror Fiction: In Search of a Definition” (pp. 155-66). In A Companion to the Gothic. ed. David Punter. Oxford. UK and Malden. MA: Blackwell Publishers. 2000. 
BLOOM. Clive. “Lovecraft. H(oward) P(hillips) (1890-1937)” (pp. 149-51). In The Handbook to Gothic Literature. ed. Marie Mulvey-Roberts. New York: New York University Press. 1998. 
BLOOM. Clive. “The Revolting Graveyard of the Universe: The Horror Fiction of H.P. Lovecraft.” In American Horror Fiction: From Brockden Brown to Stephen King. [GGII: 1009].
BLOOM. Clive. Gothic Horror: A Reader’s Guide from Poe to King and Beyond. New York: St. Martin’s Press. 1998
BLOOM. Harold. “Afterword.” To Frankenstein; or. The Modern Prometheus. [GGI: 0704].
BLOOM. Harold. “Frankenstein; or. The Modern Prometheus.” [GGI: 0703].
BLOOM. Harold. Stephen King. Philadelphia: Chelsea House. 1998.
BLOOM. Kathleen Burke. “The Grotesque in the Fiction of Joyce Carol Oates.” [GGI: 1808].
BLOOM. Margaret. “William Beckford’s Vathek.” [GGI: 0291].
BLUE. Tyson. The Unseen King. [GGII: 1113].
BLUMBERG. Jane. “‘The Earth is not. nor ever can be heaven’: The Last Man” (pp. 114-55). In Mary Shelley’s Early Novels: The Child of Imagination and Misery. Iowa City: University of Iowa Press. 1993.
BLUMBERG. Jane. “Mary Shelley’s Early Novels.” Diss IT 41 (1992): 244-45. (Oxford University).
BLYTHE. Hal and Charlie SWEET. “Poe’s Satiric Use of Vampirism in ‘Berenice.’” [GGI: 1523].
BOATWRIGHT. Mody C. “Scott’s Theory and Practice Concerning the Use of the Supernatural in Prose Fiction in Relation to the Chronology of the Waverley Novels.” [GGI: 0951].
BOCH. Gudrun. “Mary Wollstonecraft Shelley. Frankenstein; or. The Modern Prometheus.” In Der Science Fiction roman in der angloamerikanischen literatur: Interpretationen. [GGII: 0407].
BODNER. Merrill. “Unraveling the Mystery of Toni Morrison’s Beloved” (pp. 168-82). In Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts. Westport. CT: Greenwood Press. 1997.
BODY. Lois Maurine. “The Influence of the Gothic Novel on the Works of Edgar Allan Poe.” [GGII: 0929].
BODZIOCK, Joseph. "The Cage of Obscene Birds: The Myth of the Southern Garden in Frederic Douglass's My Bondage and My Freedom." (pp. 251-63) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BODZIOCK. Joseph. “Richard Wright and the Afro-American Gothic.” In Richard Wright: Myths and Realities. [GGII: 1224].
BOGAN. Louise. “The Gothic South” (pp. 35-37). In The Critical Response to Eudora Welty’s Fiction. ed. Laurie Champion. Westport. CT: Greenwood Press. 1994.
BOGATAJ-GRADISNIK. Katarina. “Izrocilo groz-ljivega romana v uvodni zgodbi slovenskega mescankega pri-povednistva.” Jezik in Slovstvo (Ljubljana. Slovenia) 37:7 (1991-1992): 182-94. 30 January 2003: <http://www.ff. unilj.si/jis/>.
BOHATI. Kirsti. “Apes and Cannibals in Cambria: Images of the Racial and Gendered Other in Gothic Writing in Wales.” Welsh Writing in English: A Yearbook of Critical Essays 6 (2000): 119-43.
BOHLS. Elizabeth A. “The Planter Picturesque: Matthew Lewis’s Journal of a West India Proprietor.” Eu-ropean Romantic Review 13 (2001): 63-76.
BOHLS. Elizabeth Ann. “Aesthetics and Ideology in the Writings of Ann Radcliffe.” [GGII: 0242].
BOI. Paola. “Spelling Infection: Doubt as a Mode of Representation in Arthur Mervyn” (pp. 85-101). In Profils Americains II. eds. Marc Amfreville and Françoise Charras. Montpelier: Université de Paul Valery. 1999.
BOIVIN. Aurélian. “Dossier littéraire: Le Fantastique; Le Conte surnatural au XIXe siècle.” Quebec Francais 50 (1983): 34-39. [Literary File; The Fantastic; The Supernatural Tale in the 19th Century].
BOK. Christian. “The Monstrosity of Representation: Frankenstein and Rousseau.” [GGII: 0408].
BONNEY. Agnes M. “Artistic Uses of Supernaturalism in the Fiction of Brown. Irving. and Hawthorne.” [GGI: 1364]
BOOHER. Mischelle. “‘It’s Not the House’: Beloved as Gothic Novel.” Readerly/Writerly Texts: Essays on Literature. Literary Criticism. and Textual Pedagogy 9:1-2 (2001): 117-31.
BOONE. Troy. “Mark of the Vampire: Arnod Paole. Sade. Polidori.” Nineteenth-Century Contexts 18 (1995): 349-66.
BOONE. Troy. “Narrating the Apparition: Glanvill. Defoe. and the Rise of Gothic Fiction.” The Eighteenth Cen-tury: Theory and Interpretation. 35 (1994): 173-89. 
BOOTH. Bradford. “Wilkie Collins and the Art of Fiction.” Nineteenth-Century Fiction 6 (1951): 131-43.
BORGES. Jorge Luis. “About William Beckford’s Vathek.” In Other Inquisitions 1937-1952. [GGI: 0292].
BORGMEIER. Raimund. “Das Monster und Wo-men’s Lib––Mary Shelley’s Frankenstein aus feministcher sicht.” In Frauen und frauendarstellung in der englischen und amerikanischen literatur. [GGII: 0409].
BORTHWICK. John. “Heavenly Haunts.” The Australian Way 1 May 1995: 20-26].
BOSKY. Bernadette Lynn. “Mirror and Labyrinth: The Fiction of Peter Straub” (pp. 68-83). In A Dark Night’s Dreaming: Contemporary American Horror Fiction. eds. Tony  Magistrale and Michael  A. Morrison. Columbia. SC: University of South Carolina Press. 19
BOSKY. Bernadette. “Stephen King and Peter Straub: Fear and Friendship.” In Discovering Stephen King. [GGII: 1114].
BOSKY. Bernadette. “The Mind’s a Monkey: Character and Psychology in Stephen King’s Recent Fiction.” In Kingdom of Fear: The World of Stephen King. [GGII: 1115].
BOSTROM. Irene. “The Novel and Catholic Emancipation.” [GGI: 0869].
BOSWELL. George W. “Supernaturalism in Scott’s Novels.” [GGI: 0952].
BOTTALICO. Michele. “The American Frontier and the Initiation Rite to a National Literature: The Example of Edgar Huntly by Charles Brockden Brown.” Rivisti di Studi Nord American. 4 (1993): 3-16.
BOTTING, Fred & Dale TOWNSHEND. Gothic: Critical Concepts in Literary and Cultural Studies. 4 vols. London & New York: Routledge, 2004.
BOTTING, Fred. "Reading Machines." "Gothic Technologies: Visuality in the Romantic Era." Romantic Circles Praxis Series (December 2005): www.rc.umd/praxis/gothic/abstracts.html
BOTTING. David Charles [Fred]. “Frankenstein’s French Revolution: The Dangerous Necessity of Monsters.” [GGII: 0411].
BOTTING. David Charles [Fred]. “Making Monstrous: Frankenstein. Criticism. Theory.” [GGII: 0410].
BOTTING. David Charles [Fred]. ed. Frankenstein/Mary Wollstonecraft  Shelley. New York: St. Martin’s Press. 1995.
BOTTING. David Charles [Fred]. Making Monstrous. Frankenstein. Criticism. Theory. [GGII: 0412].
BOTTING. Fred. “CandyGothic.” (pp. 133-51). In The Gothic. ed. Fred Botting. Cambridge: Boydell and Brewer. 2001.
BOTTING. Fred. “Dracula. Romance and the Radcliffean Gothic.” Women’s Writing 1:2 (1994): 181-201.
BOTTING. Fred. “The Gothic Production of the Unconscious” (pp. 11-36). In Spectral Readings: Towards a Gothic Geography. eds. Glennis Byron and David Punter. Houndmills. Basingstoke and London: Macmillan. 1999;  New York: St. Martin’s Press. 1999.
BOTTING. Fred. Gothic. London and New York: Routledge. 1996.
BOTTING. Fred. Gothic: Critical Concepts in Literary and Cultural Studies. London & New York: Routledge, 2004.
BOTTING. Fred. The Gothic. Cambridge. UK: Boydell and Brewer. 2001.
BOUCÉ. Paul-Gabriel. “Introduction” (pp. 13-30). To The Adventures of Ferdinand Count Fathom. London and New York: Penguin Books. 1990.
BOUDREAU. Gordon V. “Herman Melville: Master Mason of the Gothic.” [GGI: 1691.
BOUDREAU. Gordon V. “Of Pale Ushers and Gothic Piles: Melville’s Architectural Symbology.” [GGI: 1692]
BOUJUT. Michel. “Preface and Filmography.” In Frankenstein. [GGI: 2454].
BOUR. Isabelle. “Corps. paysage. nation ou comment le roman britannique est devenu moderne” (pp. 159-72). In Modernité et Romantisme. eds. Isabelle Bour. Eric Dayre. and Patrick Nee. Paris: Champion. 2001. [Body. Landscape. Nation or How the British Novel
BOUSQUET. Gilles.”Figures du monstrueux et récit fantastique au XIXe siècle.” In Monstrueux dans la littérature et la pensée anglaises. [GGII: 0413].
BOVE. Cheryl. "The Gothic." (pp. 166-89). In Understanding Iris Murdoch. Columbia: University of South Carolina Press. 1983.
BOWEN. Arlene. “‘The Eternal and Victorious Influence of Evil’: Mary Shelley’s First Decade of Fiction (1816-1825).” Dissertation Abstracts International 53 (1992): 1921A (SUNY at Stony Brook).
BOWEN. Elizabeth. “Introduction.” To Uncle Silas: A Tale of Bartram Haugh. [GGI: 1167].
BOWEN. Kevin J. “The Gothic Novel in England: Studies in a Literary Mode.” [GGII: 0050].
BOWEN. Robert O. “Hope vs. Despair in the New Gothic Novel.” [GGI: 1795].
BOWERBANK. Sylvia. “The Social Order vs. the Wretch: Mary Shelley’s Contradictory-Mindedness in Frankenstein.” [GGI: 0706].
BOWMAN. Barbara. “The Gothic Novel: A Structuralist Inquiry.” [GGI: 0055].
BOWMAN. Barbara. “Victoria Holt’s Romances: A Structuralist Inquiry.” In The Female Gothic. [GGI: 1433].
BOWSTEAD. Diana. “Convention and Innovation in Charlotte Smith’s Novels.” [GGI: 0511].
BOYD. J. Caleb. "Southernness, Not Otherness: The Community of the American South in New Southern Gothic Drama." Dissertation Abstracts International 65:7 (2005): 2433 (Florida State University).
BOYD. Molly. “Rural Identity in the Southern Gothic Novels of Mark Steadman.” Studies in the Literary Imagination 27:2 (1994): 41-54. On the Gothicism of Mc-Afee County and Angel Child.
BOYER. Gayle Ormand. “The Horrors of Romance: Figuring the Feminine in Early Gothic Fiction.” Dissertation Abstracts International 56:8 (1996): 3134A (Brown University).
BOYLE, Brenda M. "Monstrous Bodies, Monstrous Sex: Queering Alien Resurrection." Gothic Studies 7 (2005): 158-71.
BOZZETTO. Roger. “Mrs Radcliffe: The Italian or the Confessionnal of the Black Penitents” (pp.113-22). In Le Roman noir anglais dit gothique. ed. Max Duperray. Paris: Ellipses. 2000.
BOZZETTO. Roger. Territoire des fantastiques. Des romans gothiques aux récits d‘horreur moderne. Aix en Provence: Publications de la Université de Provence. 1998. [Territory of the fantastic: Of Gothic novels in modern horror narratives].
BRABON, Benjamin A. & Stéphanie GENZ, eds. Postfeminist Gothic: Critical Inverventions in Contemporary Culture. New York: Palgrave Macmillan, 2007.
BRABON, Benjamin. "Surveying Ann Radcliffe's Gothic Landscapes." Literature Compass 3:4 (2006): 840-XXX.
BRADBURY. Malcolm. “American Gothic.” [GGI: 1303].
BRADLEY. Marion Zimmer. “Believeability in Dra-cula.” NIEKAS 45: Essays on Dark Fantasy. Center Harbor. NH: Niekas Publications. 1998. 33. 43.
BRADLEY. Will. “H.P. Lovecraft and the Semiotic Kantian Sublime.” Extrapolation 43 (2002): 7-21. Applies Kant’s ideas on the sublime to Lovecraft’s works
BRADY. Ruth A.H.H. “The Reality of Gothic Terror in Faulkner.” [GGI: 1787].
BRANAM, Amy C. "Poe and Early (Un) American Drama." Dissertation Abstracts International 66:4 (2005): 1354 (Marquette University).
BRANCACCIO. Patrick. “‘Studied Ambiguities’: Arthur Mervyn and the Problem of the Unreliable Narrator.” [GGI: 1365]
BRANDENBERG. Alice S. “The Theme of The Mysterious Mother.” Modern Language Quarterly 10 (1949): 464-74 [GGI: 0214].
BRANDENBERGER. Mary Ann. “Analysis of the Fear Factor in Stephen King’s ‘The Man Who Loved Flo-wers.’” NIEKAS 45: Essays on Dark Fantasy. Center Harbor. NH: Niekas Publications. 1998: 18-19. 32.
BRANDON. Eugenie Josephine. “Jane Austen’s Attitude toward the Gothic Novel.” Master’s Thesis. University of Arizona. 1935. Austen’s attitude toward the Gothic was not entirely negative as evidenced by the mildness of her satire and her admiration for Ann
BRANTLINGER. Patrick and Richard BOYLE. “The Education of Edward Hyde: Stevenson’s ‘Gothic Gnome’ and the Mass Readership of Late Victorian England.” In Dr. Jekyll and Mr. Hyde After 100 Years.  [GGII: 1380].
BRANTLINGER. Patrick. “Gothic Toxins: The Castle of Otranto. The Monk. and Caleb Williams” (pp. 25-48). In The Reading Lesson: The Threat of Mass Literacy in Nineteenth Century British Fiction. Bloomington: Indiana University Press. 1998.
BRANTLINGER. Patrick. “The Gothic Origins of Science Fiction.” [GGI: 2214].
BRANTLINGER. Patrick. “What is ‘Sensational’ About the ‘Sensation Novel?’” [GGI: 2162].
BRAUCHLI. Jakob. Der Englische schauerroman um achtzehnjahrhundert: Unter Berücksichtigung der Unbekannten Bücher. Weida, Germany: Thomas & Hubert, 1928. [GGI: 0006].
BRAUDE. Anne. “Women Who Run with Werewolves: The Evolution of the Postfeminist Gothic Heroine.” NIEKAS 45: Essays on Dark Fantasy. Center Harbor. NH: Niekas Publications. 1998: 103-12.
BRAUN. Anne-Kathrin. “From Page to Stage: Narrative Strategies in Lochhead’s Dracula.” Gothic Studies 3 (2001): 196-210.
BREDAHL. A. Carl Jr. “The Two Portraits in Wieland.” [GGI: 1367]
BREDAHL. A. Carl Jr. “Transformations in Wieland.” [GGI: 1366].
BREDEROO. N.J. “Dracula in Film” (pp. 171-81). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Viviani. Peter Davidson and Jane Stevenson. Amsterdam: Rodopi. 1995.
BREDEROO. Nico J. “Dracula in Film” (pp. 171-81). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Viviani. Peter Davidson. Jane Stevenson. Amsterdam: Rodopi. 1995.
BREDEROO. Nico J. “Hollywood und die englische romangattung des ‘Gothic Novel.’” In Interbellum und Exil. [GGII: 1500].
BREEN. Allison. “A Comparison of the Villain-hero in Four English Gothic novels.” Master‘s Thesis. Midwestern State University. 1978.
BREEN. R. S. “An Irish Vampire.” [GGI: 2320].
BREITLINGER. Eckard. Der Tod in englischen roman um 1800: Untersuchungen zum englischen schauerroman. [GGI: 1972].
BREITLINGER. Eckhard. Der Tod in englischen roman um 1800: Untersuchungen zum englischen schauerroman. [GGI: 0056].
BRENNAN. Matthew C. “Mary’s Shelley’s Cautionary Narrative: Frankenstein as Therapy.” Lamar Journal of the Humanities 24:2 (1999): 5-11. On the psychological bond established between Frankenstein and Walton.
BRENNAN. Matthew C. “Poe’s Gothic Sublimity: Prose Style. Painting. and Mental Boundaries in ‘The Fall of the House of Usher.’” [GGII: 0930].
BRENNAN. Matthew C. “Repression. Knowledge. and Saving Souls: The Role of the ‘New Woman.’” In Stoker’s Dracula and Murnau’s Nosferatu. [GGII: 0710].
BRENNAN. Matthew C. “The Landscape of Grief in Mary Shelley’s Frankenstein.” [GGII: 0414].
BRENNAN. Matthew C. The Gothic Psyche: Disintegration and Growth in Nineteenth Century English Literature. Columbia. SC.: Camden House. 1997.
BREQUE. Jean-Daniel. “Stephen King: l’horreur moderne.” [GGII: 1116].
BREUER. Horst. “Dracula lebt: Zur Psychodynamik von Schreckenliteratur” (pp. 23-27). In Unterhaltung: So-zial und Literaturwissen-schaftliche Beitrage zu ihren Formen un Funktionen. Erlangen: Univ. Erlangen Nurnberg. 1994. [Dracula lives: On the psychodyn
BREWER, William D. "Intrkoduction" (XX). To St. Leon by William Godwin. (Peterborough, ON: Broadview Press, 2006).
BREWER. William D. "The French Revolution as a Romance: Mary Robinson's Hubert de Sevrac." Papers on Language & Literature 42 (2006): 115-49.
BREWER. William D. "Transgendering in Matthew Lewis's The Monk." Gothic Studies 6 (2004):192-207.
BREWER. William D. “Mary Wollstonecraft and Mary Shelley: Ideological Affinities” (pp. 97-108). In Jane Austen and Mary Shelley. and their Sisters. ed. Laura Dabundo. Lanham. MD: University Press of America. 2000.
BREWER. William D. The Mental Anatomies of William Godwin and Mary Shelley. Rutherford. NJ: Fairleigh Dickinson University Press. 2001.
BREWSTER, Scott. "Borderline Experience: Madness, Mimicry, and Scottish Gothic." Gothic Studies 7 (2000): 79-86.
BREWSTER. Scott. “Seeing Things: Gothic and the Madness of Interpretation” (pp. 281-92). In  A Companion to the Gothic. ed. David Punter. Oxford. UK and Malden. MA: Blackwell. 2000.
BREY. Joseph. Die Naturschilderungen in den romanen und gedichten der Mrs. Radcliffe. nebst einem rückblick aut die entwicklung der naturschilderung im englischen romane des 18. jahrhunderts. [GGI: 0398].
BRIDGHAM. Fred. “Kleist’s Familie Schroffenstein and ‘Monk’ Lewis’s Mistrust: Give and Take; Papers from the Conference held at the University of Leeds from 15 to 17 September 1997” (pp. 75-101). In The Novel in Anglo-German Context: Cultural Cross-Curren
BRIDGHAM. Fred. “Kleist’s Familie Schroffenstein and ‘Monk’ Lewis’s Mistrust; Give and Take; Papers from the Conference Held at the University of Leeds from 15 to 17 September 1994” (pp. 75-101). In The Novel in Anglo-German Context: Cultural Crosscurrent
BRIDGSTOCK. Martin. “The Twilit Fringe––An-thropology and Modern Horror Fiction.” [GGII: 1466].
BRIDGWATER, Patrick. DeQuincey's Gothic Masquerade. Amsterdam: Rodopi, 2004.
BRIDGWATER. Patrick. Kafka. Gothic. and Fairytale. Amsterdam: Rodopi. 2003.
BRIEFEL, Aviva. "The Victorian Literature of Fear." Literature Compass 4 (2007): 508-23.
BRIGANTI. Chiara. “Gothic Maidens and Sensation Women: Lady Audley’s Journey from the Ruined Mansion to the Madhouse.” [GGII: 1381].
BRIGGS. Julia. “The Ghost Story” (pp. 122-31). In A Companion to the Gothic. ed. David Punter. Oxford. UK and Malden. MA: Blackwell Publishers. 2000.
BRIGGS. Julia. Night Visitors: The Rise and Fall of the English Ghost Story. [GGI: 1084].
BRIGGS. Katherine M. “The Legends of Lilith and the Wandering Jew in Nineteenth-Century Literature.” [GGI: 2305].
BRINKS. Ellen. “Dispossessing Figures: Masculinity in Gothic Romanticism.” Dissertation Abstracts International 58:1 (1997): 155A (Princeton University).”
BRINKS. Ellen. “The Male Romantic Poet as Gothic Subject: Keats’s Hyperion and The Fall of Hyperion: A Dream.” Nineteenth-Century Literature 54 (2000): 427-54.
BRINKS. Ellen. Gothic Masculinity: Effeminacy and the Supernatural in English and German Romanticism. Lewisburg. PA: Bucknell Univerity Press; London: Associated University Presses. 2003.
BRISMAN. Leslie. “Coleridge and Supernaturalism.” [GGI: 2072].
BRISSENDEN. Robert F. Virtue in Distress: Studies in the Novel of Sentiment from Richardson to Sade. [GGI: 1868].
BRISTON-SMITH. Laurence. “Expandable Architecture.” [GGII: 0781].
BRITTON. Andrew. “The Devil. Probably: The Symbolism of Evil.” In American Nightmare: Essays on the Horror Film. [GGI: 2446].
BRITTON. Terry D. “From Ambivalence to Acquiescence: Studies in Gothic Metaphor.” [GGI: 1102].
BRITTON. Wesley. “The Puritan Past and Black Gothic: The Haunting of Toni Morrison’s Beloved in Light of Hawthorne’s The House of the Seven Gables.” Nathaniel Hawthorne Review 21:2 (1995): 7-23.
BRITZOLAKIS. Christina. “Gothic Subjectivity” (pp. 101-34). In Sylvia Plath and the Theatre of Mourning. New York: Oxford University Press. 1999.
BRIX. Michel. "Du Château d'Otrante à la forteresse de Silling" (pp. 283-95). In "O saisons, O châteaux": Chateau et littérature des Lumières à l'aube de la modernité (1764-1914, eds. Pascale Auraix-Jonchière, Pierre Grouix. Clermont-Ferrand, France: Presses Universitaires Blaise Pascal, 2004.
BROADWELL. Elizabeth P. “The Veil Image in Ann Radcliffe’s The Italian.” [GGI: 0399].
BROCKMAN. Harold A.N. The Caliph of Fonthill. [GGI: 0293].
BROGAN. Kathleen. “American Stories of Cultural Haunting: Tales of Heirs and Ethnographers.” College English 57 (1995): 149-65.
BROMBERT. Victor. “Petrus Borel. Prison Horrors. and the Gothic Tradition.” [GGI: 1899].
BRONFEN. Elisabeth. “Hysteria. Phantasy and the Family Romance: Ann Radcliffe’s Romance of the Forest.” Women’s Writing 1: 2 (1994): 171-80. Character study of the heroine Adeline from a Freudian perspective.
BRONFEN. Elisabeth. “Rewriting the Family: Mary Shelley’s Frankenstein and its Biographical Texual Context” (pp. 16-38). In Frankenstein. Creation. and Monstrosity. ed. Stephen Bann. London: Reaktion. 1994.
BRONFEN. Elisabeth. “SadoMasochism” (pp. 206-07). In The Handbook to Gothic Literature. ed. Marie  Mulvey-Roberts. New York: New York University Press. 1998.
BROOKS. Anita. “Frankenstein’s Lonely Monster“ In Practical English Handbook. [GGI: 0707].
BROOKS. C.N. and R.G. WHITINGER. “Olivier’s Jewel Box: A Reassessment of the ‘Usual Suspects’ in Hoffmann’s Das Fraulein Scuderi.” Journal of English and Germanic Philology 191 (2002): 68-89.
BROOKS. Chris. Gothic Revival. London: Phaidon. 1999.
BROOKS. Marilyn and Nicola WATSON. “Northanger Abbey: Contexts” (pp. 62-86). In The Nineteenth Century Novel: Contexts. eds. Delia da Sousa Correa. Dennis Walter and Stephen Regan. London: Routledge for Open University. 2000.
BROOKS. Peter. “Godlike Science/Unhallowed Arts: Language and Monstrosity in Frankenstein.” [GGI: 0708].
BROOKS. Peter. “Virtue and Terror: The Monk.” [GGI: 0535].
BROOKS. Philip. “Notes on Rare Books.” [GGI: 05-36].
BROOKS. Van Wyck. “Introduction.” To Caleb Williams. [GGI: 0613A].
BROOME, Judith. "'Her Lovely Arm a Little Bloody': Richardson's Gothic Bodies." Gothic Studies 8 (2006): 9-21.
BROPHY. Brigid. “Introduction.” To The Wild Irish Girl. [GGII: 0782].
BROPHY. Philip. “Horrality––The Textuality of Contemporary Horror Films.” [GGII: 1501].
BROSE. Patricia B.D. “An Analysis of the Functioning of Gothic Themes in the Folklore and Writing of Children in the Second and the Fifth Grades.” [GGI: 2387].
BROSNAN. John. The Horror People. [GGI: 2457].
BROWN. Byron K. “John Snart’s Thesaurus of Horror: An Indirect Source of Poe’s ‘The Premature Burial’ ?” American Notes and Queries: A Quarterly Journal of Short Articles. Notes. and Reviews. 8:3 (1995): 11-14.
BROWN. C.N. and William G. CONTENTO. SF. Fantasy and Horror: A Comprehensive Bibliography of Books and Short Fiction Published in the English Language. Oakland, CA: Locus Press, 1987. [GGII: 0005].
BROWN. Herbert Ross. The  Sentimental Novel in  America. 1789-1860. [GGI: 1304].
BROWN. James. “Through the Looking Glass: Victor Frankenstein and Robert Owen.” Extrapolation: A Journal of Science Fiction and Fantasy 43 (2002): 263-76.
BROWN. Jane K. “Faust and the Gothic Novel” (pp. 68-80). In Interpreting Goethe’s Faust Today. eds. Jane K. Brown. Meredith Lee. Thomas P. Saine. Columbia. SC: Camden House. 1994.
BROWN. Joseph. “Ghosts and Ghouls and Le Fa-nu.” [GGII: 0681].
BROWN. Marshall. “A Philosophical View of the Gothic Novel.” [GGII: 0051].
BROWN. Marshall. “Gothic Readers versus Gothic Writers.” Eighteenth-Century Studies 35 (2002): 615-622.
BROWN. Marshall. The Gothic Text. Stanford. CA: Stanford University Press. 2004.
BROWN. Stephen P. “The Life and Death of Richard Bachman: Stephen King’s Doppelgänger.” In Kingdom of Fear: The World of Stephen King. [GGII: 1117].
BROWN. Susan Marie Williams. “Villainy in Brockden Brown’s Wieland and Arthur Mervyn: Structural Unity Through the Development of Characters and Universal Themes.” [GGII: 0861]
BROWNE. Nelson. Sheridan Le Fanu. [GGI: 1168].
BROWNE. Ray and Gary HOPPENSTAND. The Gothic World of Stephen King: Landscape of Nightmares. [GGII: 1118].
BROWNELL. David. “Wicked Dreams: The World of Sheridan Le Fanu.” [GGI: 1169].
BROWNELL. M.R. “Pope and the Vampires in Germany.” [GGI: 2140].
BROWNING. Preston M. Jr. “Flannery O’Connor and the Demonic.” [GGI: 1796].
BROWNWORTH. Victoria A. and Judith M. REDDING. eds. Night Shade: Gothic Tales by Women. Seattle. WA: Seal Press; Distributed to the trade by Publishers Group West. 1999. The 17 short stories take place in everyday settings––contemporary houses. a bar. a v
BROYLES. Janice Ann. “Charles Brockden Brown: A Redefinition of the Gothic novel.” Master’s Thesis. Southwest Missouri State University. 1991.
BRUCE. Donald Williams. “Ann Radcliffe and the Extended Imagination.” [GGII: 0243].
BRUCE. Donald. “William Beckford as Writer and Collector.” Contemporary Review 280:1635 (2002): 227-33.
BRUCKMANN. Patricia. “The Settings in Pamela.” [GGI: 2141].
BRUDER. Charles Harry. “Structuralism. Form. and the Individual Text: An Initial Reading of James Hogg’s Confessions of a Justified Sinner.” [GGI: 0934].
BRUFFE. Kenneth A. “Elegiac Romance.” [GGII: 0605].
BRUHM, Steven. "Nightmare on Sesame Street: or, The Self-Possessed Child." Gothic Studies 8 (2006): 98-113.
BRUHM. Steven. “Gothic Bodies: The Politics of Pain in Romantic Fiction.” [GGII: 1467].
BRUHM. Steven. “On Stephen King’s Phallus: Or. The Postmodern Gothic.” Narrative 4:1 (1996): 55-73. Reprinted (pp. 75-96) In The American Gothic: New Interventions in a National Narrative. eds. R.K. Martin and Eric Savoy. Iowa City: University Iowa Press.
BRUHM. Steven. “Picture This: Stephen King’s Queer Gothic” (pp. 269-80). In A Companion to the Gothic. ed. David Punter. Oxford. UK and Malden. MA: Blackwell Publishers. 2000.
BRUHM. Steven. “The Contemporary Gothic: why we need it” (pp. 259-76). In The Cambridge Companion to Gothic Fiction. ed. Jerrold E. Hogle. Cambridge. UK: Cambridge University Press. 2002.
BRUHM. Steven. “William Godwin’s Fleetwood: The Epistemology of the Tortured Body.” [GGII: 0356].
BRUHM. Steven. Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press. 1994.
BRULÉ. A. “Un Visite à Fonthill en 1792.” [GGI: 0294].
BRUMBAUGH. Thomas B. “The Facile Francis Marion Crawford.” [GGI: 1752].
BRUNEAU. Jean. “Madame de Genlis. William Beckford et Vathek.” [GGI: 0295].
BRUNEAU. Jean. “Madame de Genlis. William Beckford et Vathek.” [GGI: 1886].
BRUNK. Terence M. “‘A Hurly-Burly in This Poor Women’s Head’: The Gothic Character in Ann Yearsley’s Authorial Identity.” English Language Notes 37 (2000): 29-52.
BRUNK. Terence M. “Gothic Masculinities: Gender and Status in the British Gothic Novel of the 1790s.” Dissertation Abstracts International 58:7 (1998): 2663A (Rutgers University).
BRUSKY. Sarah. "Nancy Prince and Her Gothic Odyssey: A Veiled Lady." (pp. 167-80). In Gender. Genre. and Identity in Women's Travel Writing. ed. Christi Siegel. New York: Peter Lang. 2004.
BRUSTEIN. Robert. “Reflections on Horror Movies.” [GGII: 2458].
BRYANT. Cedric Gael."'The Soul Has Bandaged Moments': Reading the African American Gothic in Wright's 'Big Boy Leaves Home,' Morrison's Beloved, and Gomez's Gilda." African American Review 39 (2005): 541-53.
BUCHAN. A.M. “Maturin’s Birthday.” [GGI: 08-70].
BUCHAN. Irving H. “Wordsworth’s Gothic Bal-lads.” [GGI: 2073].
BUCHEN. Irving H. “Frankenstein and the Alchemy of Creation and Evolution.” [GGI: 0709].
BUDGE, Gavin. "'The Vampyre': Romantic Metaphysics and the Aristocratic Other." (pp. 212-35) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BUDICK. Emily M. “Gothic Idealism in the Works of Edgar Allan Poe.” [GGI: 1524].
BUDICK. Emily M. “Poe’s Gothic Idea: The Cosmic Geniture of Horror.” [GGI: 1525].
BUDICK. Emily Miller. “Literalism and the New England  Mind: Charles Brockden  Brown’s  Wieland  as American History.” In Fiction and Historical Consciousness: The American Romance Tradition. [GGII: 0862]
BUHLE. Paul. ‘Dystopia as Utopia: Howard Phillips Lovecraft and the Unknown Content of American Horror Literature.” [GGI: 1761].
BULAND. Mable. “Development of the Gothic novel in America.” Master’s Thesis. University of Washington. 1908.
BULGHERONI. Marisa. “Charles Brockden Brown tra il romanzo e la storia.” [GGI: 1368A]
BULGHERONI. Marisa. La Tentazione della chimera:  Charles Brockden  Brown e le origini del romanzo americano. [GGI: 1368]
BUNNELL. Charlene E. “The Illusion of ‘Great Expectations’: Manners and Morals in Mary Shelley’s Lodore and Falkner” (pp. 275-92). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. eds
BUNNELL. Charlene. “The Gothic: A Literary Gen-re’s Transition to Film.” In Planks of Reason: Essays on the Horror Film. [GGII: 1502].
BUNNELL. Charlene. “The Gothic: Its Worlds and Visions.” [GGII: 0052].
BURDUCK. Michael L. “Browning’s Use of Vampirism in ‘Porphyria’s Lover.’” [GGII: 1383]
BURDUCK. Michael L. Grim Phantasms: Fear in Poe’s Short Fiction. [GGII: 0931].
BURGESS. Anthony. “‘Boo.’” [GGI: 2239A].
BURGESS. Anthony. “‘Boo?’” [GGI: 2239].
BURGESS. Michael and Lisa R. BARTLE. Reference Guide to Science Fiction. Fantasy. and Horror. Westport. CT: Libraries Unlimited. 2002.
BURGESS. Michael. Reference Guide to Science Fiction. Fantasy and Horror. Englewood, CO: Libraries Unlimited, 1992. [GGII: 0006].
BURGESS. Miranda J. “Charlotte Smith. The Old Manor House” (pp. 122-30). In A Companion to Romanticism. ed. Duncan Wu. Oxford: Blackwell Publishers. 1998.
BURGESS. Miranda. “Domesticating Gothic: Jane Austen. Ann Radcliffe. and National Romance” (pp. 392-412). In Lessons of Romanticism: A Critical Companion. eds. Thomas Pfau and Robert F. Gleckner. Durham: Duke University Press. 1998.
BURGESS. Miranda. “Domesticating Gothic: Jane Austen. Ann Radcliffe. and National Romance” (pp. 392-412). In Lessons of Romanticism: A Critical Companion. eds. Thomas Pfau and Robert F. Gleckner. Durham: Duke University Press. 1998.
BURGIO. Tizinia. William Beckford e il Mondo Ara-bo-islamico. Mazzara del Vallo. Italia: Liceo Ginnasio Gian Giacomo Adria. 1997. [William Beckford and the Arab-Islamic world]
BURLESON. Donald R. “‘The Terrible Old Man’: A Deconstruction.” [GGII: 1013].
BURLESON. Donald R. “H.P. Lovecraft.” In Supernatural Fiction Writers. [GGII: 1011].
BURLESON. Donald R. “Humor Beneath Horror: Some Sources for ‘The Dunwich Horror’ and ‘The Whisperer in Darkness.’” [GGI: 1762].
BURLESON. Donald R. “Lovecraft and the World as Cryptogram.” [GGII: 1014].
BURLESON. Donald R. “Lovecraft on Chiasmus/Chiasmus and Lovecraft.” [GGII: 1012].
BURLESON. Donald R. “Lovecraft: Disturbing the Universe.” [GGII: 1015].
BURLESON. Donald R. “Lovecraft’s ‘The Unknown A Sort of Runic Rhyme.” [GGII: 1016].
BURLESON. Donald R. H.P. Lovecraft: A Critical Study. [GGII: 1010].
BURLESON. Mollie L. “Lovecraft and Charles Dickens: The Rats in Their Walls.” Lovecraft Studies 38 (1998): 34-35.
BURLEY, Stephanie. "The Death of Zofloya: or, The Moor as Epistemological Limit." (pp. 197-211) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
BURNETT. Leon. “The Echoing Heart: Fantasias of the Female in Dostoevskii and Turgenev”  (pp. 235-55). In The Gothic-Fantastic in Nineteenth-Century Russian Literature. ed. Neil Cornwell. Amsterdam. Netherlands: Rodopi. 1999.
BURNEY. E.L. “Shakespeare in Otranto.” Manchester Review 12 (1972): 61-64. [GGI: 0215].
BURNS. Gail E. and Melinda KANNER. “Women. Danger. and Death: The Perversion of the Female Principle in Stephen King’s Fiction” (pp. 158-72). In Sexual Politics and Popular Culture. ed. Diane Raymond. Bowling Green. OH: Bowling Green State University Popu
BURNS. Margie. “A Good Rose Is Hard to Find: ‘Southern Gothic’ as Social Dislocation in Faulkner and O’Connor.” [GGII: 1063].
BURNS. Sarah. Painting the Dark Side: Art and the Gothic Imagination in Nineteenth Century America. Berkeley: University of California Press. 2004.
BURRA. Peter. “Baroque and Gothic Sentimentalism.” [GGI: 0057].
BURROUGHS. Catherine B. “Teaching the Theory and Practice of Women’s Dramaturgy.” Romanticism on the Net 12 (November 1998): <http://www-sul.stanford.edu/mirrors/ romnet/> accessed: 14 December 1998.
BURROUGHS. Catherine B. Closet Stages: Joanna Baillie and the Theater Theory of British Women Writers. Philadelphia: University of Pennsylvania Press. 1997.
BURT. Daniel Scott. “Melodrama. Sensation. and Suspense in the Victorian Novel.” [GGI: 2164].
BURT. Daniel. A Victorian Gothic: G.W.M. Reynolds’ Mysteries of London.” [GGI: 2165].
BURT. Donald C. “Poe. Bradbury. and the Science Fiction Tale of Terror.” [GGI: 2213A].
BURWICK. Frederick. “Romantic Supernaturalism: The Case Study as Gothic Tale.” Wordsworth Circle 34 (2003): 73-81.
BURY. Laurent. "Trollopian Gothic." Cahiers Victoriens et Edouardiens: Revue du Centre d'Etudes et de Recherches Victoriennes et Edouardiennes de l'Universite Paul Valery 58 (2003): 35-45.
BUS. Heiner. “Trickster Story-Telling in the Post-Revolutionary Period: Brockden Brown’s Edgar Huntly; or. The Memoirs of a Sleep-Walker” (pp. 149-71). In Profils Americains II. eds. Marc Amfreville and Françoise Charras. Montpelier: Université de Paul Va
BUSBY. Mark. “Sam Shepard and Frontier Gothic.” In Frontier Gothic: Terror and Wonder at the Frontier in American Literature. [GGII: 1225].
BUSCAGLIA. Germana. “The Monk di Matthew Gregory Lewis: L‘Intersecarsi di Storie nel Romanzesco. Diabolico e Magico.” Thesis. Universita degli Studi. Milan. 1993. [Matthew Gregory Lewis’s The Monk: The Intersections of Stories from the Fantastic. Diabolic
BUSCH. Robert L. “Dostoevskij’s Major Novels and the European Gothic Tradition.” [GGII: 1321].
BUSCH. Robert L. “Pushkin and the Gotho-Freneticist Tradition.” [GGII: 1322].
BUSHNELL. Nelson S. “Artistic Economy in Jane Eyre: A Contrast with The Old Manor House.” [GGI: 11-15].
BUSSING. Sabine. Aliens in the Home: The Child in Horror Fiction. [GGII: 1468].
BUSTILLO. Carmen. “Alvaro Mutis: Parodia y au-toparodia en La mansion de Araucaima.” Thesaurus: Boletin del Instituto Caro y Cuervo (Bogota. Colombia) 49:1 (1994):142-65. [Parody and Self-Parody in La Mansion de Araucaima.]
BUTLER. David L. “A Study of the Literary Style of the Novels of Charles Brockden Brown.” [GGI: 1369].
BUTLER. David L. Dissecting a Human Heart: A Study of Style in the Novels of Charles Brockden Brown. [GGI: 1369A]
BUTLER. David W. “Usher’s Hypochondriasis: Mental Alienation and Romantic Idealism in Poe’s Gothic Tale.” [GGI: 1526].
BUTLER. Gerald. “Ann Radcliffe’s Novels: Peace and War. Sublimity and Maiden Fears; Actes des colloques de decembre 1994. decembre 1995. et mars 1996” (pp. 361-70). In Guerres et paix: La Grande-Bretagne au XVIIIe siecle. I-II. ed. Paul Gabriel Boucé. Par
BUTLER. Ivan. The Horror Film. [GGI: 2059].
BUTLER. Marilyn. “Godwin. Burke. and Caleb Wil-liams.” [GGI: 0614].
BUTLER. Marilyn. “The Woman at the Window: Ann Radcliffe in the Novels of Mary Wollstonecraft and Jane Austen.” [GGI: 0975].
BUTLER. Marilyn. Peacock Displayed: A Satirist in his Context. [GGI: 1019].
BUTLER. Michael D. “Charles Brockden Brown’s Wieland: Method and Meaning.” [GGI: 1370].
BUTTERFIELD. Roger. “George Lippard and His Secret Brotherhood.” [GGI: 1711].
BYAM. Paige Beresford. “Mysteries in Narrative: Female Figures. Fear. and the Disruption of Telos.” Dissertation Abstracts International 54 (1994): 2565A (University of Wisconsin).
BYERS. Thomas B. “Good Men and Monsters: The Defenses of Dracula.” [GGII: 0711].
BYRD. Max. “The Madhouse. the Whorehouse. and the Convent.” [GGII: 1469].
BYRON. Glennis and David PUNTER. eds. Spectral Readings: Towards a Gothic Geography. New York: St. Martin‘s Press. 1999.
BYRON. Glennis. “Gothic in the 1890s” (pp. 132-42). In A Companion to the Gothic. ed. David Punter. Oxford. UK and Malden. MA: Blackwell Publishers. 2000.
BYRON. Glennis. ed. Dracula: Bram Stoker. New York: St. Martin’s Press. 1999.
CABALLERO, Soledad. "Gothic Routes, or the Thrills of Ethnography: Francis Calderon de la Barca's Life in Mexico." (pp. 143-62) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
CAFARELLI. Annette Wheeler. “How Theories of Romanticism Exclude Women: Radcliffe. Milton. and the Legitimation of the Gothic Novel” (pp. 84-113). In Milton. the Metaphysicals. and Romanticism. eds. Lisa Low and Anthony Harding. Cambridge. UK: Cambridge U
CAHILL. Edward. “An Adventurous and Lawless Fancy: Charles Brockden Brown’s Æsthetic State.” Early American Literature 36 (2001): 31-70.
CAIN, Jimmie E. Bram Stoker and Russophobia: Evidence of the British Fear of Russia in Dracula and The Lady of the Shroud. Jefferson, NC: McFarland, 2006.
CAIN. Stephen. “Introduction” (pp. 6-7). To Antipodean Tales: Stories from the Dark Side. Wellington. NZ: IPL Books. 1996.  From the Introduction: “New Zealand literature has long suffered from a mysterious malady. a condition perhaps most visible in the
CAIRNEY. Christopher Thomas. “The Villain Character in the Puritan World: An Ideological Study of Richardson. Radcliffe. Byron. and Arnold.” Dissertation Abstracts International 57:9 (1995): 3946A (University of Missouri).
CAIRNS. William B. “Poe’s Use of the Horrible.” [GGI: 1527].
CALDWELL. Janice McLarren. “Sympathy and Science in Frankenstein” (pp. 262-74). In The Ethics in Literature. eds. Andrew Hadfield. Dominic Rainsford. and Tim Woods. Houndmills. Basingstoke. Hampshire. UK: Palgrave/ Macmillan. 1998.
CALHOUN. Thomas O. “Hawthorne’s Gothic: An Approach to the Last Four Fragments.” [GGI: 1646].
CALLAHAN. Patrick J. “Frankenstein. Bacon. and the ‘Two Truths.’” [GGI: 0710].
CAMDEN, Jennifer Bonnie. "The Other Woman: Secondary Heroines in the Nineteenth Century British and American Novel." Dissertation Abstracts International 66:5 (2005): 1760 (Ohio State University).
CAMERON. Donald. “History. Religion. and the Su-pernatural.” [GGI: 0953].
CAMERON. Ed. "Psychopathology and the Gothic Supernatural." Gothic Studies 5 (2003): 11-42.
CAMERON. Ed. “Matthew Lewis and the Gothic Horror of Obsessional Neurosis." Studies in Humanities 32 (2005): 168-200.
CAMERON. Ed. “Relegation of Enjoyment: The Psycho-Pathological Development of the English Gothic novel.” Dissertation Abstracts International 61:9 (2001): 3549 (SUNY at Binghamton).
CAMP. Carolyn Turner. “A Pattern of Female Literary Evolution: From Gothic to Realism. from Hope to Despair. A Study of Six Female Texts. 1791 to 1899.” Dissertation Abstracts International 58:6 (1997): 2196A (Indiana University of Pennsylvania).
CAMPBELL. Ann. “Satire in The Monk: Exposure and Reformation.” Romanticism on the Net 8 (November. 1997). 14 March 1998.
CAMPBELL. Ian. “Hogg’s Confessions and The Heart of Darkness.” [GGI: 0935].
CAMPBELL. James L. “Sir Walter Scott.” In Supernatural Fiction Writers. [GGII: 0597].
CAMPBELL. James L. Sr. “Sheridan Le Fanu.” In Supernatural Fiction Writers. [GGII: 0682].
CAMPBELL. James. “Cosmic Indifferentism in the Fiction of H.P. Lovecraft” (pp. 217-37). In American Supernatural Fiction: From Edith Wharton to the Weird Tales Writers. New York: Garland Studies in Nineteenth Century American Literature Number 6; Garland
CAMPBELL. Jill. “‘I Am No Giant’: Horace Walpole. Heterosexual Incest. and Love among Men.” The Eighteenth Century: Theory and Interpretation 39 (1998): 238-60.
CAMPBELL. Ramsey. “Welcome to Room 217.” In Kingdom of Fear: The World of Stephen King. [GGII: 11-19].
CAMPBELL. Thomas J. “The Other Mrs. Radcliffe: ‘The Female Advocate’ in her Memoirs.” Studies in the Humanities 24:1-2 (1997): 65-74.
CAMPRA. Rosalba. “I Requisiti della narrazione: La Parola ai vampiri.” [GGII: 1408].
CANNON, Mercy. "Embodying Nature: Medicine, Law, and the Female Gothic." Dissertation Abstracts International 66:10 (2006): 3656 (University of Tennessee).
CANNON. Peter. “Letters. Diaries. and Manuscripts: The Handwritten Word in Lovecraft.” In An Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H.P. Lovecraft. [GGII: 1019].
CANNON. Peter. “The Influence of Vathek on H.P. Lovecraft’s The Dream Quest of Unknown Kadath.” In H.P. Lovecraft: Four Decades of Criticism. [GGI: 0296].
CANNON. Peter. H.P. Lovecraft. [GGII: 1018].
CANNON. Peter. The Chronology Out of Time: Dates in the Fiction of H.P. Lovecraft. [GGII: 1017].
CANTOR. Paul. “Mary Shelley and the Taming of the Byronic Hero: ‘Transformation’ and The Deformed Transformed” (pp. 89-106). In The Other Mary Shelley: Beyond Frankenstein. New York: Oxford University Press. 1993.
CANTOR. Paul. “The Apocalypse of Empire: Mary Shelley’s The Last Man” (pp. 193-211). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. eds. Syndy M. Conger. Frederick S. Frank. and Gre
CANTOR. Paul. “The Nightmare of Romantic Idealism.” In Creature and Creator: Myth Making in English Ro-manticism. [GGII: 0416].
CANUEL. Mark E. “Holy Hypocrisy and Pastoral Policy: Religion and Nationalism in the Gothic.” Studies in Romanticism 34 (1995): 507-30.
CANUEL. Mark E. “Romantic Emancipation: Religion and the Nation in British Letters. 1790-1830.” Dissertation Abstracts International 57:5 (1996): 2046A (Johns Hopkins University).
CAPONE. Giovanna. “‘What do I see?...’: Un Paradigma nel romanzo gotico.” [GGI: 0400].
CARBALLO. Robert “Seeing Through a Glass Dark-ly: Thomas Hardy’s Poetic Gothicism.” Cahiers Victoriens & Edouardiens 53 (2001): 29-39.
CARBALLO. Robert. “Another Look at Shakespearean Tragedy as Proto-Text for Wieland.” Neohelicon 22 (1995): 75-85.
CARBONELL. Ana Maria. “Reconstructing Motherhood: The Female Gothic and Transcultural Strategies in African-American and Chicana Feminist Writings.” Dissertation Abstracts International. 57:10 (1997): 4367A (University of California. Santa Cruz).
CAREY. John. “Introduction.” To The Private Memoirs and Confessions of a Justified Sinner. [GGI: 0936].
CARLISLE. Timothy Charles. “Naming the Terror; The Medical Narratives of Oliver Wendell Holmes. William Carlos Williams. and Walker Percy.” Dissertation Abstracts International 52:10 (1992): 3601A (Washington State University).
CARLSEN. M. M. “What Stoker Saw: An Introduction to the Literary Vampire.” [GGI: 1220].
CARLSON, Julie A. "Baillie's Orra: Shrinking in Fear" (206-20). In Joanna Baillie, Romantic Dramatist: Critical Essays, ed. Thomas C. Crochunis. London: Routledge, 2004.
CARLSON. Eric W. “‘William Wilson’: The Double as Primal Self.” [GGI: 1528].
CARLTON. Ann. “Beyond Gothic and Grotesque: A Feminist View of Three Female Characters of Carson McCullers.” [GGII: 1226].
CARNERO. Guillermo. “William Beckford (1760-1844) o el erotismo de fina stampa.” [GGI: 0297].
CARNEY. Mary. "Gothic Undercurrents in the Novels of Lewis Nordan." Southern Quarterly 41:3 (2003): 78-91.
CARNOCHAN. W.B. and David DONALDSON. “The Presentation Copy of ‘Monk’ Lewis’s ‘Oberon’s Henchmen’ 1803.” [GGII: 0315].
CARNOCHAN. W.B. Confinement and Flight: An Essay on English Literature of the Eighteenth Century. [GGII: 1470].
CARPENTER. Charles A. “Selective Bibliography of Writings About Charles Brockden Brown.” In Critical Essays on Charles Brockden Brown. [GGI: 1371]
CARPENTER. Juliet. “Izumi Kyoka: Meija-Era Gothic.” Japan Quarterly. 31:2 (1984): 154-58.
CARPENTER. Lynette and Wendy KOLMAR. Ghost Stories by British and American Women: A Selected Annotated Bibliography. New York: Garland Publishing. 1998
CARPENTIER. André. “Notes en marge d’un historique du fantastique quebecois au XIXe.” Voix e Images: Littérature Quebecois. 19:1 (1993): 104-20. [Marginal notes on the history of quebecois fantastic in the 19th century]
CARPI SERTORI. Daniela. “I Romanzi occultisimo di Dennis Wheatley: Fra letteratura d'élite e letteratura di consumo.” [GGII: 0783].
CARPI. Daniela. “Il Soprannaturale nel teatro Elisibettiano e ne romanzo gotico.” [GGII: 0637].
CARR. Mary Ellen Theresa. “Mary Wollstonecraft and Mary Shelley: A Study of Intertextual Voicing.” Dissertation Abstracts International 62:1 (2001): 180-81 (Indiana University of Pennsylvania).
CARROLL. Noel. “Nightmare and Horror Film: The Symbolic Biology of Fantastic Beings.” [GGI: 2460].
CARROLL. Noel. The Philosophy of Horror: or. Paradoxes of the Heart. [GGII: 0053].
CARSE. Wendy and Nicole Burkholder-Mosco. “'Wondrous material to play on': Children as Sites of Gothic Liminality in The Turn of the Screw. The Innocents. and The Others." Studies in the Humanities 32 (2005): 201-220.
CARSE. Wendy Kay. “Domesticity and the Victorian Gothic Short Story: ‘Flesh and blood is not made for such encounters.’” Dissertation Abstract International. 53:6 (1992): 1921A (Tulane University).
CARSO. Kerry Dean. “Reading the Gothic: American Art and Architecture in the Age of Romantic Literature. 1800-1850.”  Dissertation  Abstracts International 62:2 (2001): 364.
CARSO. Kerry Dean. “Reading the Gothic: American Art and Architecture in the Age of Romantic Literature. 1800-1850.” Dissertation Abstracts International 62:2 (2001): 364.
CARSON. James P. “‘A Sigh of Many Hearts’: History. Humanity. and Popular Culture in Valperga” (pp. 167-92). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. eds. Syndy M. Conger. Fre
CARSON. James P. “Bringing the Author Forward: Frankenstein Through Mary Shelley’s Letters.” [GGII: 04-17].
CARSON. James P. “Crime and Conscience in the Gothic Novel.” [GGII: 0054].
CARSON. James P. “Enlightenment. Popular Culture. and Gothic Fiction” (pp. 255-76). In The Cambridge Companion to the Eighteenth Century Novel. ed. John Richetti. Cambridge. UK: Cambridge University Press. 1996.
CART. Michael. “Carte Blanche: What Walpole Wrought; or The Horror! The Horror!” Booklist 94:4 (1997): 395-98.
CARTER. Angela. The Sadeian Woman and the Ideology of Pornography. New York: Pantheon. 1978.
CARTER. Boyd. “Poe’s Debt to Charles Brockden Brown.” [GGI: 1529].
CARTER. Catherine Westbrook. ‘‘That Festive Tu-mult J.R. Salamanca’s Participation in the Postmodern.” Dissertation Abstracts International 60:8 (2000): 2916 (University of Delaware).
CARTER. John. “Beckford and Vathek: God and Sterotype.” [GGI: 0299].
CARTER. John. “Michael Sadleir. A Valediction.” The Book Collector (1958): 58-61.
CARTER. John. “Two Beckford Collections.” [GGI: 0298].
CARTER. Lin. “Introduction.” To The History of the Caliph Vathek. Including “The Episodes of Vathek.” [GGI: 0300].
CARTER. Margaret L. “A Gravedigger’s Dozen of Outstanding Vampire Tales” (pp. 39-43). In NIEKAS 45: Essays on Dark Fantasy. Center Harbor. NH: Niekas Publications. 1998.
CARTER. Margaret L. Dracula: The Vampire and the Critics. [GGII: 0712].
CARTER. Margaret L. Shadow of a Shade: A Survey of Vampirism in Literature. [GGI: 2321A].
CARTER. Margaret L. The Vampire in Literature: A Critical Bibliography. [GGII: 1409].
CARTER. Margaret Louise. “Fiend . Specter. or Delusion? Narrative Doubt and the Supernatural in Gothic Fiction.” [GGII: 0055].
CARTER. Margaret Louise. Specter or Delusion? The Supernatural in Goth- ic Fiction. [GGII: 0056].
CARTWRIGHT. Keith Allen. “Reading Africa into American Literature: Roots. Creole Routes. Garrulous Ghosts.” Dissertation Abstracts International 58:9 (1997): 3522 (Indiana University).
CARTWRIGHT. Keith Allen. Reading Africa into American Literature: Ethics. Fables. and Gothic Tales. Lexington: University Press of Kentucky. 2001. 
CARVER. Mildred (Remy). “Gothic Traits in Robert Browning’s Shorter Poems.” Master’s Thesis. University of Texas at Austin. 1942.
CASEBEER. Edwin F. “Stephen King’s Canon: The Art of Balance” (pp. 42-54). In A Dark Night’s Dreaming: Contemporary American Horror Fiction. eds. Tony Magistrale. Michael A. Morrison. Columbia. SC: University of South Carolina Press. 1996.
CASLER. Jeanine. “The Primacy of the ‘Rougher’ Version: Neo-Conservative Editorial Practices and Clara Reeve’s Old English Baron.” Papers on Language and Literature 37 (2001): 404-37.
CASS. Jeffrey. “The Contestatory Gothic in Mary Shelley’s Frankenstein and J.W. Polidori’s Ernestus Berchtold: The Spectre of a Colonialist Paradigm.” JAISA: Journal of the Association for the Interdisciplinary Study of the Arts 1:2 (1996): 33-41.
CASS. Jeffrey. “The Contestatory Gothic in Mary Shelley’s Frankenstein and J.W. Polidori’s Ernestus Berch-told: The Spectre of a Colonialist Paradigm.” JAISA: Journal of the Association for the Interdisciplinary Study of the Arts 1:2 (1996): 33-41.
CASSASSAZA. Alice C. “Arthur Machen’s Treatment of the Occult and a Consideration of its Reception in England and America.” [GGI: 1197].
CASSUTO. Leonard D. “The American Grotesque.” [GGII: 0820].
CASSUTO. Leonard. “Repulsive Attractions: ‘The Raft.’ Vagina Dentata. and the Slasher Formula” (pp. 61-78). In Imagining the Worst: Stephen King and the Representation of Women. eds. Theresa Thompson and Kathleen Margaret Lant. Westport. CT: Greenwood Pre
CASTILLO-DURANTE. Daniel. Sade ou l’ombre des Lumières. New York: Peter Lang; Eighteenth-Century French Intellectual History no. 7. 1997. [Sade or the Shadow of the Enlightenment.]
CASTLE. Terry. “Introduction” (pp. vii-xxxiii). To The Mysteries of Udolpho. New York: Oxford University Press. 1998.
CASTLE. Terry. “The Spectralization of the Other in The Mysteries of Udolpho.” In The New Eighteenth Century: Theory. Politics. and English Literature. [GGII: 0244].
CASTRICANO, Jodie. "The Haunting of Hill House and the Strange Question of Trans-Subjectivity." Gothic Studies 7 (2000): 87-101.
CASTRICANO. C. Jodey. “If a Building Is a Sentence. So Is a Body: Kathy Acker and the Postcolonial Gothic” (pp. 202-14). In The American Gothic: New Interventions in a National Narrative. eds. R.K. Martin and Eric Savoy. Iowa City: University Iowa Press.
CASTRICANO. Carla Jodey. “Cryptomimesis: The Gothic and Jacques Der-rida‘s Ghost Writing.” Gothic Studies  2 (2000): 8-22.
CASTRICANO. Carla Jodey. “In Derrida‘s Dream: A Poetics of a Well-Made Crypt.” Dissertation Abstracts International 59:1 (1998): 147A (University of British Columbia).
CASTRICANO. Carla Jodey. Cryptomimesis: The Gothic and Jacques Derrida‘s Ghost Writing. Montreal: McGill-Queen‘s University Press. 2001.
CAVALIERO. Glen.  The Supernatural and English Fiction. New York: Oxford University Press. 1995.
CAVALIERO. Roderick. “Behind the Black Veil: Italian Terror and English Imagination.” Journal of Anglo-Italian Studies 3 (1993): 99-109.
CAVALLARO. Dani. The Gothic Vision: Three Centuries of Horror. Terror and Fear. London and New York: Continuum. 2002.
CECCIO. Joseph F. “Anne Rice’s The Tale of the Body Thief and the Astral Projection Literary Tradition.” (pp. 163-71). In The Gothic World of Anne Rice. eds. Gary Hoppenstand and Ray B. Browne. Bowling Green. OH: Bowling Green University Popular Press. 19
CERRUTI. Giorgio. “Il Marchese di Sade: La sua recente fortuna etg gli studi critici (1958-1968).” [GGI: 1869].
CERVO. Nathan A. “Arnold’s ‘Alaric at Rome’ and ‘The Future’: The Gothic Face of Zeitgeist and Modernism.” [GGII: 1384]. 
CERVO. Nathan. “Shelley’s Frankenstein.” [GGII: 0418].
CHADOURNE. Marc. “Eblis. ou l‘enfer de William Beckford. L‘- Homme et l‘oeuvre.” [GGI: 0302].
CHADOURNE. Marc. “L‘Incroyable William Beckford.” [GGI: 0301].
CHADOURNE. Marc. “Melmoth et pacte infernal.” [GGI: 0871].
CHAMBERLAIN. Wells. “Jacques Cazotte.” In Supernatural Fiction Writers. [GGII: 1284].
CHAMBRUN. Noëlle de. “l’exorciste. le Diable et les péres” (pp. 124-39). In Imaginaires. gothique. néogo-thique. contre-utopie. Littérature et cinéma du domaine anglosaxon. ed. Max Duperray. Aix-en-Provence: Publications de l’université de Provence. 2001.
CHAMPAGNE. Rosaria. “Crimes of Reading: Incest and Censorship in Mary Shelley’s Early Novels.” Dissertation Abstracts International 53 (1992): 1524A (Ohio State University).
CHANDLER. Alice. “Sir Walter Scott and the Medieval Revival.” [GGII: 0598].
CHANDLER. Ann. "Ann Radcliffe and Natural Theology." Studies in the Novel 38 (2006): 133-53.
CHANDLER. Kelly. “Jumpstarting the Reader: Con-sidering the Instructional Implications of Adolescents’ Responses to Fiction by Stephen King.” Dissertation Abstracts International  59:5 (1998): 1492 (University of Maine).
CHANOVER. E. Pierre. The Marquis de Sade: A Bibliography. [GGI: 1869A].
CHANTLER. Ashley. “Echoes of Cowper in Frankenstein.” Notes and  Queries 46:244 (1999): 33-34. Notes sources in Cowper’s poem The Task and notes Frankenstein’s influence on Stevenson’s Dr. Jekyll and Mr. Hyde.
CHAPLIN. Sue. “Romance and Sedition in the 17-90s: Radcliffe’s The Italian and the Terrorist Text.” Romanticism: The Journal of Romantic Culture and Criticism 7 (2001): 177-90.
CHAPMAN. Alison. “Mary Elizabeth Coleridge. Literary Influence and Technologies of the Uncanny” (pp. 109-28). In Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Basingstoke. UK: Palgrave. 2000.
CHAPMAN. Alison. “Size Matters: Phreno-Magnetism and Gothic Anthropology.” Gothic Studies 2 (2000): 328-45.
CHAPMAN. Guy and John HODGKIN. A Bibliography of William Beckford of Fonthill. [GGI: 0305].
CHAPMAN. Guy. “Introduction.” To Vathek. with the Episodes of Vathek. [GGI: 0303].
CHAPMAN. Guy. Beckford. [GGI: 0306].
CHAPMAN. Guy. The Nonesuch Vathek. [GGI: 0304].
CHAPMAN. Mary. “Introduction” (pp. 1-31). To Ormond; or. The Secret Witness. Peterborough. ON: Broadview Press. 1999.
CHAPMAN. Mary. “The Masochistic Pleasures of the Gothic: Paternal Incest in Alcott’s ‘A Marble Woman’” (pp. 183-201). In The American Gothic: New Interventions in a National Narrative. eds. R.K. Martin and Eric Savoy. Iowa City: University Iowa Press. 199
CHARD. C.R. “Horror and Terror in the Literature of the Grand Tour. and in the Gothic Novel.” [GGII: 0057].
CHARD. Chloe. “Introduction.” To The Romance of the Forest. [GGII: 0245].
CHARD. Leslie F. II. “Jane Austen and the Obituaries: The Names of Northanger Abbey.” [GGII: 0616].
CHARLESWORTH. Michael. “The Ruined Abbey: Picturesque and Gothic Values” (pp. 62-80). In The Politics of the Picturesque: Literature. Landscape. and Æsthetics Since 1770. eds. Stephen Copley. Peter Garside. Cambridge and New York: Cambridge University Pre
CHARNEY. Maurice. “Hawthorne and the Gothic Style.” [GGI: 1647].
CHARRAS. Françoise. “Variations et anamorphoses sur le mode gothique: Les traductions en francais de Wieland au XIXe siècle” (pp. 191-212). In Profils Americains II. eds. Marc Amfreville and Françoise Charras. Montpelier: Université de Paul Valery. 1999.
CHASE. Richard & David TEASLEY. "Little Red Riding Hood: Werewolf and Prostitute." Historian 57 (1995): 769-76.
CHATEL. Laurent. “Enlightening the ‘Powers of Darkness’: Beckford’s avant-gardiste Nature Laboratory.” Studies on Voltaire and the Eighteenth Century 346 (1996): 440-42.
CHATEL. Laurent. “Utopies paysageres: Les Sublimes ‘Progres’ de William Beckford (1760-1844).” Bulletin de la Societé d’-études Anglo-Américaines des XVIIe et XVIIIe Siècles 51 (2000): 281-320. [Utopian Landscapes: The Sublime Progress of William Beckford
CHATHA. Diljit Kaur. “The Supernatural as a Rhetorical Focus in