Internet Resources:
ABREU, John Warren. “Philosophy into Fiction: The Novels of William Godwin.” [GGI: 0608].
ANDERSON, Robert. “‘Ruinous Mixture’: Godwin Enclosure and the Associated Self.” Studies in Romanticism 39 (2000): 617-45.
ARNAUD, Pierre. “William Godwin: Caleb Williams: Bibliographie sélective et critique.” [GGI: 0609].BAKER,
Ernest. “Introduction” (pp.i-xxvi). To Ca-leb Williams.
BARKER,
Gerard A. “Fernando Falkland’s Fall: Grandison in Disarray.” [GGI:
0611].
BATTILLANA, M. “‘The
Castaway,’ Caleb Williams, The Mysteries of Udolpho: The Story
Behind the Page.” In Itinari negati momenti della tradizione ingleze e
scozzese nel settecento e letterature moderne. [GGII:
0355].
BECKETT, Juliet.
“Introduction.” To St.
BREWER, William D. The
Mental Anatomies of William Godwin and Mary Shelley.
BREWER, William D. "Intrkoduction" (XX). To St. Leon by William Godwin. (Peterborough, ON: Broadview Press, 2006).
BROOKS, Van Wyck.
“Introduction.” To Caleb Williams. [GGI: 0613A].
BRUHM,
Steven. “William Godwin’s Fleetwood: The Epistemology of the Tortured
Body.” [GGII: 0356].
CLEMIT,
Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown,
Mary Shelley. [GGII: 0357].
CLEMIT,
Pamela. “Introduction” (pp. vii-xxviii). To St.
COBB,
Joann P. “Godwin’s Novels and Political Justice.” [GGI:
0616].
COHEN, Michael. “Godwin’s Caleb Williams: Showing the Strains in Detective Fiction.” Eighteenth-Century Fiction 10 (1998): 203-20.
CRONIN, Richard. “Carps and Caleb Williams.” [GGII: 0358].CRUTTWELL, Patrick. “On
Caleb Williams.” [GGI: 0617].
DAVIES, Damian Walford. “The Politics of Allusion: Caleb Williams, The Iron Chest, Middlemarch, and the Armoire de Fer.” Review of English Studies 53 (2002): 526-43.
DE PORTE, Michael. “The Consolations of Fiction: Mystery in Caleb Williams.” [GGII: 0359].DREXLER, Peter. “‘An
unconquerable spirit of curiosity’: William Godwin’s Caleb Williams in
der vorge-schichte des detektivromans.” [GGI:
0618].
DUCKWORTH, Alistair M.
“William Godwin” (Vol. 39, pp. 204-22). In British
Novelists 1660-1800; Dictionary of Literary Biography, ed. Martin Battestin.
EDWARDS, Gavin. “William Godwin’s Foreign Language: Stories and Families in Caleb Williams.” Studies in Romanticism 39 (2000): 533-51.
ELDER, T.B. “Change and Development in the Works of William Godwin.” [GGII: 0360].
EVEREST, Kevin and Gavin
EDWARDS. “William Godwin’s Caleb Williams: Truth and ‘Things As They
Are.’” In
FAROUK,
Marion O. “Mandeville: A Tale of the Seventeenth Century: Historical
Novel or Psychological Study.” In Essays in Honor of William Gallacher.
[GGI: 0620].
FISHER,
Carl. “The Crowd and the Public in God-win’s Caleb Williams” (pp. 47-68).
In Women, Revolution, and the Novels of the 1790s, ed. Linda
Lang-Peralta.
FLANDERS, Wallace A. “Godwin and Gothicism: St.
FLUDERNIK. Monika. William Godwin’s Caleb Williams: The Tarnishing of the Sublime.” ELH 68 (2001): 857-96.
FLUDERNIK. Monika. “Spectacle, Theatre, and Sympathy in Caleb Williams.” Eighteenth Century Fiction 14 (2001): 1-30.
FLUDERNIK.
Monika. “Sympathetic Affect and Artful Deception: Rhetorical
Ambivalence in William Godwin’s Caleb Williams” (pp. 81-96). In
Engendering Images of Man in the Long Eighteenth Century, eds. Walter
Gobel, Saskia Schabio and Martin Windisch.
FURBANK, P.N. “Godwin’s Novels.” [GGI:
0624].
GIRARD,
Gaïd. “Maîtres et serviteurs dans Caleb Williams: Passage du temoin et
figures double.” In Maître et serviteur dans le monde anglo-américaine des
XVIIe et XVIIIe siècles. [GGII:
0362].
GOLD,
Alex Jr. “It’s Only Love: The Politics of Passion in Godwin’s Caleb
Williams.” [GGI: 0625].
GRAHAM,
Kenneth W. “The Gothic Unity of Caleb Williams.” [GGII:
0363].
GRAHAM,
Kenneth W. “The Two Endings of Caleb Williams: Politics and
Aesthetics in a Revolutionary Novel.” [GGII: 0364].
GRAHAM,
Kenneth W. The Politics of Narrative Ideology and Social Change in
William Godwin’s Caleb Williams. [GGII:
0365].
GRAHAM,
Kenneth W. “Narrative and Ideology in Godwin’s
CalebWilliams.” [GGII: 0366].
GRAHAM,
Kenneth W. William Godwin Reviewed: A Reception History.
GROSS,
Harvey. “The Pursuer and the Pursued: A Study of Caleb Williams.”
[GGI: 0626].
HAGGERTY, George E. “‘The End of History’: Identity and Dissolution in Apocalyptic Gothic.” The Eighteenth Century 41 (2000): 225-46.
HALE, Dorothy J. “Profits of Altruism: Caleb Williams and Arthur Mervyn.” [GGII: 0367].HANDWERK, Gary. “Of Caleb’s Guilt and God-win’s Truth: Ideology and Ethics in Caleb Williams.” ELH 60 (1993): 939-60.
HANDWERK, Gary. “History, Trauma, and the Limits of the Liberal Imagination: William Godwin’s Historical Fiction” (pp. 64-85). In Romanticism, History, and the Possibilities of Gen-re: Re-forming Literature, 1789-1837, eds. Tilottama Rajan, Julia M. Wright.HANDWERK, Gary and A.A.
MARKLEY. “Introduction” (pp. 7-38). To Caleb Williams, eds. Gary
Handwerk and A.A. Markley.
HERVOUET-FARRAR, Isabelle.
“William Godwin, Caleb Williams” (130-39). In Le Roman noir anglais
dit go-thique, ed. Max Duperray.
HINDLE,
Maurice. “Introduction” (pp. ix-xxxix). To Things As The Are; or, The
Adventures of Caleb Williams by William Godwin. Harmondsworth,
HOGLE, Jerrold D. “The Texture of the Self in God-win’s Things As They Are.” [GGI: 0630].
HUGHES, Dean T.
“Romance and Psychological Realism in William Godwin’s Novels.” [GGI:
0631].
HUGHES,
Dean T. Romance and Psychological Realism in William Godwin’s Novels.
[GGI: 0632].
JASPER,
David. “William Godwin (1756-1836)” (pp. 119-20). In A Handbook to English
Romanticism, eds. Jean Raimond and J.R. Watson.
JUROE, James G. “St.
KAUFMAN, Robert. “The Sublime as Super-genre of the Modern, or Hamlet in Revolution: Caleb Williams and his Problems.” Studies in Romanticism 36:4 (1997): 541-74.
KELLY,
KELLY,
KITTEL,
Harald. “Revolutionare formen perspektiv-ischen erzählens in eimem
quasi-autobiographischen ich-roman William Godwins Caleb Williams.” In
Fruhe formen mehrperspektivsichen erzählens von der Edda bis Flaubert.
[GGII: 0370].
KLANCHER, John. “Godwin
and the Genre Reformers” (pp. 21-38). (pp. 64-85). In Romanticism, History,
and the Possibilities of Genre: Re-forming Literature, 1789-1837, eds.
Tilottama Rajan, Julia M. Wright.
KROPF,
C.R. “Caleb Williams and the Attack on Romance.” [GGI:
0637].
LAMOINE, Georges.
“Caleb Williams, le mythe de Faust, et l‘intention morale.” [GGI:
0638].
LANG,
Hans-Joachim. “Caleb Williams as a Political Allegory” In Literatur
als kritik des lebens. [GGI: 0639].
LÉVY,
Ellen. “The Philosophical Gothic of St.
MAERTZ,
Gregory. “Family Resemblances: Intertextual Dialogue between Father and Daughter
Novelists in Godwin’s St. Leon and Shelley’s Frankenstein.”
MAGNIER, Mireille. “Saint
MARSHALL, Bridget M. "Narrative Justice: The
Gothic and the Law in Anglo-America, 1790-1860." Dissertation Abstracts International 65:11
(2005): 4199 (University of Massacusetts, Amherst).
MARSHALL, Peter.
William Godwin. [GGII: 0374].
MARSHALL, William H.
“Caleb Williams and The Cenci.” [GGI:
0640].
MAY,
Marilyn. “Publish and Perish: William Godwin, Mary Shelley, and the Public
Appetite for Scandal.” [GGII: 0375].
MC
CELVEY, George Edward III. “William Godwin’s Novels: Theme and Craft.”
[GGI: 0641].
MC
CRACKEN, David. “Godwin’s Caleb Williams: A Fictional Rebuttal of Burke.”
[GGI: 0642].
MC
CRACKEN, David. “Godwin’s Literary Theory: The Alliance Between
Fiction and Political Philosophy.” [GGI: 0643].
MC
CRACKEN, David. “Introduction.” To Caleb Williams; or, Things As
They Are. [GGI: 0644].
MC
KINLEY, Virginia S.G. “Rendering Up ‘The Tale of What We Are’: Gothic
Narrative Methods in Selected Novels of Godwin, Brown, and Shelley.”
[GGII: 0376].
MEYER,
Johannes. William Godwins romane: Ein Beitrag zur geschichte des englischen
romans. [GGI: 0645].
MILLER,
Jacqueline T. “The Imperfect Tale: Articulation, Rhetoric, and Self in Caleb
Williams.” [GGI: 0646].
MYERS,
Mitzi. “Godwin’s Changing Conception of Caleb Williams.” [GGI:
0647].
PALACIO, Jean de.
William Godwin et son monde interieur. [GGI: 0648].
PAULEY, Benjamin Francis. "The Common Class of
Men: Law and the Lay Reader in the Eighteenth-Century English Novel." Dissertation Abstracts International 65:5
(2004): 1796 (Northwestern University).
PESTA,
John. “Caleb Williams: A Tragedy of Wasted Love.” [GGI:
0649].
PHILP,
Mark, ed. The Collected Novels and Memoirs of William Godwin. 8 vols.
POLLIN,
RAJAN,
Tilottama. “Wollstonecraft and Godwin: Reading the Secrets of the Political
Novel.” [GGII: 0377].
RIDLEY,
Glynnis. “Injustice in the Works of Godwin and Wollstonecraft” (pp. 69-88). In
Women, Revolution, and the Novels of the 1790s, ed. Linda Lang-Peralta.
ROBERTS, Mary E.
“The Development of the Rosicrucian Novel from Godwin to Bulwer-Lytton.”
[GGII: 0378].
ROEMER, Donald.
“William Godwin’s Caleb Williams: The Idealogue as Novelist.”
[GGI: 0655].
ROEMER,
Donald. “The Achievement of Godwin’s Caleb Wil-liams.” [GGI:
0656].
ROGERS,
Deborah D. “Things As They Are Not.” [GGI: 0657].
ROTHSTEIN, Eric. “Allusion
and Analogy in the Romance of Caleb Williams.” [GGI:
0658].
ROTHSTEIN, Eric. “Caleb
Williams:
SCHEIBER, Andrew.
“
SCHEUERMANN, Mona.
“The Novels of William Godwin and Those of his Contemporaries.” [GGI:
0660].
SCHEUERMANN, Mona. “From
Mind to Society: Caleb Williams as a Psychological Novel.” [GGI:
0661].
SCHIER, Donald. “A Contemporary French Critique of Caleb Williams.” Revue de Littérature Comparée 47 (19-73): 412-48.
SHERBURN, George. “Introduction.” To Caleb Williams; or, Things As They Are. [GGI: 0663].SHERBURN, George.
“Godwin’s Later Novels.” [GGI: 0664].
SIMMS,
Karl M. “Caleb Williams’ Godwin: Things As They Are Written.” [GGII:
0381].
SMITH,
Elton Edward and Esther Greenwell SMITH. William Godwin. [GGI:
0665].
SMITH,
Ken Edward. “William Godwin: Social Critique in Caleb Williams.”
[GGII: 0382].
STABLEFORD, Brian.
“GODWIN, William” (pp. 232-33). In
STAUFFER, Andrew. “Godwin,
Provocation, and the Plot of Anger.” Studies in Romanticism 39 (2000):
579-97.
STEINMAN, Lisa M.
“Transatlantic Cultures: Godwin, Brown, and Mary Shelley.”
STORCH,
Rudolf F. “Metaphors of Private Guilt and Social Rebellion in Godwin’s Caleb
Williams.” [GGI: 0666].
THOMPSON, James.
“Surveillance in William God-win’s Caleb Williams.” In Gothic
Fictions: Prohibition/ Transgression. [GGII:
0384].
THOMSON, Douglass H.
“William Godwin” (pp. 125-32). In Gothic Writers: A Critical and
Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and
Frederick S. Frank.
TYSDAHL, B.J. William Godwin as Novelist.
[GGI: 0667].
UPHAUS,
Robert. “Godwin’s Epoch of the Mind.” [GGI: 0668].
WALSH, Cheryl. “Truth, Prejudice, and the Power of Narrative in Caleb Williams.” English Language Notes 35 (1998): 22-38.
WALTON, James. “‘Mad Feary Father’: Caleb Williams and the Novel Form.” [GGI: 0669].WARREN,
Leland E. “Caleb Williams and the ‘Fall’ into Writing.” [GGII:
0385].
WEHRS,
Donald R. “Rhetoric, History, Rebellion: Caleb Williams and the
Subversion of Eighteenth-Century Fiction.” [GGII:
0386].
WILSON, Angus. “The Novels of William Godwin.” [GGI: 0670].
WOODCOCK, George. “Things As They Might Be: Notes on the Novels of William Godwin.” [GGI: 0671].