French Gothic
General Studies and the Roman Noir
Vicomte d’Arlincourt
François Thomas Marie de Baculard d’Arnaud
Honoré Balzac
Jules Amedee Barbey d’Aurevilly
Charles Baudelaire
Petrus Borel
Jacques-Marie Boutet de Monvel
Jacques Cazotte
Denis Diderot
François Guillaume Ducray-Duminil
Madame de Genlis (Felicité de Saint-Augin)
Julien Gracq [Louis Poirier]
Julien Green
Gerard de Nerval
Victor Hugo
Raymond Jean Marie de Kremer
Comte de Lautréamont [Isidore Ducasse]
Gaston Leroux
Guy de Maupassant
Prosper Mérimée
Charles Nodier
René Charles Guilbert de Pixérécourt
Abbé Prévost
Marquis de Sade [Donatien Alphonse François Sade]
George Sand [Madame Dudevant]
Madame de Staël
Eugène Sue
Jules Vallesr
François Vernes
Jules Verne
Auguste Villiers de l’Isle-Adam
Émile Zola
1.) General Studies and the Roman Noir
ANGENOT, Marc. "La Littérature populaire française au dix-neuvième siècle.” [GGII: 1283].
BELLET, Roger. “La Guillotine entre mélodrame, roman noir et humour” (pp. 381-97). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse : PU du Mirail, 2000. [The Guillotine Enters Melodrama, Gothic Novel and Humor].
BERNARD-GRIFFITHS, Simone and Jean SGARD, eds. Mélodrames et romans noirs, 1750-1890. Toulouse : Presses de l’université Toulouse-Le Mirail, 2000. [Melodramas and French Gothic Novels, 1750-1890].
BERTHIER, Patrick. “Un (Melo)drame romantique exemplaire: La Nonne sanglante (1835)” (pp. 365-79). Mélodrames et romans noirs, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: Presses de l’université Toulouse-Le Mirail, 2000. [An Exemplary Romantic Melodrama: The Bleeding Nun].
CHÉNIEUX-GENDRON, Jacqueline. “Lectures sur-réalistes du roman noir.” [GGII: 1285].
CUMMISKEY, Gary. The Changing Face of Horror: A Study of the Nineteenth-Century French Fantastic Short Story. [GGII: 1287].
DENLON, Michelle. “Machines gothiques.” [GGII: 1288].
GRIEVE, Ann. “Egyptien ou gothique.” [GGII: 12-92].
HALE, Terry. “Roman Noir” (pp. 189-95). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York : New York University Press, 1998.
HALE, Terry. “Frénétique School” (pp. 58-63). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.
HALE, Terry. “French and German Gothic: The Beginnings” (pp. 63-84). The Cambridge Companion to Gothic Fiction, ed. Jerrold E. Hogle. Cambridge, UK: Cambridge University Press, 2002.
HALE, Terry. “Translation in distress: cultural misappropriation and the contruction of the Gothic” (pp. 17-38). European Gothic: A Spirited Exchange 1760-1960, ed. Avril Horner. Manchester and New York: Manchester University Press, 2002.
HALL, Daniel. French and German Gothic Fiction in the Late Eighteenth Century. New York: Peter Lang, 2005.
HEINE, Maurice. “Promenade à travers le roman noir.” [GGI: 1906].
HORNER, Avril, ed. European Gothic: A Spirited Exchange 1760-1960, ed. Avril Horner. Manchester and New York : Manchester University Press, 2002.
LANGLE, Catherine. “Le Moine scelerat: Un Ancestre du traître melodramatique” (pp. 327-36). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse : PU du Mirail, 2000. [The Villainous Monk: An Ancestor of Treacherous Melodramatic].
LEVESQUE, Pierre Carl. “Theorie et lectures du fantastique: ‘Gaspard de la Nuit,’ ‘La Venus d’ille,’ et ‘Le Horla.’” Master’s Thesis, Queen’s University at Kingston, Canada, 1999.
LÉVY, Maurice. “Le Roman noir et la société anglais a la fin du dix-huitieme siècle.” [GGI: 1909].
LÉVY, Maurice. Images du roman noir. [GGI: 1910].
LÉVY, Maurice. “Mélodrame et carnaval ou les contre-codes du roman noir” (pp. 299-310). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: PU du Mirail, 2000. [Melodrama and Carnival or the Counter-Codes of the Gothic Novel].
LOUBINOUX, Gerard. “De l’imaginaire romanesque noir à la nouvelle symbolique de la voix” (pp. 425-48). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: PU du Mirail, 2000. [The Gothic Imagination to the Symbolic Novel from the Voice].
ROUDAUT, Jean. “Les Demeures dans le roman noir.” [GGI: 1912].
SCHECTER, R. “Gothic Thermidor: The Bals-des-victimes, the Fantastic, and the Production of Historical Knowledge in Post-Terror France.” Representations 61 (1998): 78-94.
SGARD, Jean. “Les Folles” (pp. 313-25). Mélodrames et romans noirs, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: Presses de l’université Toulouse-Le Mirail, 2000. [The Madwomen].
TAAT, Micke. “Het spookhuis en het spiegelpaleis: Franse fantastiche verhaal en de verlichtung.” [GGII: 1302].
UCHEREK, Ursula. “Le Roman gothique en France vers la fin du XVIIIe siècle.” Romania Wratislaviensia 12 (1977): 105-14.
VIROLLE, Roland. “Vie et servie du roman noir” (138-47). Manuel d'Histoire littéraire de la France, eds. P. Abraham & R. Desné. Paris: Editions Sociales, 1972.
WOJCIECHOWSKA BIANCO, Barbara, ed. Il “roman noir”; Forme et significato, antecedentie posterità; Atti del XVIII Convegno della Societa Universitaria per gli studi di lingua e litteratura francese, Lecce 1619 maggio 1991. Geneve: Slatkine; Paris: Champion, 1993. [The French Gothic Novel: Form and Significance, Later Antecedents].
2.) Vicomte d’Arlincourt (1789-1856)
HALE, Terry. “A Forgotten Best Seller of 1821: Le Solitaire by the Vicomte d’Arlincourt and the Development of European Horror Romanticism,” Gothic Studies 2 (2000): 185-204.
3.) François Thomas Marie de Baculard d’Arnaud (1718-1805)
DAWSON, Robert L. “Baculard d’Arnaud (1718-1805): Life and Prose Fiction.” [GGI: 1856].
DELON, Michel. Histoires anglaises/Baculard d’Arnaud, Florian, Sade. Cadeilian: Zulma, 1993. [English Histories].
FERRARINI, Marisa. “Scene di violenza nelle Épreuves du sentiment di Baculard d’Arnaud” (pp. 279-304). La Sensibilite dans la littérature française au XVIIIe siècle, eds. Franco Piva, Jean Sgard. Fasano, Italy: Schena, 1998. [Violent Scenes in Baculard d’arnaud’s Épreuves du sentiment].
FOSTER, James R. “d’Arnaud, Clara Reeve, and the Lees.” The History of the Pre-Romantic Novel in England. [GGI: 0073].
FRANK, Frederick S. “François Thomas Marie de Baculard d’Arnaud” (pp. 48-52). Gothic Writers: A Criti-cal and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2000.
GARCIA GARROSA, Maria Jesus. “El Amor con-yugal o La Amelia (1794), de L.F. Comella, y otras adaptiones dramaticas espanolas desconocidas de las novelas de F.T. Baculard d’Arnaud.” Boletin de la Biblioteca de Menendez Palayo 76 (2000): 193-228. [Conjugal Love and Other Ungrateful Spanish Dramatic Adaptations from the Novels of Baculard d’Arnaud].
GOARD, Robert R. “Baculard d’Arnaud (1718-1805): A Novelist of the Middle Way.” [GGI: 1858].
GRIEDER, Josephine. “The Prose Fiction of Baculard d’Arnaud in Late Eighteenth-Century England.” [GGI: 1859].
INKLAAR, D. François-Thomas Baculard d’Arnaud, ses imitateurs en Hollande et dans d’autres pays. Paris: Gravenhage, 1925.
MARTIN, Angus. “Baculard d’Arnaud et la vogue des series de nouvelle en France au XVIIIe siècle.” [GGI: 1861].
PILETTI, Anna. “Visualita e luoghi del discorso nelle Épreuves du sentiment di Baculard d’Arnaud: L’esempio di Fanny e Lucie et Melanie.” Quaderni di Lingue e Letterature 24 (1999): 111-32. [Views and Places of Discourse in Baculard d’Arnaud’s Tests of Feeling: The Example of Fanny and Lucie and Melanie].
PRICE, Lawrence M. “The Relation of Baculard d’Arnaud to German Literature.” [GGI: 1862].
SOUPEL, Serge. “Richardson as a Source for Baculard d’Arnaud’s Novelle.” Revue de Littérature Comparée 67 (1993): 207-17.
TOUITOU, Beatrice. Baculard d’Arnaud. Paris: Memini: Diffusion Presses Universitaires de France, 1997.
CRAMPTON, Hope. “Memoth in La Comédie hu-maine.” [GGI: 2203].
LASCAR, Alex. "Châteaux maléfiques et mystérieux de Balzac à George Sand, de L'Héritière de Birague (1822) à Consuelo (1844)" (pp. 183-98). "O saisons, O châteaux": Chateau et littérature des Lumières à l'aube de la modernité (1764-1914), eds. Pascale Auraix-Jonchière, Pierre Grouix. Clermont-Ferrand, France: Presses Universitaires Blaise Pascal, 2004.
MESSOL-DEDOIN, Chantal. “La Charade et la chimere: Du recit enigmatique dans ‘La Fille aux yeux d’or.’” Poetique: Revue de Theorie et d’analyse Littéraires 23:89 (1992): 31-45. [The charade of the chimera: Of enigmatic narrative in The Girl with the Golden Eyes].
RUDWIN, Maximilian. “Balzac and the Fantastic.” [GGI: 1917].
5.) Jules Amedee Barbey d’Aurevilly (1808-1889)
JONCHIÈRES, Pascal. “Gothique et histoire: l’écri-ture du sens chez Barbey d’aurevilly” (pp. 515-29). Mélodrames et romans noirs, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: Presses de l’Université Toulouse Le Mirail, 2000. [Gothic and History: Instinctive Writing in the Works of Barbey d’aurevilly].
6.) Charles Baudelaire (0000-0000)
TILBY, Michael. "From Gothic Terror to Romantic Spleen: A Further Source of Baudelaire's 'L'Horloge.'" Studi Francesi 47 (2003): 631-36.
HOLLAND, Alison T. "Identity in Crisis: The Gothic Textual Space in Beauvoir's L'Invitée." Modern Language Review 98 (2003): 327-34.
BROMBERT, Victor. “Petrus Borel, Prison Horrors, and the Gothic Tradition.” [GGI: 1899].
STEINMETZ, Jean-Luc. “La Vérité sur Madame Putiphar.” [GGII: 1301].
8.) Jacques-Marie Boutet de Monvel (1745-1812)
LEVAYER, Paul-Edouard. “Le ‘Noir’ au théâtre: Les Victimes du clôitrées au mélodrame.” [GGII: 1295].
9.) Jacques Cazotte (1719-1792)
AMERY, Francis. “CAZOTTE, Jacques (1719-1792)” (pp. 663-64). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.
CHAMBERLAIN, Wells. “Jacques Cazotte.”Supernatural Fiction Writers. [GGII: 1284].
O’REILLY, Robert F. “Cazotte’s Le Diable amour-eux and the Structure of Romance.” [GGI: 1889].
PORTER, Laurence M. “The Seductive Satan of Ca-zotte’s Le Diable amoureux.” [GGI: 1891].
WINKLER, Marcus. “Cazotte lu par E.T.A. Hoffmann: Du Diable amoureux à ‘Der Elementargeist.’” [GGII: 1306].
10.) Denis Diderot (1713-1784)
GRAYSON, Susan B. “Gothic Sexuality and Social Decay in Diderot and Sade” (pp. 81-90). The French Revolution in Culture and Society, eds. David G. Troyansky, Alfred Cismaru, and Norwood Andrews, Jr. Westport, CT: Greenwood Press, 1991.
JOSEPHS, Herbert. “Diderot’s La Religieuse: Libertinism and the Dark Cave of the Soul.” [GGI: 1863].
PRAZ, Mario. “An English Imitation of Diderot’s La Religieuse.” [GGI: 1864].
SAGE, Victor. “Diderot and Maturin: Enlightenment, Automata, and the Theatre of Terror” (pp. 55-70). European Gothic: A Spirited Exchange 1760-1960, ed. Avril Horner. Manchester and New York: Manchester University Press, 2002.
WERNER, Stephen. “Diderot, Sade, and the Gothic Novel.” [GGI: 1865].
11.) François Guillaume Ducray-Duminil (1761-1819)
DE PIAGGI, Giorgio. “Un Padre dimenticato de ‘ro-man noir’: François Guillaume Ducray-Duminl.” La Narrazione: Teme e techniche dal medioevo al nostri giorni. [GGII: 1289].
FRANK, Frederick S. “François Guillaume Ducray-Duminil” (pp. 116-19). Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, Frederick S. Frank. Westport, CT: Greenwood Press, 2002.
GASPARD, Claire. “Coelina, à Ducray-Duminil à Pixérécourt: L’Aube de la littérature industrielle” (pp. 127-44). Mélodrames et romans noirs, eds. Simone Bernard Griffiths, Jean Sgard. Toulouse: PU du Mirail, 2000. [Coelina, From Ducray Duminil to Pixérécourt: The Dawn of Industrial Literature].
GILLET, Jean. “Ducray-Duminil, le gothique et al révolution.” [GGII: 1290].
HUMPHREY, George. “Victor; ou, le enfant de la forêt et la roman terrifiant.” [GGI: 1883].
SUMMERS, Montague. “Ducray-Duminil, François Guillaume” (pp. 38-39). A Gothic Bibliography. New York: Russell and Russell, 1964.
TILBY, Michael. Ducray-Duminil’s Victor, ou l’enfant de la forêt in the Context of the Revolution.” Studies on Voltaire and the Eighteenth Century 249 (1987): 407-38.
TOMPKINS, J.M.S. “Appendix I: Foreign Novels in England” (pp. 367-69). The Popular Novel in England , 1770-1800. London: Methuen, 1969.
UCHERKOWA. Urszula. “La Forme gothique des romans de Ducray-Duminil.” Romania Wratislaviensia 14 (1979): 25-38.
12.) Madame de Genlis (Felicité de Saint-Augin) (1746-1830)
BRUNEAU, Jean. “Madame de Genlis, William Beckford et Vathek.” [GGI: 1886].
LABORDE, Alice M. “l’Oeuvre de Madame Genlis.” [GGI: 1887].
RAMOS GOMEZ, Maria Teresa. “l’adaptation a goût littéraire: Les Chevaliers du cygne de Madame de Genlis.” [GGII: 1300].
SCHANEMAN, Judith Clark. “Rewriting Adele et Theodore: Intertextual Connections Between Madame de Genlis and Ann Radcliffe.” Comparative Literature Studies 38 (2001): 31-46.
VIROLLE, Roland. “Madame de Genlis, mercier de compiègne: Gothique anglais ou gothique allemand?” [GGII: 1305].
WAHBA, Magdi. “Madame de Genlis in England.” [GGI: 1888].
WALKER, Lesley."Producing Feminine Virtue: Strategies of Terror in Writiings by Madame de Genlis." Tulsa Studies in Women's Literature 23 (2004): 213-36.
13.) Julien Gracq [Louis Poirier] (1910- )
PEYRONIE, André. “Julien Gracq et le roman noir.” Julien Gracq: Actes du colloque international d’angers (21, 22, 23 Mai, 1981). [GGII: 1299].
KOHLER, Dayton. “Julien Green: Modern Gothic.” [GGII: 1293].
15.) Gerard de Nerval (1808-1855)
GILBERT, Claire P. “The Theme of the Double in the Work of Gerard de Nerval.” [GGI: 1901].
JENSEN, Mark K. “Han d’islande: le roman noir en tant que réponse au relativisme” (pp. 175-81). Mélodrames et romans noirs, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: Presses de l’université Toulouse-Le Mirail, 2000. [Hans of Iceland, the Gothic Novel Responds to Relativism].
NASH, Suzanne. “Transfiguring Disfiguration in l’-Homme qui rit: A Study of Hugo’s Use of the Grotesque.” In Pre-Text/Text/Context: Essays on Nineteenth-Century French Literature. [GGI: 1892].
O’NEIL, Mary Anne. “Classical Terror/Gothic Terror: Victor Hugo’s Quatrevingt-treize.” Poetica: An International Journal of Linguistic Literary Studies 39-40 (1994): 259-73.
WARD, Patricia A. “The Political Evolution of Victor Hugo’s Gothic Vision.” [GGI: 1894].
17.) Raymond Jean Marie de Kremer (1887-1964)
DAVENPORT-HINES, Richard. “Gothic Grotesqueries.” Times Literary Supplement 19 March 1999: 35.
18.) Comte de Lautréamont [Isidore Ducasse] (1846-1870)
MILLOT, Helene. “Utilisation, recuperation, et detournement du roman noir dans Les Chants de Maldoror” (pp. 461-77). Mélodrames et romans noirs, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: PU du Mirail, 2000. [Utilization, Recuperation, and Diversion of the Gothic Novel in Les Chants de Maldoror].
OLIVIER, Jean-Michel. Lautréamont: Le Texte du vampire. [GGII: 1298].
19.) Gaston Leroux (1868-1927)
AMERY, Francis. “LEROUX, Gaston (1868-1927)” (pp. 672-73). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.
HOGLE, Jerrold E. “The Gothic and the ‘otherings’ of Ascendant Culture: The Original Phantom of the Opera.” South Atlantic Quarterly 95 (1996): 821-46.
HOGLE, Jerrold E. “The Gothic and the ‘otherings’ of Ascendant Culture: The Original Phantom of the Opera.” (pp. 177-201). Spectral Readings : Towards a Gothic Geography, eds. Glennis Byron and David Punter. New York: St. Martin’s Press, 1999.
HOGLE, Jerrold E. The Undergrounds of The Phantom of the Opera: Sublimation and the Gothic in Leroux’s Novel and Its Progeny. New York: Palgrave, 2002.
HOGLE, Jerrold E. “The Gothic Crosses the Channel: Abjection and Revelation in Le Fantôme de l’opéra” (pp. 204-29). European Gothic: A Spirited Exchange 1760-1960, ed. Avril Horner. Manchester and New York: Manchester University Press, 2002.
20.) Guy de Maupassant (1850-1893)
MORGAN, Chris. “MAUPASSANT, Guy de (1850-1893)” (pp. 673-74). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.
MORRIS, D. Hampton. “Variations on a Theme: Five Tales of Horror by Maupassant.” [GGII: 1297].
21.) Prosper Mérimée (1803-1870)
ROSENTHAL, A.S. “Mérimée and the Supernatural: Diversion or Obsession.” [GGI: 1896].
SIVERT, Eileen. “The Theme of Fear in Prosper Mér-imée’s Narrative Fiction.” [GGI: 1897].
SIVERT, Eileen. “Fear and Confrontation in Prosper Mérimée’s Narrative Fiction.” [GGI: 1898].
22.) Charles Nodier (1780-1844)
MARCHETTI, Marilia. “Le Vampire: Surdetermination d’un thème littéraire chez Nodier” (pp. 349-63). Mélodrames et romans noirs , 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse : PU du Mirail, 2000. [The Vampire: Overdetermination of a Literary Theme in the Works of Nodier].
MILNER, Max. “Le Vampire, du roman au mélodrame” (pp. 337-48). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: PU du Mirail, 2000. [The Vampire, from Novel to Melodrama].
23.) René Charles Guilbert de Pixérécourt (1773-1844)
DUNKLEY, John. “Le Thème du feu dans le roman gothique et le mélodrame classique” (pp. 259-76). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse : PU du Mirail, 2000. [The Theme of Fire in the Gothic novel and the Classical Melodrama].
WRIGHT, Angela. “L’importance du paysage sauvage dans l’evolution de l’independance et de la fraternité pour l’heroine du roman noir et du mélodrame” (pp. 247-58). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse : PU du Mirail, 2000. [The Importance of Savage Landscape in the Evolution of the Independence of the Brotherhood for the Heroine of the Gothic Novel and of Melodrama.].
FOSTER, James R. “The Abbé Prévost and the English Novel.” [GGI: 1853].
TURNELL, Martin. “The Novels of Prévost.” [GGI: 1854].
WINANDY, Rita N. “Sensibility in the Novels of Abbé Prévost.” [GGI: 1855].
25.) Marquis de Sade [Donatien Alphonse François Sade] (1740-1814)
ASTBURY, Katherine. “The Marquis de Sade and the Sentimental Tale: Les Crimes de l’amour as a Subversion of Sensibility.” Australian Journal of French Studies 39 (2002): 47-59.
BAUER FUNKE, Cerstin. “Aline et Valcour et les effets de violence: Violence et progres dans Aline et Valcour ou le Roman Philosophique du Marquis de Sade” (pp. 167-86). Progres et violence au XVIIIe siècle, eds. Valerie Cossie, Deidre Dawson, Michel Delon. Paris: Champion, 2001. [Aline and Valcour and the Effects of Violence: Violence and Progress or the Philosophical Novel of the Marquis de Sade.]
BERMAN, Lorna. “The Marquis de Sade and His Critics.” [GGI: 1866].
BERMAN, Lorna. “The Marquis de Sade and Courtly Love.” Eighteenth-Century Fiction 11 (1999): 285-300.
BRONFEN, Elisabeth. “SadoMasochism” (pp. 206-07). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.
CASTILLO-DURANTE, Daniel. Sade ou l’ombre des Lumières. New York: Peter Lang; Eighteenth-Century French Intellectual History no. 7, 1997. [Sade or the Shadow of the Enlightenment.]
CERRUTI, Giorgio. “Il Marchese di Sade: La sua recente fortuna etg gli studi critici (1958-1968).” [GGI: 1869].
CHANOVER, E. Pierre. The Marquis de Sade: A Bibliography. [GGI: 1869A].
CLERY, E.J. “Sade, Donatien Alphonse, Count (known as Marquis de) (1740-1814)” (pp. 204-05). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.
CROSLAND, Margaret. “Introduction.” Marquis de Sade––The Gothic Tales. [GGII: 1296].
DARNTON, Robert. “The Real Marquis.” New York Review of Books 14 January 1999: 19-24.
DELON, Michel. “Sade. l’enfer comme fantasme libertin.” Magazine littéraire 356, (juillet-août 1997): 45-48. [Sade. Hell as Libertine Fantasy.]
FINK, Beatrice C. “Sade and Cannibalism.” [GGI: 1871].
FOWLER, Albert. “Sensibility Since Sade.” [GGI: 1872].
GLASER, Horst Albert. “Annex: Marquis de Sade” (pp. 305-11). Die Wende von Aufklarung zur Romantik 1760-1820: Epoch im Uberblick, eds. Horst Albert Glaser, Gyorgy M. Vajda, François Crouzet. Amsterdam, Netherlands: Benjamin, 2001.
GORER, Geoffrey. “The Marquis de Sade.” [GGI: 1873].
HAYMAN, Ronald. De Sade: A Critical Biography. [GGI: 1874].
HEINE, Maurice. Le Marquis de Sade et le roman noir. [GGI: 1875].
IVKER, Barry. “On the Darker Side of the Enlightenment: A Comparison of the Literary Techniques of Sade and Restif.” [GGI: 1876].
KEHRES, Jean-Marc. “Sade’s Justine, or the Impossible Assomption.” Genre 29 (1996): 393-406.
KEHRES, Jean-Marc. “Libertine Anatomies: Figures of Monstrosity in Sade’s Justine, ou les Malheurs de la vertu.” Eighteenth- Century Life 21 (1997): 100-13.
KLOWSOWSKI, Pierre. Sade My Neighbor, Trans. Alphonso Lingus. Evanston, IL : Northwestern University Press, 1991.
LACOMBE, Anne. “Les Infortunes de vertu: Le conte et la philosophie.” [GGI: 1877].
LUND, Mary Graham. “The Century of Sade.” [GGI: 1878].
MARSAUD, Marie-Isoline F. “The Notion of the Monster in the Works of de Sade and Flaubert.” [GGI: 1879].
SCHAEFFER, Neil. The Marquis de Sade: A Life. Cambridge: Harvard University Press, 2000.
THOMSON, Douglass H. “Count Donatien Alphonse François Sade [the Marquis de Sade]” (pp. 365-71). Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2000.
VIRGILI, Carmen. “La Puerta secreta de la alcoba: O el divino marqués en los origenes de la modernidad.” [GGII: 1304].
26.) George Sand [Madame Dudevant] (1804-1876)
HECQUET, Michèle. “Aspects du roman gothique: la confession féminine dans les romans de Sand” (pp. 449-59). Mélodrames et romans noirs, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse : Presses de l’université Toulouse-Le Mirail, 2000. [Aspects of the Gothic Novel: Female Confession in Sand’s Novels.]
NAGINSKI, Isabelle. “Consuelo and La Comtesse de Rudolstadt: From Gothic Novel to Novel of Initiation” (pp. 107-17). The World of George Sand, eds. Natalie Datlof, Jeanne Fuchs, and David A. Powell. Westport, CT: Greenwood Press, 1991.
27.) Madame de Staël (1766-1817)
JOHNSON-COUSIN, Danielle. “‘Mélodrame et roman noir’ dans le theatre revolutionaire: Inédit de Mme de Staël: Le Cas de Rosamunde (1791)” (pp. 51-65). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard- Griffiths and Jean Sgard. Toulouse: PU du Mirail, 2000. [Melodrama and Gothic Novel in the Revolutionary Theater: Madame de Staël’s Unpublished Le Cas de Rosamunde].
James, S. “Detecting Paris: The Character of the City in Eugene Sue’s Les Mystères de Paris (1842-1843).” Modern and Contemporary France 8:3 (2000): 305-13.
SABATIER, Guy. “Le Diable dans les salons (a propos du mélodrame Mathilde de Felix Pyat et d’Eugène Sue)” (pp. 399-421). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: PU du Mirail, 2000. [The Devil in the Salons (Concerning Felix Pyat’s Melodrama Mathilde and Eugene Sue.]
MAROTIN, François. “L’inspiration noire et melodramatique de Jules Valles” (pp. 499-513). Mélodrames et romans noirs, 1750-1890, eds. Simone Bernard Griffiths and Jean Sgard. Toulouse : PU du Mirail, 2000. [The Dark Inspiration and the Melodramatic of Jules Valles.]
30.) François Vernes (1765-1834)
GOULEMOT, Jean Marie. “Un Roman de révolution: Le Voyageur sentimental en France sous Robespierre de François Vernes.” [GGII: 1291].
COUÉGNAS, Daniel. “Traces intertextuelles: Le ‘Gothique’ de Jules Verne.” [GGII: 1286].
32.) Auguste Villiers de l’Isle-Adam (1838-1889)
AMERY, Francis. “VILLIERS DE L’ISLE ADAM, (Jean Marie-Mathias-Philippe-Auguste) Comte de” (pp. 682-83). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.
DEENEN, Maria. La Merveilleux dans l’oeuvre de Villiers de l’isle-Adam. [GGI: 1904].
REBOUL, Pierre. “Villiers de l’isle-Adam et le Melmoth de Maturin.” [GGI: 1905]
KNUTSON, Elizabeth M. "The Natural and the Supernatural in Zola's Thérèse Raquin." Symposium 55:3 (2001): 140-54
THIERFELDER, William R. III. “Zola’s Thérèse Raquin.” [GGII: 1303].