Henry James
(1843-1916)

Internet Resources: The Henry James Scholar's Guide to Websites

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AKIYAMA, Masayuki. “James and Nanboku: A Comparative Study of Supernatural Stories in the West and East.” [GGII: 0982]. 

AL-ZUBI, Hasan Abdallah. “Realistic and Naturalistic Representation in Henry James’s Fiction.” Dissertation Abstracts International 59:2 (1998): 486A (Indiana University).

BALLINGER, Leonora M. “‘Apparitions and Night Fears’: Psychological Tension in ‘The Ghostly Tales of Henry James’.” Dissertation Abstracts International 57:8 (1997): 3490A (New York University).

BANTA, Martha. “The Two Worlds of Henry James: A Study in the Fiction of the Supernatural.” [GGI: 1724].

BANTA, Martha. “The House of Seven Ushers and How They Grew: A Look at Jamesian Gothicism.” [GGI: 1725].

BANTA, Martha. Henry James and the Occult: The Great Extension. [GGI: 1726].

CARSE. Wendy and Nicole Burkholder-Mosco. “'Wondrous material to play on': Children as Sites of Gothic Liminality in The Turn of the Screw. The Innocents. and The Others." Studies in the Humanities 32 (2005): 201-220.

DEFREN, Judith. “The Silent Scream: Patterns of Horror in the Works of Henry James.” [GGII: 0983]. 

DENNIS, Larry R. “Specters and Spectators in The Turn of the Screw and The Innocents.” In Purdue University Fifth Annual Conference on Film. [GGII: 0984]. 

DUPERRAY, Max. “Possession et exorcisme: Aspects du fantasme Jamesian dans quelques Ghostly Tales” In Société des anglicistes de l’enseigment supérieur. [GGII: 0985]. 

EDEL, Leon. “Introduction.” To The Ghostly Tales of Henry James. [GGI: 1728]. 

EDWARDS, J.A. Craig. “James’s The Bostonians.” [GGII: 0986]. 

ELKINS, Charles L. “Henry James.” In Supernatural Fiction Writers. [GGII: 0987]. 

GOLOVACHEVA, I.V. “Avtorskii zamysel povesti genri dzhamsa povorot vinta.” [GGII: 0988]. 

GRUNES, Dennis. “The Demonic Child in The Turn of the Screw.” [GGII: 0989]. 

KERR, Howard. “James’s Last Early Supernatural Tales: Hawthorne Demagnetized, Poe Depoeticized.” In The Haunted Dusk: American Supernatural Fiction, 1820-1920. [GGII: 0990]. 

LANG, Hans-Joachim. “The Making of Henry James’s The American.” [GGII: 0992]. 

LUSTIG, T.J. Henry James and the Ghostly. Cambridge: Cambridge University Press, 1994.

LUSTIG, T.J. “James, Henry (1843-1916)” (pp. 140-43). In The Handbook to Gothic Literature, ed. Marie Mulvey-  Roberts. New York: New York University Press, 1998.

MACKENZIE, Manfred. “The Turn of the Screw: Jamesian Gothic.” [GGI: 1730]. 

MARTIN, Jay. “Ghostly Rentals, Ghostly Purchases: Haunted Imaginations in James, Twain, and Bellamy.” In The Haunted Dusk: American Supernatural Fiction, 1820-1990. [GGII: 0993]. 

MATHESON, Neill. “Talking Horrors: James, Eu-phemism and the Specter of Wilde.” American Literature 71:4 (1999): 709-50. 

MCSWEENEY, Gregory Edward. “The Spurn of the Screw: Henry James’s Project of Perversion Management in Three Late Supernatural Tales.” Master’s Thesis, Concordia University, Canada , 2000.

MERIVALE, Patricia. “The Esthetics of Perversion: Gothic Artifice in Henry James and Witold Gombrowicz.” [GGI: 1731]. 

NETTELS, Elsa. “The Portrait of a Lady and the Gothic Romance.” [GGI: 1732]. 

PROBERT, Kenneth Gordon. “Christopher Newman and the Artistic American View of Life.” [GGII: 0995]. 

ROVIT, Earl. “The Ghosts of Henry James’s ‘The Jolly Corner.’” [GGI: 1735]. 

SAVOY, Eric. “Spectres of Abjection: The Queer Subject of James’s ‘The Jolly Corner’” (pp. 161-74). In Spectral Readings : Towards a Gothic Geography, eds. Glennis Byron, David Punter. New York: St. Martin’s Press, 1999.

SCHLIEFER, Ronald. “Trap of the Imagination: The Gothic Tradition, Fiction, and The Turn of the Screw.” [GGI: 1737]. 

SCHULZ, Max F. “An Unending Horror: Henry James’s and Benjamin Britten’s Turn(ings) of the Screw.” [GGII: 0996]. 

SCOTT, James B. “How the Screw is Turned: James’s Amusette.” [GGII: 0997]. 

SHELDEN, Pamela Jacobs. “Jamesian Gothicism: The Haunted Castle of the Mind.” [GGI: 1738]. 

SKLEPOWICH, E. A. “Gossip and Gothicism in The Sacred Fount.” [GGI: 1739]. 

SMITH, Stephanie. A. “The Delicate Organisms and Theoretical Tricks of Henry James.” [GGII: 0998]. 

SMYTH, Paul Rockwood. “Gothic Influences in Hen-ry James’s Major Fiction.” [GGI: 1740]. 

SWEENEY, Gerard M. “Henry James’s ‘De Grey The Gothic as Camouflage of the Medical.” [GGII: 0999]. 

THOMAS, Lloyd Spencer. “The Haunts of Language, Superstition, and Subterfuge in Henry James’s Stories of the Supernatural.” [GGI: 1741]. 

THOMSON, Douglass H. “Henry James” (pp. 202-11). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.

THORBERG, Raymond. “Terror Made Relevant: James’s Ghost Stories.” [GGI: 1742]. 

TREDY, Dennis. “Hypnerotomania Gubernätrix , or Strife in the Dream of the Governess: The Turn of the Screw (H. James), The Innocents (T. Capote et al.), Other Voices, Other Rooms (T. Capote)” (pp. 145-61). In Imaginaires, gothique, néo-gothique, contre-utopie. Littérature et cinéma du domaine anglo-saxon, ed. Max Duperray. Aix-en-Provence: Publications de l’université de Provence, 2001.

TUTTLE, Lisa. “JAMES, Henry” (pp. 298-301). In St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.

UNRUE, Darlene. “Henry James and the Gothic Ro-mance.” [GGI: 1743]. 

UNRUE, Darlene. “The Occult Metaphor as Technique in The Portrait of a Lady.” [GGII:1000]. 

VEEDER, William. “James and Fame Enduring.” Henry James Review 19:3 (1998): 264-78.

VEEDER, William. “The Nuturance of the Gothic: The Turn of the Screw.” Gothic Studies 1 (1999): 47-85.

WEISSMAN, Judith. “Antique Secrets in Henry James.” [GGII: 1001]. 

ZABLOTNY, Elaine. “Henry James and the Demonic Vampire and Madonna.” [GGII: 1002].