CLERY, E.J. “The Pleasure of Terror: Paradox in Edmund Burke’s Theory of the Sublime” (pp. 164-81). In Pleasure in the Eighteenth Century, eds. Roy Porter, Marie Mulvey-Roberts. New York: New York University Press, 1996.

 BAINE, Rodney M. Defoe and the Supernatural. [GGI: 2139].

 PARSONS, Coleman O. “Ghost-Stories Before De-foe.” [GGI: 2010].

 Henry Fielding (1707-1754)

 HEILMAN, Robert B. “Fielding and the ‘First Gothic Revival.’” [GGI: 2038].

 James Macpherson [Ossian] (1736-1796)

PUNTER, David. “Ossian, Blake, and the Questionable Source” (pp. 25-41). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition, eds. Valeria Tinkler Villani, Peter Davidson, Jane Stevenson. Amsterdam : Rodopi, 1995.

BEER, Gillian. “‘Our Natural No-Voice’: The Heroic Epistle, Pope, and Women’s Gothic.” [GGII: 1369].

BROWNELL, M.R. “Pope and the Vampires in Germany.” [GGI: 2140].

 Samuel Richardson (1689-1761)

BRISSENDEN, Robert F. Virtue in Distress: Studies in the Novel of Sentiment from Richardson to Sade. [GGI: 1868].

BROOME, Judith. “'Her Lovely Arm a Little Bloody': Richardson's Gothic Bodies.” Gothic Studies 8 (2006): 9-21.

BRUCKMANN, Patricia. “The Settings in Pamela.” [GGI: 2141].

EAGLETON, Terry. The Rape of Clarissa. [GGII: 1373].

FRANK, Frederick S. “From Boudoir to Castle Crypt: Richardson and the Gothic Novel.” [GGI: 2145].

STOCK, R.D. “Spiritual Horror in the Novel: Richardson, Radcliffe, Beckford, Lewis.” In The Holy and the Dæmonic from Sir Thomas Browne to William Blake. [GGI: 2264].

UTTER, Robert Palfrey and Gwendolyn BRIDGES NEEDHAM. Pamela’s Daughters. [GGI: 2437].