Manifestations of the Gothic in Popular Culture

ABARTIS, Cæsarea. “Ugly-Pretty, Dull-Bright, Weak-Strong Girl in the Gothic Mansion.” [GGI: 2239].

ALLEN, Jeanne. “Harlequins, Gothics, and Soap Operas: Addressing Needs and Masking Fears.” [GGII: 14-32].

ARNZEN. Michael Andrew. “The Popular Uncanny.” Dissertation Abstracts International 60:8 (2000): 2985 (University of Oregon).

BIRKERTS, Sven. “Gothic Feminism.” Mirabella 3:2 (1991): 40-44.

BIRKERTS, Sven. “Aftergothic: consumption, machines, and black holes.” The Cambridge Companion to Gothic Fiction. Ed. Jerrold E. Hogle. Cambridge, UK: Cambridge University Press, 2002. 277-300.

BIRKERTS, Sven . “Gothic Schock: Modernity, Supernature, and Technology.” Asthetische Erfindung der Moderne? Perspektiven und Modelle. Eds. Britta Hermann und Barbara Thums. Wurzburg, Germany: Konigshausen und Neumann, 2003. 215-29.

BOTTING, Fred. “Reading Machines.” Gothic Technologies: Visuality in the Romantic Era. Romantic Circles Praxis Series (December 2005): www.rc.umd/praxis/gothic/abstracts.html

BOTTING, Fred. “Hypocrite Vampire...” Gothic Studies 9:1 (2007): 16.34.

BOWMAN, Barbara. “Victoria Holt’s Romances: A Structuralist Inquiry.” The Female Gothic. [GGI: 1433].

BRABON, Benjamin & Stephanie GENZ. “Introduction: Postfeminist Gothic.” Gothic Studies 9:2 (2007): 1-6.

BRAUDE, Anne. “Women Who Run with Werewolves: The Evolution of the Postfeminist Gothic Heroine.” NIEKAS 45: Essays on Dark Fantasy. Center Harbor, NH: Niekas Publications, 1998: 103-12.

BURGESS, Anthony. “‘Boo.’” [GGI: 2239A].

CHANEY, Michael A. and Jason H. LINDQUIST. “The Gothic Aesthetics of Eminem.” Gothic Studies 9:1 (2007): 57-68.

DANGAARD, Colin. “She’s Queen of Sexy Gothic.” [GGI: 1434].

DANIELS, Les. Living in Fear: A History of Horror in the Mass Media. [GGI: 2240].

DAVIS, Robert Murray. “Gothic Space and the Disintegration of the Hero.” Playing Cowboys: Low Culture and High Art in the Western. Norman, OK: Oklahoma University Press, 1992. 58-92.

DAYAN, Joan. “The Blue Room in Florence.” Gothic Studies 1 (1999): 86-100.

DRUCE, Robert. “Pulex Defixus, or, The Spell-bound Flea: An Excursion into Porno Gothic.” Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. Eds. Valeria Tinkler Viviani, Peter Davidson, Jane Stevenson. Amsterdam : Rodopi, 1995. 221-42.

DU PLESSIS, Michael. "'Goth Damage' and Melancholia: Reflections on Posthuman Gothic." Goth: Undead Subculture. Eds. Lauren Goodlad, Michael Bibbly. Durham: Duke University Press, 2007. 155-168.

ESTÉS, Clarissa Pinkola. Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. New York : Ballantine, 1995.

FOSTER, Ray. “Chicago Gothic.” [GGII: 1435].

GAMBLE, Sarah. “North-East Gothic: Surveying Gender in Pat Barker's Fiction.” Gothic Studies 9:2 (2007): 71-82.

GILLIS, Stacy. “The (Post) Feminist Politics of Cyberpunk.” Gothic Studies 9:2 (2007): 7-19.

GODDU, Teresa A. “Bloody Daggers and Lonesome Graveyards: The Gothic and Country Music.” South Atlantic Quarterly 94 (1995): 57-80.

HANTKE, Steffen. “Deconstructing Horror: Commodities in the Fiction of Jonathan Carroll and Kathe Koja.” Journal of American Culture 18:3 (1995): 41-57.

HARDACK, Richard. “From Southern Gothic to Postmodern Anonymity: R.E.M. and the Globalization of American Popular Music.” Journal-x: A Journal in Culture and Criticism 3:1 (1998): 79-110.

HINDS, Elizabeth Jane Wall. “The Devil Sings the Blues: Heavy Metal, Gothic Fiction, and Postmodern Discourse.” [GGII: 1436].

HOLMES, Trevor. “(Un)Becoming Goth: Poppy Z. Brite, Courtney Love and Gothic Biography.” Gothic Studies 9:1 (2007): 69-78.

HOLMES, Trevor M. “Peri Gothous: On the Art of Gothicizing Gender.” Goth: Undead Subculture. Eds. Lauren M.E. Goodlad, Michael Bibby. Durham: Duke University Press, 2007. 79-88.

INGEBRETSEN, Edward J. “Gothic Returns: Haunts and Profits.” At Stake: Monsters and the Rhetoric of Fear in Public Culture. Chicago: University of Chicago Press, 2001. 19-41.

JENNINGS, Gary. “Heathcliff Doesn’t Smoke L & Ms.” [GGI: 2243].

JOHNSON, Tracy. “The Fear Industry: Women, Gothic, and Contemporary Crime Narrative.” Gothic Studies 4 (2002): 44-62.

JONES, Robert. The Shudder Pulps. [GGI: 2244].

KAKUTANI, Michiko. “Why Do Americans Gorge on Gothic?” New York Times 14 November 1997: B50.

LANGDON, Dolly. “Have You Read a Best-Selling Gothic Lately? Chances Are It Was by V.C. Andrews.” [GGII: 1437].

LAITY, K.A. “Clive Barker's Queering of the Conservative Bent of Horror Literature.” Horrifying Sex: Essays on Sexual Difference in Gothic Literature. Ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007. 248-258.

LEDWON, Lenora. “Twin Peaks and the Television Gothic.” [GGII: 1438].

MAIO, Kathleen L. “Had-I-But-Known: The Marriage of Gothic Terror and Detection.” The Female Gothic. [GGII: 1440].

MARIUS, Richard C. “Goodbye to Gothic: On Finding Oneself in the Camp of the Enemy.” Soundings 79: 1-2 (1996): 79-93.

MARTIN, Sara. “Gothic Scholars Don’t Wear Black: Gothic Studies and Gothic Subcultures.” Gothic Studies 4 (2002): 28-43.

MCCONNELL, Kathleen. “Dark Angel: A Recombinant Pygmalion for the Twenty First Century.” Gothic Studies 4 (2002): 178-90.

MCCRACKEN, Scott. “Gothic Horror.” Pulp: Reading Popular Fiction. New York: St. Martin’s Press, 1998. 129-53.

MCEVOY, Emma.“‘Now who will be the witness/When you're all too healed to see?’: The Sad Demise of Nick Cave.” Gothic Studies 9:1 (2007): 79-88.

MIESS. Julie. “Another ‘Gendered Other’? The Female Monster-Hero." Horrifying Sex: Essays on Sexual Difference in Gothic Literature. Ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007. 233-247.

MODLESKI, Tania. “Popular Feminine Narratives: A Study of Romances, Gothics, and Soap Operas.” [GGI: 2246].

MODLESKI, Tania. Loving with a Vengeance: Mass Produced Fantasies for Women. [GGII: 1441].

MOSS, Anita. “Gothic and Grotesque Effects in Virginia Hamilton’s Fiction,” The ALAN Review 19:2 (1992): 16-28.

MUSSELL, Kay Johnson. “The World of Modern Gothic Fiction: American Women and Their Social Myths.” [GGI: 2247].

MUSSELL, Kay Johnson . “Beautiful and the Damned: The Sexual Women in Gothic Fiction.” [GGI: 2248] .

MUSSELL, Kay Johnson . “Gothic Novels.” Handbook of American Popular Culture. [GGI: 2249] .

MUSSELL, Kay Johnson . “‘But Why Do They Read Those Things?’ The Female Audience and the Gothic Novel.” The Female Gothic. [GGII: 1442] .

MUSSELL, Kay Johnson. Fantasy and Reconciliation: Contemporary Formulas of Women’s Romance Fiction. [GGII: 1443].

NICHOLS, Lewis. “The Gothic Story.” [GGI: 2250].

OLIVARES-MERINO, Julio Angel. “Once Upon the Sleeping Canon: Literary Lustre in Cradle of Filth’s Wintry Romances.” Journal of Dracula Studies 3 (2001): 20-26.

PACE, Eric. “Gothic Novels Prove Bonanza for Publishers.” [GGI: 2251].

PACE, Eric. “Pulp Feminists: Gothic Liberation.” [GGI: 22-52].

PALMER, Paulina. “The Lesbian Vampire: Transgressive Sexuality.” Horrifying Sex: Essays on Sexual Difference in Gothic Literature. Ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007. 203-232.

RADWAY, Janice A. “The Utopian Impulse in Popular Literature: Gothic Romances and ‘Feminist’ Protest.” [GGI: 2253].

RADWAY, Janice A. “The Æsthetic in Mass Culture: Reading the ‘Popular’ Literary Text.” The Structure of the Literary Process: Studies Dedicated to the Memory of Felix Vodicka. [GGII: 1445].

RUGGIERO, Josephine and Louise C. WESTON. “Sex-Role Characterization of Women in ‘Modern Gothic’ Novels.” Pacific Sociological Review 20 (1977): 292-300.

RUSS, Joanna. “Somebody’s Trying to Kill Me and I Think It’s my Husband: The Modern Gothic.” [GGI: 22-54].

SMITH, R.M. “Valerie Martin’s Re-Visionary Gothic: The Example of Sea Lovers.” [GGII: 1447].

SNITOW, Ann Barr. “Mass Market Romance: Pornography for Women is Different.” Radical History Review 20 (1979): 141-61.

SPOONER, Catherine. “Introduction: Gothic in Contemporary Popular Culture.” Gothic Studies 9:1 (2007): 1-4.

STASIAK, Lauren. “‘When You Kiss Me I Want to Die’: Buffy the Vampire Slayer and Gothic Family Values." Goth: Undead Subculture. Eds. Lauren Goodlad, Michael Bibbly. Durham: Duke University Press, 2007. 307-315.

TOTH, Csaba. “‘Like Cancer in the System’: Industrial Gothic, Nine Inch Nails, and Video Tape.” Gothic: Transmutations of Horror in Late Twentieth-Century Art. Ed. Christoph Grunenberg. Cambridge, MA: MIT Press, 1997. 80-90. [nota bene: page numbers are inverted throughout this book].

UNSIGNED. “Books: Forbidden and Gothic.” Vogue 1 September 1992: 380.

UNSIGNED. “Heathcliffs, Cliff-Hangers.” [GGI: 2242].

WARWICK, Alexandra. “Feeling Gothicky.” Gothic Studies 9:1 (2007): 5-15.

WHITNEY, Phyllis. “Gothic Mysteries.” The Mystery Story. [GGII: 1448].

WHITNEY. Phyllis. “Satisfying Element.” The Writer 78 (1965): 11-14.

WHITTAKER, Jason. “Dark Webs: Goth Subcultures in Cyberspace.” Gothic Studies 9:1 (2007): 35-45.

WILSON, William. “Riding the Crest of the Horror Craze.” [GGI: 2259].