Fugitive Gothic Sources

ALLEN, Virginia M. “Romantic Ballad and Gothic Plot.” The Femme Fatale: Erotic Icon. Troy, NY: Whitston, 1983. 39-56. [GGII: 1464].

ANDERSON, Carol. “Emma Tennant, Elspeth Barker, Alice Thompson: Gothic Revisited.” Contemporary Scottish Women Writers. Eds. Aileen Christianson and Alison Lumsden. Edinburgh: Edinburgh University Press, 2000. 117-30.

BERKLEY, James David. "Post-Human Mimesis and the Aesthetics of the Technical Milieu." Dissertation Abstracts International 65:1 (2004): 137 (University of California, Los Angeles).

BRIDGSTOCK, Martin. “The Twilit Fringe: Anthropology and Modern Horror Fiction.” Journal of Popular Culture 23 (1989): 115-123. [GGII: 1466].

BRIGGS, Julia. “The Ghost Story.” A Companion to the Gothic. Ed. David Punter. Oxford, UK and Malden, MA : Blackwell Publishers, 2000. 122-31.

BRITZOLAKIS, Christina. “Gothic Subjectivity.” Sylvia Plath and the Theatre of Mourning. New York: Oxford University Press, 1999. 101-34.

BRUHM, Steven. "Nightmare on Sesame Street: or, The Self-Possessed Child." Gothic Studies 8 (2006): 98-113.

BURNS, Sarah. Painting the Dark Side: Art and the Gothic Imagination in Nineteenth Century America. Berkeley: University of California Press, 2004.

BURWICK, Frederick. “Romantic Supernaturalism: The Case Study as Gothic Tale.” Wordsworth Circle 34 (2003): 73-81.

BUSSING, Sabine. Aliens in the Home: The Child in Horror Fiction. New York: Greenwood Press, 1987. [GGII: 1468].

BYRD, Max. “The Madhouse, the Whorehouse, and the Convent.” Partisan Review 44 (1977): 268-278. [GGII: 1469].

CARNOCHAN, W.B. Confinement and Flight: An Essay on English Literature of the Eighteenth Century. Los Angeles, CA: University of California Press, 1977. [GGII: 1470].

CARTER, Angela. The Sadeian Woman and the Ideology of Pornography. New York : Pantheon, 1978.

CHAPMAN, Alison. “Size Matters: Phreno-Magnetism and Gothic Anthropology,” Gothic Studies 2 (2000): 328-45.

CLAYBOROUGH, Arthur. The Grotesque in English Literature. New york: Oxford UP, 1965. [GGI: 2388].

CRACIUN, Adriana. Fatal Women of Romanticism. Cambridge, UK: Cambridge University Press, 2003.

DALKE, Anne. “Original Vice: The Political Implications of Incest in the Early American Novel.” Early American Literature 23 (1988): 188-201. [GGII: 1472].

DAVIS, David Brion. Homicide in American Fiction: A Study in Social Values. Ithica, NY: Cornell UP, 1957. [GGI: 2390].

DIEDERICHS, Benno. Von Gespenster geschichten, Ihre technik und ihre literatur. Leipzig, Germany: Schmid und Spring, 1903. [GGI: 2393].

DUPERRAY, Max. “Idéologie et irréel littérature.” Cahiers du Centre d'Etudes et des Recherches sur les Littéraires de l'Imaginaire 9 (1984): 9-15. [GGII: 1473].

EBURNE, Jonathan P. “Surrealism and the Art of Crime.” Dissertation Abstracts International 63:5 (2002): 1826 (University of Pennsylvania).

EGBERT, Marie-Luise. "The English Landscape Garden and the Romantic Era Novel: Changing Concepts of Space." Cardiff Crovey: Reading the Romantic Text 5 (Nov 2000). Online: Internet (1 June 2005): <http://www.cf.ac.uk/encap/corvey/articles/cco5_n01.html>.

EUDELINE, Patrick. Goths: Le Romantisme noir de Baudelaire à Marilyn Manson. Paris: Scali, 2005.

FAVRET, Mary A. “Telling Tales About Genre: Poetry in the Romantic Novel.” Studies in the Novel 26 (1994): 281-300.

FIEDLER, Leslie. Freaks: Myths and Images of the Secret Self. New York: Simon and Schuster, 1978. [GGI: 2394].

FINAN, Eileen T. “The Fatal Embrace: Incest and the Romantic Self.” Dissertation Abstracts International 49 (1988): 1450A (Rutgers university). [GGII: 1474].

GADWAY, John F. “The Castle in the Bildungsroman.” Dissertation Abstracts International 33 (1973): 4341A (Tulane University). [GGI: 2395].

GAUNT, William. Bandits in a Landscape: A Study of Romantic Painting from Caravaggio to Delacroix. London: The Studio, 1937. [GGI: 2396].

GEORGE, J.A. “From King Arthur to Sidonia the Sorceress: The Dual Nature of Pre-Raphælite Mediævalism.” Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Basingstoke: Palgrave, 2000. 90-108.

GOETSCH, Paul. Monsters in English Literature: From the Romantic Age to the First World War. Frankfurt and Berlin : Peter Lang, 2002.

GOODRICH, Norma L. “Gothic Castles in Surrealist Fiction.” Proceedings of the Comparative Literature Symposium, From Surrealism to the Absurd. Ed. Wolodymer T. Zyla. Lubbock, TX: Texas Technological UP, 1970. 143-162. [GGI: 2397].

GRANT, Marcus. Horror: A Modern Myth. London: Heinemann, 1974. [GGI: 2398].

GRUDIN, Peter D. The Demon Lover: The Theme of Demoniality in English and Continental Fiction of the Late Eighteenth- and Early Nineteenth Centuries. New York: Garland, 1987. [GGII: 1475].

HAINING, Peter. Terror! A History of Horror Illustrations from the Pulp Magazines. London: Souvenir Press, 1976. [GGI: 2399].

HALLIE, Philip P. Horror and the Paradox of Cruelty. Middletown, CT: Wesleyan UP, 1969. [GGI: 2400].

HAYCRAFT, Howard. Murder for Pleasure: The Life and Times of the Detective Story. New york: Appleton-Century-Crofts, 1941; London: Davies, 1942. [GGI: 2402].

HAYS, Peter. The Limping Hero: Grotesques in Literature. New York: New york UP, 1971. [GGI: 2403].

HERMANSSON, Casie Elizabeth. “Feminist Inter-textuality and the Bluebeard Story.” Dissertation Abstracts International 60:1 (1998): 139A (University of Toronto).

HONIG, Bonnie. “Democracy’s Romance: A Tale of Gothic Love.” Democracy and the Foreigner. Princeton, NJ: Princeton University Press, 2001. 115-22.

HOPKINS, Lisa. Hopkins, Lisa. “Introduction: Monstrosity and Anthropology.” Gothic Studies 2 (2000): 267-73.

IRVING, Howard. “Classic and Gothic: Charles Burney on ‘Ancient’ Music.” Studies in Eighteenth-Century Culture 23 (1994): 243-63 .

JEROME, Joseph. [Father Brocard SEWELL]. Montague Summers: A Memoir. Foreword by Dame Sybil Thorndike. London: Cecil & Amelia Woolf, 1965. [GGI: 2404] .

KASDORF, Julia. "The Gothic Tale of Lucy Hochstetler and the Temptation of Literary Authority." The Body and the Book: Writing from a Mennonite Life. Baltimore: Johns Hopkins Press. 2001. 143-66.

KENDRICK, Walter. The Thrill of Fear: 250 Years of Scary Entertainment. New York: Grove Weidenfeld, 1991. [GGII: 1477].

KERR, Howard. “‘Ghosts and Ghost Seeing’: Spiritualism in American Occult Fiction.” Mediums and Spirit-Rappers, and Roaring Radicals: Spiritualism in American Literature, 1850-1900. Urbana, IL: Illinois UP, 1972. 55-59; 65-71; Rpt. Literature of the Occult: A Collection of Critical Essays. Ed. Peter Messent. Englewood Cliffs, NJ: Prentice-Hall, 1981. 78-88. [GGI: 2408].

KIRBY, David. “Ghosts and Gadabouts: Gothic and Picaresque in the American Novel.” What Is a Book? Athens: University of Georgia Press, 2002. 165-73.

LEIBER, Fritz. “The Changing Faces of Horror.” Fantasy Review 73 (1984): 19-20. [GGII: 1478].

LIGOTTI, Tom. “The Consolations of Horror.” Dark Horizons 27 (1984): 26-32. [GGII: 1479].

MADOFF, Mark. “The Secret Chief of Conspiracies.” English Studies in Canada 6 (1980): 409-420. [GGII: 1480].

MARSHALL, Roderick. Italy in English Literature, 1755-1815: Origins of the Romance Interest in Italy. [GGI: 2410].

MASTERS, R.E.L. Perverse Crimes in History: Evolving Concepts of Sadism, Lust-Murder, and Necrophilia from Ancient to Modern Times, Including a Historical Survey of Sexual Savagery in the East. New York: Julien Press, 1963. [GGI: 2411].

MCLEOD, Deborah Anne. “The Minerva Press.” Dissertation Abstracts International 58:9 (1998): 3508A (University of Alberta).

METCALFE, Robin. “Dr. Varma and Mr. Hyde.” Books in Canada (June/July 1986): 4-5. [GGII: 1481].

MÖBIUS, Hans. Der Englischen rosenkreuzer romane und ihr vorläufer: Eine Studie die entwicklung der phantastische romantischen erzählungsart in England während des 18. und 19. jahrhunderts. Hamburg, Germany: Lütke und Wulff, 1911. [GGI: 2415].

MOFFITT, John F. “A Pictorial Counterpart to ‘Gothick’ Literature: Fuseli’s The Nightmare.” Mosaic 35:1 (2002): 173-96.

MÜCKE, Dorothea E. von. The Seduction of the Occult and the Rise of the Fantastic Tale. Stanford: Stanford University Press, 2003.

MUDGE, Bradford. “Women Writers, Gothic Novels, Romantic Poets.” The Whore’s Story: Women, Pornography, and the British Novel, 1684-1830. Oxford: Oxford University Press, 2000. 89-119.

NEOCLEOUS, Mark. "Gothic Fascism." Journal for Cultural Research 9 (2005): 133-49.

NOSKE, Frits. “Sound and Sentiment: The Function of Music in the Gothic Novel.” Music and Letters 62 (1981): 162-175. [GGI: 2416].

PALMER, Jerry. Thrillers: Genesis and Structure of a Popular Genre. New York: St. Martin's Press, 1979. [GGI: 2417].

PATERNA, Wilhelm. Das Übersinnliche im englischen roman (von Horace Walpole bis Walter Scott). Hamburg, Germany: Lütke und Wolff, 1915. [GGI: 2418].

PEPETONE, Gregory G. Gothic Perspectives on the American Experience. New York : Peter Lang, 2003.

PUNTER, David. “Fictional Representation of the Law in the Eighteenth Century.” Eigtheenth Century Studies 16 (1982): 47-74. [GGII: 1483] .

QUÉMA, Ann. "Sleepwalking in the Zeitraum of History." Gothic Studies 7 (2005): 65-78. [GGII: 1483].

RABKIN, Eric S. “The Fantastic and Literary History.” The Fantastic in Literature. [GGI: 2420] .

RABURN, Josephine. “Shuddering Shades! A Ghostly Booklist.” Top of the News 41 (1985): 275-281. [GGII: 1484].

RAWCLIFFE, D.H. Illusions and Delusions of the Supernatural and the Occult: The Psychology of the Occult. Foreword Julian Huxley. New York: Dover, 1959. [GGI: 2421].

REED, Toni. “The Projection of Evil: An Analysis of Nineteenth- and Twentieth-Century British Fiction Influenced by ‘The Demon Lover’ Ballad.” Dissertation Abstracts International 48 (1987): 929A (Ohio State University). [GGII: 1485].

RICHARDSON, Maurice. “The Psychoanalyis of Ghost Stories.” Twentieth Century 166 (1959): 419-431. [GGI: 2422].

RINGEL, Faye. “Reclaiming the Invisible World: Maryse Condé’s I, Tituba, Black Witch of Salem.” Into Darkness Peering: Race and Color in the Fantastic. Westport, CT: Greenwood Press, 1997. 131-42.

ROTTENSTEINER, Franz. The Fantasy Book: The Ghostly, the Gothic, the Magical, the Unreal. New York: Macmillan, 1973; London: Thames & Hudson, 1973. [GGI: 2423].

SAURAT, Denis. Literature and Occult Tradition: Studies in Philosophical Poetry. Trans. Dorothy Bolton. London: G. Bell, 1930. [GGI: 2424].

SCHWENGER, Peter. "Gothic Optics." Gothic Studies 7: 102-109.

SCOTT, George Ryley. The History of Torture Throughout the Ages. London: Torchstream Books, 1954. [GGI: 2425].

SCOTT, Sutherland. Blood in Their Ink: The March of the Modern Mystery Novel. Foreword A. Beverly Baxter. London: Stanly Paul, 1953. [GGI: 2224].

SENELECK, Laurence. The Presence of Evil: The Murderer as Romantic Hero from Sade to Lacenaire. New York: Garland, 1987. [GG-II: 1487].

SEWELL, Brocard. “The Reverend Montague Summers.” The Romanticist 4-5. (1980-1981): 1-6. [GGII: 1488].

SHUMAKER, Wayne. Literature and the Irrational: A Study in Anthropological Backgrounds. Englewood Cliffs, NJ: Prentice-Hall, 1960. [GGI: 2427].

SMITH, Andrew. “Pathologising the Gothic: The Elephant Man, the Neurotic, and the Doctor.” Gothic Studies 2 (2000): 292-304.

SPENCE, Lewis. An Enclopædia of Occultism. London: Routledge, 1920; Rpt. New Park, NY: University Books, 1960. [GGI: 2428] .

SPOONER, Catherine. Fashioning Gothic Bodies. Manchester, UK: Manchester University Press, 2004.

STACHOWNA, Grfazyna. “Lzy andy’ego placek z wisniami i Laura Palmer.” Diaglog: Miesiecnik Poswiecony Dramaturgii Wspolczesnej: Teatrainej, Filmowej, Radiowej, Telewizyjej (Warsaw, Poland) 36.12 (1991): 1000-106. [GGII: 1490].

STABLER, Jane. Burke to Byron, Barbauld to Baillie, 1790-1830. Basingstoke, UK : Palgrave Macmillan 2001.

STADE, George. “Thrillers.” Columbia Forum 13.1 (1970): 34-37. [GGI: 2429].

STEWART, Susan. “The Epistemology of the Horror Story.” Journal of American Folklore 95 (1982): 33-50. [GGII: 1491].

STODDART, Helen. “Horror, Circus, and Orientalism.” Empire and the Gothic: The Politics of Genre. Eds. Andrew Smith and William Hughes. Houndmills, Basingstoke, Hampshire, UK : Palgrave/Macmillan, 2003. 118-35.

STOTT, Rebecca. “Through a Glass Darkly: Aquarium Colonies and Nineteenth-Century Narratives of Marine Monstrosity.” Gothic Studies 2 (2000): 305-27 .

SULLIVAN, T. R. The Ghost in Fiction. New York: Riverside Press, 1906. [GGI: 2430] .

TEVERSON, Andrew. "'The Uncanny Structure of Cultural Difference in the Sculpture of Anish Kapoor." Gothic Studies 5:2 (2003): 81-96

THORSLEV, Peter. “Incest as Romantic Symbol.” Comparative Literature Studies 2 (1965): 41-58. [GGI: 2433].

THÜRNAU, C. Geister in englischen literatur des 18. jahrhunderts. Berlin: Palaestra, Band LX, 1906. [GGI: 2434].

TODOROV, Tzvetan. “The Uncanny and the Marvelous.” The Fantastic: A Structural Approach to a Literary Genre. Trans. Richard Howard. Cleveland, OH: Case-Western UP, 1973. [GGI: 2435].

TOUMEY, C. P. “The Moral Character of Mad Scientists: A Cultural Critique of Science.” Science, Technology and Human Values 17 (1992): 411-437. [GGII: 1493].

TROPP, Martin. Images of Fear: How Horror Stories Helped Shape Modern Culture (1818-1918). Jefferson, NC: McFarland, 1990. [GGII: 1494].

TROUSSON, Raymond. Le Theme de Prométhée dans la littérature européene. Genève, Switzerland: Librairie Droz, 1964. [GGI: 2436]

TWITCHELL, James B. Dreadful Pleasures: An Anatomy of Modern Horror. New York: Oxford UP, 1985. [GGII: 1495].

UTTER, Robert Palfrey and Gwendolyn Bridges NEEDHAM. Pamela’s Daughters. New York: Macmillan, 1936. [GGI: 2437].

VARMA, Devendra P. “Montague Summers: A Gothic Tribute.” Miscellany (Vine Press, London) (April 1984): 1-12. [GGII: 1496].

WARWICK, Alexandra. “Lost Cities: London’s Apocalypse.” Spectral Readings : Towards a Gothic Geography. Eds. Glennis Byron and David Punter. Houndmills and London: Macmillan, 1999. 73-87.

WEBB, James. The Occult Underground. La Salle, IL: Open Court, 1974. [GGI: 2438].

WEIHOFEN, Henry. The Urge to Punish. New York: Ferrar Straus, and Cudahy, 1956. [GGI: 2439] .

WHATLEY, John. “Introduction: 'of cult-like and occult undertaking'" Gothic Studies 5 (2003): 1-10.

WHITMORE, Charles Edward. The Supernatural in Tragedy. London: Oxford UP, 1915; Cambridge, MA: Harvard UP, 1915. [GGI: 2441].

WILLIER, S.A. “Madness, the Gothic, and Bellini’s Il Pirati.” Opera Quarterly 6 (1989): 7-23. [GGII: 1497].

WILSON, Colin. Strength to Dream: Literature and the Imagination. Westport, CT: Greenwood Press, 1973. [GGI: 2442].

WINTER, Douglas E. Faces of Fear: Encounters with the Creators of Modern Horror. New York: Berkley Books, 1985. [GGII: 1498] .

WOOD, Chris. "Close Up: Devendra P. Varma, a Connoisseur of Horror." Maclean's Magazine (April 14, 1986): 6, 10. [GGII: 1499].

YOUNG, Tricia Henry. "Dancing on Bela Lugosi's Grave: The Politics and Aesthetics of Gothic Club Dancing." Dance Research: The Journal of the Society for Dance Research 17:1 (1999): 75-97 .