German Gothic
General Studies and the Schauerroman
Elise Burger
Gottfried August Berger
Johann Wolfgang von Goethe
E.T.A. Hoffmann
Franz Kafka
Heinrich von Kleist
Gustav Meyrink
Heiner Müller
Johann Karl Musõus
Johann Christoph Friedrich von Schiller
Johann Ludwig Tieck
1.) General Studies and the Schauerroman
ARNOLD DE SIMINE, Silke. Die Lust an der Angst: Zur Schauerliteratur von Autorinnen um 1800 (pp. 55-79). Geschlecht Literatur Geschichte, ed. Gudrun Loster Schneider. St. Ingebert, Germany: Rohrig, 1999. [Desire and Fear: On the Shudder Literature of Feminine Writers Around 1800].
ARNOLD DE SIMNE, Silke. "'Denn das Haus, Was Wir Bewohnen...ist ein Spukhaus': Fontane's 'Effi Briest' und Fassbinder's Verfilmung in der Tradition des Female Gothic." Germanic Review 79 (2004): 83-113.
BEAUJEAN, Marion. Frauenfamilienabenteu-er und schauerroman. Zwischen revolution und restauration: Klassik, romantik, 1786-1815. [GGI: 1971].
BREITLINGER. Eckard. Der Tod in englischen roman um 1800: Untersuchungen zum englischen schauerroman. [GGI: 1972].
DAVIES, J.M.Q. "Introduction" (pp. 3-11). German Tales of Fantasy, Horror, and the Grotesque. Melbourne, Australia : Longman Cheshire, 1987.
HADLEY, Michael. A Critical Puzzle: A Search for the German Gothic Novel. [GGI: 1974].
HADLEY, Michael. The Undiscovered Genre: A Search for the German Gothic Novel. [GGI: 1975].
HEIDERICH, Manfred W. The German Novel of 1800: A Study of Popular Prose Fiction. [GGII: 1810].
HEICKER, Dino. Gespenster und Geschlechter: Homoerotik in der europaisschen Schauerliteratur. Hamburg: Mannerschwarmskript. 2004.
MARGRAF, Ernst. Der Einflluss die deutschen literatur auf den englishchen schauerroman. [GGI: 1977].
MOHR, Hans-Ulrich. "Rollen, normen, werte, welt-und-gesellschaftsmodelle in literatur und rechtwesen (mit beispielen zum englishchen schauerroman)." Erzõhlte kriminalitõt: Zur Darstellung in Strafrechtspflege, publizistik und literatur zwischen 1770 und 1920. [GGII: 1414]
MOHR, Hans-Ulrich. "German Gothic" (pp. 63-68). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.
MURPHY, Agnes Genevieve. Banditry, Chivalry, and Terror in German Fiction, 1790-1830. [GGI: 1987].
NEUMANN, Michael. "Die Macht über das schicksal: Zum Geheimbundroman des ausgehenden 18. jahrhunderts." [GGII: 1316].
SAATHOFF, Jens. Motive krisenhafter Subjektivitat: Eine Vergleichende Studie zu Deutcher und Englischer Schauerliteratur des 18. und 19. Jahrhunderts. Frankfort, Germany: Peter Lang, 2001.
WITTMAN, Anna M. "Gothic Trivialliteratur from Popular Gothicism to Romanticism." European Romanticism: Crosscurrents, Modes, and Models. [GGII: 1318].
WURST, Larin. "Elise Bürger (1769-1833) and the Gothic Imagination." Women in German Yearbook: Feminist Studies in German Literature and Culture 13 (1997): 11-27.
3.) Gottfried August Bürger (1747-1794)
DICKENS, David. "Bürger's Ballad 'Lenore En Route to Dracula'" (pp. 232-40). Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts. Westport, CT: Greenwood Press, 1996.
4.) Johann Wolfgang von Goethe (1749-1832)
BROWN, Jane K. "Faust and the Gothic Novel" (pp. 68-80). Interpreting Goethe's "Faust" Today, eds. Jane K. Brown, Meredith Lee, Thomas P. Saine. Columbia, SC: Camden House, 1994.
DENTON, Eric Hadley. "Goethe, Johann Wolfgang von (1749-1832)" (pp. 70-72). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.
MERIVALE, Patricia. "Learning the Hard Way: Gothic Pedagogy in the Modern Romantic Quest." [GGII: 1340].
MUENZER, Clark S. "Goethe's Gothic Classicism: Antecedents to the Architecture of History in Faust II, Act III" (pp. 187-206). Interpreting Goethe's "Faust" Today. Columbia, SC: Camden House, 1994.
SCHULTHEIS, Werner. "Goethe: Die Naturliche Tochter: Gotische und Modern." Euphorion: Zeitschrift für Literaturgeschichte 80 (1986): 326-39. [Goethe: The Natural Daughter: Gothic and Modern.]
5.) E.T.A. Hoffmann (1776-1822)
ASHLEY, Mike. "Hoffmann, E(rnst) T(heodor) A(madeus) 1776-1822" (pp. 668-69). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.
BARINE, Arvede. Poetes et Nevroses: Hoffmann, De Quincey, Edgar Poe, Gerard de Nerval. [GGI: 1930].
BARTH, Johannes. "Eine Art Schuld and Sühne des romantischen Zeitalters E.T.A. Hoffmann und Dostojew-skij." Wirkendes Wort 48 (1998): 345-54. [A Type of Guilt and Atonement of the Romantic Ages; E.T.A. Hoffmann and Dostoevsky.]
BECKER, Allienne Rimer. "The Fantastic in the Fiction of Hoffmann and Hawthorne." Dissertation Abstracts International 45:10 (1985): 3126A-27A (Pennsylvania State University).
BECKER, Allienne R. "Die Elixiere des Teufels: E.T.A. Hoffman's House of Mirrors." Journal of the Fantastic in the Arts 9 (1998): 117-30.
BERGSTROM, Stefan Sven Olof. "Dark Mirrors: Fantastic Elements in E.T.A. Hoffmann's Die Serapionsbruder." Dissertation Abstracts International 58:2 (1997): 467 (University of Kansas).
BERGSTROM, Stefan S.O. Between Real and Unreal: A Thematic Study of E.T.A. Hoffmann's "Die Serapionsbruder"; Studies on Themes and Motifs in Literature. New York: Peter Lang, 2000.
BLEILER, E.F. "Introduction." The Best Tales of Hoffmann. [GGI: 1931].
BROOKS, C.N. and R.G. WHITINGER. "Olivier's Jewel Box: A Reassessment of the 'Usual Suspects' in Hoffmann's Das Fraulein Scuderi." Journal of English and Germanic Philology 191 (2002): 68-89.
CRAMER, Karin. "Bewusstseinspaltung in E.T.A. Hoffmann's Die Elixiere des Teufels." [GGI: 1934].
CRISMAN, William. "Romanticism Repays Gothicism: E.T.A. Hoffmann's 'Councilor Krespel' as a Recovery of Matthew G. Lewis' The Monk." Comparative Literature Studies 40 (2003): 311-28.
DAEMMRICH, Horst. "The Devil's Elixirs: Precursor of the Modern Psychological Novel." [GGI: 1935].
DAIBER, Jurgen. "Die Autofaszination des Blicks: Zu einem Motivcomplex im Erzahlwerk E.T.A. Hoffmanns." Euphorion 93 (1999): 485-96. [The Self-Fascination of the Gaze: On a Motive Complex in the Tales of E.T.A. Hoffmann.]
DETERLING, Klaus. E.T.A. Hoffmanns Dichtung und Weltbild. Würzburg, Germany : Königshausen und Neumann, 2003. [E.T.A. Hoffmann's Writing and World View.]
DOSE, Claus D. "The Reception of E.T.A. Hoffmann in the United States, 1940-1976." [GGI: 1936].
GERDES, Joachim. Ein Lebenselixir: E.T.A. Hoffmanns Elixiere des Teufels und der Bildungsroman der Goethezeit. Hamburg: Universitõts Publikationen, 2001. [An Elixir of Life: E.T.A. Hoffmann's Devil's Elixirs and the Novel of Education in the Age of Goethe.]
GODEAU, Florence. "'Der Sandmann': Une Poetique du leurre." Revue de Littérature Française et Comparée 13 (1999): 301-12. ["The Sandman"; A Poetic of Delusion.]
GOFF, Penrith. "E.T.A. Hoffmann." In Supernatural Fiction Writers. [GGII: 1309].
GUSTAFSON, Susan. "The Cadaverous Bodies of Vampiric Mothers and the Genealogy of Pathology in E.T. A. Hoffmann's Tales." German Life and Letters 52 (1999): 238-54.
HDRICH, Aurelie. Die Anthropologie E.T.A. Hoffmanns und ihre Rezeption in der europõischen Literatur im 19. Jahrhundert. Frankfurt am Main: Peter Lang, 2001. [E. T.A. Hoffmann's Anthropology and Its Reception in European Literature in the 19th Century.]
KAMLA, Thomas A. "E.T.A. Hoffmann's Vampirism Tale: Instinctual Perversion." [GGII: 1311].
KENT, Leonard J. and Elizabeth C. KNIGHT. "Introduction." The Tales of Hoffmann. [GGI: 1938].
KLEINE, Sabine. "E.T.A. Hoffmann, oder: Die Fõl-schung der romantischen Welt." Prospero: Rivista di Culture Anglo-Germanische 6 (1999): 73-86. [E.T.A. Hoffmann, or: The Falsification of the Romantic World.] On Hoffmann's relationship to dark Romanticism.
KLEINE, Sabine. "Elixiere des Teufels: Notes on E.T.A. Hoffmann's 'black Romanticism' and the Idealist Critical Re-sponse." AUMLA: Journal of the Australasian Universities Language and Literature Association 91 (1999): 27-44.
KLEINE, Sabine. "Hassliche Traume: Literarische Phantastik und das Anti-Asthetische Projekt der Moderne." Neohelicon 26 (1999): 19-37. [Repulsive Dreams: Literary Fantastic and the Antiaesthetic of the Modern.]
KONOW, Petra Liedke. "Entstehung, Wirkung und Gestaltung Heiterkeit, Ausgleich und Vielseitigkeit: Versuch einer umfassenden Definition des Serapionischen bei E.T.A. Hoffmann." Acta Germanica 26-27 (1998-1999): 26-27, 7-26. [Origin, Operation and Formation of Serenity: Settlement and Versatility as a Comprehensive Definition of E.T.A. Hoffmann's Serapionism.]
LABRIOLA, Patrick. "Edgar Allan Poe and E.T.A. Hoffmann: The Double in 'William Wilson' and The Devil's Elixirs." International Fiction Review 29:1-2 (2002): 69-77.
LANGE, James A. "The Levels of Suspense in E.T. A. Hoffman's Die Elixiere des Teufels." [GGI: 1939].
LAURS, Axel. "Noch Einmal Hinter die Gardinenzu Kucken Reflections on Absolutism in E.T.A. Hoffmann's Das Fraulein von Scuderi." AUMLA: Journal of the Australasian Universities Language and Literature Association 94 (2000): 1-18.
LAZARE, Christopher. "Introduction." Tales of Hoffmann. [GGI: 1940].
LODE, Imke. "Between Body and Space: Modern Vision and the Premonition of the Cinematic in E.T.A. Hoffmann's wirkliches Schauen." Dissertation Abstracts International 61:4 (2000): 1428-29 (New York University).
MAYER, Paola. "Das Unheimliche als Strafe und Warnung: Zu einem Aspekt von E.T.A. Hoffmanns Kritik an der Fruhromantik." E.T.A. Hoffmann Jahrbuch 8 (2000): 56-68. [The Uncanny as Punishment and Warning: Hoffmann's Critique of the Early Romantic.]
MCGLATHERY, James T. "Demon Love: E.T.A. Hoffman's Elixiere des Teufels." [GGI: 1941].
MCGLATHERY, James T. E.T.A. Hoffmann. New York: Twayne, 1997.
MCGLATHERY, James T. "Mysticism and Sexuality: E.T.A. Hoffmann and His Sources." [GGII: 1312].
MIKKONEN, Kai. "The Hoffman(n) Effect and the Sleeping Prince: Fairy Tales in Angela Carter's The Infernal Desire Machines of Doctor Hoffmann" (pp. 167-86). Angela Carter and the Fairy Tale, eds. Danielle M. Roemer and Cristina Bacchilega. Detroit: Wayne State University Press, 1998.
MOHR, Hans-Ulrich. "Hoffmann, E.T.A. (1776-1822)" (pp. 119-21). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.
MUELLER, Ilze Klavins. "Spatial Imagery in E.T.A. Hoffmann's Die Elixiere des Teufels." [GGI: 1942].
NEGUS, Kenneth. "The Family Tree in E.T.A. Hoff-mann's Die Elixiere des Teufels." [GGI: 1943].
NEGUS, Kenneth. "The Allusions to Schiller's Der Geiserseher in E.T.A. Hoffmann's 'Das Major' at Meaning and Back-ground." [GGI: 1944].
NEHRING, Wolfgang. "E.T.A. Hoffmann: Die Elixiere des Teufels." Romane und erzõhlungen des deutschen romantik: Neue interpretationen. [GGII: 1315].
NEHRING, Wolfgang. "Gothic Novel und Schauerroman: Tradition und Innovation in Hoffmanns Die Elixiere des Teufels." Hoffmann Jahrbuch 1 (1992-93): 36-47.
OLSON, Susanne. "E.T.A. Hoffmanns Elixiere des Teufels als schauerroman." [GGI: 1945].
OLSON, Susanne. "Das Wunderbare und seine psychologische funktion in E.T.A. Hoffmanns Die Elixiere des Teufels." [GGI: 1946].
PASSAGE, Charles E. "E.T.A. Hoffmann's The Devil's Elixirs: A Flawed Masterpiece." [GGI: 1947].
PREUSS, Karin. The Question of Madness in the Works of E.T.A. Hoffmann and Mary Shelley. Frankfort am Main & New York: Peter Lang. 2003.
ROAS, David. Hoffmann en Espana: Recepcion y Influencias. Madrid: Biblioteca Nueva. 2002.
SALVADOR, Vicent and Josep Roderic GUZMAN. "Retorica i recepcio de la literatura romantica: Sobre les traduccions d'un text d'E.T.A. Hoffmann." Quaderns de Filologia Estudis Linguistics 4 (1998): 239-55, 304. [Rhetoric and Reception of Romantic Literature: On the Translations of a Hoffmann text.]
SAUL, Nicholas. "Experimentelle Selbsterfahrung und Selbsdestruktion: Anatomie des Ichs in literarischen Moderne" (pp. 341-42). Asthetische Moderne in Europa: Grundzuge un Problemzusammenhange seit der Romantik, eds. Silvio Vietta and Dirk Kemper. Munich: Fink, 1998. [Experimental Self-Discovery and Self-Destruction: Anatomy of I's in Modern Literature.]
STEINECKE, Hartmut. "Britisch-deutsche Romanielekturen im fruhen neunzehnten Jahrhundert: Hoffmann und Scott zum Beispiel: Papers from the Conference Held at the University of Leeds from 15 to 17 September 1997" (pp. 103-16). The Novel in Anglo-German Context: Cultural Cross-Currents and Affinities, ed. Susanne Stark. Amsterdam, Netherlands: Rodopi, 2000. [British-German Novel Reading in the Early Nineteenth Century: The Example of Hoffmann and Scott.]
STEINECKE, Hartmut. "E.T.A. Hoffmann und Walter Scott, die 'Cory-phaen der jetzigen Romandichter' Romanmodelle um 1820; Festschrift für Helmut Koopmann" (pp. 193-209). 'In Spuren gehen . . . ' eds. Andrea Bartl, Jurgen Eder, Harry Frohlich, Klaus Dieter Post, Ursula Regener. Tubingen, Germany: Niemeyer, 1998. [E.T.A. Hoffmann and Walter Scott, 'Die Coryphaen der jeztigen Romandichter' Model Novel around 1820.]
STEINWACHS, Cornelia. "Die Liebeskonzeption in E.T.A. Hoffmanns Die Elixiere des Teufels" E.T.A. Hoffmann Jahrbuch 8 (2000): 37-55. [The Conception of Love in E.T.A. Hoffmann's Die Elixiere des Teufels.]
SUCHER, Paul. "Les Sources du merveillieux chez E.T.A. Hoffman." [GGI: 1950].
THOMSON, Douglass H. "E[rnst] T[heodor] Amadeus Hoffmann" (pp. 177-84). Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.
TYMMS, Ralph. "Hoffmann: The Climax of 'Horror Romanticism.'" [GGI: 1952].
VON DER LIPPE, George B. "The Fictionalization of Hoffmann: Three Articles Considering the Literary Relationship of Edgar Allan Poe to the Figure of E.T.A. Hoffmann." [GGI: 1631].
WILLSON, A. Leslie. "Hoffmann's Horrors." Literature and the Occult: Essays in Comparative Literature. [GGI: 1958].
WOODGATE, Kenneth B. "Revisiting Serapion: E.T.A. Hoffmann's Principles of Literary Production and the Limits of Literary Discourse." AUMLA: Journal of the Australasian Universities Language and Literature Association 92 (1999): 33-50.
WRIGHT, Elizabeth. E.T.A. Hoffmann and the Rhetoric of Terror. [GGII: 1319].
ZARAGOZA, Georges. "Le Topos du Manuscrit Trouve: 'Lieu' du secret et du desir; Actes du Colloque international, Louvain-Gand, 22-24 mai 1997" (pp. 245-54). Le Topos du manuscrit trouve, eds. Jan Herman, Fernand Hallyn, and Kris Peters. Louvain, Belgium : Peeters, 1999.
BRIDGWATER, Patrick. Kafka. Gothic and Fairytale. Amsterdam: Rodopi. 2003.
HYDE, Virginia M. "From the 'Last Judgment' to Kafka's World: A Study in Gothic Iconography." The Gothic Imagination: Essays in Dark Romanticism. [GGI: 1984].
MITCHELL, Brean. "Ghosts from the Dungeon of the World Within: Franz Kafka's 'Ein Brudermord." [GGI: 1986].
MORGAN, Chris. "KAFKA, Franz (1883-1924)" (pp. 670-71). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/ Gale, 1998.
7.) Heinrich von Kleist (1777-1811)
BRIDGHAM, Fred. "Kleist's Familie Schroffenstein and 'Monk' Lewis's Mistrust: Give and Take; Papers from the Conference held at the University of Leeds from 15 to 17 September 1997" (pp. 75-101). The Novel in Anglo-German Context: Cultural Cross-Currents and Affinities, ed. Susanne Stark. Amsterdam , Netherlands : Rodopi, 2000.
Ernst August Klingemann (1777-1831).
NEEB-CRIPPEN, Jerry Eugene. "Burgerliches Lustspiel und Ritterroman; Zur Unterhaltungsliteratur im ausgehende 18. Jahrhundert, unter besonderer Berücksichtigung der fruhen Werke Ernst August Klingemanns." Dissertation Abstracts International 55:9 (1995): 2849A (University of Illinois). [Civic Comedy and Novel of Chivalry: Foundational Literature at the end of the 18th Century, with Special Consideration of the Early Works of Ernst August Klingemann.]
8.) Gustav Meyrink (1868-1932)
STABLEFORD, Brian. "MEYRINK, Gustav (1868-1932)" (pp. 674-75). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.
STEPHANE, Nelly. "Un gothique tardif: La Golem de Gustav Meyrink." [GGII: 1317].
FEHERVARY, Helen. Anna Seghers' 'Gothic' Realism and the Redemptive Moment in Heiner Müller's "Die Umsiedlerin" (pp. 21-39). CONTEXTS and HISTORY. Tübingen: Stauffenberg, 1995.
TURNER, Barnard. "Heiner Müller's Medea: Towards a Paradigm for the Contemporary Gothic Anatomy" (pp. 202-16). Spectral Readings : Towards a Gothic Geography, eds. Glennis Byron and David Punter. Houndmills, Basingstoke and London: Macmillan, 1999; New York: St. Martin's Press, 1999.
10.) Johann Karl Musõus (1735-1787)
DUFNER, Max. "Volkmarchen der Deutschen of Johann Karl Musõus." [GGI: 1926].
FAULHABER, Uwe K. "J.K. Musaeus." Supernatural Fiction Writers. [GGII: 1307].
GUTHKE, Karl S. "Johann Karl August Musõus und das übernatürlich im sensationsroman." [GGI: 1927]
11.) Johann Christoph Friedrich von Schiller (1759-1805)
HANSON, James C. "Style and Structure in Schiller's Der Geisterseher." [GGI: 1920].
LLOYD, Tom. "Friedrich Schiller" (pp. 372-79). Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.
MENHENNEY, A. "Schiller and the 'Germanico-Terrific' Romance." [GGII: 1313].
SAGE, Victor. "Black Venice: Conspiracy and Narrative Masquerade in Schiller, Zschokke, Lewis, and Hoffmann." Gothic Studies 8 (2006): 52-72.
SAMMONS, Geoffrey L. "Introduction" (pp. 1-18). The Ghostseer. Columbia, SC: Camden House, 1992.
THIERGARD, Ulrich. "Schiller und Walpole: Ein Beitrag zur Schillers verhõltnis zur schauerliteratur." [GGI: 1922].
12.) Johann Ludwig Tieck (1773-1853)
BIDNEY, Martin. "Beneficent Birds and Crossbow Crimes: The Nightmare Confessions of Coleridge and Ludwig Tieck." Papers on Language and Literature 25 (1989): 44-58.
EWTON, Ralph W. "Childhood Without End: Tieck's 'Der Blonde Eckbert.'" [GGI: 1959].
FALKENBURG, Marc. "The Poetical Uncanny: A Study of Early Modern Fantastic Fiction." Dissertation Abstracts International 61:10 (2000): 3985 (University of Chicago).
FRIES, Thomas. "Ein Romantische mõrchen: 'Der Blonde Eckbert' von Ludwig Tieck." [GGI: 1960].
GASKILL, H. "Tieck's Juvenilia: Ossianic Attributions." Modern Language Review 96 (2001): 747-61. Studies the influence of Ossian on Tieck and discusses the young Tieck's contribution to Rabach's Gothic novel Die Eiserne Maske [The Iron Mask.]
HAASE, Donald P. "Ludwig Tieck" (pp. 83-89). Supernatural Fiction Writers, ed. E.F. Bleiler. New York : Scribner's, 1985.
KLETT, Dwight A. Ludwig Tieck: An Annotated Guide to Research. Garland Publishing, 1993.
LIEDKE, Otto K. "Tiecks Der Blonde Eckbert: Das Mõrchen von verarmung und untergang." [GGI: 1962].
LLOYD, Tom. "Ludwig Tieck" (pp. 429-36). Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thompson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.
LOKKE, Kari E. "Magic of Imagination: The Romantic Supernatural: A Study of Tieck, Coleridge, Arnim, and Nerval." [GGI: 1963].
OTTO, Linda M. "A Study of Evil and Insanity in Tieck's Early Works." [GGI: 1964].
PAULIN, Roger. Ludwig Tieck: A Literary Biography. Oxford : Clarendon Press, 1985.
SCHLAFFER, Heinz. "Roman und Mõrchen: Ein Formtheoretischer Versuch uber 'blonde Eckbert'" (pp. 224-41). Gestaltungsgeschichte und Gesellschaftsge-schichte literatur-, Kunst- und Musikwissenschaftliche Studien, eds. Helmut Kreutzer and Kõte Hamburger. Stuttgart: Metzler, 1969.
TRAINER, James. "The Incest Theme in the Works of Tieck." [GGI: 1965].
TRAINER, James. Ludwig Tieck: From Gothic to Romantic. [GGI: 1966].
TYMMS, Ralph. "Ludwig Tieck." In German Romantic Literature. [GGI: 1967].
WELL, Larry D. "Sacred and Profane: A Spatial Archetype in the Early Tales of Ludwig Tieck." Monatshefte 70 (1978): 29-44.