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AARON. Jane. “The Return of the Repressed: Reading Mary Shelley’s The Last Man.” Feminist Criticism: Theory and Practice. Ed. Susan Sellers. Linda Hutcheon. and Paul Perron. Toronto: Toronto University Press. 1991. 9-21.

ABADI. Nagy Zoltan. “Gothic Fiction.” Hungarian Journal of English and American Studies 6 (2000): 145-96.

ABARTIS. Cæsarea. “Ugly-Pretty. Dull-Bright. Weak-Strong Girl in the Gothic Mansion.” [GGI: 2239].

ABBI-EZZI. Nathalie. The Double in the Fictions of R.L. Stevenson, Wilkie Collins and Daphne du Maurier. Frankfurt am Main & New York: Peter Lang. 2003.

ABDULATIEF. Soraya. “Of Pain or Pleasure: The Construction of Women as Sado-Masochistic Subjects in Radcliffe’s The Mysteries of Udolpho.” Inter Action. Eds. Loes Nas and Lesley Marx. Capetown. South Africa: Department of English. University. 6-14.

ABENSOUR. Liliane and Françoise CHARRAS. Romantisme Noir. Paris: Herne, 1978. [GGII: 0037].

ABENSOUR. Liliane. “Limites––non frontières d‘une oeuvre: Le Moine de M.G. Lewis.” [GGII: 0310].

ABREU. John Warren. “Philosophy into Fiction: The Novels of William Godwin.” [GGI: 0608].

ACCETTA. Michael Angelo. “Gothic Elements in the Early American Novel.” [GGI: 1299].

ACHILLES. Jochen. “Composite Dis(Order): Cultural Identity in Wieland. Edgar Huntly. and Arthur Gordon Pym.” 1650-1850: Ideas, Æsthetics, and Inquiries in the Early Modern Era 3 (1997): 251-69.

ACHILLES. Jochen. “Fantasy as Psychological Necessity: Sheridan Le Fanu’s Fiction.” Gothick Origins and Innovations. Eds. Victor Sage and Allan Lloyd Smith. Amsterdam; Atlanta. Georgia: Rodopi; Costerus New Series 91. 1994. 150-
68

ACHILLES. Jochen. Sheridan Le Fanu und die schauerromantische tradition: Zur Psychologischen funktion der motrivik von sensationsroman und geister ge-schichte. [GGII: 0679].

ACKERMAN. Forrest J. The Frankenscience Monster. [GGI: 2449].

ADAIR. Gerald M. “Feasting with Banquo: The Ghost Stories of Fritz Leiber.” Master’s Thesis. Florida Atlantic University. 2000.
ADAMS. Donald K. “Introduction.” To The Vampyre. [GGI: 0967].
ADAMS. Donald K. “The Second Mrs. Radcliffe.” [GGI: 1016].
ADAMS. Harriet Farwell. “Domesticating the Brutal Passion in Nineteenth Century Fiction.” [GGII: 0396].
ADDISON. Agnes. Romanticism and the Gothic Revival. [GGI: 2018].
ADELMAN. Gary. “Possession and Gothic Horror: David Storey’s Use of The Idiot in Radcliffe.” Journal of Modern Literature 24:1 (2000): 181-88.
ADELSPERGER. Walter Charles. “Aspects of Staging of Plays of the Gothic Revival in England.” [GGI: 1053].
ADICKES. Sandra Elaine. “The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution.” [GGI: 0390].
ADICKES. Sandra Elaine. The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution. [GGII: 0238].
ADSHEAD. David. “The Design and Building of the Gothic Folly at Wimpole. Cambridgeshire.” The Burlington Magazine 140:1139 (February 1998): 76-84.
AGNEW. Jennifer Marie. “‘Trying to Name the Unspeakable’: Narrating Identity in Turn-of-the-Twentieth-Century Gothic Fiction.” Dissertation Abstracts International 62:5 (2001): 1831 (Saint Louis University).
AGUIRRE. Manuel. “Narrative Structure. Liminality. Self-Liminality: The Case of Gothic Fiction” (pp. 133-51). In A Place That Is Not a Place: Essays in Liminality and Text. ed. Isabel Soto. Madrid. Spain: Publisher not indicated 2000.
AGUIRRE. Manuel. “The Roots of the Symbolic Role of Woman in Gothic Literature” (pp. 57-63). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Villani. Peter Davidson. and Jane Stevenson. Amsterdam: Rodopi
AGUIRRE. Manuel. The Closed Space: Horror Literature and Western Symbolism. Manchester, UK & New York: Manchester University Press, 1990. [GGII: 0038].
AHERN. Stephen “Between duty and desire: Sentimental Agency in British Prose Fiction of the Later Eighteenth Century.” Dissertation Abstracts International 61:6 (1999): 246 (McGill University).
AHERN. Stephen. "????." (pp. ????). In Affected Sensibilities: Romantic Excess and the Evolution of the Novel, 1680-1810. New York: AMS Press, 2004.
AHLBRAND. Sheila. “Author and Editor: Mary Shelley’s Private Writings and the Author Function of Percy Bysshe Shelley” (pp. 35-61). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. ed
AHLSTROM. Helen. “The Gothic Novel: Criticism and Theory (1764-1832).” Master‘s Thesis. Northwestern University. 1929.
AIKEN. Susan Hardy. “Gothic Cryptographies” (pp. 67-83). In Isak Dinesen and the Engendering of Narrative. Chicago: University of Chicago Press. 1990.
AINO. Tsuyoshi. “Du château a l‘hôtel; Proceedings of the XVIIIth Congress of the International Comparative Literature Association.” 200-09 in The Force of Vision II; Visions in History; Visions of the Other. eds. Toru Haga. Gerald Gillespie. Margaret Hig
AIRAKSINEN. Timo. The Philosophy of H.P. Lovecraft: The Route to Horror. New York: Peter Lang. 1999.
AKERVIK. Caroline Isabelle. “The Gothic Monster: Exploring Victorian Fin de Siècle Fears.” Master’s Thesis. University of Wisconsin-Eau Claire. 1999.
AKIYAMA. Masayuki. “James and Nanboku: A Comparative Study of Supernatural Stories in the West and East.” [GGII: 0982].
ALAKI. Ahlam. “Potocki’s Gothic Arabesque: Embedded Narrative and the Treatment of Boundaries in The Manuscript Found in Saragossa” (pp. 183-203). In European Gothic: A Spirited Exchange 1760-1960. ed. Avril Horner. Manchester and New York: Manchester Uni
ALAMOUDI. Carmen. “Un Sourire dechire: L‘Ironie dans le Vathek de Beckford.” Eighteenth-Century Fiction 8 (1996): 401-14. [A lacerating smile: Irony in Beckford’s Vathek]
ALBERT. Lauren Gale. “The Friction of Experience: Community and Understanding in the Novels of Charles Brockden Brown.” Dissertation Abstracts International 61:2 (2000): 606 (City University of New York).
ALBERT. Walter and Doug HIGHSMITH. “Fantasy and Horror Art and Illustration” (pp. 573-618). In Fantasy and Horror: A Critical and Historical Guide to Literature. Illustration. Film. TV. Radio. and the Internet. ed. Neil Barron. Lanham. MD: Scarecrow Press. 1999.
ALBERTAZZI. Silvia. “Figurazinoni oniriche nel romance ‘Italiano‘ di Radcliffe.” [GGI: 0391].
ALBERTAZZI. Silvia. “Letteratura e cinema: David Cronenberg dagli incubi del gotico inglese ai disagi dell’eta postcoloniale.” Problemi: Periodico Quadrimestrale di Cultura 103 (1995): 234-41. [Literature and Cinema: David Cronenberg from the Incubi of th
ALBERTAZZI. Silvia. Il sogno gotico: fantasia onirica e coscienza femminile da Horace Walpole a Charlotte Brontë. Imola: Biblioteca di Spicilegio moderno. Galeati. 1980. [The Gothic dream: Oneiric fantasy and feminine conscience from Horace Walpole to Cha
ALBRIGHT, Richard. "No Time Like the Present: The Mysteries of Udolpho." Journal for Early Modern Cultural Studies 5 (2005): 49-75.
ALBRIGHT. Richard Sheldon. “Writing the Past. Writing the Future: Time and narrative in Gothic and Sensation Fiction.” Dissertation Abstracts International 63:4 (2002): 1350. (Lehigh University).
ALDISS. Brian W. “Introduction” (pp. vi-xi). To The Last Man. Lincoln: University of Nebraska Press. 1965.
ALDISS. Brian W. “Mary Wollstonecraft Shelley. 1797-1851.” In Science Fiction Writers: Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. [GGII: 0397].
ALDRIDGE. A. Owen. “The Vampire Theme: Dumas Père and the English Stage.” [GGI: 2316].
ALEGRE. Sara Martin. “Idolos del fantastico popular: el gotico cotidiano de Stephen King y la satira pseudohistorica de Terry Pratchett.” Lo Fantastico literatura y subversion: Quimera. Revista de literatura 218-219 (2002): 87-99. [Idols of the Popular Fa
ALEXANDER. Boyd. “The Decay of Beckford’s Genius.” In William Beckford of Fonthill. 1760-1844: Bicentenary Essays. [GGI: 0282].
ALEXANDER. Boyd. “William Beckford of Fonthill.” [GGI: 0283].
ALEXANDER. Boyd. “William Beckford: Man of Taste.” [GGI: 0281].
ALEXANDER. Boyd. England’s Wealthiest Son: A Study of William Beckford. [GGI: 0284].
ALEXANDER. Bryan. "The Blair Witch Project: Expulsion from Adulthood and Versions of American Gothic." (pp. 145-61). In Nothing That Is: Millennial Cinema and the Blair Witch Controversies, eds. Sarah L. Higley, Jeffrey Andrew Weinstock. Detroit: Wayne State University Press, 2004.
ALEXANDER. Bryan. “Dracula and the Gothic Im-agination of War.” Journal of Dracula Studies 3 (2002): 15-23.
ALEXANDER. Christine. “‘That Kingdom of Gloom’: Charlotte Brontë. the Annuals. and the Gothic.” Nineteenth-Century Literature 47 (1993): 409-38.
ALEXANDER. Meena. “Femininity and Betrayal: The Last Man” and “Confronting Chaos: Mary Shelley’s The Last Man” (pp. 155-60. 185-91). In Women in Romanticism: Mary Wollstonecraft. Dorothy Wordsworth. and Mary Shelley. Savage. MD: Barnes and Noble. 1989.
ALLARD. James. Robert. “Spectres. Spectators. Spectacles: Matthew Lewis’s The Castle Spectre.” Gothic Studies 3 (2001): 246-61.
ALLEN. Brooke. “A Universal Region: The Fiction of Eudora Welty.” The New Criterion 18:2 (1999): 35-41.
ALLEN. Bruce. “Delight and Terror.” [GGI: 1516].
ALLEN. Dennis W. “Horror and Perverse Delight: Faulkner’s ‘A Rose for Emily.’” [GGII: 1061].
ALLEN. Jeanne. “Harlequins. Gothics. and Soap Operas: Addressing Needs and Masking Fears.” [GGII: 14-32].
ALLEN. M.L. “The Black Veil: Three Versions of a Symbol.” [GGI: 1639].
ALLEN. Michael. Poe and the British Magazine Tradition. [GGI: 1517].
ALLEN. Virginia M. “Romantic Ballad and Gothic Plot.” In The Femme Fatale: Erotic Icon. [GGII: 1464].
ALLIATA.  Michela Vanon. “The Vertigo and the Abyss: Brown’s Internalization of Gothic in Wieland and Edgar Huntley." (pp. ????). In America Today: Highways and Labyrinths, ed. Gigliola Nocera. Grafià, Siracusa, Italy: Italy Publication, 2003.
ALLISTON. April. “Introduction” (pp. lx-xliv). To The Recess. A Tale of Other Times. ed. April Alliston. Lexington: University Press of Kentucky. 2000.
ALLISTON. April. “Secret Communications; or. Faults of Transmission” (pp. 148-87). In Correspondences in Eighteenth-Century British and French Women’s Fiction. Stanford. CA: Stanford University Press. 1996.
ALMER. Johan. Variation på götiskt tema: En studie i C.J.L. Almqvists “Sviavigamal.” Göteborg: Litteraturvetenskapliga institutionen. Göteborgs universitet. 2000. [Variation on a Gothic Theme: A Study in C.J.L. Almqvists “Sviavigamal”.]
ALMIRALL. Catherine L. “Smollett’s ‘Gothic’: An Illustration.” [GGI: 2137].
ALSOWAIFIN. Sabah Habes. “Qasim’s Short Stories: An Example of Arabic Supernatural/Ghost/Horror Story.” Dissertation Abstracts International 62:5 (2001): 1854 (University of Alberta).
ALTOMARI. Lisa. “Monstrous Dialogue: Ann Radcliffe and Matthew G. Lewis.” Dissertation Abstracts International 61:4 (2000): 1415 (New York University).
ALVAREZ. Villar Alfonso. “Análisis temático de la literatura terrifica.” Arbor 78 (1971): 331-42. [Thematic a-nalysis of terror literature].
ALWES. Karla. “The Alienation of Family in Mary Shelley’s Frankenstein” (pp. 109-19). In Jane Austen and Mary Shelley. and their Sisters. ed. Laura Dabundo. Lanham. MD: University Press of America. 2000.
AL-ZUBI. Hasan Abdallah. “Realistic and Naturalistic Representation in Henry James’s Fiction.” Dissertation Abstracts International 59:2 (1998): 486A (Indiana University).
AMERY. Francis. “CAZOTTE. Jacques (1719-1792)” (pp. 663-64). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMERY. Francis. “LEROUX. Gaston (1868-1927)” (pp. 672-73). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMERY. Francis. “VILLIERS DE L’ISLE ADAM. (Jean Marie-Mathias-Philippe-Auguste) Comte de” (pp. 682-83). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMES. Diane S. “Strawberry Hill: Architecture of the ‘as if.’” Studies in Eighteenth Century Culture 8 (1979): 353-63.
AMFREVILLE. Marc. “Charles Brockden Brown et Edgar Allan Poe: Transformations and Anamorphoses: Figures de la littérature américaine.” Imaginaires: Revue du Centre de Recherchesur l’imaginaire dans les Littératures de Langue An-glaise 4 (1999): 163-74.
AMFREVILLE. Marc. “L’ecriture de la subjectivite” (pp. 47-66). In Profils Americains II. eds. Marc Amfreville and Françoise Charras. Montpelier: Université de Paul Valery. 1999. [Writer of Subjectivity].
AMFREVILLE. Marc. “The House of the Seven Gables: Une Tragedie gothique.” Revue Française d’Études Américaines 83 (2000): 113-28. [The House of the Seven Gables: A Gothic Tragedy].
AMFREVILLE. Marc. “Wieland ou la transformation” (pp. 154-62). In Le Roman noir anglais dit gothique. ed. Max Duperray. Paris: Ellipses. 2000.
AMFREVILLE. Marc. Charles Brockden Brown: La part du doute. Paris: Belin. 2000. [Charles Brockden Brown: The Role of Doubt].
AMICOLA. José. La Batalla de los géneros: Novela gótica versus novela de educación. Rosario, Argentina: Viterbo, 2003.
AMIGONI. David. "Gothic Choirs and Gothic Fictions: Habitus, Moral Space, and Identity in the Autobiographies of Ruskin and Newman." (pp. 231-46). In Mapping the Self: Space, Identity, Discourse in British Auto/Biography, ed. Frédéric Regard, preface Geoffrey Wall. Saint Etienne, France: Université de Saint Etienne, 2003.
AMIS. Kingsley. “Dracula. Frankenstein. Sons and Co.” In What Became of Jane Austen? And Other Questions. [GGI: 2450].
AMPER. Susan. “Masters of Deceit: Poe’s Lying Narrators.”  Dissertation  Abstracts  International  62:1 (2001): 169 (Fordham University).
ANCUTA. Katarzyna. Where Angels Fear to Hover: Between the Gothic Disease and the Metaphysics of Horror. Frankfurt am Main: Peter Lang. 2006.
ANDERSEN. Jorgen. “Giant Dreams: Piranesi’s Influence in England.” [GGI: 0285].
ANDERSEN. Jorgen. “Giant Dreams: Piranesi’s Influence in England.” [GGI: 0285].
ANDERSON. Bonnie. “The Writings of Catherine Gore.” Journal of Popular Culture 10 (1976): 404-23. Details the life of the novelist and playwright Catherine Grace Frances Gore. Her best known novel is Cecil; or. The Adventures of a Coxcomb and her best kno
ANDERSON. Carol. “Emma Tennant. Elspeth Barker. Alice Thompson: Gothic Revisited” (pp. 117-30). In Contemporary Scottish Women Writers. eds. Aileen Christianson and Alison Lumsden. Edinburgh: Edinburgh University Press. 2000.
ANDERSON. Douglas. “Edgar Huntly’s Dark Inheritance.” Philological Quarterly 70 (1991): 453-73.
ANDERSON. George K. “The Neoclassical Chronicle of the Wandering Jew.” [GGI: 2302A].
ANDERSON. George K. “The Wandering Jew Returns to England.” [GGI: 2302]
ANDERSON. George K. The Legend of the Wandering Jew. [GGI: 2303].
ANDERSON. Howard. “Gothic Heroes.” In The English Hero. 1660-1800. ed. Robert Folkenflik. Newark: Delaware University Press. 1982: 205-21. [GGII: 0039].
ANDERSON. Howard. “Introduction.” To The Monk. [GGI: 0531].
ANDERSON. Howard. “The Manuscript of M.G. Lewis’s The Monk: Some Preliminary Notes.” [GGI: 0530].
ANDERSON. James. “Morality in the Horror Fiction of Stephen King.” Studies in Weird Fiction 22 (1998: 29-33.
ANDERSON. Kenneth Mark. “The Foreign Relations of the Family State: The Empire of Ethics. Æsthetics. and Evolution in Meiji Japan.” Dissertation Abstracts International 60:4 (1999): 1139 (Cornell University).
ANDERSON. Linda. “‘OH DEAR JESUS. IT IS FEMALE’: Monster as Mother/Mother as Monster in Stephen King’s It” (pp. 111-25). In Imagining the Worst: Stephen King and the Representation of Women. eds. Theresa Thompson and Kathleen Margaret Lant. Westport. CT:
ANDERSON. Mark. "The Shadow of the Modern: Gothic Ghosts in Stoker's Dracula." (pp. 382-98). In Literary Paternity: Literary Friendship. ed. Gerhard Richter. Chapel Hill. NC: University of North Carolina Press. 2002.
ANDERSON. Robert. “‘Ruinous Mixture’: Godwin Enclosure and the Associated Self.” Studies in Romanticism 39 (2000): 617-45.
ANDERSON. Walter E. “From Northanger Abbey to Woodston: Catherine’s Education to Common Life.” [GGII: 0615].
ANDOLA. John Anthony. “Nathaniel Hawthorne’s Use of Mesmerism in Four Major Works.” [GGI: 1640].
ANDREAS. James. “‘If It’s a Symbol. the Hell with It’: The Medieval Gothic Style of Flannery O’Connor.” [GGII: 1091].
ANDREW. R.V. Wilkie Collins: A Critical Survey of his Prose Fiction with a Bibliography. New York: Garland Publishing. 1979.
ANDREWS. Jennifer. “Native Canadian Gothic Refigured: Reading Eden Robinson’s ‘Monkey Beach.’” Essays on Canadian Writing 73 (2001): 1-24.
ANDREWS. S.G. “The Wandering Jew and The Tra-vels and Adventures of James Massey. [GGI: 2304].
ANDREWS. William L. The Literary Career of Charles W. Chesnutt. [GGI: 1722].
ANDRIANO. Joseph D. “Our Ladies of Darkness: Jungian Readings of the Female Daimon in Gothic Fiction.” Dissertation Abstracts International 47 (1986): 2150A (Washington State University). [GGII: 0040].
ANDRIANO. Joseph D. Our Ladies of Darkness: Feminine Dæmonology in Male Gothic Fiction. [GGII: 0041].
ANDRIANO. Joseph. “‘Our Dual Existence’: Archetypes of Love and Death in Le Fanu’s ‘Carmilla’” (pp. 49-55). In Contours of the Fantastic: Selected Essays from the Eighth International Conference on the Fantastic in the Arts. ed. Michele K. Langford. Westp
ANDRIOPOULOS. Stefan. “The Invisible Hand: Supernatural Agency in Political Economy and the Gothic Novel.” ELH 66 (1999): 739-58. Links the Gothic novel to Adam‘s Smith‘s The Wealth of Nations (1776).
ANDRZEJEWSKI. Gregory Scott. “Sibling Incest: “Revolution” and “Narcissism“ in Selected Romantic and Gothic works.” B.A. Honors Thesis. Albion College. 1994.
ANGENOT. Marc. La Littérature populaire française au dix-neuvième siècle.” [GGII: 1283].
ANGLO. Michael. “Gothic Foundations” (pp. 67-91). In Penny Dreadfuls and Other Victorian Horrors. London: Jupiter, 1978 [GGI: 0039].
ANIEVAS GAMALLO. Isabel C. “Motherhood and the Fear of the Other: Magic. Fable. and the Gothic in Doris Lessing’s The Fifth Child” (pp. 113-24). In Theme Parks. Rainforests. and Sprouting Wastelands: European Essays on Theory and Performance in Contempora
ANOLIK, Ruth Bienstock & Douglas HOWARD, eds. The Gothic Other: Racial and Social Constructions in the Literary Imagination. Jefferson, NC: McFarland, 2004.
ANOLIK, Ruth Bienstock. "The Infamous Svengali: George du Maurier's Satanic Jew." (pp. 163-93) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "Introduction: The Dark Unknown" (pp.1-14). In The Gothic Other: Racial and Social Constructions in the Literary Imagination., eds. Ruth Bienstock Anolik & Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "The Missing Mother: The Meanings of Maternal Absence in the Gothic Mode." Modern Language Studies 33:1-2 (2003): 24-43.
ANSPAUGH. Kelly. “‘Three Mortal Hour[i]s’: Female Gothic in Joyce’s ‘The Dead.’” [GGII: 1368].
ANTHONY. David. "Banking on Emotion: Financial Panic and the Logic of Male Submission in the Jacksonian Gothic." American Literature 76 (2004): 719-48.
ANTHONY. David. "'Gone Distracted': 'Sleepy Hollow,' Gothic Masculinity and the Panic of 1819." Early American Literature 40 (2005): 111-44.
ANTHONY. M. Susan. “‘Some Deed of  Dreadful Note’: Productions of Gothic Dramas in the United States. 1790 to 1830.” Dissertation Abstracts International 58:9 (1998): 3366A (University of Maryland).
ANTHONY. M. Susan. “Made in America: Adaptations of British Gothic Plays for the American Stage.” Journal of American Drama and Theatre 8:3 (1996): 19-34.
ANTIPPAS. Andy. “The Structure of Shelley’s St. Irvyne: Parallelism and the Gothic Mode of Evil.” [GGI: 0672].
ANTOR. Heinz. “Unreliable Narration and (Dis)ori-entation in the Postmodern Neo-Gothic Novel: Reflections on Patrick McGrath’s The Grotesque." Miscelanea: A Journal of English and American Studies 24 (2001): 1137; Reprinted (pp. 357-82). In Erzahlen und Erzahlentheorie im 20. Jahrhundert: Festshrift für Wilhelm Fuger. ed.  Jorg Helbig.
APPEL. Alfred. “The Grotesque and the Gothic.” In A Season of Dreams: The Fiction of Eudora Welty. [GGII: 1220].
ARAKI.  James T.  “A  Critical  Approach  to  the  Ugetsu Monagatari.” Monumenta Nipponica 22:1-2 (1967): 49-64.
ARATA. S.D. “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization.” [GGII: 0708].
ARATA. Stephen. “Scott’s Pageants: The Example of Kenilworth.” Studies in Romanticism 40 (2001): 99-107.
ARMITAGE. Shelley S. “The Dragon’s Black Breath: Evil and Moral Vision in the New Gothic Novel.” Master’s Thesis. Texas Tech University. 1971.
ARMITT. Lucy J. “Ghosts and Hauntings in the Victorian Novel” (pp. 151-61). In A Companion to the Victorian Novel. eds. William Baker. Kenneth Womack. Westport. CT: Greenwood Press. 2002.
ARMOUR. Richard W. “The Caliph of Fonthill.” [GGI: 0286].
ARMSTRONG. Neil. "'Gothic Going Mad': Aspects of Christmas Church Decoration in the Nineteenth Century." (pp. 3-11). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
ARNAUD. Pierre. “Au Service du Lucifer: Le Diable. la magie. et le pacte dans Le Moine de Lewis.” In Maître et Serviteur dans le monde anglo-américain des XVIIe et XVIIIe siècles. [GGII: 0312].
ARNAUD. Pierre. “Crime et châtiment dans le roman romantique” (pp. 165-71). In La Mort. le fantastique. le surnaturel du XVIe siècle a l‘epoque romantique, ed. Michele Plaisant. Villeneuve d'Ascq: Universite de Lille, 1981.. [GGI: 0040]. Reprinted (pp. 62-68). In Le Roman noir anglais dit gothique. ed. Max Duperray. Paris: Ellipses. 20
ARNAUD. Pierre. “Le Double dans le roman go-thique: The Monk de Matthew Greogory Lewis.” In Le Double dans le romantisme anglo-américain. [GGII: 0311].
ARNAUD. Pierre. “Le Roman Gothique et l‘Avéne-ment de Femme Moderne.” Bulletin de la Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe Siècles 20 (1985): 167-84.
ARNAUD. Pierre. “The Gothic Novel” (pp. 123-28). In  A Handbook to English Romanticism. eds. Jean Raimond and J.R. Watson. New York: St. Martin‘s. 1992.
ARNAUD. Pierre. “Un Document inédit: Le Contrat de Mysteries of Udolpho.” [GGI: 0393].
ARNAUD. Pierre. “William Godwin: Caleb Williams: Bibliographie sélective et critique.” [GGI: 0609].
ARNAUD. Pierre. Ann Radcliffe et le fantastique: Essai in psychobiographie. [GGI: 0394].
ARNAUD. Pierre. Les Jardins dans les romans de Mrs. Radcliffe.” In Autour de l‘idée et civilisation: Pédagogie de livers. [GGII: 0239].
ARNOLD DE SIMNE, Silke. "'Denn das Haus, Was Wir Bewohnen...ist ein Spukhaus': Fontane's 'Effi Briest' und Fassbinder's Verfilmung in der Tradition des Female Gothic." Germanic Review 79 (2004): 83-113.
ARNOLD DE SIMNE. Silke. “Die Lust an der Angst: Zur Schauerliteratur von Autorinnen um 1800” (pp. 55-79). In Geschlecht Literatur Geschichte. ed. Gudrun Loster Schneider. St. Ingebert. Germany: Rohrig. 1999. [Desire and Fear: On the Shudder Literature of
ARNOLD. Donna. “Frankenstein’s Monster: Paragon or Paranoic?“ [GGI: 0698].
ARNOLD. Ellen. “Deconstructing the Patriarchal Palace: Ann Radcliffe’s Poetry in The Mysteries of Udolpho.” Women and Language 19:2 (1996): 21-29.
ARNZEN. Michael Andrew. “The Popular Uncanny.”  Dissertation  Abstracts  International 60:8 (2000): 2985 (University of Oregon).
ARTER. Janice. Feminist Reflections on Stoker’s He-roines. [GGII: 0709].
ARVIN. Newton. “Melville and the Gothic Novel.” [GGI: 1690].
ASH. RUSSELL. “Introduction.” To The Vampyre. [GGI: 0968].
ASHLEY.  Mike.  “Hoffmann.  E(rnst)  T(heodor)  A(madeus) 1776-1822” (pp. 668-69). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Michael. “Introduction.” To Mrs. Gaskell’s Tales of Mystery and Horror. [GGII: 0777].
ASHLEY. Mike. “BLACKWOOD. Algernon (Henry)” (pp. 59-62). In St. James Guide to Horror. Ghost. and Gothic Writers. ed.  David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “BRADDON. M(ary) E(lizabeth)”  (pp. 80-83). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/ Gale. 1998.
ASHLEY. Mike. “HUNT. (Isobel) Violet” (pp. 285-87). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “LE FANU. J(oseph) Sheridan” (pp. 356-58). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “LEWIS. M(atthew) G(regory)” (pp. 364-66). In St. James Guide to Horror. Gothic. and Ghost Writers. ed. David Pringle. Detroit and New York:  St. James Press. 1998.
ASHLEY. Mike. “PREST. Thomas Peckett” (pp. 459-61). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
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ROBERTS. Bette B. “Sophia Lee's The Recess (17-85): The Ambivalence of Female Gothicism.” [GGI: 0528].
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ROBERTS. Robin Ann. “The Paradigm of Frankenstein: Reading Canopus in Argos in the Context of Science Fiction by Wo-men.” [GGII: 0519].
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ROCKETT. William H. “The Door Ajar: Structure and Convention in Horror Films That Would Terrify.” [GGII: 1531].
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ROGERS. Deborah D. “Ann Radcliffe in the 1980s: An Annotated Bibliography of Criticism.” [GGII: 0280].
ROGERS. Deborah D. “Ann Radcliffe” (pp. 241-47). In Eighteenth-Century Anglo-American Women Novelists: A Critical Reference Guide. eds. Doreen Alvarez Saar and Mary Anne Schofield. New York: G.K. Hall. 1996.
ROGERS. Deborah D. “Introduction” (pp. v-xiii). To The Italian; or the Confessional of the Black Penitents by Ann Radcliffe and Northanger Abbey by Jane Austen in Two Gothic Classics by Women. New York: Dutton Signet. 1995.
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ROGERS. Deborah D. Ann Radcliffe: A Bio-Bibliography. Westport. CT: Greenwood Press. 1996. Excellent bibliographical portrait of the leading Gothic novelist of the 1790s. The entries in each section are by year with critical entries current to 1994.
ROGERS. Deborah D. The Critical Response to Ann Radcliffe. Westport. CT: Greenwood Press. 1994.
ROGERS. Katherine M. “Inhibitions of Eighteenth Century Women Novelists: Elizabeth Inchbald and Charlotte Smith.” [GGI: 0523].
ROGERS. Katherine M. “Romantic Aspirations. Restricted Possibilities: The Novels of Charlotte Smith” (pp. 72-88). In Re-Visioning Romanticism: British Women Writers. 1776-1837. eds. Carol Shiner Wilson and Joel Haefner. Philadelphia: University of Pennsyl
ROGERS. Philip. “‘A Name Which May Serve Your Turn’: James Hogg’s Gilmartin.” [GGII: 0593].
ROGERS. Robert. A Psychoanalytic Study of the Double in Literature. [GGI: 2289].
ROGERS. Susan Leigh. “Vampire Vixens: The Female Undead and the Lacanian Symbolic Order in Tales by Gautier. James. and Le Fanu.” Dissertation Abstracts International 54:4 (1993): 1352A-53A (University of California. Irvine).
ROGERS. Winfield H. “The Reaction Against Melodramatic Sentimentality in the English Novel. 1796-1830.” [GGI: 0163].
ROMBES. Nicholas Jr. “‘All Was Lonely. Darksome. and Waste’: Wieland and the Construction of the New Republic.” Studies in American Fiction 22 (1994): 37-46.
ROME. Joy J. “Twentieth-Century Gothic: Peake’s Gormenghast.” [GGI: 1276].
ROMER. Richard Ira. “The Cinematic Treatment of the Protagonists in Murnau’s Nosferatu. Browning’s Dra-cula. and Whale’s Frankenstein.” [GGII: 1535].
ROMERO. Christiane Z. “M.G. Lewis’ The Monk and E.T.A. Hoffmann’s Die Elixiere des Teufels: Two Versions of the Gothic.” [GGI: 0588].
RONALD. Ann. “Terror-Gothic: Nightmare and Dream in Ann Radcliffe and Charlotte Brontë.” In The Female Gothic. [GGII: 0281].
RONALD. Margaret A. “Dickens’ Gloomiest Gothic Castle.” [GGI: 1146].
RONALD. Margaret A. “Functions of Setting in the Novel: From Mrs. Radcliffe to Charles Dickens.” [GGI: 0164].
RONALD. Margaret A. Functions of Setting in the Novel: From Mrs. Radcliffe to Charles Dickens. [GGI: 0165].
RONAY. Gabriel. The Dracula Myth. [GGI: 1243].
ROOP. Kel. “Making Light in the Shadow Box: The Artistry of Le Fanu.” [GGII: 0696].
ROPER. Derek. “Coleridge. Dyer. and The Mysteries of Udolpho.” [GGI: 2112].
ROSE. Brian A. “Transformations of Terror: Reading Changes in Social Attitudes Through Film and Television Adaptations of Stevenson’s ‘Dr. Jekyll and Mr. Hyde’” (37-52). In Social and Political Change in Literature and Film. ed. Richard Chapple. Gainesvil
ROSE. Brian Andrew. “Transformations of Terror: American Dramatizations of Stevenson’s ‘The Strange Case of Dr. Jekyll and Mr. Hyde.’” Dissertation Abstracts International 54:8 (1994): 2803A-04A (Ohio State University).
ROSE. Brian Andrew. “Transformations of Terror: American Dramatizations of Stevenson’s ‘The Strange Case of Dr. Jekyll and Mr. Hyde.’” Dissertation Abstracts International 54:8 (1994): 2803A-2804A (Ohio State University).
ROSE. Edward J. “‘The Queenly Personality’: Walpole. Melville. and Mother.” [GGI: 0256].
ROSE. Edward J. “The ‘Gothicized Imagination’ of Michelangelo Blake.” In Blake in His Time. [GGI: 2113].
ROSE. Harriet. “The First-Person Narrator as Artist in the Works of Charles Brockden Brown. Nathaniel Hawthorne. and Henry James.” [GGI: 1464].
ROSE. Julie. “Faulkner’s Horror and the American Gothic Cultural Imagination (1930-1945).” Dissertation Abstracts International 60:1 (1999): 133 (New York University).
ROSE. Sarah Virginia. “Mutations of the Gothic Romance.” Master‘s Thesis. University of Louisville. 1944.
ROSEN. Elizabeth Melinda. “Natural Causes: American Gothic Literature and the Doctrine of Natural Law.” Dissertation Abstracts International 61:1 (2000): 185 (City University of New York).
ROSENBERG. Samuel. “Happy Sequicentennial. Dear Monster: The Horrible Truth About Frankenstein.” [GGI: 0821].
ROSENBLUM. Joseph. “The Treatment of Women in the Novels of Charlotte Turner Smith” (pp. 45-52). In Jane Austen and Mary Shelley. and their Sisters. ed. Laura Dabundo. Lanham. MD.: University Press of America. 20-00: 45-52.
ROSENFIELD. Claire. “The Shadow Within: The Conscious and Unconscious Use of the Double.” [GGI: 22-90].
ROSENHEIM. Shawn. “Shivers” (pp. 64-52). In Gothic: Transmutations of Horror in Late Twentieth-Century Art. ed. Christoph Grunenberg. Cambridge. MA: MIT Press. 1997. [nota bene: page numbers are inverted throughout this book].
ROSENTHAL. A.S. “Mérimée and the Supernatural: Diversion or Obsession.” [GGI: 1896].
ROSENTHAL. Bernard. “Introduction.” In Critical Essays on Charles Brockden Brown. [GGI: 1465].
ROSENTHAL. Bernard. “Melville. Marryat. and the Evil-Eyed Villain.” [GGI: 1705].
ROSENTHAL. Bernard. “The Voices of Wieland” In Critical Essays on Charles Brockden Brown. [GGI: 1466].
ROSI. Ivana. “La ‘nonpareille des Florides’: Chateaubriand. Villiers e le meraviglie del ‘Nuovo Mondo.’” Rivisti di Letterature Moderne e Comparate 49:3 (1996): 311-34. [The Nonpareil of the Floridas: Chateaubriand. Villiers and the Wonders of the New Wor
ROSOWSKI. Susan J. “Margaret Atwood’s Lady Oracle: Social Mythology and the Gothic Novel.” [GGI: 1298].
ROSOWSKI. Susan J. “Willa Cather’s American Gothic: Sapphira and the Slave Girl.” [GGII: 1261].
ROSTENBERG. Leona. “Some Anonymous and Pseudonymous Thrillers of Louisa May Alcott.” [GGII: 1262].
ROTH. Lane. “Dracula Meets the Zeitgeist: Nosferatu (1922) as Film Adaptation.” [GGI: 2496].
ROTH. Phyllis A. “Suddenly Sexual Women in Bram Stoker’s Dracula.” [GGI: 1245].
ROTH. Phyllis A. Bram Stoker. [GGII: 0753].
ROTHSTEIN. Eric. “Allusion and Analogy in the Romance of Caleb Williams.” [GGI: 0658].
ROTHSTEIN. Eric. “Caleb Williams: I. History into Romance II. Romance into History III. A Conclusion in which Everything and Nothing is Concluded.” In Systems of Order and Inquiry in Late Eighteenth Century Fiction. [GGI: 0659].
ROTTENSTEINER. Franz. The Fantasy Book: The Ghostly. the Gothic. the Magical. the Unreal. [GGI: 2423].
ROUDAUT. Jean. “Les Demeures dans le roman noir.” [GGI: 1912].
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STÉPHANE. Nelly. “Une Parodie de roman noir: Northanger Abbey.” [GGII: 0625].
STEPP. Walter. “The Ironic Double in Poe’s ‘The Cask of Amontillado.’” [GGI: 1615].
STERN. Julia Ann. “Parsing the First Person Plural: Transformations of Gender and Voice in the Fiction of Charles Brockden Brown and Edgar Allan Poe.” [GGII: 0907].
STERN. Madeleine B. “Introduction.” To Behind a Mask: The Unknown Thrillers of Louisa May Alcott. [GGII: 1456].
STERN. Madeleine B. “Introduction.” To Plots and Counterplots: More Unknown Thrillers of Louisa May Alcott. [GGII: 14-57].
STERN. Madeleine B. Louisa May Alcott: From Blood and Thunder to Hearth and Home. Boston: Northeastern University Press. 1998.
STERN. Philip Van Doren. “Introduction.” To Tales of Horror and the Supernatural by Arthur Machen. [GGI: 1202].
STERN. Phillip Van Doren. “Tales of Terror.” [GGI: 0181].
STERN. Rebecca F. “Gothic Light: Vision and Visibility in the Victorian Novel.” South Central Review: The Journal of the South Central Modern Language Association 11:4 (1994): 26-39.
STERRENBERG. Lee. “Mary Shelley’s Monster: Politics and Psyche in Frankenstein.” In The Endurance of Frankenstein: Essays on Mary Shelley’s Novel. [GGI: 08-38].
STERRENBERG. Lee. “The Last Man: Anatomy of Failed Revolutions.” Nineteenth Century Fiction 33 (1978): 324-47.
STEVENS. David. The Gothic Tradition. Cambridge: Cambridge University Press. 2000.
STEVENS. L. Robert and G. Roland VELA. “Jungle Gothic: Science. Myth. and Reality in One Hundred Years of Solitude.” [GGI: 1993].
STEVENS. L. Robert. “The Exorcism of England‘s Gothic Demon.” [GGI: 0182].
STEVENSON. John Allen. “A Vampire in the Mirror: The Sexuality of Dracula.” [GGII: 0761].
STEVENSON. John Allen. “The Castle of Otranto: Political Supernaturalism.” [GGII: 0190].
STEVENSON. John Allen. “Tom Jones. Jacobitism. and the Rise of the Gothic” (pp. 16-22). In Gothick Origins and Innovations. eds. Allan Lloyd Smith and Victor Sage. Amsterdam; Atlanta. Georgia: Rodopi; Costerus New Series 91. 1994.
STEVENSON. Lionel. “Terror and Edification.” In The English Novel: A Panorama. [GGI: 0183].
STEVENSON. Randall. “Frankenstein.” [GGII: 05-35].
STEVICK. Philip. “Frankenstein and Comedy.” In The Endurance of Frankenstein: Essays on Mary Shelley’s Novel. [GGI: 0839].
STEWART. Caroline Taylor. “The Origin of the Werewolf Superstition.” [GGI: 2371].
STEWART. D. “In the Name of Liberty: Gothic Sham Ruins and the Politics of Revolution” (pp. 288-96). In Selected Papers: Consortium on Revolutionary Europe 1750-1850. ed. R. Caldwell. Tallahassee: Florida State University Press. 1994.
STEWART. Garrett. "The Gothic of Reading: Wilde, du Maurier, Stevens, and Stoker." (pp. 343-92). In Dear Reader: The Conscripted Audience in Nineteenth Century British Fiction. Baltimore: Johns Hopkins Press, 1996.
STEWART. Garrett. “‘Count Me In’: Dracula. Hypnotic Participation. and the Late Victorian Gothic of Reading.” Literature Interpretation Theory 5 (1994): 1-18.
STEWART. J.I.M. “Fits of the Horrors.” [GGII: 14-01].
STEWART. Susan. “The Epistemology of the Horror Story.” [GGII: 1491].
STEWART-GORDON. James. “Durable Dracula–– Beloved Fiend of the Horror Circuit.” [GGI: 1248].
STIGLEGGER. Marcus. “Unusually Gothic: Robert Sigl’s Laurin (1987).” Kinoeye 3 (13 October 2003): no pagination.
STINEBACK. David. “Introduction.” To Edgar Huntly; or. The Memoirs of a Sleep-Walker. [GGI: 1486]
STOCK. R.D. “Spiritual Horror in the Novel: Richardson. Radcliffe. Beckford. Lewis.” In The Holy and the Dæmonic from Sir Thomas Browne to William Blake. [GGI: 2264].
STODDART. Helen. “‘The Precautions of Nervous People are Infectious’: Sheridan Le Fanu’s Symptomatic Gothic.” [GGII: 0699].
STODDART. Helen. “Horror. Circus. and Orientalism” (pp. 118-35). In Empire and the Gothic: The Politics of Genre. eds. Andrew Smith and William Hughes. Hound-mills. Basingstoke. Hampshire. UK: Palgrave/Macmillan. 2003.
STODDART. Helen. “Isak Dinesen and the Fiction of Gothic Gravity” (pp. 81-88). In Modern Gothic: A Read-er. eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press. 1996.
STODDART. Helen. “The Passion of New Eve and the Cinema: Hysteria. Spectacle. and Masquerade” (pp. 111-31). In The Gothic. ed. Fred Botting. Cambridge: Boy-dell and Brewer. 2001: 111-31.
STOEHR. Taylor. “Hawthorne and Mesmerism.” [GGI: 1662].
STOEHR. Taylor. “Unspeakable Horror in Poe.” [GGI: 1616].
STOKES. Roy B. Michael Sadleir. 1888-1957. Metuchen. NJ: Scarecrow Press. 1980.
STOLER. John A. “Ann Radcliffe: The Novel of Suspense and Terror.” [GGI: 0480].
STOLER. John A. “Having Her Cake and Eating. Too: Ambivalence. Popularity. and Psychosocial Implications of Ann Radcliffe’s Fiction” (pp. 19-29). In Jane Austen and Mary Shelley. and their Sisters. ed. Laura Dabundo. Lanham. MD: University Press of Americ
STOLER. John A. “Lewis. Matthew Gregory” (pp. 330-32). In Encyclopedia of Romanticism: Culture in Britain. 1780s-1830s. ed. Laura Dabundo. New York: Garland Publishing. 1992.
STOLER. John A. “One Hundred Years of English Gothic Fiction from Walpole’s Castle of Otranto (1764) to Le Fanu’s Uncle Silas (1864): A Selected Annotated Bibliography of Criticism.” Erasmus Press Microfilm Series, 1975. [GGI: 0032].
STOLER. John A. “Radcliffe. Ann Ward” (pp. 481-83). In Encyclopedia of Romanticism: Culture in Britain. 1780s-1830s. ed. Laura Dabundo. New York: Garland Publishing. 1992.
STOLER. John A. “Walpole. Horace” (pp. 603-04). In Encyclopedia of Romanticism: Culture in Britain. 1780s-1830s. ed. Laura Dabundo. New York: Garland Publishing. 1992.
STOLER. John A. Ann Radcliffe: The Novel of Suspense and Terror. [GGI: 0481].
STOLL. Anita. “La casa junto al rio de Elena Garro y el gótico femenino” (pp. 1011-16). In Actes del X Congreso de la Asociacion Hispanicas. Barcelona: Promociones y Pubs. Universitarias. 1992. [Elena Garro’s La Casa Junto al Rio  as Female Gothic.]
STONE, John. "Gothic in the Himalayas: Powell and Pressburger's Black Narcissus." (pp. 264-86) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
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STONE. Edward. “Usher. Poquelin. and Miss Emily: The Progress of Southern Gothic.” [GGI: 1617].
STONE. Harry. The Night Side of Dickens: Cannibalism. Passion. Necessity. Columbus: Ohio State University Press. 1994.
STORCH. Rudolf F. “Metaphors of Private Guilt and Social Rebellion in Godwin’s Caleb Williams.” [GGI: 0666].
STOTT. G. St. John. “Second Thoughts About Ormond.” [GGII: 0908].
STOTT. G. St. John. “The Structure of Melmoth the Wanderer.” [GGII: 0583].
STOTT. Rebecca. “The Kiss of Death: A Demystification of the Late Nineteenth Century ‘Femme Fatale’ in Selected Works of Bram Stoker. Rider Haggard. Joseph Conrad. and Thomas Hardy.” [GGII: 0762].
STOTT. Rebecca. “Through a Glass Darkly: Aquarium Colonies and Nineteenth-Century Narratives of Marine Monstrosity.” Gothic Studies 2 (2000): 305-27.
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STOVEL. Nora Foster. “Reflections on Mirror Images: Double and Identity in the Novels of Margaret Atwood.” [GGII: 0817].
STRACHAN. John. “The Politics of the Gothic Novel. 1764-1820.” Doctoral Thesis. Oxford University. 1992.
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STREEBY. Shelley S. “Haunted Houses: George Lippard. Nathaniel Hawthorne. and Middle-class America.” Criticism 38 (1996): 443-72.
STREEBY. Shelley Suzanne. “Republican Gothic: George Lippard. Urban Sensationalism. and the Transformation of the Literary Public Sphere in the United States. 1830-1860.”  Dissertation  Abstracts International 55:9 (1995): 2876A (University of California
STREEBY. Shelley. "American Sensations: Empire, Amnesia, and the U.S. Mexican War." American Literary History 13 (2001): 1-40.
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STRENGELL, Heidi. Dissecting Stephen King: From the Gothic to Literary Naturalism. Madison: University of Wisconsin Press, 2005.
STRENGELL. Heidi. "'The Monster Never Dies': An Analysis of the Double in Stephen King's Oeuvre." Journal of American Popular Culture 2 (2003): no pagination.
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STRONG. Roy. “‘A Little Gothic Castle’: Horace Walpole” (pp. 447-59). In The Spirit of Britain: A Narrative History of the Arts. New York: Fromm International. 1999.
STROUPE. John H. “Ruskin. Lawrence. and Gothic Naturalism.” Ball State University Forum 11 (1970): 3-9. Draws meaningful comparisons and contrasts between the two authors in their development of a modified Gothic style.
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STRUTKOVA. T.G. “Romany M. Shelli v Kontekste Literatury Angliiskogo Romantizma” (pp. 93-109). In Realizm i Khudozhestvennye Iskaniia v Zarubezhnoy Literature XIX-XX Vekov. Voronezh. USSR: Voronezh University. 1980. [The Novels of Mary Shelley in the Cont
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STUGART. Shawn Wayne. “Carnival Gothic: Masquerade and Identity in the American Gothic Fictions of Brown. Melville. Hawthorne. and Poe.” Master’s Thesis. University of Northern Colorado. 1996.
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STUMP. Debra. “Stephen King with a Twist: E.C. Influence.” In Discovering Stephen King. [GGII: 1204].
STUPRICH. Michael ed. Horror. San Diego. Ca: Greenhaven Press. 2001.
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SUCKSMITH. Harvey P. “The Secret of Immediacy: Dickens’s Debt to the Tale of Terror in Blackwood’s.” [GGI: 1148].
SUCKSMITH. Harvey. “Mrs. Gaskell’s Mary Barton and William Mudford’s ‘The Iron Shroud.’” [GGI: 12-87].
SUCKSMITH. Harvey. “Mrs. Gaskell’s Mary Barton and William Mudford’s The Iron Shroud.” [GGI: 1287].
SUCUR. Slobodan. Poe. Odoevsky. and Purloined Letters: Questions of Theory and Period Style Analysis. Frankfurt am Main and New York: Peter Lang. 2001.
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SULLIVAN. Jack. “Psychological. Antiquarian. and Cosmic Horror. 1872-1919.” (pp. 221-75). In Horror Literature: A Core Collection and Reference Guide, ed. Marshall B. Tymn. New York: R.R. Bowker, 1981. [GGI: 0034].
SULLIVAN. Jack. “Shirley Jackson.” In Supernatural Fiction Writers. [GGII: 1090].
SULLIVAN. Jack. “Two Ways to Write a Gothic: Little Angie and The Shining.” [GGI: 2236].
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SULLIVAN. Jack. The Penguin Encyclopedia of Horror and the Supernatural. Baltimore: Penguin Books, 1986. [GGII: 0033].
SULLIVAN. John R. Jr. “The English Ghost Story from Le Fanu to Blackwood.” [GGI: 1183].
SULLIVAN. Michael Patrick. “Reconciliation and Subversion in the Novels of Charles Brockden Brown.” [GGII: 0909].
SULLIVAN. Ruth. “William Wilson’s Double.” [GGI: 1620].
SULLIVAN. T. R. The Ghost in Fiction. [GGI: 24-30].
SULLIVAN. Zoreh T. “Enchantment and the Demonic in Iris Murdoch: The Flight from the Enchanter.” [GGI: 1270].
SULLIVAN. Zoreh T. “Enchantment and the Demonic in the Novels of Iris Murdoch.” [GGI: 1269].
SULLIVAN. Zoreh T. “Iris Murdoch’s Self-Conscious Gothicism: The Time of the Angels.” [GGI: 1271].
SULLIVAN. Zoreh T. “The Contracting Universe of Iris Murdoch’s Gothic Novels.” [GGI: 1272].
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SUMMERS. Montague.  “‘Northanger Abbey.’” [GGII: 0628].
SUMMERS. Montague.  “‘Northanger Abbey’: ‘Horrid Romances.’” [GGII: 0627].
SUMMERS. Montague.  “Introduction.” To Zofloya; or. The Moor. [GGI: 1033].
SUMMERS. Montague.  “Regina Maria Roche and the Early Nineteenth Century Irish Novel.” [GGII: 0634].
SUMMERS. Montague.  “The Anti-Feminist Reception of Regina Maria Roche.” [GGII: 0633].
SUMMERS. Montague. "Introduction." To Horrid Mysteries. [GGI: 0992].
SUMMERS. Montague. "Introduction." To The Necromancer; or. The Tale of the Black Forest. [GGI: 1014].
SUMMERS. Montague. “‘Northanger Abbey’: ‘Hor-rid Romances.’” [GGII: 0626].
SUMMERS. Montague. “‘Santon Barsisa.’” [GGI: 0594].
SUMMERS. Montague. “A Great Mistress of Romance: Ann Radcliffe. 1764-1823.” [GGI: 0482].
SUMMERS. Montague. “A.K. Newman and the Minerva Press.” [GGII: 0161].
SUMMERS. Montague. “Architecture and the Gothic Novel.” [GGI: 2055].
SUMMERS. Montague. “Byron’s Lovely Rosa.” In Essays in Petto. [GGI: 1032].
SUMMERS. Montague. “Ducray-Duminil. François Guillaume” (pp. 38-39). In A Gothic Bibliography. New York: Russell and Russell. 1964.
SUMMERS. Montague. “Introduction.” To The Castle of Otranto and The Mysterious Mother. [GGI: 0265].
SUMMERS. Montague. “Introduction.” To The Supernatural Omnibus. [GGI: 2191].
SUMMERS. Montague. “Joseph Sheridan Le Fanu and his Houses.” [GGII: 0700].
SUMMERS. Montague. “Joseph Sheridan Le Fanu.” [GGII: 0701].
SUMMERS. Montague. “Le Fanu’s Chilling Creations.” [GGI: 1184].
SUMMERS. Montague. “Miss Braddon.” [GGI: 21-92].
SUMMERS. Montague. “Poet of Fear.” [GGII: 09-58].
SUMMERS. Montague. “Scott and the Supernatural.” [GGII: 0603].
SUMMERS. Montague. “Strawberry Hill Castle.” [GGII: 0191].
SUMMERS. Montague. “The Abbot of Fonthill.” [GGII: 0232].
SUMMERS. Montague. “The Lion of Mayfair.” [GGII: 0349].
SUMMERS. Montague. A Gothic Bibliography. London: Fortune Press, 1941; New York: Russell & Russell, 1964. [GGI: 0035].
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SUMMERS. Montague. The Gothic Quest: A History of the Gothic Novel. [GGI: 0186].
SUMMERS. Montague. The Vampire in Europe. [GGI: 2348].
SUMMERS. Montague. The Vampire: His Kith and Kin. [GGI: 2347].
SUMMERS. Montague. The Werewolf. [GGI: 2372].
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SUNSHINE. Kathleen. “From Castle to Cabin.” In Early American Literature and the Call of the Wild. [GGII: 0849].
SUNSTEIN. Emily W. Mary Shelley: Romance and Reality. [GGII: 0536].
SURRATT. Marshall N. “‘The Awe-Creating Presence of the Deity’: Some Religious Sources for Charles Brockden Brown’s Wieland.” Papers on Language and Literature 33 (1997): 310-24.
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SVILPIS. J.E. “Orientalism. Fantasy. and Vathek.” In Vathek and the Escape from Time: Bicentenary Revaluations. [GGII: 0233].
SVILPIS. J.E. “The Mad Scientist and Domestic Affections in Gothic Fiction” In Gothic Fictions: Prohibition/ Transgression. [GGII: 0537].
SWAFFORD. James. “Tradition and Guilt in Le Fanu’s  ‘Schalken the Painter.’” Canadian Journal of Irish Studies 14:2 (1989): 48-59.
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SWANN. Karen. “Public Transport: Adventuring on Wordsworth’s Salisbury Plain.” [GGII: 1366].
SWANN. Karen. “Suffering and Sensation in The Ruined Cottage.” Publications of the Modern Language Association 106 (1991): 83-95.
SWARTZ. Stephen. “The Existential Prometheus: Absurdity and Morality in the Frankenstein Myth” (pp. 36-43). In The Image of Europe in Literature. Media. and Society. eds. Will Wright and Steven Kaplan. Pueblo. CO: Society for the Interdisciplinary Study o
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SWEENEY. Gerard M. “Henry James’s ‘De Grey The Gothic as Camouflage of the Medical.” [GGII: 0999].
SWEENEY. St. John. “Sheridan Le Fanu. the Irish Poe.” [GGII: 0702].
SWEET. Nanora. “Felicia Hemans’ ‘A Tale of the Secret Tribunal Gothic Empire in the Age of Jeremy Bentham and Walter Scott.” European Journal of English Studies 6 (2002): 159-71.
SWEETSER. Wesley D. “Arthur Machen.” [GGI: 1204].
SWEETSER. Wesley D. “Arthur Machen: A Bibliography of Writings About Him.” [GGI: 1203].
SWIGART. Ford H. “A Study of the Imagery in the Gothic Romances of Ann Radcliffe.” [GGI: 0483].
SWIGART. Ford H. “Ann Radcliffe’s Veil Imagery.” [GGI: 0484].
SWIGART. Ford H. A Study of the Imagery in the Gothic Romances of Ann Radcliffe. [GGI: 0485].
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SWITZER. Richard. “Lord Ruthven and the Vam-pires.” [GGII: 0612].
SWOYER. Ardeth G. “Matthew Gregory Lewis and his Contributions to the Gothic Novel.” [GGI: 0595].
SYDNEY-FRYER. Donald. “Francis Marion Crawford: A Neglected But Not a Forgotten Master.” [GGI: 1756].
SYPHER. Wylie. “Social Ambiguity in the Gothic Novel.” [GGI: 0486].
SZALAY. Edina. “Gothic Fantasy and Female Bild-ung in Four North American Women Novels.” Hungarian Journal of English and American Studies 6 (2000): 183-96.
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TABACHNICK. Steve. “The Gothic Modernism of T.S. Eliot’s Waste Land and What Martin Rowson’s Graphic Novel Tells Us about It and Other Matters.”  Readerly Writerly Texts: Essays on Literature. Literary Textual Criticism. and Pedagogy (Portales. NM) 8:1-2
TAKADA. Mamoru. “Ugetsu Monogatari: A Critical Interpretation” (pp. xxi-xxix). In Tales of Moonlight and Rain: Japanese Gothic Tales. Tokyo: University of Tokyo Press. 1971.
TAKAHASHI. Norikane. “The Wandering Jew densetsu to romanha no shi.” [GGII: 1492].
TAKAYAMA. Osamu. “A Background of Literary Gothicism in Eighteenth-Century England.” [GGI: 0187].
TALAIRACH. Laurence. "Behind the Scenes of Women's Beauty Parlours: From Gothicism to Sensationalism." (pp. 124-40). In Victorian Gothic. eds. Karen Sayer. Rosemary Mitchell. Leeds. UK: Leeds Centre for Victorian Studies. Trinity All Saints College. University of Leeds. 2003.
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TAMKIN. Linda Ellen. “Heroines in Italy: Studies in the Novels of Ann Radcliffe. George Eliot. Henry James. E. M. Forster. and D. H. Lawrence.” [GGII: 0288].
TANCHEVA. Kornelia. “Vampires Are Them. Vampires Are Us” (pp. 81-91). In Engendering Identities. ed. Susan Castillo. Porto. Portugal: Universidade Fernando Pessoa. 1996.
TANDRUP. Birthe. “Free Indirect Style and the Critique of the Gothic in Northanger Abbey.” In The Romantic Heritage: A Collection of Critical Essays. [GGII: 0629].
TANNENBAUM. Leslie. “From Filthy Type to Truth: Miltonic Myth in Frankenstein.” [GGI: 0841].
TAPP. R. “Mothers and Fathers in Horace Wal-pole’s Fiction.” Master’s Thesis. West Virginia University. 1975.
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TARR. Sister Mary Muriel. Catholicism in Gothic Fiction in England: A Study of the Nature and Function of Catholic Materials in Gothic Fiction in England (1762-18-20). [GGI: 2069].
TASKER. Yvonne. “The Female Gothic” (pp. 58-70). In The Silence of the Lambs. London: British Film Institute. 2002.
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TATU. Chantal. “Cris et chuchotements dans Les Mystères d‘Udolphe by Anne Radcliffe.” [GGI: 0487].
TATU. Chantal. “l‘Histoire des Mystères d‘Udolphe en France. ou les péripéties ‘populaires’ d‘un imaginaire conserva-teur.” [GGII: 0289].
TATU. Chantal. “Les Mystères d‘Udolphe: mélodrame avant la lettre?” (pp. 83-98). In Mélodrames et romans noirs. eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: Presses de l‘Université Toulouse-Le Mirail. 2000. [Melodrama Before the Letter?].
TAUBENBOCK. Andrea. Die binäre raumstruktur in der Gothic Novel: 18-20 Jahrhundert. [Binary Spatial Structure in the Gothic Novel: 18-20 Century]. München: Fink. 2002.
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TAYLOR. Michael. “Reluctant Romancers: Self Consciousness and Derogation in Prose Romance.” [GGII: 0604].
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TETREAULT. Ronald. “Shelley and Byron Encounter the Sublime: Switzerland. 1816.” [GGI: 2117].
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THIELE. David. “The ‘transcendent and immortal’ HEEP!“: Class Consciousness. Narrative Authority. and the Gothic in David Copperfield.” Texas Studies in Literature and Language 42 (2000): 201-222.
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THIERGARD. Ulrich. “Schiller und Walpole: Ein Beitrag zur Schillers verhältnis zur schauerliteratur.” [GGI: 1922].
THIERGARD. Ulrich. “Schiller und Walpole: Ein Beitrage zur Schillers verhältnis zur schauerliteratur.” [GGI: 1922].
THOENS. Karen. “It. A Sexual Fantasy” (pp. 127-40). In Imagining the Worst: Stephen King and the Representation of Women. ed. Theresa Thompson. Westport. CT: Greenwood Press. 1998.
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THOMAS. Donald. “The First Poetess of Romantic Fiction: Ann Radcliffe. 1764-1823.” [GGI: 0488].
THOMAS. Hugh. ed. The Monk. New York: Modern Library. 2002.
THOMAS. Lloyd Spencer. “The Haunts of Language. Superstition. and Subterfuge in Henry James’s Stories of the Supernatural.” [GGI: 1741].
THOMAS. Ronald R. “Recovering Nightmares: Nineteenth Century Gothic.” In Dreams of Authority: Freud and the Fictions of the Unconscious. [GGII: 0164].
THOMAS. Ronald Robert. “Dream. Power. and Au-thority in Nineteenth Century British Fiction.” [GGII: 05-38].
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THOMAS. Sophie. “The Ends of the Fragment. the Problem of the Preface: Proliferation and Finality in The Last Man” (pp. 22-38). In Mary Shelley’s Fictions: From Frankenstein to Falkner. eds. Michael Eberle Sinatra and Nora Crook. Houndmills. Basingstoke.
THOMAS. Tammis Elise. “Masquerade Liberties and Female Power in Le Fanu’s Carmilla” (pp. 39-65). In The Haunted Mind: The Supernatural in Victorian Literature. eds. Elton E. Smith and Robert Haas. New York: University Press of America. 1999.
THOMAS. Tony. “The Abused Gothic Heroine.” Films in Review 41:3 (1990): 158-65.
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THOMPSON. Bill. “A Girl Named Carrie.” In Kingdom of Fear: The World of Stephen King. [GGII: 1206].
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THOMPSON. G.R. “Gothic Fiction of the Romantic Age.” In Romantic Gothic Tales 1790-1840. [GGI: 0190].
THOMPSON. G.R. “Locke. Kant. and Gothic Fiction: A Further Word on the Indeterminism of Poe’s ‘Usher.’” [GGII: 0961]
THOMPSON. G.R. “Poe and the Paradox of Terror: Structures of Heightened Consciousness in ‘The Fall of the House of Usher.’” In Ruined Eden of the Present: Hawthorne. Melville. and Poe. [GGI: 1626].
THOMPSON. G.R. “Poe’s ‘Flawed’ Gothic: Absurdist Techniques in ‘Metzengerstein’ and the Courier Satires.” [GGI: 1622].
THOMPSON. G.R. “Poe’s Romantic Irony: A Study of the Gothic Tales in a Romantic Context.” [GGII: 0960].
THOMPSON. G.R. “Romanticism and the Gothic Tradition.” In The Gothic Imagination: Essays in Dark Romanticism. [GGI: 0189].
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THOMPSON. G.R. “The Face in the Pool: Reflections on the Doppelgänger Motif in ‘The Fall of the House of Usher.’” [GGI: 1624].
THOMPSON. G.R. “Washington Irving and the American Ghost Story.” In The Haunted Dusk: American Supernatural Fiction. 1820-1920. [GGII: 0925].
THOMPSON. G.R. Poe’s Fiction: Romantic Irony in the Gothic Tales. [GGI: 1625].
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THOMPSON. Helen. “Gothic Numbers in the New Republic: The Federalist No. 10 and Its Spectral Factions” (pp. 140-60).  In Spectral Readings: Towards a Gothic Geography. eds. Glennis Byron and David Punter. Houndmills. Basingstoke and London: Macmillan. 199
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THOMPSON. Karl F. “Beckford. Byron. and Henley.” [GGI: 0383].
THOMPSON. Karl F. “Henley’s Share in Beck-ford’s Vathek.” [GGI: 0382].
THOMPSON. Kirsten Moana. “‘Uncanny Dread’: Four Case Studies in Contemporary Horror and the Family.” Dissertation Abstracts International 59:9 (1998): 32-56A (New York University).
THOMPSON. L.F. “Ann Radcliffe’s Knowledge of German.” [GGI: 0489].
THOMPSON. Leslie M. “‘Childe Roland to the Dark Tower Came’ and the Gothic Tradition.” [GGI: 2152]
THOMPSON. Terry W. “Shelley’s Frankenstein.” Explicator 58:4 (20-00): 191-92.
THOMPSON. Terry W. “Shelley’s Frankenstein.” Explicator. 58:1 (1999): 22-24.
THOMPSON. Theresa and Kathleen Margaret LANT. eds. Imagining the Worst: Stephen King and the Representation of Women. Westport. CT: Greenwood Press. 1998.
THOMPSON. Theresa. “Rituals of Male Violence: Unlocking the (Fe)male Self in Gerald’s Game and Dolores Claiborne” (pp. 47-58). In Imagining the Worst: Stephen King and the Representation of Women. eds. Theresa Thompson and Kathleen Margaret Lant. Westport
THOMS. Peter. The Windings of the Labyrinth: Quest and Structure in the Major Novels of Wilkie Collins. Athens: Ohio University Press. 1992.
THOMSON. Davie. “A Child’s Demon.” Sight and Sound 9:4 (1999): 20-23.
THOMSON. Douglass H. “Ambrose Gwinett Bierce” (pp. 60-68). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Charles Brockden Brown” (pp. 76-82). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Charles Dickens.” (pp. 104-15). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller and Frederick S. Frank.Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Charlotte Brontë and Emily Brontë” (pp. 69-75). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Charlotte Dacre [Rosa Matilda]” (pp. 99-103). In Gothic Writers:A Critical and Bibliographical Guide. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Count Donatien Alphonse François Sade [the Marquis de Sade]” (pp. 365-71). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2000
THOMSON. Douglass H. “E[rnst] T[heodor] Ama-deus Hoffmann” (pp. 177-84). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Flannery O’Connor” (pp. 315-20). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Henry James” (pp. 202-11). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Herman Melville” (pp. 290-94). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “James Hogg” (pp. 185-94). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “John Polidori (1795-1821)” (pp. 344-48). In Gothic Writers: A Critical and Bib-liographical Guide. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Robert Louis Stevenson” (pp. 412-19). In Gothic Writers: A Critical and Bibliogra-phical Guide. eds. Douglass H. Thomson. Jack G. Voller and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Sophia Lee” (pp. 241-47). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. “Terror High and Low: The Aikins’ ‘On the Pleasure Derived From Objects of Terror; with Sir Bertrand. A Fragment.’” Wordsworth Circle 29 (1998): 72-75.
THOMSON. Douglass H. “William Godwin” (pp. 125-32). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass H. and Frederick S. FRANK. “Jane Austen and the Northanger Novelists” (pp. 33-47). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press.
THOMSON. Douglass H.. “John Aikin and Anna Laetitia Aikin Barbauld” (pp. 1-6). In Gothic Writers: A Critical and Bibliographical Guide. eds. Douglass H. Thomson. Jack G. Voller. and Frederick S. Frank. Westport. CT: Greenwood Press. 2002.
THOMSON. Douglass. “Gothic Fiction” (pp. 779-808). In The Greenwood Guide to American Popular Culture. eds. M. Thomas Inge and Dennis Hall. Westport. CT: Greenwood Press. 2002.
THOMSON. John.   “Seasonal  and  Lighting  Effects  in  Ann  Radcliffe’s Fiction.” [GGI: 0492].
THOMSON. John. “Ann Radcliffe’s Use of Philippus Van Lim-borch’s The History of the Inquisition.” [GGI: 0491].
THOMSON. John. “The Novels of Ann Radcliffe.” [GGI: 0490].
THORBERG. Raymond. “Terror Made Relevant: James’s Ghost Stories.” [GGI: 1742].
THORNBURG. Thomas R. “The Quester and the Castle: The Gothic Novel as Myth with Special Reference to Bram Stoker‘s Dracula.” [GGI: 0191].
THORPE. Douglas. “Calvin. Darwin. and the Double: The Problem of Divided Nature in Hogg. MacDonald. and Stevenson.” Newsletter of Victorian Studies Association of Western Canada 11:1 (1985): 6-22.
THORPE. Willard. “The Stage Adventures of Some Gothic Novels.” [GGI: 1080].
THORSLEV. Peter Jr. The Byronic Hero: Types and Prototypes. [GGI: 2119].
THORSLEV. Peter. “Incest as Romantic Symbol.” [GGI: 2433].
THUR. Robert. “Longing for Union: The Doppelgänger in Wuthering Heights and Frankenstein.” [GGI: 22-97].
THUR. Robert. “Longing for Union: The Doppel-gänger in Wuthering Heights and Frankenstein.” [GGI: 22-97].
THÜRNAU. C. Geister in englischen literatur des 18. jahrhunderts. [GGI: 2434].
TICHELAAR. Tyler Richard. “The Gothic Wanderer: From Transgression to Redemption.” Dissertation Abstracts International 61:5 (2000): 1856 (Western Michigan University).
TIENHOOVEN. Marie-José. “All Roads Lead to England: The Monk Constructs the Nation.” Romanticism on the Net 8 (November. 1997): 14 March 1998.
TILBY. Michael. "From Gothic Terror to Romantic Spleen: A Further Source of Baudelaire's 'L'Horloge.'" Studi Francesi 47 (2003): 631-36.
TILBY. Michael. Ducray-Duminil’s Victor. ou l’enfant de la forêt in the Context of the Revolution.” Studies on Voltaire and the Eighteenth Century 249 (1987): 407-38.
TILLEY. Elizabeth. “Gender and Role Playing in Lady Audley’s Secret” (pp. 97-104). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Villani. Peter Davidson. Jane Stevenson. Amsterdam: Rodopi. 1995.
TILLOTSON. Marcia. “‘A Forced Solitude’: Mary Shelley and the Creation of Frankenstein’s Monster.” In The Female Gothic. [GGII: 0540].
TILTON. Eleanor M. “In the Labyrinth of Charles Brockden Brown’s Prose: The Bicentennial Edition.” [GG-II: 0910].
TIMPANE. John. “Ann Ward Radcliffe.” In An Encyclopedia of British Women Writers. [GGII: 0290].
TINKER. John. “William Beckford. the First English Homosexual.” Dissertation Abstracts International 57:5 (1996): 2053A (Stanford University). Follows the direction of much gay scholarship in arguing the connections between homosexuality and artistic crea
TINKLER-VILLANI. Valeria and Peter DAVIDSON. with Jane STEVENSON. Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. Amsterdam and Atlanta. GA: Rodopi. 1995.
TINKLER-VILLANI. Valeria. “‘I Saw. I Felt. But I Cannot Describe’: Demonic Epiphany in Gothic Fiction” (pp. 101-13). In Moments of Moment: Aspects of the Literary Epiphany. ed. Wim Tigges. Amsterdam: Rodopi. 1999.
TINTNER. Adeline R. “Fire of the Heart in ‘Al Aa-raaf.’” [GGII: 0962].
TODD. Janet M. “Frankenstein’s Daughter: Mary Shelley and Mary Wollstonecraft.” [GGI: 0844].
TODD. Janet. “‘The Great Enchantress’: Ann Radcliffe.” In The Sign of Angelica: Women’s Writing. and Fiction. 1660-1800. [GGII: 0292].
TODD. Janet. “Posture and Imposture: The Gothic Manservant in Ann Radcliffe’s The Italian.” [GGII: 0291].
TODD. William B. “The Early Editions and Issues of The Monk. with a Bibliography.” [GGI: 0597].
TODOROV. Tzvetan. “The Uncanny and the Marvelous.” In The Fantastic: A Structural Approach to a Literary Genre. [GGI: 2435].
TOFANNELLI. John. “The Gothic Confessional: Language and Subjectivity in the Gothic Novel. Villette and Bleak House.” [GGII: 0656].
TOLES. George. “Charting the Hidden Landscape: Edgar Huntly.” [GGI: 1489].
TOMBLESON. Gary E. “Poe’s ‘Fall of the House of Usher’  as Archetypal  Gothic: Literary and Architectural Analogs of Cosmic Unity.” Nineteenth-Century Contexts 12:2 (1988): 83-106.
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TOMLINSON. David Otis. “Women in the Writings of Charles Brockden Brown: A Study in the Development of an Author’s Thought.” [GGI: 1490].
TOMPKINS. J.M.S. “Appendix I: Foreign Novels in England” (pp. 367-69). In The Popular Novel in England. 1770-1800. London: Methuen. 1969.
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TOMPKINS. J.M.S. “The Work of Mrs. Radcliffe and its Influence on Later Writers.” [GGI: 0494].
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TOMPKINS. J.M.S.. Ann Radcliffe and her Influence on Later Writers. [GGI: 0496].
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TOOLEY. Brenda. “Gothic Utopia: Heretical Sanctuary in Ann Radcliffe’s The Italian.” Utopian Studies 11:2 (2000): 42-56.
TORRIJOS. María del Mar Ramón. “Ideological Ambivalence in the Early Female Gothic Tradition: Ann Radcliffe's Mysteries of Udolpho.”  Interactions: Aegean Journal of English and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi 14 (2005): 257-68.
TORSNEY. Cheryl B. “The Vampire Motif in Absa-lom. Absalom!.” [GGII: 1073].
TOSI. Alessandra. “At the Origins of the Russian Gothic Novel: Nikolai Gnedich’s Don Corrado de Gerrera (1803)” (pp. 59-82). In The Gothic-Fantastic in Nineteenth-Century Russian Literature. ed. Neil Cornwell. Amsterdam. Netherlands: Rodopi. 1999.
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TOUITOU. Beatrice. Baculard d’Arnaud. Paris: Me-mini: Diffusion Presses Universitaires de France. 1997.
TOUMEY. C. P. “The Moral Character of Mad Scientists: A Cultural Critique of Science.” [GGII: 1493].
TOURNEBIZE. Cassilde. “Complexité et ambivalence de l’space ‘gothique’ dans Jane Eyre.” Caliban 33 (1996): 29-42. [Complexity and ambivalence of Gothic space in Jane Eyre].
TOWHEED. Shafquat. “A Chasm in the Narrative of Le Fanu’s ‘Green Tea.’” Notes and Queries 46:244 (1999): 67.
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TOWNSHEND, Dale. The Orders of Gothic: Foucault, Lacan, and the Subject of Gothic Writing. New York: AMS Press, 2006.
TOWNSHEND. Dale "Speaking of Darkness: Gothic and the History of the African American Slave Woman in Hannah Craft's The Bondwoman's Narrative (1855-1861)." (pp. 141-54). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
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TRACY. Ann Blaisdell. “Gothic. Had-I-But-Known. Damsel in Distress: Stalking the Elusive Distinction.” In Murderess Ink. [GGI: 0194].
TRACY. Ann Blaisdell. “Patterns of Fear in the Gothic Novel. 1790-1830.” [GGI: 0193].
TRACY. Ann Blaisdell. Patterns of Fear in the Gothic Novel 1790-1830. [GGI: 0195].
TRACY. Robert. “Clock Work: The Old Curiosity Shop and Barnaby Rudge.” Dickens Studies Annual  30 (2001): 23-43. A source study that points out several Gothic features.
TRACY. Robert. “Introduction” (pp. vii-xxviii). To In a Glass Darkly. New York and Oxford: Oxford University Press. 1993.
TRACY. Robert. “Loving You All Ways: Vamps. Vampires. Necrophiles and Necrofiles in Nineteenth Century Fiction.” In Sex and Death in Victorian Literature. [GGII: 0764].
TRACY. Robert. “The Old Story and Inside Stories: Modish Fiction and Fictional Modes in Oliver Twist.” Dickens Studies Annual 17 (1988): 1-33.
TRAINER. James. “Introduction.” To The Old English Baron. [GGI: 0280]
TRAINER. James. “The Incest Theme in the Works of Tieck.” [GGI: 1965].
TRAINER. James. Ludwig Tieck: From Gothic to Romantic. [GGI: 1966].
TRANSUE. Harriet. “The Sensation Years: The Literary Character of England in the 1860s.” [GGI: 2194].
TRAUTWEIN. Wolfgang. Erlesene angst: Schauerliteratur um 18. und 19. jahrhundert: Systematischer aufriss: Untersuchen zu Bürger. Maturin. Hoffmann. Poe. und Maupassant. [GGI: 0930].
TREDY. Dennis. “Hypnerotomania Gubernätrix . or Strife in the Dream of the Governess: The Turn of the Screw (H. James). The Innocents (T. Capote et al.). Other Voices. Other Rooms (T. Capote)” (pp. 145-61). In Imaginaires. gothique. néo-gothique. contre-u
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TRICOMI. Elizabeth Taylor. “The Search for Know-ledge in the Major Novels of Charles Brockden Brown.” [GGI: 1491].
TRIMPI. Helen P. “Melville’s Use of Demonology and Witchcraft in Moby Dick.” [GGI: 1708].
TROPP. Martin. “Mary Shelley’s Monster: A Study of Frankenstein.” [GGI: 0845].
TROPP. Martin. Images of Fear: How Horror Stories Helped Shape Modern Culture (1818-1918). [GGII: 14-94].
TROPP. Martin. Mary Shelley’s Monster: The Story of Frankenstein. [GGI: 0846].
TROSTANIECKI. Ignacy. “La Poétique du caché dans Le Moine de M.G. Lewis.” [GGI: 0599].
TROTT. Nicola. "A Life of License and Gothic Literature." National Post 2:257 (19 August 2000): B10.
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TROTT. Nicola. “Wordsworth’s Gothic Quandary.” Charles Lamb Bulletin 1 April 2000: 45-59.
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TRUFFIN, Sherry R. "'Screaming While School Was in Session': The Construction of Monstrosity in Stephen King's Schoolhouse Gothic." (pp. 236-48) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
TRUFFIN. Sherry R. "'Terrors of the Night': Salvation, Gender, and the Gothic in Go Tell It On the Mountain." MAWA Review 19:1m (2004): 121-36.
TRUFFIN. Sherry R. "'Terrors of the Night': Salvation. Gender. and the Gothic in Go Tell It On the Mountain." MAWA Review 19 (2004): 121-36.
TRUFFIN. Sherry Roxane. “Schoolhouse Gothic:  Haunted Hallways and Predatory Pedagogues in Late Twentieth-Century American Literature and Scholarship.” Dissertation Abstracts International 63:6 (2002): 2245 (Loyola University of Chicago).
TRUJILLO MUÑOZ. Gabriel. “Ciencia y ciencia ficción decimonicas. la palabra y el hombre.” [GGII: 0541].
TSAGARIS. Ellen M. “‘He’s Not One of Them’: Michael Curry and the Interpollation of the Self in Anne Rice’s The Witching Hour” (pp. 185-96). In The Gothic
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TUCKER. B.D. “‘Tell-Tale Heart’ and the ‘Evil Eye.’” [GGI: 1628].
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TUITE. Clara. “Frankenstein’s Monster and Malthus’ Jaundiced Eye: Population. Body Politics. and the Monstrous Sublime.” Eighteenth-Century Life 22 (1998): 141-55.
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TURCOTTE. Gerry. “Peripheral Fear: A Comparative Study of Australian and English-Canadian Gothic Fiction.” Ph.D. Thesis.
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WAUGH. Robert H. “The Structural and Thematic Unity of Fungi from Yuggoth.” [GGII: 1059].
WAXMAN. Barbara Frey. “Postexistentialism in the Neo-Gothic Mode: Anne Rice’s Interview with the Vam-pire.” Mosaic 25:3 (1992): 79-97.
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WEIN. Toni. “Gothic Desire in Charlotte Brontë’s Villette.” Studies in English Literature. 1500-1900 39 (19-99): 733-46.
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WEINKAUF. Mary S. “The Daughters of Frankenstein: Women and Science Fiction.” [GGI: 0859].
WEINSTEIN. Lee. “Chambers and The King in Yellow.” [GGI: 1758].
WEINSTEIN. Lee. “Robert W. Chambers.” In Supernatural Fiction Writers. [GGII: 1278].
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WEISSMAN. Judith. “Antique Secrets in Henry James.” [GGII: 1001].
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WEXENBLATT. Robert. “The Ambivalence of Frankenstein.” [GGI: 0861].
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WHATLEY. John. “Introduction: 'of cult-like and occult undertaking'" Gothic Studies 5 (2003): 1-10.
WHATLEY. John. “Romantic and Enlightened Eyes in the Gothic Novels of Percy Bysshe Shelley.” Gothic Studies 1 (1999): 201-21
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WHEATLEY. Kim. “Gender Politics and the Gothic in Alfred Hitchcock’s Rebecca.” Gothic Studies 4 (2002): 133-44.
WHEELER. Margaret S. “Religion and Reintegration in the Gothic Novel.” Master‘s Thesis. Indiana State University. 1994. Discusses the role of religion in Walpole‘s The Castle of Otranto. Lewis‘s The Monk. Maturin‘s Melmoth the Wanderer. and Stoker‘s Dracu
WHEELER. Wayne Bruce. “The Horror of Science Fiction in Politics: Prophecy and the Crisis in Human Values in Mary Shelley’s Frankenstein and Aldous Huxley’s Brave New World.” [GGI: 0862].
WHEELOCK. Alan S. “Dark Mountain: H.P. Lovecraft and ‘The Vermont Horror.’” [GGI: 1785].
WHELAN. Lara Baker. ‘Dying of one’s neighbours’: Constructions of Suburban Anxieties in British literature. 1850-1880.” Dissertation Abstracts International 60:11 (2000): 4024 (University of Delaware).
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WHITE. Pamela C. "Two Vampires of 1828." Opera Quarterly 5 (1987): 22-57.
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WHITEHEAD. Claire. “Theory and Practice of the Fantastic in French and Russian Prose Fiction of the Nineteenth Century.” Doctoral Dissertation. University of Bristol. UK. 2002.
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WHITING. Patricia. “Literal and Literary Representations of the Family in The Mysteries of Udolpho.” Eighteenth Century Fiction 8 (1996): 485-501.
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WHITNEY. Phyllis. “Gothic Mysteries.” In The My-stery Story. [GGII: 1448].
WHITNEY. Phyllis. “Satisfying Element.” The Writer 78 (1965): 11-14.
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WHITT. Celia. “Poe and The Mysteries of Udolpho.” [GGI: 1635].
WHITTON. Charlotte. “Lord Byron on Vampires.” [GGI: 2357].
WICKE. Jennifer. “Vampiric Typewriting: Dracula and its Media.” [GGII: 0769].
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WICKMAN, Matthew. "Terror's Abduction of Experience: A Gothic History." Yale Journal of Criticism 18 (2005): 179-206.
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WIEBER. Amy B. “Reweaving Pandora/Revising Mary Shelley: Mythology and Nature.” Dissertation Abstracts International 61:5 (2000): 1857-58 (SUNY at Binghampton).
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WILLIER. S.A. “Madness. the Gothic. and Bellini’s Il Pirati.” [GGII: 1497].
WILLIER. Stephen Ace. “Early Nineteenth Century Opera and the Impact of the Gothic.” [GGII: 0170].
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