Gothic Film Criticism
ACKERMAN, Forrest J. The Frankenscience Monster. [GGI: 2449].
ALBERTAZZI, Silvia. “Letteratura e cinema: David Cronenberg dagli incubi del gotico inglese ai disagi dell’eta postcoloniale.” Problemi: Periodico Quadrimestrale di Cultura 103 (1995): 234-41. [Literature and Cinema: David Cronenberg from the Incubi of the English Gothic to his Postcolonial Discomforts].
ALEXANDER, Bryan. “The Blair Witch Project: Expulsion from Adulthood and Versions of American Gothic.“ (pp. 145-61). In Nothing That Is: Millennial Cinema and the Blair Witch Controversies, eds. Sarah L. Higley, Jeffrey Andrew Weinstock. Detroit: Wayne State University Press, 2004.
AMIS, Kingsley. “Dracula, Frankenstein, Sons and Co.” In What Became of Jane Austen? And Other Questions. [GGI: 2450].
AYLESWORTH, Thomas G. Monsters from the Movies. [GGI: 2451] .
BADDELEY, Gavin. Gothic, la Culture des Ténèbres. Paris: Denoël, 2004.
BECK, Calvin. Heroes of the Horrors. [GGI: 2452].
BERENSTEIN, Rhona J. Attack of the Leading Ladies: Gender Sexuality and Spectatorship in Classic Horror Cinema. New York: Columbia University Press, 1996.
BIGNELL, Jonathan. “A Taste of the Gothic: Film and Television Versions of Dracula” (pp. 114-30). In The Classic Novel: From Page to Screen, eds. Robert Giddings and Erica Sheen. New York: St. Martin’s Press, 2000.
BOUJUT, Michel. “Preface and Filmography.” In Frankenstein. [GGI: 2454].
BOYLE, Brenda M. “Monstrous Bodies, Monstrous Sex: Queering Alien Resurrection.“ Gothic Studies 7 (2005): 158-71.
BREDEROO, Nico J. “Hollywood und die englische romangattung des ‘Gothic Novel.’” In Interbellum und Exil. [GGII: 1500].
BREDEROO, Nico J. “Dracula in Film” (pp. 171-81). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition, eds. Valeria Tinkler Viviani, Peter Davidson, Jane Stevenson. Amsterdam : Rodopi, 1995.
BRITTON, Andrew. “The Devil, Probably: The Symbolism of Evil.” In American Nightmare: Essays on the Horror Film. [GGI: 2446].
BROPHY, Philip. “Horrality––The Textuality of Contemporary Horror Films.” [GGII: 1501].
BROSNAN, John. The Horror People. [GGI: 2457].
BRUSTEIN, Robert. “Reflections on Horror Movies.” [GGII: 2458].
BUNNELL, Charlene. “The Gothic: A Literary Gen-re’s Transition to Film.” In Planks of Reason: Essays on the Horror Film. [GGII: 1502].
BUTLER, Ivan. The Horror Film. [GGI: 2059].
CARROLL, Noel. “Nightmare and Horror Film: The Symbolic Biology of Fantastic Beings.” [GGI: 2460].
CHAMBRUN, Noëlle de. “l’exorciste, le Diable et les péres” (pp. 124-39). In Imaginaires, gothique, néogo-thique, contre-utopie. Littérature et cinéma du domaine anglosaxon, ed. Max Duperray. Aix-en- Provence : Publications de l’université de Provence , 2001. [The Exorcist, the Devil and their Fathers.].
CHERRY, Brigid. “Dark Wonders and the Gothic Sensibility: Jan Svankmajer’s Neco z Alenky.” Kinoeye 2 January 2002: no pagination. Online: www.kinoeye. org. Accessed: 23 December 2003.
CLARENS, Carlos. An Illustrated History of the Horror Films. [GGI: 2461].
COLLINS, Michael J. “Culture in the Hall of Mirrors: Film and Fiction and Fiction and Film” (pp. 110-22). In A Dark Night’s Dreaming: Contemporary American Horror Fiction, eds. Tony Magistrale and Michael A Morrison. Columbia, SC: South Carolina University Press, 1996.
CONRICH, Jan. “A Czech Cinema of the Gothic: Ju-raj Herz’s Spalovac mrtvol (The Cremator, 1968) and Morgiana (1971).” Kinoeye 7 January 2002: no pagination.
CONRICH, Ian. “Kiwi Gothic: New Zealand's Cinema of a Perilous Paradise“ (114-27). In Horror International, ed. Tony Williams. Detroit: Wayne State University Press, 2005.
COOPER, Douglas W. “The Lovely Load: An Archetype of the Horror Film.” [GGII: 1503].
COYKENDALL, Abigail Lynn. “Bodies Cinematic, Bodies Politic: The ‘Male’ Gaze and the ‘Female’ Gothic in De Palma’s ‘Carrie.’” Journal of Narrative Theory 30 (2000): 332-63.
CRANE, Jonathan Lake. “Terror and Everyday Life: A History of Horror.” [GGII: 1504].
CREED, Barbara. “Horror and the Monstrous-Feminine: An Imaginary Abjection” (pp. 251-66). In Feminist Film Theory: A Reader, ed. Sue Thornham. New York: New York University Press, 1999.
CREED, Barbara . “Phallic Panic: Male Hysteria and Dead Ringers.” [GGII: 1505] .
CREED, Barbara. The Monstrous Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993.
DAVIES, Michael. “‘What’s the Story Mother?’: Abjection and Anti-Feminism in Alien and Aliens.” Gothic Studies 2 (2000): 245-56.
DAVIS, Michael. “Tied to that Maternal ‘Thing Death and Desire in Jane Campion’s The Piano.” Gothic Studies 4 (2002): 63-78.
DERRY, Charles. Dark Dreams: The Horror Film from Psycho to Jaws. [GGI: 2462].
DILLARD, R.H.W. Horror Films. [GGI: 2463].
DILLARD, R.H.W . “The Roots of Horror.” In International Film Annual No. 3. [GGII: 1506] .
DILLARD, R.H.W . “Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film.” In Man and the Movies. [GGII: 1507] .
DIXON, Wheeler Winston. “The Site of the Body in Torture/The Sight of the Tortured Body: Contemporary Incarnations of Graphic Violence in the Cinema and the Vision of Edgar Allan Poe.” Film and Philosophy 1 (1994): G2, 70.
DIXON , Wheeler Winston. “Gender Approaches to Directing the Horror Film: Women Filmmakers and the Mechanisms of the Gothic.” Popular Culture Review. 7:1 (1996): 121-34.
DIXON , Wheeler Winston. “Visions of the Gothic and Grotesque” (pp. 59-96). In The Second Century of Cinema: The Past and Future of the Moving Image. Albany, NY: State University of New York Press, 2000.
DOUGLAS, Drake. Horror! [GGI: 2464].
DUBINO, Jeanne. “Romance Meets Horror and Thriller in the Films Misery and Basic Instinct.” Clues: A Journal of Detection 21 (2000): 23-48.
DUVALL. Daniel S. “Inner Demons: Flawed Protagonists and Haunted Houses in The Haunting and The Shining.” Creative Screenwriting 6:4 (1999): 32-37 .
DUVALL, Daniel S. “We Each Owe a Death: King and Darabont’s Green Mile.” Creative Screen Writing 7:1 (2000): 71-75.
EBERLE-SINATRA, Michael. “Exploring Gothic Sexuality.“ Gothic Studies 7 (2005): 123-26.
EBERLE-SINATRA, Michael. “Readings of Homosexuality in Mary Shelley's Frankenstein and Four Film Adaptations.“ Gothic Studies 7 (2005): 185-202.
EDWARDS, Roy. “Movie Gothick.” [GGI: 2465].
EISNER, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. [GGI: 2466].
ELLISON, Harlan. “Three Faces of Fear: A Theory of Film Horror from the Works of Val Lewton.” [GGII: 1508].
EVANS, Walter. “Movie Monsters: A Sexual The-ory.” [GGI: 2467].
EVANS, Walter. “Monster Movies and the Rites of Initiation.” [GGII: 1509].
EVERSON, William K. “Horror Films.” [GGI: 2468].
EVERSON, William K . “The Monsters.” In The Bad Guys: A Pictorial History of the Movie Villain. [GGI: 2469] .
EVERSON, William K . Classics of the Horror Film. [GGI: 2470] .
FLETCHER, John. “Primal Scenes and the Female Gothic: Rebecca and Gaslight.” Screen 36:4 (1995): 341-70.
FRANK, Alan G. The Horror Film Handbook. [GGI: 2471].
FRANK, Alan G . Monsters and Vampires. [GGI: 2326] .
FRANK, Alan G . Horror Movies: Tales of Terror in the Cinema. [GGII: 1510] .
FRY, Carol. “'Unfit for Earth, Undoomed for Heaven': The Genesis of Coppola's Byronic Dracula.“ Literature/Film Quarterly 30 (2002): 271-78.
GIANVITO, John. “An Inconsolable Darkness: The Reappearance and Redefinition of Gothic in Contemporary Cinema” (pp. 50-40). In Gothic: Transmutations of Horror in Late Twentieth-Century Art, ed. Christoph Grunenberg. Cambridge, MA : MIT Press, 1997.
GIFFORD, Denis. Movie Monsters. [GGI: 2472].
GIFFORD, Denis. A Pictorial History of the Horror Films. [GGI: 2473].
GLUT, Donald F. The Frankenstein Legend: A Tribute to Mary Shelley and Boris Karloff. [GGI: 2474].
GLUT, Donald F . The Frankenstein Catalogue. [GGI: 2475] .
GLUT, Donald F. Classic Movie Monsters. [GGII: 1511].
GONZALEZ, Tanya. "Murders, Madness, Monsters: Latina/o Gothic in the U.S.A." Dissertation Abstracts International 65:8 (2005): 2988-89 (University of California, Riverside).
GRANT, Barry Keith. Planks of Reason: Essays on the Horror Film. [GGII: 1512].
GRANT, Barry Keith . “Taking Back The Night of the Living Dead: George Romero, Feminism, and the Horror Film.” [GGII: 1513] .
GRANT, Barry Keith . The Dread of Difference: Gender and the Horror Film. Austin: Texas University Press, 1996 .
GRANT, Michael. “James Whale’s Frankenstein: The Horror Film and the Symbolic Biology of the Cinematic Monster” (pp. 113-35). In Frankenstein, Creation, and Monstrosity, ed. Stephen Bann. London: Reaktion, 1994.
HAHN, Ronald M. and Rolf GIESEN. Das Neue Lexikon des Horrorfilms: Alles über die dunkle Seite des Kinos. Berlin: Schwartzkopf and Schwartzkopf, 2002. [The New Lexicon of Horror Films: Everything About the Dark Side of the Cinema.]
HAINING, Peter. The Ghouls. [GGI: 2173].
HALLIWELL, Leslie. Dead That Walk: Dracula, Frankenstein, the Mummy, and Other Favorite Movie Monsters. [GGII: 1514].
HALTOF, Marek. “From Gothicism to Demonism: A Literary Transition to German Expressionist Film.” European Journal for Semiotic Studies 4:3 (1992): 441-58.
HAMMOND, Paul. “Melmoth in Norman Rockwell Land . . . On Night of the Hunter.” [GGII: 1515].
HANKE, Ken. A Critical Guide to Horror Film Series. [GGII: 1516].
HANSON, Helen. “From Suspicion (1941) to Deceived (1991): Gothic Continuities, Feminism, and Postfeminism in the Neo-Gothic Film.” Gothic Studies 9:2 (2007): 20-32.
HARDY, Phil, Tom MILNE, Paul WILLEMEN. The Encyclopedia of Horror Movies. [GGII: 1517].
HASLAM, Jason. “'A Secret Proclamation:' Queering the Gothic Parody of Arsenic and Old Lace.“ Gothic Studies 7 (2005): 127-42 .
HASLEM, Wendy. “Neon Gothic: Lost in Translation.“ Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema 31 (2004); no pagination.
HAUPT, Adam. “Polanski’s Gothic Mission” (pp. 79-93). In Inter-Action, eds. Loes Nas, Lesley Marx. Capetown, South Africa: Department of English, University of Capetown; Department of English, University of Western Cape, 1994.
HAWKINS, Joan. Cutting Edge: Art, Horror, and the Horrific Avant-Garde. Minneapolis: University of Minnesota Press, 2000.
HAYNES, Roslynn D. “A Gothic Desert: Psychodrama in Fiction and Film” (pp. 184-208). In Seeking the Centre: The Australian Desert in Literature, Art and Film. Cambridge, UK: Cambridge University Press, 1998.
HENDERSHOT, Cyndy. “(Re)visioning the Gothic: Jane Campion’s The Piano.” Literature Film Quarterly 26:2 (1998): 97-108.
HERRING, Gina. “The Beguiled: Misogynist Myth or Feminist Fable?” Literature/Film Quarterly 26:3 (1998): 214-19.
HIGSON, Andrew. “Gothic Fantasy as Art Cinema: The Secret of Female Desire in The Innocents” (pp. 204-17). In Gothick Origins and Innovations. eds. Victor Sage and Allan Lloyd Smith. Amsterdam; Atlanta, GA : Rodopi; Costerus New Series 91, 1994.
HILL, Derek. “The Face of Horror.” [GGI: 2477] .
HOPKINS, Lisa. Screening the Gothic. Austin: University of Texas Press, 2005.
HOWELL, Amanda. “Nam Gothic: Telling the Truth in the 1980’s.” Genre 30 (1997): 215-41.
HUMPHRIES, Reynold. The American Horror Film: An Introduction. Edinburgh: Edinburgh University Press, 2002.
HUSS, Roy and T.J. ROSS. Focus on the Horror Film. [GGI: 2478].
HUTCHINGS, Peter. “Tearing Your Soul Apart: Horror’s New Monsters” (pp. 89-103). In Modern Gothic: A Reader, eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press, 1996.
HUTCHINGS, Peter. Dracula: A British Film Guide. London: I.B. Tauris. 2003.
IOCCO, Melissa. “Addicted to Affliction: Masculinity and Perversity in Crash and Fight Club.” Gothic Studies 9:1 (2007): 46-56.
ISHERWOOD, Christopher and Don BACHARDY. Frankenstein: The True Story. [GGI: 2479].
ISON, John Montgomery. “Comebacks from the Grave: Women, Stardom and the Gothic.” Dissertation Abstracts International 61:10 (2000): 3805 (University of California, Riverside).
JACKSON, Kevin. “Gothic Shadows––Director Freddie Francis Discusses What Lies on the Other Side of Horror.” [GGII: 1518].
JACKSON, Kimberly B. “Performing Infancy: Transmitting/Transmuting the Inhuman in Evolutionary and Technological Gothic.” Dissertation Abstracts International 65:12 (2005): 4552-53 (SUNY Buffalo).
JANION, Maria. “Films, Demons, and Romantici-sm.” [GGI: 2480].
JENSEN, Paul. “On Frankenstein.” [GGI: 2481].
JEWEL, John. Lips of Blood: An Illustrated Guide to Hammer’s Dracula Movies Starring Christopher Lee. London : Glitter Books, 2002.
KAVKA, Misha. “The Gothic on Screen” (pp. 209-28). In The Cambridge Companion to Gothic Fiction, ed. Jerrold E. Hogle. Cambridge, UK: Cambridge University Press, 2002.
KAYE, Heidi. “Gothic Film” (pp. 180-92). In A Companion to the Gothic, ed. David Punter. Oxford, UK and Malden, MA: Blackwell Publishers, 2000.
KEESEY, Douglas. “Patriarchal Mediations of Carrie: The Book, the Movie, and the Musical” (pp. 31-45). In Imagining the Worst: Stephen King and the Representation of Women, ed. Theresa Thompson. Westport, CT: Greenwood Press, 1998.
KENNEDY, Harlan. “Kubrick Goes Gothic.” [GGII: 1519].
KEROUAC, Jack. “Nosferatu.” In Film and the Liberal Arts. [GGI: 2482].
KLOSSNER, Michael. “Horror on Film and Television.” In Horror Literature: A Reader’s Guide. [GGII: 15-20].
KOVACS, Lee. The Haunted Screen: Ghosts in Literature and Film. Jefferson, NC : McFarland, 1999.
KRACAUER, Siegfried. “Hollywood Terror Films: Do They Reflect an American State of Mind?” [GGI: 24-83].
LAPLACE SINATRA, Michael. “Science, Gender and Otherness in Shelley’s Frankenstein and Kenneth Branagh’s Film Adaptation.” European Romantic Review 9 (1998): 253-70.
LAVERY, David. “The Horror Film and the Horror of Film.” [GGII: 1521].
LAWN, Jennifer. “Scarfies, Dunedin Gothic, and the Spirit of Capitalism.“ Journal of New Zealand Literature 22 (2004: 124-40.
LEE, Walt. Reference Guide to Fantastic Films: Science Fiction, Fantasy and Horror. [GGI: 2085].
LEWIS, Barbara Jo. “Frankenstein’s Monsters and Moral Accountability.” Journal of Evolutionary Psychology 22 (2001): 78-86.
LIGHT, Alison. “Rebecca.” Sight and Sound 6:5 (1996): 28-31.
LOSANO, Wayne A. “The Horror Film and the Goth-ic Narrative Tradition.” [GGI: 2486].
LOSANO, Wayne A. “The Vampire Rises Again in Films of the Seventies.” [GGII: 1522].
LUHR, William. “Nosferatu and Postwar German Film.” [GGII: 1523].
LUKAS, Christian. Die Scream Trilogy und die Ge-schichte des Teen-Horror Films. München: Heyne Verlag, 2000. [The Scream Trilogy and the Story of Teen Horror Films].
MANK, Gregory W. It’s Alive! The Classic Cinema Saga of Frankenstein. [GGII: 1524]
MANK, Gregory W. “Old Dark House––Elegant Gothic Comedy.” American Cinematographer 1 October 1988: 42-48.
MARSHALL, Erik. “Defanging Dracula: The Disappearing Other in Coppola's Bram Stoker's Dracula.“ (pp. 289-302) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
MARTIN, Adrian. “Lady, Beware: Paths Through the Female Gothic.” Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema 12 (2001): no pagination. Online: <www. sensesofcinema.com>. Accessed: 11 October 2002.
MARTIN, Nina K. “The Subject of Passion, the Object of Murder: Refashioning the Gothic and Film Noir Genres” (XXX). In Sexy Thrills: Undressing the Erotic Thriller . Urbana: University of Illinois Press, 2007.
MAYNE, Judith. “Dracula in Twilight: Murnau’s Nosferatu (1922).” [GGII: 1525].
MCCONNELL, Frank. “Rough Beast Slouching: A Note on Horror Movies.” [GGI: 2488].
MCGUNNIGLE, Christopher. “My Own Vampire: The Metamorphosis of the Queer Monster in Francis Ford Coppola's Bram Stoker's Dracula.“ 7 (2005): 172-84.
MCLLROY, Brian. “Irish Horror: Neil Jordan and the Anglo-Irish Gothic“ (128-40). In Horror International, ed. Tony Williams. Detroit: Wayne State University Press, 2005.
MENDIK, Xavier. “A Kind of (Perverse) Loving: The Gothic Horror Films of Joe D'Amato.“ Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema 30 (2004): no pagination.
MENGA, Mark L. “Misfits and Melancholy Nightmares: The Gothic World of Tim Burton’s Cinema.” Master’s Thesis, Regent University, Virginia Beach, Virginia , 2001.
MITCHELL, Charles P. The Complete H.P. Lovecraft Filmography. Westport, CT: Greenwood Press, 2001.
MONACO, James. “Aaaieeeaarrggh! Horror Movies.” [GGII: 1526].
MORGAN, Jack. “Reconfiguring Gothic Mytholo-gy: The Film Noir––Horror Hybrid Films of the 1980s.” Post Script 21:3 (2002): 72-86.
MORRIS, Nigel. “Metropolis and the Modernist Gothic” (pp. 188-206). In Gothic Modernisms, eds. Andrew Smith and Jeff Wallace. Houndmills, Basingstoke, Hampshire, UK and New York : Palgrave, 2001.
MULVEY, Laura. “The Pre-Oedipal Father: The Gothicism of Blue Velvet” (pp. 38-57). In Modern Gothic: A Reader, eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press, 1996.
NAHA, Ed. Horrors: From Screen to Scream. [GGI: 2489].
NESTRICK, William. “Coming to Life: Frankenstein and the Nature of Film Narrative” In The Endurance of Frankenstein: Essays on Mary Shelley’s Novel. [GGI: 24-90].
NEWMAN, Kim. Nightmare Movies: A Critical History of the Horror Film, foreword Dennis Etchison. London: Bloomsbury, 1988; New York : Harmony Books, 1988.
NEWMAN, Kim. “Madwomen and Black Beetles.” Sight and Sound 10:3 (2000): 9-12.
NIXON, Nicola. “Making Monsters, or Serializing Killers” (pp. 217-36). In The American Gothic: New Interventions in a National Narrative, eds. R.K. Martin and Eric Savoy. Iowa City: University Iowa Press, 1998.
O'RAWE, Desmond. “At Home With Horror: Neil Jordan's Gothic Variations.“ Irish Studies Review 11:2 (2003): 189-98.
PAGE, Edwin. Gothic Fantasy: The Films of Tim Burton. London & New York: Marion Boyers Publishers, 2007.
PATTISON, Barry. The Seal of Dracula. [GGI: 24-91].
PIRIE, David. A Heritage of Horror: The English Gothic Cinema 1946-1972. [GGI: 2492].
PIRIE, David. The Vampire Cinema. [GGI: 2493].
PITTS, Michael R. Horror Film Stars. [GGII: 1527].
POTTER, Russell. “Edward Schizohands: The Postmodern Gothic Body.” [GGII: 1528].
PRAWER, Siegbert Salomon. Caligari’s Children: The Film as Tale of Terror. [GGI: 2494].
PRINCE, Stephen. “Dread, Taboo, and the Thing: Toward a Social Theory of the Horror Film.” [GGII: 1529].
RAYNER. Jonathan. “'Terror Australis'“: Areas of Horror in the Australian Cinema“ (98-113). In Horror International, ed. Tony Williams. Detroit: Wayne State University Press, 2005.
REED, Ellis. A Journey into Darkness: The Art of James Whale’s Horror Films. [GGII: 1530].
RICCARDO, Martin. Vampires Unearthed: The Vampire and Dracula Bibliography of Books, Articles, Movies, Records, and Other Material. [GGI: 2495].
RIGBY, Jonathan. English Gothic: A Century of Horror Cinema. London: Reynolds and Hearn, 1999.
RIO ÁLVARO, Constanza del. “Genre and Fantasy: Melodrama, Horror, and the Gothic in Martin Scorsese's Cape Fear.“ Atlantis: Rivista de la Asociación Española de Estudios Anglo-Norteamericanos 26:1 (2004): 61-71.
ROCKETT, William H. “The Savage Cinema: Transcendence in the Film of Terror.” [GGII: 1533].
ROCKETT, William H . “The Door Ajar: Structure and Convention in Horror Films That Would Terrify.” [GGII: 1531] .
ROCKETT, William H . “Landscape and Manscape: Reflection and Distortion in Horror Films.” [GGII: 1532] .
ROGERS, Alan. “The Contemporary Horror Film.” [GGII: 1534].
ROMER, Richard Ira. “The Cinematic Treatment of the Protagonists in Murnau’s Nosferatu, Browning’s Dracula, and Whale’s Frankenstein.” [GGII: 1535].
ROSE, Brian Andrew. “Transformations of Terror: American Dramatizations of Stevenson’s ‘The Strange Case of Dr. Jekyll and Mr. Hyde.’” Dissertation Abstracts International 54:8 (1994): 2803A-04A (Ohio State University).
ROSE, Brian A. “Transformations of Terror: Reading Changes in Social Attitudes Through Film and Television Adaptations of Stevenson’s ‘Dr. Jekyll and Mr. Hyde’” (37-52). In Social and Political Change in Literature and Film, ed. Richard Chapple. Gainesville: Florida University Press, 1994.
ROSENHEIM, Shawn. “Shivers” (pp. 64-52). In Gothic: Transmutations of Horror in Late Twentieth-Century Art, ed. Christoph Grunenberg. Cambridge, MA: MIT Press, 1997. [nota bene: page numbers are inverted throughout this book].
ROTH, Lane. “Dracula Meets the Zeitgeist: Nosferatu (1922) as Film Adaptation.” [GGI: 2496].
ROWEN, Norma. “The Making of Frankenstein’s Monster: Post-Golem, Pre-Robot” (pp. 169-77). In State of the Fantastic: Studies in Theory and Practice of Fantastic Literature and Film, ed. Nicholas Ruddick. Westport, CT: Greenwood Press, 1992.
RUESCHMANN, Eva. “Out of Place: Reading (Post)Colonial Landscapes as Gothic Space in Jane Campion's Films.” Post Script: Essays in Film and the Humanities 24:2-3 (2005): 2-21.
RUSSELL, Lorena. “Queer Gothic and Heterosexual Panic in the Ass-End of Space.“ Gothic Studies 7 (2005): 143-57.
RUSSELL, Sharon. “The Influence of Dracula on the Lesbian Vampire Film.” Journal of Dracula Studies 1 (1999): 28-32.
SANDOVAL, Christine. “The House That Roared.” Cinefex 1 October 1999: 45.
SANJEK, David. “Fans’ Notes: The Horror Film Fanzine.” [GGII: 1536].
SCAHILL, Andrew. “Invasion of the Husband Snatchers: Masculine Crisis and the Lavender Menace in I Married a Monster from Outer Space” (188-200). In Horrifying Sex: Essays on Sexual Difference in Gothic Literature, ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007.
SCHNEIDER, Steven J. “Mixed Blood Couples: Monsters and Miscegenation in U.S. Horror Cinema.“ (pp. 72-89) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
SEBESTA, Lithe. “American Gothic.” Vogue 1 December 1999: 196.
SEED, David. “Alien Invasions by Bodysnatchers and Related Creatures” (pp. 152-70). In Modern Gothic: A Reader, eds. Victor Sage and Allan Lloyd Smith. Manchester and New York: Manchester University Press, 1996.
SEVASTAKIS, Michael. “Death’s Love Songs: The American Horror Film (1931-1936) and Its Embodiment of Romantic Gothic Conventions.” [GGI: 2498].
SEVASTAKIS, Michael. Songs of Love and Death: The Classical American Horror Film of the 1930s. [GGII: 1537].
SHADDOCK, J. “The Alien Space of (M)other: The Female Gothic and Aliens” (pp. 223-30).
SILVER, Alain and James URSINI. The Vampire Film. [GGI: 2499].
SIMPSON, Philip L. “The Gothic Legacy and Serial Murder” (pp. 26-69). In Psycho Paths: Tracking the Serial Killer Through Contemporary American Film and Fiction. Carbondale: Southern Illinois University Press, 2000.
SKAL, David. “The Dance of Dearth: Horror in the Eighties.” [GGII: 1538].
SPOONER, Catherine. “Cosmo-Gothic: The Double and the Single Woman.” Women: A Cultural Review 12:3 (2001): 292-305.
STEIGER, Brad. Monsters, Maidens, and Mayhem: A Pictorial History of Horror Film Monsters. [GGII: 1539].
STIGLEGGER, Marcus. “Unusually Gothic: Robert Sigl’s Laurin (1987).” Kinoeye 13 October 2003: no pagination.
STONE, John. “Gothic in the Himalayas: Powell and Pressburger's Black Narcissus.“ (pp. 264-86) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
SWAN, Susan Z. “Gothic Drama in Disney’s Beauty and the Beast: Subverting Traditional Romance by Transcending the Animal-Human Paradox.” Critical Studies in Mass Communciation 16:3 (1999): 350-69.
TASKER, Yvonne. “The Female Gothic” (pp. 58-70). In The Silence of the Lambs. London : British Film Institute, 2002 .
TAY, Sharon Lynn. “Constructing a Feminist Cinematic Genealogy: The Gothic Woman's Film Beyond Psychoanalysis.“ Women: A Cultural Review 14 (2003): 263-80.
TAUBIN, Amy. “Bloody Tales.” Sight and Sound 5:1 (1995): 8-11.
TELOTTE, J.P. “A Photogenic Horror: Lewton Does Robert Louis Stevenson.” [GGII: 1541].
TELOTTE, J.P . “Children of Horror: The Films of Val Lewton.” In Aspects of Fantasy: Selected Essays from the Second International Conference on the Fantastic in Literature and Film. [GGII: 1542] .
TELOTTE, J.P . “Val Lewton and the Perspective of Horror.” In Forms of the Fantastic. [GGII: 1543] .
THOMAS, Tony. “The Abused Gothic Heroine.” Films in Review 41:3 (1990): 158-65.
THOMPSON, Kirsten Moana. “‘Uncanny Dread’: Four Case Studies in Contemporary Horror and the Family.” Dissertation Abstracts International 59:9 (1998): 32-56A (New York University).
THOMSON, Davie. “A Child’s Demon.” Sight and Sound 9:4 (1999): 20-23.
UNDERWOOD, Peter. Horror Man: The Life of Boris Karloff. [GGI: 2503].
UNSIGNED. “Bride of Frankenstein: A Gothic Mas-terpiece.” American Cinematographer 79:1 (1998): 102-07.
UNSIGNED. “Going Gothic.” Mirabella 6:4 (1994): 96-104 .
UNSIGNED. “Gothic Goddess.” American Cinematographer 1 August 1998: 60-67 .
UNSIGNED. “Gothic Horror” In Parade: A Pageant of Personalities and Events. [GGI: 2476] .
UNSIGNED. “Movies: American Gothic with a Twist; An Honorable Four-Hankie Flick.” Newsweek 22 November 1993: 57 .
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