Charles Dickens (1812-1870)

 

 

BAKER, Christopher P. “Spirits of London Past.” The Australian Way 1 December 1995: 52-55. [GGIII: 2454]

BALLINGER, Gillian. "From Madmen to Vampires: Dickens's Gothic Law." Victorian Gothic. Eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003. 12-22. [GGIII: 0000]

BALLINGER, Gillian. "Haunting the Law: Aspects of Gothic in Dicken's Fiction." Gothic Studies 10.2 (2008): 35-50.

BARFOOT, C.C. “The Gist of the Gothic in English Fiction; or, Gothic and the Invasion of Boundaries.” Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. Eds. Valeria Tinkler Viviani, Peter Davidson and Jane Stevenson. Amsterdam: Rodopi, 1995. 159-72. [GGIII: 2455]

BRITTON, Terry D. “From Ambivalence to Acquiescence: Studies in Gothic Metaphor.” DAI 42.11, (May 1982): 4829A-4830A.

COOLIDGE, Archibald C. Jr. “Charles Dickens and Mrs. Radcliffe: A Farewell to Wilkie Collins.” Dickensian 58 (1962): 112-116. [GGI: 1128].

CORDERY, Gareth. “The Gothic and the Sentimental in Charles Dickens.” Dissertation Abstracts International 36 (1975): 6697A. [GGI: 1129].

CRAWFORD, Iain. “Pip and the Monster: The Joys of Bondage.” Studies in English Literature, 1500-1900 28.4 (Fall 1988): 625-648.

DENCE, Alexandra Charlotte. “The Nineteenth-Century Novel’s Divided Personality: Gothic Worlds in Dickens, Hardy, and James.”Dissertation Abstracts International 53 (1993): 4330A (University of Alberta). [GGII: 0658].

DUNCAN, Ian Hamish. “Modern Romance: The Gothic, Scott, Dickens.” DAI 50.11 (May 1990): 3600A.

DUNN, Richard J. “Aspects of a Novelist’s Development: Dickens’s Mastery of Horror and Terror.” Doctoral Dissertation. Case-Western Reserve University, 1964. [GGI: 1130].

DUNN, Richard J. “Dickens’s Mastery of the Macabre.” Dickens Studies 1 (1965): 33-39. [GGI: 1131].

EDGECOMBE, Rodney Stenning. “Anticlerical Gothic: The Tale of the Sisters in ‘Nicholas Nickleby.’” Modern Language Review 94 (1999): 1-10. [GGIII: 2462]

FILMER, Kath. “The Specter of the Self in Frankenstein and Great Expectations.” The Haunted Mind: The Supernatural in Victorian Literature. Eds. Elton Smith and Robert Haas. Lanham: Scarecrow, 1999. 19-30.

FISHER, Benjamin F. “Dickens, Charles.” The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998. 45-47.

FISHER, Benjamin Franklin. “Graveyards, Water, and Dickensian Darkness.” Essays in Arts and Sciences 16 (May 1987): 37-53.

FLOWER, Timothy F. “Charles Dickens and Gothic Fiction.” Dissertation Abstracts International 32 (1972): 6927A (Rutgers University). [GGI: 1132].

GREENMAN, David J. “Dickens’s Ultimate Achievements in the Ghost Story: ‘To Be Taken with a Grain of Salt’ and “The Signalman.’” Dickensian 85 (1989): 40-48. [GGVI: 2464]

HARRIS, Jean Ambuter. “The Gothic Side of Familiar Things: Conscious Gothicism in Dickens’ Early Fiction.” Dissertation Abstracts International 44 (1984): 3694A-3695A (Rutgers University). [GGII: 0659].

HARRIS, Jean Ambuter. “‘But He Was His Father’: The Gothic and the Impostorious in Dickens’ Pickwick Papers.” Psychoanalytic Approaches to Literature and Film. Eds. Maurice Charney and Joseph Reppen. Rutherford, NJ: Fairleigh Dickinson UP, 1987. 67-69. [GGII: 0660].

HODGELL, Pat. “Charles Dickens’ Old Curiosity Shop: The Gothic Novel in Transition.” Riverside Quarterly 8 (1990): 152-169. [GGII: 0661].

HOLLINGTON, Michael. “Boz’s Gothic Gargoyles.” Dickens Quarterly 16:3 (1999): 160-77. [GGIII: 2468]

HOUSTON, Gail Turley. From Dickens to Dracula: Gothic, Economics, and Victorian Fiction. New York: Cambridge UP, 2005.

JACKSON, Rosemary. “Dickens and the Gothic Tradition.” Dissertation Abstracts International 40 (1979): 4/99C (York University). [GGI: 1133].

JARRETT, David. “The Fall of the House of Clenham: Gothic Conventions in Little Dorrit.” [GGI: 1135].

JOHN, Juliet. “Melodramatic Poetics and the Gothic Villain: Interiority, Deviance, Emotion.” Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford and New York: Oxford University Press, 2001. 95-121. [GGIII: 2471]

KANE, Mary Patricia. “Haunted Expectations: Spectral Apparitions and the Self-Made
Man.” Great Expectations: Nel Laboratorio di Charles Dickens. Ed. Francesco Marroni. Rome: Aracne, 2006. 95-112.

KAPLAN, Fred. Dickens and Mesmerism: the Hidden Springs of Fiction. Princeton, NJ: Princeton UP, 1975.

KELLY, Patrick J. “The Way of the Labyrinth: Mystery and Detection in the Novels of Charles Dickens.” Dissertation Abstracts International 41 (1980): 2613A-2614A (University of Toronto). [GGI: 1137].

KIRKPATRICK, Larry. “The Gothic Flame of Charles Dickens.” Victorian Newsletter 31 (1967): 20-24. [GGI: 1138].

KOSTELNICK, Charles. “Dickens’s Quarrel with the Gothic: Ruskin, Durdles, and Edwin Drood.” Dickens Studies Newsletter 8 (1977): 104-108. [GGI: 1138A].

LOE, Thomas. Gothic Plot in Great Expectations.” Dickens Quarterly 6 (1989): 102-110. [GGII: 0662].

MADDOX, James H. Jr. “The Survival of Gothic Romance in the Nineteenth-Century Novel: A Study of Scott, Charlotte Bronte, and Dickens.” DAI: 32 (1971): 442A.

MAXWELL, Richard. “Crowds and Creativity in The Old Curiosity Shop.” Journal of English and Germanic Philology 78 (1979): 49-71. [GGIII: 2476]

MCMASTER, R.D. “Dickens and the Horrific.” Dalhousie Review 38 (1958): 18-28. [GGI: 1142].

MENGEL, Ewald. “The Structure and Meaning of Dickens’s ‘The Signalman.’” Studies in Short Fiction 20 (1983): 271-280. [GGII: 0663].

MIGHALL, Robert. A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares. New York: Oxford UP, 1999.

MILBANK, Alison. Daughters of the House: Modes of the Gothic in Victorian Fiction. New York: St. Martin's, 1992.

MYRICK, Patricia Lynn. “Gothic Perceptions of the Past in the Nineteenth Century Novel: Dickens, Hawthorne, Eliot, and James.” Dissertation Abstracts International 49 (1988): 812A (Indiana University). [GGII: 0664].

PHILLIPS, Walter. Dickens, Reade, and Collins, Sensation Novelists: A Study in the Conditions and Theories of Novel Writing in Victorian England. New York: Columbia University Press, 1919. [GGIII: 2480]

PRITCHARD, Allan. “The Urban Gothic of Bleak House.” Nineteenth Century Literature 45 (1991): 432-452. [GGII: 0665].

RIDENHOUR, Jamieson. "'That Boney Light': The Bakhtinian Gothic of Our Mutual Friend." Dickens Quarterly 22:3 (2005): 153-71. [GGIV: 0000]

RONALD, Margaret A. “Dickens’ Gloomiest Gothic Castle.” Dickens Studies Newsletter 6 (1976): 71-75. [GGI: 1146].

SALOTTO, Eleanor. Gothic Returns in Collins, Dickens, Zola, and Hitchcock. New York and Hampshire: Palgrave, 2006.

SCHWARZBACH, Frederic. “A New Theatrical Source for Dickens’ A Tale of Two Cities.” Notes and Queries 22 (January/February 1977): 18-20. [GGII: 0666].

SIMMONS, James R., Jr. “‘Every Discernible Thing in It Was Covered in Dust and Mould’: Radcliffe's Châtaeu-le-Blanc and Dickens's Satis House.” Dickensian 91.1 (Spring 1997): 11-12.

STABLEFORD, Brian. “DICKENS, Charles (John Huffam).” St. James Guide to Horror, Ghost, and Gothic Writers. Ed. David Pringle. Detroit: St. James Press/Gale, 1998. 181-84. [GGIII: 2484]

STONE, Harry. The Night Side of Dickens: Cannibalism, Passion, Necessity. Columbus: Ohio State University Press, 1994. [GGIII: 2485]

SUCKSMITH, Harvey P. “The Secret of Immediacy: Dickens’s Debt to the Tale of Terror in Blackwood’s.” Nineteenth Century Fiction 26 (1971): 145-157. [GGI: 1148].

THIELE, David. “The ‘transcendent and immortal’ HEEP!“: Class Consciousness, Narrative Authority, and the Gothic in David Copperfield.” Texas Studies in Literature and Language 42 (2000): 201-222. [GGIII: 2487]

THOMSON, Douglass H. “Charles Dickens.” Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller and Frederick S. Frank.Westport, CT: Greenwood Press, 2002. 104-15. [GGIII: 2488]

TRACY, Robert. “The Old Story and Inside Stories: Modish Fiction and Fictional Modes in Oliver Twist.” Dickens Studies Annual 17 (1988): 1-33. [GGIII: 2489]

TRACY, Robert. “Clock Work: The Old Curiosity Shop and Barnaby Rudge.” Dickens Studies Annual 30 (2001): 23-43. [GGIII: 2490]

WOLFREYS, Julian. “‘I Wants to Make Your Flesh Creep’: Notes Toward a Reading of the Comic-Gothic in Dickens.” Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Basingstoke: Palgrave, 2000. 31-59. [GGIII: 2491]

ZEMKA, Sue. “From the Punchmen to Pugin’s Gothics: The Broad Road to a Sentimental Death in The Old Curiosity Shop.” Nineteenth-Century Literature 48 (1993): 291-309. [GGII: 0667].