ARNOLD DE SIMINE, Silke. ôDie Lust an der Angst: Zur Schauerliteratur von Autorinnen um 1800ö (pp. 55-79). In Geschlecht Literatur Geschichte, ed. Gudrun Loster Schneider. St. Ingebert, Germany: Rohrig, 1999. [Desire and Fear: On the Shudder Literature of Feminine Writers Around 1800].

ARNOLD DE SIMNE, Silke. "'Denn das Haus, Was Wir Bewohnen...ist ein Spukhaus': Fontane's 'Effi Briest' und Fassbinder's Verfilmung in der Tradition des Female Gothic." Germanic Review 79 (2004): 83-113.

BEAUJEAN, Marion. ôFrauenûûfamilienûûabenteu-er und schauerroman.ö In Zwischen revolution und restauration: Klassik, romantik, 1786-1815. [GGI: 1971]. 

BREITLINGER. Eckard. Der Tod in englischen roman um 1800: Untersuchungen zum englischen schauerroman. [GGI: 1972]. 

DAVIES, J.M.Q. ôIntroductionö (pp. 3-11). To German Tales of Fantasy, Horror, and the Grotesque. Melbourne , Australia : Longman Cheshire, 1987.

HADLEY, Michael. ôA Critical Puzzle: A Search for the German Gothic Novel.ö [GGI: 1974].

HADLEY, Michael. The Undiscovered Genre: A Search for the German Gothic Novel. [GGI: 1975]. 

HEIDERICH, Manfred W. The German Novel of 1800: A Study of Popular Prose Fiction. [GGII: 1810].

HEICKER, Dino. Gespenster und Geschlechter: Homoerotik in der europaisschen Schauerliteratur. Hamburg: Mannerschwarmskript. 2004. 

MARGRAF, Ernst. Der Einflluss die deutschen literatur auf den englishchen schauerroman. [GGI: 1977]. 

MOHR, Hans-Ulrich. ôRollen, normen, werte, welt-und-gesellschaftsmodelle in literatur und rechtwesen (mit beispielen zum englishchen schauerroman).ö In Erzõhlte kriminalitõt: Zur Darstellung in Strafrechtspflege, publizistik und literatur zwischen 1770 und 1920. [GGII: 1414] 

MOHR, Hans-Ulrich. ôGerman Gothicö (pp. 63-68). In The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.

MURPHY, Agnes Genevieve. Banditry, Chivalry, and Terror in German Fiction, 1790-1830. [GGI: 1987]. 

NEUMANN, Michael. ôDie Macht ³ber das schicksal: Zum Geheimbundroman des ausgehenden 18. jahrhunderts.ö [GGII: 1316]. 

SAATHOFF, Jens. Motive krisenhafter Subjektivitat: Eine Vergleichende Studie zu Deutcher und Englischer Schauerliteratur des 18. und 19. Jahrhunderts. Frankfort, Germany: Peter Lang, 2001.

WITTMAN, Anna M. ôGothic Trivialliteratur from Popular Gothicism to Romanticism.ö In European Romanticism: Crosscurrents, Modes, and Models. [GGII: 1318].

Elise Burger (1769-1833)

WURST, Larin. ôElise B³rger (1769-1833) and the Gothic Imagination.ö Women in German Yearbook: Feminist Studies in German Literature and Culture 13 (1997): 11-27.
 

Gottfried August B³rger (1747-1794)

DICKENS, David. ôB³rgerÆs Ballad æLenore En Route to Draculaö (pp. 232-40). In Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts. Westport, CT: Greenwood Press, 1996.

Johann Wolfgang von Goethe (1749-1832)

BROWN, Jane K. ôFaust and the Gothic Novelö (pp. 68-80). In Interpreting GoetheÆs Faust Today, eds. Jane K. Brown, Meredith Lee, Thomas P. Saine. Columbia, SC: Camden House, 1994.

DENTON, Eric Hadley. ôGoethe, Johann Wolfgang von (1749-1832)ö (pp. 70-72). In The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.

MERIVALE, Patricia. ôLearning the Hard Way: Gothic Pedagogy in the Modern Romantic Quest.ö [GGII: 1340]. 

MUENZER, Clark S. ôGoetheÆs Gothic Classicism: Antecedents to the Architecture of History in Faust II, Act IIIö (pp. 187-206). In Interpreting GoetheÆs ôFaustö Today. Columbia, SC: Camden House, 1994.

SCHULTHEIS, Werner. ôGoethe: Die Naturliche Tochter: Gotische und Modern.ö Euphorion: Zeitschrift  f³r Literaturgeschichte 80 (1986): 326-39. [Goethe: The Natural Daughter: Gothic and Modern.]

E.T.A. Hoffmann (1776-1822)

ASHLEY,  Mike.  ôHoffmann,  E(rnst)  T(heodor)  A(madeus) 1776-1822ö (pp. 668-69). In St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.

BARINE, ArvÞde. PoÞtes et Nevroses: Hoffmann, De Quincey, Edgar Poe, Gerard de Nerval. [GGI: 1930]. 

BARTH, Johannes. ôEine Art Schuld and S³hne des romantischen Zeitalters E.T.A. Hoffmann und Dostojew-skij.ö Wirkendes Wort 48 (1998): 345-54. [A Type of Guilt and Atonement of the Romantic Ages; E.T.A. Hoffmann and Dostoevsky.]

BECKER, Allienne Rimer. ôThe Fantastic in the Fiction of Hoffmann and Hawthorne.ö Dissertation Abstracts International 45:10 (1985): 3126A-27A (Pennsylvania State University).

BECKER, Allienne R.  ôDie Elixiere des Teufels: E.T.A. HoffmanÆs House of Mirrors.ö Journal of the Fantastic in the Arts 9 (1998): 117-30.

BERGSTROM, Stefan Sven Olof. ôDark Mirrors: Fantastic Elements in E.T.A. HoffmannÆs Die Serapionsbruder.ö Dissertation Abstracts International 58:2 (1997): 467 (University of Kansas).

BERGSTROM, Stefan S.O. Between Real and Unreal: A Thematic Study of E.T.A. HoffmannÆs æDie SerapionsbruderÆ; Studies on Themes and Motifs in Literature. New York: Peter Lang, 2000.

BLEILER, E.F. ôIntroduction.ö To The Best Tales of Hoffmann. [GGI: 1931]. 

BROOKS, C.N. and R.G. WHITINGER. ôOlivierÆs Jewel Box: A Reassessment of the æUsual SuspectsÆ in HoffmannÆs Das Fraulein Scuderi.ö Journal of English and Germanic Philology 191 (2002): 68-89.

CRAMER, Karin. ôBewusstseinspaltung in E.T.A. HoffmannÆs Die Elixiere des Teufels.ö [GGI: 1934].

CRISMAN, William. "Romanticism Repays Gothicism: E.T.A. Hoffmann's 'Councilor Krespel' as a Recovery of Matthew G. Lewis' The Monk." Comparative Literature Studies 40 (2003): 311-28.

DAEMMRICH, Horst. ôThe DevilÆs Elixirs: Precursor of the Modern Psychological Novel.ö [GGI: 1935]. 

DAIBER, Jurgen. ôDie Autofaszination des Blicks: Zu einem Motivcomplex im Erzahlwerk E.T.A. Hoffmanns.ö Euphorion 93 (1999): 485-96. [The Self-Fascination of the Gaze: On a Motive Complex in the Tales of E.T.A. Hoffmann.]

DETERLING, Klaus. E.T.A. Hoffmanns Dichtung und Weltbild. W³rzburg, Germany : K÷nigshausen und Neumann, 2003. [E.T.A. HoffmannÆs Writing and World View.]

DOSE, Claus D. ôThe Reception of E.T.A. Hoffmann in the United States, 1940-1976.ö [GGI: 1936]. 

GERDES, Joachim. Ein Lebenselixir: E.T.A. Hoffmanns Elixiere des Teufels und der Bildungsroman der Goethezeit. Hamburg: Universitõts Publikationen, 2001. [An Elixir of Life: E.T.A. HoffmannÆs DevilÆs Elixirs and the Novel of Education in the Age of Goethe.]

GODEAU, Florence. ôæDer SandmannÆ: Une Poetique du leurre.ö Revue de LittÚrature Franþaise et ComparÚe 13 (1999): 301-12. [ôThe Sandmanö; A Poetic of Delusion.]

GOFF, Penrith. ôE.T.A. Hoffmann.ö In Supernatural Fiction Writers. [GGII: 1309].

GUSTAFSON, Susan. ôThe Cadaverous Bodies of Vampiric Mothers and the Genealogy of Pathology in E.T. A. HoffmannÆs Tales.ö German Life and Letters 52 (1999): 238-54.

H-DRICH, Aurelie. Die Anthropologie E.T.A. Hoff-manns und ihre Rezeption in der europõischen Literatur im 19. Jahrhundert. Frankfurt am Main: Peter Lang, 2001. [E. T.A. HoffmannÆs Anthropology and Its Reception in  European Literature in the 19th Century.]

KAMLA, Thomas A. ôE.T.A. HoffmannÆs Vampirism Tale: Instinctual Perversion.ö [GGII: 1311]. 

KENT, Leonard J. and Elizabeth C. KNIGHT. ôIn-troduction.ö To The Tales of Hoffmann. [GGI: 1938]. 

KLEINE, Sabine. ôE.T.A. Hoffmann, oder: Die Fõl-schung der romantischen Welt.ö Prospero: Rivista di Culture  Anglo-Germanische 6 (1999): 73-86. [E.T.A. Hoffmann, or: The Falsification of the Romantic World.] On HoffmannÆs relationship to dark Romanticism.

KLEINE, Sabine. ôElixiere des Teufels: Notes on E.T.A. HoffmannÆs æÆblack RomanticismÆ and the Idealist Critical Re-sponse.ö AUMLA: Journal of the Australasian Universities Language and Literature Association 91 (1999): 27-44. 

KLEINE, Sabine. ôHassliche Traume: Literarische Phantastik und das Anti-Asthetische Projekt der Moderne.ö Neohelicon 26 (1999): 19-37. [Repulsive Dreams: Literary Fantastic and the Anti-ãsthetic of the Modern.]

KONOW, Petra Liedke. ôEntstehung, Wirkung und Gestaltung Heiterkeit,  Ausgleich und Vielseitigkeit: Versuch einer umfassenden Definition des Serapionischen bei E.T.A. Hoffmann.ö Acta Germanica 26-27 (1998-1999): 26-27, 7-26. [Origin, Operation and Formation of Serenity:  Settlement and Versatility as a Comprehensive Definition of E.T.A. HoffmannÆs Serapionism.]

LABRIOLA, Patrick. ôEdgar Allan Poe and E.T.A. Hoffmann: The Double in æWilliam WilsonÆ and The DevilÆs Elixirs.ö International Fiction Review 29:1-2 (2002): 69-77.

LANGE, James A. ôThe Levels of Suspense in E.T. A. HoffmanÆs Die Elixiere des Teufels.ö [GGI: 1939]. 

LAURS, Axel. ôNoch Einmal Hinter die Gardinenzu Kucken Reflections on Absolutism in E.T.A. HoffmannÆs Das Fraulein von Scuderi.ö AUMLA: Journal of the Australasian Universities Language and Literature Association 94 (2000): 1-18.

LAZARE, Christopher. ôIntroduction.ö To Tales of Hoffmann. [GGI: 1940]. 

LODE, Imke. ôBetween Body and Space: Modern Vision and the Premonition of the Cinematic in E.T.A. HoffmannÆs wirkliches Schauen.ö Dissertation Abstracts International 61:4 (2000): 1428-29 (New York University).

MAYER, Paola. ôDas Unheimliche als Strafe und Warnung: Zu einem Aspekt von E.T.A. Hoffmanns Kritik an der Fruhromantik.ö E.T.A. Hoffmann Jahrbuch 8 (2000): 56-68. [The Uncanny as Punishment and Warning: HoffmannÆs Critique of the Early Romantic.]

MCGLATHERY, James T. ôDemon Love: E.T.A. HoffmanÆs Elixiere des Teufels.ö [GGI: 1941].

MCGLATHERY, James T. E.T.A. Hoffmann. New York: Twayne, 1997.

MCGLATHERY, James T. ôMysticism and Sexuality: E.T.A. Hoffmann and His Sources.ö [GGII: 1312]. 

MIKKONEN, Kai. ôThe Hoffman(n) Effect and the Sleeping Prince: Fairy Tales in Angela CarterÆs The Infernal Desire Machines of Doctor Hoffmannö (pp. 167-86). In Angela Carter and the Fairy Tale, eds. Danielle M. Roemer and Cristina Bacchilega. Detroit: Wayne State University Press, 1998.

MOHR, Hans-Ulrich. ôHoffmann, E.T.A. (1776-1822)ö (pp. 119-21). In The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.

MUELLER, Ilze Klavins. ôSpatial Imagery in E.T.A. HoffmannÆs Die Elixiere des Teufels.ö [GGI: 1942]. 

NEGUS, Kenneth. ôThe Family Tree in E.T.A. Hoff-mannÆs Die Elixiere des Teufels.ö [GGI: 1943]. 

NEGUS, Kenneth. ôThe Allusions to SchillerÆs Der Geiserseher in E.T.A. HoffmannÆs æDas Majorat Meaning and Back-ground.ö [GGI: 1944]. 

NEHRING, Wolfgang. ôE.T.A. Hoffmann: Die Elixiere des Teufels.ö In Romane und erzõhlungen des deutschen romantik: Neue interpretationen. [GGII: 1315]. 

NEHRING, Wolfgang. ôGothic Novel und Schauerroman: Tradition und Innovation in Hoffmanns Die Elixiere des Teufels.ö Hoffmann Jahrbuch 1 (1992-93): 36-47.

OLSON, Susanne. ôE.T.A. Hoffmanns Elixiere des Teufels als schauerroman.ö [GGI: 1945].

OLSON, Susanne. ôDas Wunderbare und seine psychologische funktion in E.T.A. Hoffmanns Die Elixiere des Teufels.ö [GGI: 1946]. 

PASSAGE, Charles E. ôE.T.A. HoffmannÆs The DevilÆs Elixirs: A Flawed Masterpiece.ö [GGI: 1947].

PREUSS, Karin. The Question of Madness in the Works of E.T.A. Hoffmann and Mary Shelley. Frankfort am Main & New York: Peter Lang. 2003.

ROAS, David. Hoffmann en Espana: Recepcion y influencias. Madrid: Biblioteca Nueva. 2002. 

SALVADOR, Vicent and Josep Roderic GUZMAN. ôRetorica i recepcio de la literatura romantica: Sobre les traduccions dÆun text dÆE.T.A. Hoffmann.ö Quaderns de Filologia Estudis Linguistics 4 (1998): 239-55, 304. [Rhet-oric and Reception of Romantic Literature: On the Translations of a Hoffmann text.]

SAUL, Nicholas. ôExperimentelle Selbsterfahrung und Selbsdestruktion: Anatomie des Ichs in literarischen Moderneö (pp. 341-42). In Asthetische Moderne in Europa: Grundzuge un Problemzusammenhange seit der Romantik, eds. Silvio Vietta and Dirk Kemper. Munich: Fink, 1998.   [Experimental Self-Discovery and Self-Destruction: Anatomy of IÆs in Modern Literature.]

STEINECKE, Hartmut. ôBritisch-deutsche Romanielekturen im fruhen neunzehnten JahrhundertûûHoff-mann und Scott zum Beispiel: Papers from the Conference Held at the University of Leeds from 15 to 17 September 1997ö (pp. 103-16). In The Novel in Anglo-German Context: Cultural Cross-Currents and Affinities, ed. Susanne Stark. Amsterdam, Netherlands: Rodopi, 2000. [British-German Novel Reading in the Early Nineteenth CenturyûûThe Example of Hoffmann and Scott.]

STEINECKE, Hartmut. ôE.T.A. Hoffmann und Walter Scott, die æCory-phaen der jetzigen RomandichterÆ Romanmodelle um 1820; Festschrift f³r Helmut Koopmannö (pp. 193-209). In æIn Spuren gehen . . . Æ eds. Andrea Bartl, Jurgen Eder, Harry Frohlich, Klaus Dieter Post, Ursula Regener. Tubingen, Germany: Niemeyer, 1998. [E.T.A. Hoffmann and Walter Scott, æDie Coryphaen der jeztigen RomandichterÆûûModel Novel around 1820.]

STEINWACHS, Cornelia. ôDie Liebeskonzeption in E.T.A. Hoffmanns Die Elixiere des Teufels E.T.A. Hoffmann Jahrbuch 8 (2000): 37-55. [The Conception of Love in E.T.A. HoffmannÆs Die Elixiere des Teufels.]

SUCHER, Paul. ôLes Sources du merveillieux chez E.T.A. Hoffman.ö [GGI: 1950]. 

THOMSON, Douglass H. ôE[rnst] T[heodor] Ama-deus Hoffmannö (pp. 177-84). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.

TYMMS, Ralph. ôHoffmann: The Climax of æHor-ror Romanticism.Æö [GGI: 1952]. 

VON DER LIPPE, George B. ôThe Fictionalization of Hoffmann: Three Articles Considering the Literary Relationship of Edgar Allan Poe to the Figure of E.T.A. Hoffmann.ö [GGI: 1631].

WILLSON, A. Leslie. ôHoffmannÆs Horrors.ö In Literature and the Occult: Essays in Comparative Literature. [GGI: 1958]. 

WOODGATE, Kenneth B. ôRevisiting Serapion: E.T.A. HoffmannÆs Principles of Literary Production and the Limits of Literary Discourse.ö AUMLA: Journal of the Australasian Universities Language and Literature Association 92 (1999): 33-50.

WRIGHT, Elizabeth. E.T.A. Hoffmann and the Rhet-oric of Terror. [GGII: 1319]. 

ZARAGOZA, Georges. ôLe Topos du manuscrit trouve: æLieuÆ du secret et du desir; Actes du Colloque international, Louvain-Gand, 22-24 mai 1997ö (pp. 245-54). In Le Topos du manuscrit trouve, eds. Jan Herman, Fernand Hallyn, and Kris Peters. Louvain, Belgium : Peeters, 1999.

Franz Kafka (1883-1924)

BRIDGWATER, Patrick. Kafka. Gothic. and Fairytale. Amsterdam: Rodopi. 2003.

HYDE, Virginia M. ôFrom the æLast JudgmentÆ to KafkaÆs World: A Study in Gothic Iconography.ö In The Gothic Imagination: Essays in Dark Romanticism. [GGI: 1984]. 

MITCHELL, Brean. ôGhosts from the Dungeon of the World Within: Franz KafkaÆs æEin Brudermord.Æö [GGI: 1986].

MORGAN, Chris. ôKAFKA, Franz (1883-1924)ö (pp. 670-71). In St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/ Gale, 1998.

Heinrich von Kleist (1777-1811)

BRIDGHAM, Fred. ôKleistÆs Familie Schroffenstein and æMonkÆ LewisÆs Mistrust: Give and Take; Papers from the Conference held at the University of Leeds from 15 to 17 September 1997ö (pp. 75-101). In The Novel in Anglo-German Context: Cultural Cross-Currents and Affinities, ed. Susanne Stark. Amsterdam , Netherlands : Rodopi, 2000.

Ernst August Klingemann (1777-1831))

NEEB-CRIPPEN, Jerry Eugene. ôBurgerliches Lust-spiel und Ritterroman; Zur Unterhaltungsliteratur im ausgehende 18. Jahrhundert, unter besonderer Ber³cksichtigung der fruhen Werke Ernst August Klingemanns.ö Dissertation Abstracts International 55:9 (1995): 2849A (University of Illinois). [Civic Comedy and Novel of Chivalry: Foundational Literature at the end of the 18th Century, with Special Consideration of the Early Works of Ernst August Klingemann.]

Gustav Meyrink (1868-1932)

STABLEFORD, Brian. ôMEYRINK, Gustav (1868-1932)ö (pp. 674-75). In St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.

ST+PHANE, Nelly. ôUn gothique tardif: La Golem de Gustav Meyrink.ö [GGII: 1317]. 

Heiner M³ller (1929-1996)

FEHERVARY, Helen. ôAnna SeghersÆ æGothicÆ Realism and the Redemptive Moment in Heiner M³llerÆs Die Umsiedlerinö (pp. 21-39). In CONTEXTS and HISTORY. T³bingen: Stauffenberg, 1995.

TURNER, Barnard. ôHeiner M³llerÆs Medea: Towards a Paradigm for the Contemporary Gothic Anatomyö (pp. 202-16). In Spectral Readings : Towards a Gothic Geography, eds. Glennis Byron and David Punter. Houndmills, Basingstoke and London: Macmillan, 1999;  New York: St. MartinÆs Press, 1999.

Johann Karl Musõus (1735-1787)

DUFNER, Max. ôVolkmarchen der Deutschen of Johann Karl Musõus.ö [GGI: 1926].

FAULHABER, Uwe K. ôJ.K. Musaeus.ö In Supernatural Fiction Writers. [GGII: 1307]. 

GUTHKE, Karl S. ôJohann Karl August Musõus und das ³bernat³rlich im sensationsroman.ö [GGI: 1927] 

Johann Christoph Friedrich von Schiller (1759-1805)

HANSON, James C. ôStyle and Structure in SchillerÆs Der Geisterseher.ö [GGI: 1920]. 

LLOYD, Tom. ôFriedrich Schillerö (pp. 372-79). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.

MENHENNEY, A. ôSchiller and the æGermanico-TerrificÆ Romance.ö [GGII: 1313].

SAGE, Victor. ôBlack Venice: Conspiracy and Narrative Masquerade in Schiller, Zschokke, Lewis, and Hoffmann.ö Gothic Studies 8 (2006): 52-72.

SAMMONS, Geoffrey L. ôIntroductionö (pp. 1-18). To The Ghostseer. Columbia, SC: Camden House, 1992.

THIERGARD, Ulrich. ôSchiller und Walpole: Ein Beitrag zur Schillers verhõltnis zur schauerliteratur.ö [GGI: 1922]. 

Johann Ludwig Tieck (1773-1853)

BIDNEY, Martin. ôBeneficent Birds and Crossbow Crimes: The Nightmare Confessions of Coleridge and Ludwig Tieck.ö Papers on Language and Literature 25 (1989): 44-58.

EWTON, Ralph W. ôChildhood Without End: TieckÆs æDer Blonde Eckbert.Æö [GGI: 1959]. 

FALKENBURG, Marc. ôThe Poetical Uncanny: A Study of Early Modern Fantastic Fiction.ö Dissertation Abstracts International 61:10 (2000): 3985 (University of Chicago).

FRIES, Thomas. ôEin Romantische mõrchen: æDer Blonde EckbertÆ von Ludwig Tieck.ö [GGI: 1960]. 

GASKILL, H. ôTieckÆs Juvenilia: Ossianic Attributions.ö Modern Language Review 96 (2001): 747-61. Studies the influence of Ossian on Tieck and discusses the young TieckÆs contribution to RabachÆs Gothic novel Die Eiserne Maske [The Iron Mask.]

HAASE, Donald P. ôLudwig Tieckö (pp. 83-89). In Supernatural Fiction Writers, ed. E.F. Bleiler. New York : ScribnerÆs, 1985.

KLETT, Dwight A. Ludwig Tieck: An Annotated Guide to Research. Garland Publishing, 1993.

LIEDKE, Otto K. ôTiecks Der Blonde Eckbert: Das Mõrchen von verarmung und untergang.ö [GGI: 1962]. 

LLOYD, Tom. ôLudwig Tieckö (pp. 429-36). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thompson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.

LOKKE, Kari E. ôMagic of Imagination: The Romantic SupernaturalûûA Study of Tieck, Coleridge, Arnim, and Nerval.ö [GGI: 1963]. 

OTTO, Linda M. ôA Study of Evil and Insanity in TieckÆs Early Works.ö [GGI: 1964]. 

PAULIN, Roger. Ludwig Tieck: A Literary Biography. Oxford : Clarendon Press, 1985.