11. Matthew Gregory "Monk Lewis

(1775-1818)

 

Raymond Meets the Bleeding Nun (expecting Agnes)......................................................The Fate of Ambrosio

“Agnes, Agnes, you are mine”.......................................................................................“Thus I secure my prey”

 

Internet Resources:  Jack Voller's Literary Gothic;Castle Spectre Website (complete etext of the drama)

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AHERN, Stephen. “Disenchanting Sentimentality: Lewis's The Monk, Moal Agency, and the Lie of Romance” (XXX). In Affected Sensibilities: Romantic Excess and the Genealogy of the Novel, 1610-1810. New York: AMS Press, 2007. [GGIV: 0000].

ALLARD, James. Robert. “Spectres, Spectators, Spectacles: Matthew Lewis’s The Castle Spectre.” Gothic Studies 3 (2001): 246-61.

ANDERSON, Howard. “The Manuscript of M.G. Lewis’s The Monk: Some Preliminary Notes.” [GGI: 0530].

ANDERSON, Howard. “Introduction.” To The Monk. [GGI: 0531].

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ANDRZEJEWSKI, Gregory Scott. “Sibling Incest: “Revolution” and “Narcissism“ in Selected Romantic and Gothic works.” B.A. Honors Thesis, Albion College , 1994. 

ARNAUD, Pierre. “Le Double dans le roman go-thique: The Monk de Matthew Greogory Lewis.” In Le Double dans le romantisme anglo-américain. [GGII: 0311].

ARNAUD, Pierre. “Au Service du Lucifer: Le Diable, la magie, et le pacte dans Le Moine de Lewis.” In Maître et Serviteur dans le monde anglo-américain des XVIIe et XVIIIe siècles. [GGII: 0312].

ASHLEY, Mike. “LEWIS, M(atthew) G(regory)” (pp. 364-66). In St. James Guide to Horror, Gothic, and Ghost Writers, ed. David Pringle. Detroit and New York:  St. James Press, 1998.

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BLAKEMORE, Steven. “Matthew Lewis’s Black Mass: Sexual, Religious Inversion in The Monk.” Studies in the Novel 30:4 (1998): 521-39.

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BRIDGHAM, Fred. “Kleist’s Familie Schroffenstein and ‘Monk’ Lewis’s Mistrust; Give and Take; Papers from the Conference Held at the University of Leeds from 15 to 17 September 1994” (pp. 75-101). In The Novel in Anglo-German Context: Cultural Crosscurrents and Affinities, ed. Susan Stark. Amsterdam : Rodopi, 2000.

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COOK, Davidson. “Robert Burns Did Not Write ‘The Hermit.’” The Bookman 85 (1934): 402-03.

COOPER, Andrew. "Gothic Threats: The Role of Danger in the Critical Evaluation of The Monk and The Mysteries of Udolpho." Gothic Studies 8 (2006): 18-34. 

CORRADO, Adriana. A Proposito del Romanzo Gotico: Breve Introduzione alla Lettura di The Monk e Frankenstein. Napoli: Liguori, 1979. [Apropo of the Gothic Romance: Brief Introduction to a Reading of The Monk and Frankenstein].

CORTI, Claudia. “ Il teatro di Matthew G. Lewis: è di scena il terrore” (77-90). In Il teatro della paura: Scenari gotici del romanticismo europeo, eds. Diego Saglia. Giovanna Silvani. Roma: Bulzoni, 2005.

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DAVIDSON-PÉGON, Claire. “Le Moine e[s]t son double: lorsqu‘Artaud raconta Lewis” (pp. 79-86). In Le Roman noir anglais dit gothique, ed. Max Duperray. Paris: Ellipses, 2000. [The Monk and/is his double: When Artaud Narrates Lewis].

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DEROCHI, Jack. “A Feminine Spectacle: The Novelistic Aesthetic of Matthew Lewis's The Captive" (238-252). In Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage, eds. Daniel James Ennis, Judith Bailey Slagle, Brian Corman. Newark, DE: University of Delaware Press, 2007. [GGIV: 0000].

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DUPERRAY, Max. “The Monk de M.G. Lewis: Fantastique et mélodrame.” [GGII: 0318].

EMERSON, Oliver Farrar. “‘Monk’ Lewis and The Tales of Terror.” [GGI: 0541].

ENG, Steve. “‘Ghost Riders from Germany:’ An Early Phase of Fantasy Poetry.” [GGII: 0319].

EURIDGE, Gareth M. “The Company We Keep: Comic Function in M.G. Lewis’ The Monk” (pp. 83-90). In Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts, ed. Joe Sanders. Westport, CT: Greenwood Press, 1995.

FAURE, Alain. “Du Simple au double: Du Moine de M.G. Lewis aux Élixirs du Diable d‘E.T.A. Hoffmann.” [GGII: 0320].

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FINCHER, Max. “The Gothic as Camp: Queer Aesthetics in The Monk.” Romanticism on the Net 44 (November, 2006): 18 paragraphs.

FITZGERALD, Lauren. "Crime. Punishment. Criticism: The Monk as Prolepsis." Gothic Studies 5 (2003): 43-54.

FITZGERALD, Lauren. “The Gothic Villain and the Vilification of the Plagiarist: The Case of the Castle Spectre.” Gothic Studies 7 (2005): 5-17.

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FONGARO, Antoine. “Baudelaire, l‘Aminta et Le Moine.” [GGII: 0322].

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GALL, John, “Lewis’s ‘Monk’: A Formal Inquisition.” [GGII: 0323].

GAMER, Michael. “Authors in Effect: Lewis, Scott, and The Gothic Drama,“ ELH 66 (1999): 831-861.

GAMER, Michael. “Genres for the Prosecution: Pornography and the Gothic.” PMLA 114 (1999): 1043-54.

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GOURNAY, Jean-François. “Erotisme, sadisme et perversion dans The Monk.” In l‘Erotisme en angleterre XVIIe-XVIIIe siècles. [GGII: 0325].

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GUTHKE, Karl S. “C.M. Wieland and M.G. Lewis.” [GGI: 0549].

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MACDONALD, D.L . “Reversal, Repression, and Revenge in The Monk” (pp. 149-55). In Selected Proceedings from the Canadian Society for Eighteenth Century Studies/Travaux choisis de la Société Canadienne d‘étude du Dix-huitieme Siècle, XII, eds. Henri Mydlarski and David Oakleaf. Edmonton, Alberta: Academic, 1993.

MACDONALD, D.L. "Matthew Gregory Lewis (1775-1818)" (pp. 177-183). In British Reform Writers. 1789-1832. eds. Gary Kelly & Edd Applegate. Detroit: Gale Research. 1996. 

MACDONALD, D.L. “The Isle of Devils: The Jamaican Journal of M.G. Lewis” (pp. 189-205). In Romanticism and Colonialism: Writing and Empire, 1780-1830, eds. Tim Fulford and Peter J. Kitson. Cambridge: Cambridge University Press, 1998.

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MACDONALD, D.L. and Kathleen SCHERF. “Introduction” (pp. 9-26). To The Monk. Peterborough, ON: Broadview Press, 2004.

MACDONALD. D.L. "'A Dreadful, Dreadful Dream': Transvaluation, Realization, and Literalization of Clarissa in The Monk." Gothic Studies 6 (2004): 157-71.

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“MC EVOY, Emma. “Introduction and Notes to The Monk” (pp. vii-xl). Oxford and New York: Oxford University Press, 1998.

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