Matthew Gregory "Monk Lewis (1775-1818)
A FRIEND of Accuracy. “M.G. Lewis.” Notes and Queries 4 (1957): 389. [GGI: 0546].
ABENSOUR, Liliane. “Limites––non frontières d‘une oeuvre: Le Moine de M.G. Lewis.” Eurpoe: Revue Littéraire Mensuelle 659 (1984): 13-18. [GGII: 0310].
AHERN, Stephen. “Disenchanting Sentimentality: Lewis's The Monk, Moal Agency, and the Lie of Romance” (XXX). Affected Sensibilities: Romantic Excess and the Genealogy of the Novel, 1610-1810. New York: AMS Press, 2007. [GGIV: 0000].
ALLARD, James. Robert. “Spectres, Spectators, Spectacles: Matthew Lewis’s The Castle Spectre.” Gothic Studies 3 (2001): 246-61. [GGIII: 1277]
ANDERSON, Howard. “The Manuscript of M.G. Lewis’s The Monk: Some Preliminary Notes.” Papers of the Bibliographical Society of America 62 (1968): 427-434. [GGI: 0530].
ANDERSON, Howard. “Gothic Heroes.” The English Hero, 1660-1800. Ed. Robert Folkenflik. Newark: Delaware University Press, 1982: 205-21. [GGIII: 1280]
ANDERSON, Howard. Introduction.The Monk. New York: Oxford UP, 1973. vii-xix. [GGI: 0531].
ANDRZEJEWSKI, Gregory Scott. “Sibling Incest: “Revolution” and “Narcissism“ in Selected Romantic and Gothic works.” B.A. Honors Thesis, Albion College , 1994. [GGIII: 1281]
ARNAUD, Pierre. “Au Service du Lucifer: Le Diable, la magie, et le pacte dans Le Moine de Lewis.” Maître et Serviteur dans le monde anglo-américain des XVIIe et XVIIIe siècles. [GGII: 0312].
ARNAUD, Pierre. “Le Double dans le roman go-thique: The Monk de Matthew Greogory Lewis.” Le Double dans le romantisme anglo-américain. Clermont-Ferraud, france: Faculté des Lettres and Sciences Humaines de l'Université de Clermont-Ferraud II, 1984. 131-142. [GGII: 0311].
ASHLEY, Mike. “LEWIS, M(atthew) G(regory).” St. James Guide to Horror, Gothic, and Ghost Writers. Ed. David Pringle. Detroit and New York: St. James Press, 1998. 364-66. [GGIII: 1284]
BAKER, Ernest. Introduction. The Monk. New York: Dutton, 1906. [GGI: 0532].
BALDENSPERGER, Fernand. “Le Moine de Lewis dans la littérature française.” Journal of Comparative Literature 1 (1903): 201-219. [GGI: 0533].
BARIDON, Michel. “Les Figures du corps et leur rapport à 1‘espace dans The Monk de Lewis.” Les Figures du corps dans la littérature et la peinture anglaises et américaines de la renaissance à nos jours, ed. Bernard Brugière. Paris: Pres. de la Sorbonne, 1991. 81-92. [The Figures of the Body and Their Relationship to Space in Lewis’s The Monk]. [GGIII: 1287]
BAYFORD, E.G. “Lewis’s Monk.” Times Literary Supplement (March 28, 1935): 216. [GGII: 0313].
BAYLISS, Linda Sue Singer. “Mirrors: Literary Reflections as Psychic Process.” Dissertation Abstracts International 46 (1985): 416A (Michigan State University). [GGII: 0314].
BEATTIE, W. “‘Tales of Terror.’” Times Literary Supplement 14 January 1939: 26. [GGIII: 1290]
BERRYMAN, John. Introduction. The Monk. Ed. Louis Peck. New York: Grove Press, 1959. 11-28. [GGI: 0534].
BISHOP, Morchard. “A Terrible Tangle.” Times Literary Supplement 19 October 1967: 989. [GGIII: 1292]
BLAKEMORE, Steven. “Matthew Lewis’s Black Mass: Sexual, Religious Inversion in The Monk.” Studies in the Novel 30:4 (1998): 521-39. [GGIII: 1293]
BOHLS, Elizabeth A. “The Planter Picturesque: Matthew Lewis’s Journal of a West India Proprietor.” European Romantic Review 13 (2001): 63-76. [GGIII: 1294]
BREWER. William D. "Transgendering in Matthew Lewis's The Monk." Gothic Studies 6 (2004):192-207. [GGIV: 0000]
BRIDGHAM, Fred. “Kleist’s Familie Schroffenstein and ‘Monk’ Lewis’s Mistrust; Give and Take; Papers from the Conference Held at the University of Leeds from 15 to 17 September 1994.” The Novel in Anglo-German Context: Cultural Crosscurrents and Affinities, ed. Susan Stark. Amsterdam: Rodopi, 2000. 75-101. [GGIII: 1295]
BROOKS, Peter. “Virtue and Terror: The Monk.” Journal of English Literary History 40 (1973): 249-263. [GGI: 0535].
BROOKS, Philip. “Notes on Rare Books.” New York Times Book Review (January 27, 1935): 21. [GGI: 05-36].
BUSCAGLIA, Germana. “The Monk di Matthew Gregory Lewis: L‘Intersecarsi di Storie nel Romanzesco, Diabolico e Magico.” Thesis, Universita degli Studi, Milan, 1993. [Matthew Gregory Lewis’s The Monk: The Intersections of Stories from the Fantastic, Diabolic, and Magical]. [GGIII: 1298]
CAMERON. Ed. “Matthew Lewis and the Gothic Horror of Obsessional Neurosis." Studies in Humanities 32 (2005): 168-200. [GGIV: 0000]
CAMPBELL, Ann. “Satire in The Monk: Exposure and Reformation.” Romanticism on the Net 8 (November, 1997). 14 March 1998. [GGIII: 1299]
CARNOCHAN, W.B. and David DONALDSON. “The Presentation Copy of ‘Monk’ Lewis’s ‘Oberon’s Henchmen’ 1803.” The Book Collector 30 (1981): 346-359. [GGII: 0315].
CHENIEUX-GENDRON, Jacqueline. “Lectures sur-réalistes du roman noir.” Europe: Revue Littéraire Mensuelle 656 (1984): 133-46. [Surrealistic Readings of the French Gothic Novel]. [GGIII: 1301]
CHURCH, Elizabeth. “A Bibliographical Myth.” Modern Philology 19 (1922): 307-14. [GGIII: 1302]
CONGER, Syndy M. “Confessors and Penitents in M.G. Lewis’s The Monk.” Romanticism on the Net 8 (November, 1997): 14 March 1998. [GGIII: 1305]
CONGER, Syndy M. “Matthew G. Lewis, Charles Robert Maturin and the Germans: An Interpretive Study of the Influence of German Literature on Two Gothic Novels.” Dissertation Abstracts International 37 (1977): 7733A (University of Iowa). [GGI: 2201].
CONGER, Syndy M. Matthew G. Lewis, Charles Robert Maturin and the Germans: An Interpretive Study of the Influence of German Literature on Two Gothic Novels. New york: Arno Press, 1980. [GGI: 2202].
COOK, Davidson. “Robert Burns Did Not Write ‘The Hermit.’” The Bookman 85 (1934): 402-03. [GGIII: 1306]
COOPER, Andrew. "Gothic Threats: The Role of Danger in the Critical Evaluation of The Monk and The Mysteries of Udolpho." Gothic Studies 8 (2006): 18-34. [GGIV: 0000]
CORRADO, Adriana. A Proposito del Romanzo Gotico: Breve Introduzione alla Lettura di The Monk e Frankenstein. Napoli: Liguori, 1979. [Apropo of the Gothic Romance: Brief Introduction to a Reading of The Monk and Frankenstein]. [GGIII: 1307]
CORTI, Claudia. “ Il teatro di Matthew G. Lewis: è di scena il terrore.” Il teatro della paura: Scenari gotici del romanticismo europeo. Eds. Diego Saglia. Giovanna Silvani. Roma: Bulzoni, 2005. 77-90. [GGIV: 0000]
COYKENDALL, Frederick. “A Note on ‘The Monk.’” Colophon 1 (1935): 87-96. [GGI: 0539].
COYKENDALL, Frederick. “Lewis’s Monk.” London Times Literary Supplement (April 25, 1935): 276. [GGI: 0540].
DAVIDSON-PÉGON, Claire. “Le Moine e[s]t son double: lorsqu‘Artaud raconta Lewis” (pp. 79-86). In Le Roman noir anglais dit gothique. Ed. Max Duperray. Paris: Ellipses, 2000. [The Monk and/is his double: When Artaud Narrates Lewis].
DAVIS, Gabriele A. Wittig. “Der Mönch, or, a Moral Point of View? “Deutsche Romantik and English Romanticism. Eds. Theodore G. Gish, Sandra g. Frieden. Munich, West germany: Fink, 1984. 6-16. [GGII: 0316].
DEROCHI, Jack. “A Feminine Spectacle: The Novelistic Aesthetic of Matthew Lewis's The Captive." Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage, eds. Daniel James Ennis, Judith Bailey Slagle, Brian Corman. Newark, DE: University of Delaware Press, 2007. 238-252. [GGIV: 0000].
DIAS-MARQUES, Jose Joachim. “Une Ballade gothique anglais dans la tradition orale de tras-os-montes.” Littérature orale traditionnelle populaire. Paris: Calouste Gulbenkian, Centre Culturel Portugais, 1987. 257-299. [GGII: 0317].
DOYLE, Barry. “Freud and the Schizoid in Ambrosio: Determining Desire in The Monk." Gothic Studies 2 (2000): 61-69. [GGIII: 1313]
DUHIG, Susan Caroline. “Romantic Pleasure, Gothic Pain, and Enlightenment Subjectivity.” Dissertation Abstracts International 54 (1994): 4448A-4449A (Cornell University). [GGIII: 1314]
DUPERRAY, Max. “The Monk de M.G. Lewis: Fantastique et mélodrame.” Études Anglais 40 (1987): 258-266. [GGII: 0318].
EMERSON, Oliver Farrar. “‘Monk’ Lewis and The Tales of Terror.” Modern Language Notes 38 (1923): 154-159. [GGI: 0541].
ENG, Steve. “‘Ghost Riders from Germany:’ An Early Phase of Fantasy Poetry.” Portland Review 27.2 (1981): 47-48. [GGII: 0319].
EURIDGE, Gareth M. “The Company We Keep: Comic Function in M.G. Lewis’ The Monk.” Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts. Ed. Joe Sanders. Westport, CT: Greenwood Press, 1995. 83-90. [GGIII: 1318]
FAURE, Alain. “Du Simple au double: Du Moine de M.G. Lewis aux Élixirs du Diable d‘E.T.A. Hoffmann.” Europe: Revue Littéraire Mensuelle 659 (1984): 54-62. [GGII: 0320].
FAVRET, Mary A. “Telling Tales About Genre: Poetry in the Romantic Novel.” Studies in the Novel 26 (1994): 281-300. [GGIII: 1320]
FENNELL, Jarad Heath. "Representations of the Catholic Inquisition in Two Eighteenth-Century Gothic Novels: Punishment and Rehabilitation in Matthew Lewis' The Monk and Ann Radcliffe's The Italian." Master's Thesis, University of Central Florida, 2007 (Orlando, Florida).
FERGUSON, Mary. “Ambrosio: or, The Monk” Vol. 1. Survey of Modern Fantasy Literature. Ed. Frank Magill. Englewood Cliffs, NJ.: Salem Press, 1983. 36-41. [GGIII: 1321]
FIEROBE, Claude. “Le Moine gothique ou la parodie du sacré.” Aspects du sacré dans la littérature anglo-américaine. Reims, france: Publications du Centre Recherche sur l'Imaginaire dans les Littératures du Langue Anglaise, 1979. 33-45. [GGI: 0544].
FIEROBE, Claude. “La Topographie romanesque de M.G. Lewis dans The Monk." Études Anglais 39 (1986): 15-25. [GGII: 0321].
FINCHER, Max. “The Gothic as Camp: Queer Aesthetics in The Monk.” Romanticism on the Net 44 (November, 2006): 18 paragraphs.FITZGERALD, Lauren. "Crime. Punishment. Criticism: The Monk as Prolepsis." Gothic Studies 5 (2003): 43-54. [GGIV: 0000]
FITZGERALD, Lauren. “The Gothic Villain and the Vilification of the Plagiarist: The Case of the Castle Spectre.” Gothic Studies 7 (2005): 5-17. [GGIV: 0000]
FOGLE, Richard H. “The Passions of Ambrosio.” The Classic British Novel. Ed. Howard M. Harper, Jr. and Charles Edge. Athens, GA: Georgia UP, 1972. 36-50. [GGI: 0545].
FONGARO, Antoine. “Baudelaire, l‘Aminta et Le Moine.” Bulletin Baudelairien 17 (1982): 5-8. [GGII: 0322].
FRANK, Frederick S. “The Monk: A Bicentenary Bibliography.” Romanticism on the Net. 8 (November, 1997): 14 Mar 1998). [GGIII: 1328]
FRANK, Frederick S. “M.G. Lewis’s The Monk After Two Hundred Years, 1796-1996: A Bicentenary Bibliography.” Bulletin of Bibliography 52 (1995); 241-60. [GGIII: 1326]
FRANK, Frederick S. ed. Special Issue of Romanticism on the Net, vol. 8 (November 1997): 14 March 1998. [GGIII: 1327]
GALIBERT, Thierry. “Le Moine de Matthew G. Lewis vecu par Antonin Artaud.” Revue d’Histoire de la France 5 (1999): 1079-86. [Lewis’s The Monk as seen by Artaud]. [GGIII: 1330]
GALL, John, “Lewis’s ‘Monk’: A Formal Inquisition.” Dissertation Abstracts International 50 (1990): 360A (Duquesne University). [GGII: 0323].
GAMER, Michael. “Authors in Effect: Lewis, Scott, and The Gothic Drama,“ ELH 66 (1999): 831-861. [GGIII: 1332]
GAMER, Michael. “Genres for the Prosecution: Pornography and the Gothic.” PMLA 114 (1999): 1043-54. [GGIII: 1333]
GEARY, Robert F. “M.G. Lewis and Later Gothic Fiction: The Numinous Dissipated.” In State of the Fantastic; Studies in the Theory and Practice of Fantastic Literature and Film. Ed. Nicholas Ruddick. Westport, CT: Greenwood Press, 1992. 123-134. [GGII: 0324].
GOURNAY, Jean-François. “Erotisme, sadisme et perversion dans The Monk.” l‘Erotisme en angleterre XVIIe-XVIIIe siècles. Lille: PU de Lille, 1992. 77-84. [GGII: 0325].
GRIFFIN, Melanie. "Is Nothing Sacred? Christ's Harrowing through Lewis' Gothic Lens." Orbis Litterarum 64.3 (2009): 167-174.
GRIGORESCU, Dan. Calugarul: Roman. Trans. Bianca Zamfirescu. Bucharest, Romania: Minerva, 1987. [GGII: 03-26].
GRUDIN, Peter. “The Monk: Matilda and the Rhetoric of Deceit.” Journal of Narrative Technique 5 (1975): 136-146. [GGI: 0548].
GUTHKE, Karl S. “C.M. Wieland and M.G. Lewis.” Neophilogus 40 (1956): 321-233. [GGI: 0549].
GUTHKE, Karl S. “Der Herkunft des weltliterarischen typus der ‘femme fatale’ aus der deutschen volkssage.” Germanisch Romanische Montsshrift 37 (1956): 294-296. [GGII: 0327].
GUTHKE, Karl S. “F.L. Schroeder, J.F. Regnard, and M.G. Lewis.” Huntington Library Quarterly 27 (1963): 79-82. [GGI: 0554].
GUTHKE, Karl S. “Some Bibliographical Errors Concerning the Romantic Age.” Papers of the Bibliographical Society of America 51 (1957): 159-162. GGI: 0551].
GUTHKE, Karl S. “Some Unpublished Letters of M.G. Lewis.” Notes and Queries 202 (1957): 217-219. [GGI: 0550].
GUTHKE, Karl S. Englische vorromantik und deutscher sturm und drang. M.G. Lewis’ Stellung in der geschichte des deutschen- englischen literaturbeziehungen. Göttinggen, W. Germany: Vandenhoeck and Ruprecht; Palaestra, bAND 223, 1958. [GGI: 0552].
HEIM, William J. “Matthew Gregory Lewis.” Critical Survey of Long Fiction. Ed. frank Magill. Englewood Cliffs, NJ: Salem Press, 1983, IV. 1661-1667. [GGII: 0328].
HENNELLY, Mark M. Jr. “‘Putting My Eye to the Keyhole’: Gothic Vision in The Monk." Journal of Evolutionary Psychology 8 (1987): 289-305. [GGII: 0330].
HENNELLY, Mark M. Jr. “The Monk’s Gothic Bosh and Bosch’s Gothic Monks.” Comparative Literature Studies 24 (1987): 146-164. [GGII: 0329].
HERZFELD, Georg. “Die Eigentliche quelle von Lewis’ Monk.” Archiv für das Stadium der Nueren Sprachen und Literaturen 111 (1903): 316-323. [GGI: 0556].
HERZFELD, Georg. “Eine Neue quelle für Lewis’ Monk.” Archiv für das Stadium der Neuren Sprachen und Literaturen 104 (1900): 310-312. GGI: 0555].
HERZFELD, Georg. “Noch eimal die quelle von Lewis’ Monk.” Archiv für das Neuren Sprachen und literaturen 115 (1905): 70-73. [GGI: 0557].
HOGLE, Jerrold E. “The Ghost of the Counterfeit––and the Closet––in The Monk.” Romanticism on the Net 8 (November, 1997): 14 Mar 1998. [GGIII: 1350]
HOUSTON, JoAnn. “Finding Meaning: A Discussion of Pornography and Eroticism in John Cleland’s Memoirs of a Woman of Pleasure and Some Parallels Between Matthew G. Lewis’s The Monk.” Dissertation Abstracts international 47 (1986): 188A (Florida State University). [GGII: 0331].
IRWIN, Joseph James. M.G. “Monk“ Lewis. Twayne English Authors Series #198. New York: Twayne, 1976. [GGI: 0559].
JANSEN, Peter K. “‘Monk Lewis’ und Heinrich von Kleist.” Kleist Jahrbuch (1984): 25-54. [GGII: 0332].
JONES, Wendy. “Stories of Desire in The Monk.” Journal of English Literary History 57 (1990): 129-150. [GGII: 0333].
KAMIO, Mitsuo. “Repetition and Cross-Reference: Matthew Lewis’ ‘The Monk.’” Nagoya Daigaku Bungakubu Kenkyu Ronshu (1 March 1993): 293-301. [GGIII: 1355]
KAUHL, Gudrun. “Myths of Enclosure and Myths of the Open in The Monk and Wuthering Heights.” Exhibited by Candlelight: Sources and Developments in the Gothic Tradition, eds. Valeria Tinkler Viviani, Peter Davidson, and Jane Stevenson. Amsterdam : Rodopi, 1995. 183-96. [GGIII: 1357]
KAUHL, Gudrun. “On the Release from Monkish Fetters: Matthew Lewis Reconsidered.” Dutch Quarterly Review 19 (1989): 264-280. [GGII: 0334].
KING, Stephen. Introduction. The Monk. Oxford and New York: Oxford University Press, 2002. v-xv. [GGIII: 1358]
KNOWLTON, Edgar C. Jr. “Lewis’s The Monk and Tirant lo Blanch.” Notes and Queries 30 (1983): 64-65. [GGII: 0335].
KOHL, Norbert. “Der Schurke als opfer: Verteufelte sinnlichkeit in Lewis’ Roman Der Mönch.” Der Mönch. Trans. Friedrick Polokovics. Frankfurtau Main, 1986. 527-547. [GGII: 0336].
LÉVY, Maurice. “Le Manuscript du Moine de M.G. Lewis.” Caliban 3 (1966): 129-131. [GGI: 0560].
LÉVY, Maurice. “Le Moine (1796).” Roman et société en angleterre au XVIIIe siècle. Paris: Presses Universitaires, 1978. 197-231. [GGI: 0561].
LÉVY, Maurice. “Matthew G. Lewis, The Monk Bibliographie selective et critique.” Bulletin de la Société d'Éudes Anglo-Americaines des XVIIe et XVIIIe Siécles 21 (1985): 69-83. [GGII: 0337].
LYDENBERG, Robin. “Ghostly Rhetoric: Ambivalence in M.G. Lewis’s The Monk.” Ariel 10 (1979): 65-79. [GGI: 0563].
MACDONALD, D.L. "Matthew Gregory Lewis (1775-1818)." British Reform Writers. 1789-1832. Eds. Gary Kelly & Edd Applegate. Detroit: Gale Research. 1996. 177-183. [GGIV: 0000]
MACDONALD, D.L. “The Isle of Devils: The Jamaican Journal of M.G. Lewis.” Romanticism and Colonialism: Writing and Empire, 1780-1830, eds. Tim Fulford and Peter J. Kitson. Cambridge: Cambridge University Press, 1998. 189-205. [GGIII: 1367]
MACDONALD, D.L . “Reversal, Repression, and Revenge in The Monk.” Selected Proceedings from the Canadian Society for Eighteenth Century Studies/Travaux choisis de la Société Canadienne d‘étude du Dix-huitieme Siècle, XII, eds. Henri Mydlarski and David Oakleaf. Edmonton, Alberta: Academic, 1993. 149-55. [GGIII: 1366]
MACDONALD, D.L. “The Erotic Sublime: The Marvelous in The Monk.” English Studies in Canada 18 (1992): 273-285. [GGII: 0338].
MACDONALD, D.L. Monk Lewis: A Critical Biography. Toronto: University of Toronto Press, 2000. [GGIII: 1368]
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MAGNIER, Mireille. “Le Moine et les superstitions papistes.” Mythes, Croyances et Religions dans le Monde Anglo-Saxon 1 (1985): 93-105. [GGII: 0339].
MAGNIER, Mireille. “Lewis planteur aux indes occidentales." Mythes, Croyances et Religions dans le Monde Anglo-Saxon 4 (1986): 109-116. [GGII: 0340].
MARIGNY, Jean. “The Monk de M.G. Lewis et la pensée revolutionaire.” Cycnos 5 (1989): 105-112. [GGII: 0341].
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MAZUREK, Monika. "Teaching the Gothic Novel: The Gothic Spaces of Spain in Matthew G. Lewis's The Monk." New Trends in Higher Education. Eds. Ignacio Ramos, A Jesús Moya Guijarro, Jose Ignacio Albentosa Hernández. Colección Estudios 122. Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 2008. 331-338.
MC ALLISTER, Harold S. “Apology for Bad Dreams: A Study of Characterization and the Use of Fantasy in Clarissa, Justine, and The Monk.” Dissertation Abstracts International 32 (1972): 6383A (University of New Mexico). [GGI: 0564].
MC EVOY, Emma. Introduction and Notes to The Monk. Oxford and New York: Oxford University Press, 1998. vii-xl. [GGIII: 1376]
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MC LEAN, Clara D. “Lewis’s The Monk and the Matter of Reading." Women, Revolution, and the Novels of the 1790s, ed. Linda Lang-Peralta. East Lansing : Michigan State University Press, 1999. 111-32. [GGIII: 1377]
MEADOWS, Becky Lee. "The Consciousness of Damnation: A Hermeneutical Phenomenology of the Self in Matthew Lewis' The Monk." Ph.D dissertation, University of Louisville, 2008.
MELLERSKI, Nancy Caplan, “The Exploding Matrix: The Episode of the Bleeding Nun in M.G. Lewis’s Monk.” Forms of the Fantastic. Eds. Jan Hokenson, Howard Pearce. New York: Greenwood, 1986. 41-47. [GGII: 0343].
MESSIER, Vartan. "Canons of Transgression: Shock, Scandal, and Subversion from Matthew Lewis's The Monk to Bret Easton Ellis's American Psycho." Dissertation Abstracts International 43:4 (2005): 1085 (University of Puerto Rico, Mayaguez). [GGIV: 0000]
MEYER, Michael. “Let’s Talk About Sex: Confessions and Vows in The Monk.”Arbeiten aus Anglistik und Amerikanistik, 28 (1995): 307-16. [GGIII: 1380]
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MULMAN, Lisa Naomi. “Sexuality on the Surface: Catholicism and the Erotic Object in Lewis’s The Monk.” Bucknell Review 41:2 (1998): 98-110. [GGIII: 1382]
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PECK, Louis F. “Lewis’s Monk.” London Times Literary Supplement (March 4, 1935): 148. [GGI: 0567].
PECK, Louis F. “The Monk and Le Diable Amoureux.” Modern Language Notes 68 (1953): 406-408. [GGI: 0572].
PECK, Louis F. “The Monk and Musäus Die Entführung.” Philological Quarterly 32 (1953): 346-348. [GGI: 0571].
PECK, Louis F. “Act III of Lewis’s Venoni.” Modern Language Notes 58 (1943): 265-268. [GGI: 0569].
PECK, Louis F. “An Adaptation of Kleist’s Die Familie Schroffenstein.” Journal of English and Germanic Philology 44 (1945): 9-11. [GGI: 0570].
PECK, Louis F. “An Early Copy of The Monk.” Papers of the Bibliographical Society of America 57 (1963): 350-351. [GGI: 0574].
PECK, Louis F. “New Poems by Matthew G. Lewis.” Archiv für das Stadium der Neuren Sprachen und Literaturen 203 (1967): 189-194. [GGI: 0576].
PECK, Louis F. “On the Date of Tales of Wonder.” English Language Notes 2 (1964): 25-27. [GGI: 0575].
PECK, Louis F. A Life of Matthew G. Lewis. Cambridge, MA: Harvard UP, 1961. [GGI: 0573].
PICHOIS, Claude. “Actualité du Moine.” Mercure de France 334 (1958): 512-516. [GGI: 05-77].
PICOT, Jean-Pierre. “Lewis, Hoffmann, Gogol, Gautier: Du Status de l‘identité au cérémonial de la mort dans le récit fantastique.” Littératures 5 (1982): 19-35. [GGII: 0344].
POLLOCK, Jonathan. Jonathan Pollock presenté le Moine (de Lewis) d’Antonin Artaud. Paris: Gallimard, 2002. [Jonathan Pollock Presents Lewis’s Monk of Antonin Artaud]. [GGIII: 1397]
PORÉE, Marc. “Roman gothique de montage film-ique (The Monk de M. Lewis, 1794).” MONTAGES/ COLLAGES. Ed. Bertrand Rougé. Pau : Pubs. de l‘Univ. de Pau , 1993: 85-96. [Gothic Novel and Filmic Montage]. [GGIII: 1398]
POUND, Louise. “‘Monk’ Lewis in Nebraska.” Southern Folklore Quarterly 9 (1945): 107-110. [GGI: 0579].
PRAZ, Mario. “Matthew Gregory Lewis’s ‘Gothic Novel’: The Monk.” In Le Romantisme anglo-américaine: Melanges offerts à Louis Bonnerot. Paris: Didier, 1971. [GGI: 0580].
RENO, Robert P. “James Boaden’s Fontainville Forest and Matthew G. Lewis’s The Castle Spectre: Challenges of the Supernatural Ghost on the Late Eighteenth-Century Stage." Eighteenth-Century Life 9 (1984): 95-106. [GGII: 0346].
RENTSCH, Max. Matthew Gregory Lewis: Mit Besonderer berücksichtigung seines romans “Ambrosio” or, The Monk. Leipzig, Germany: Pöschel und Trepte, 1902. [GGI: 0584].
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ROMERO, Christiane Z. “M.G. Lewis’ The Monk and E.T.A. Hoffmann’s Die Elixiere des Teufels: Two Versions of the Gothic.” Neophilologus 63 (1979): 574-582. [GGI: 0588].
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