................................Elizabeth Poe........................ Poe in 1845..........................Virginia Clemm Poe..............................

Internet Resources: A Poe Webliography   The Poe Society   Poe Studies Association

ALLEN, Bruce. “Delight and Terror.” [GGI: 1516]. 

ALLEN, Michael. Poe and the British Magazine Tradition. [GGI: 1517]. 

AMPER, Susan. “Masters of Deceit: Poe’s Lying Narrators.”  Dissertation  Abstracts  International  62:1 (2001): 169 (Fordham University).

BENNETT, Maurice. “‘The Madness of Art’: Poe’s ‘Ligeia’ as Metafiction.” [GGI: 1519].

BERRYMAN, Charles. “Hawkes and Poe.” [GGII: 0927]. 

BIANCHI, Ruggiero. E.A. Poe dal gotico alla fantacienza: Saggi de letteratura comparata. [GGI: 1520]. 

BLEILER, E.F. “Edgar Allan Poe.” In Supernatural Fiction Writers. [GGII: 0928]. 

BLOCH, Robert. “Poe and Lovecraft.” In H.P. Lovecraft:  Four Decades of Criticism. [GGI: 1522]. 

BLYTHE, Hal and Charlie SWEET. “Poe’s Satiric Use of Vampirism in ‘Berenice.’” [GGI: 1523]. 

BODY, Lois Maurine. “The Influence of the Gothic Novel on the Works of Edgar Allan Poe.” [GGII: 0929].

BRANAM, Amy C. “Poe and Early (Un) American Drama.” Dissertation Abstracts International 66:4 (2005): 1354 (Marquette University).

BRENNAN, Matthew C. “Poe’s Gothic Sublimity: Prose Style, Painting, and Mental Boundaries in ‘The Fall of the House of Usher.’” [GGII: 0930] . 

BROWN, Byron K. “John Snart’s Thesaurus of Horror: An Indirect Source of Poe’s ‘The Premature Burial’ ?” American Notes and Queries: A Quarterly Journal of Short Articles, Notes, and Reviews. 8:3 (1995): 11-14.

BUDICK, Emily M. “Gothic Idealism in the Works of Edgar Allan Poe.” [GGI: 1524]. 

BUDICK, Emily M. “Poe’s Gothic Idea: The Cosmic Geniture of Horror.” [GGI: 1525]. 

BURDUCK, Michael L. Grim Phantasms: Fear in Poe’s Short Fiction. [GGII: 0931]. 

BURT, Donald C. “Poe, Bradbury, and the Science Fiction Tale of Terror.” [GGI: 2213A]. 

BUTLER, David W. “Usher’s Hypochondriasis: Mental Alienation and Romantic Idealism in Poe’s Gothic Tale.” [GGI: 1526]. 

CAIRNS, William B. “Poe’s Use of the Horrible.” [GGI: 1527]. 

CARLSON, Eric W. “‘William Wilson’: The Double as Primal Self.” [GGI: 1528]. 

CARTER, Boyd. “Poe’s Debt to Charles Brockden Brown.” [GGI: 1529]. 

CLARK, David Lee. “Sources of Poe’s ‘The Pit and the Pendulum.’” [GGI: 1530]. 

CLARK, Richard. “‘The ‘Homely,’ the ‘Wild,’ and the Horror of ‘Mere Household Events’: The Aristotelian Poetics of ‘The Black Cat.’” Short Story, ( Brownsville, Texas ) 4:1(1996 ): 57-68.

CLIFTON, Michael. “Down Hecate’s Chain: Infernal Inspiration in Three of Poe’s Tales.” [GGII: 0932]. 

COALE,   Samuel.  “The  Primitive  Poe:  Radical  Awareness of His Gothic Art.” [GGI: 1531]. 

COBB, Palmer. The Influence of E.T.A. Hoffmann on the Tales of Edgar Allan Poe. [GGI: 1536]. 

COBB, Palmer. “Poe and Hoffmann.” [GGI: 1533]. 

COLLINS, Gerard. “Effect and Combination: Originality  in Poe’s Gothic Tales.” Master’s  Thesis,  Acadia  University , 1996.

CONGER, Syndy M. “Another Secret of the Rue Morgue: Poe’s Transformation of the Geisterseher Motif.” [GGII: 0933]. 

CRONIN, James E. “Poe’s Vaults.” [GGI: 1535]. 

DAMERON, J. Lasley. Edgar Allan Poe: A Checklist of Criticism: 1942-1960. [GGI: 1536]. 

DAMERON, J. Lasley and Irby B. CAUTHEN JR. Edgar Allan Poe: A Bibliography of Criticism, 1827-1927. [GGI: 1537].  

DELORDE, Andre. “Fear in Literature.” [GGII: 09-34].

DISCH, Thomas M. “Luncheon in the Sepulcher: Poe in the Gothic Tradition” (xxx). In On SF. Ann Arbor: University of Michigan Press, 2005.

DOLAN, Marc. “'Neither in nor out of Blackwood's': The Marketing of Edgar Allan Poe's Prose Address.“ Dissertation Abstracts International 65:12 (2005): City University of New York).

DOUGHERTY, Stephen D. “Poe and the Sacred Nation: Race, Imperialism and Enlightenment in Antebellum America,” Dissertation Abstracts International 60:5 (1999): 1556 (Indiana University).

DOUGHERTY, Stephen D. “Dreaming the Races: Biology and National Fantasy in ‘The Fall of the House of Usher.’” Henry Street: A Graduate Review of Literary Studies 7:1 (1998): 17-39.

DOUGHERTY, Stephen D. “Foucault in the House of Usher: Some Historical Permutations in Poe’s Gothic.” Papers on Language and Literature 37 (2001): 3-24.

ELBERT, Monika. “Poe’s Gothic Mother and the Incubation of Language.” Poe Studies 26:1-2 (1993): 22-33.

ENGEL, Leonard W. “Claustrophobia, the Gothic Enclosure, and Poe.” [GGII: 0935]. 

ESTREN, Mark James. “Horrors Within and Without: A Psychoanalytic Study of Edgar Allan Poe and Howard Phillips Lovecraft.” [GGI: 1542]. 

EVANS, Oliver. “Infernal Illumination in Poe.” [GGII: 0936]. 

FIORINI, Debra Ann. “Religion, Sex, and Vampires: A study of the Gothic literature of Poe, Stoker, and [Laurell K.] Hamilton .” Author(s): Master’s Thesis, California State University , Dominguez Hills, 2000.

FISHER, Benjamin Franklin IV. “Gothic Techniques in Poe’s Short Stories.” [GGI: 1543].

FISHER, Benjamin Franklin IV . “Poe’s ‘Metzengerstein Not a Hoax.” [GGI: 1544] .

FISHER, Benjamin Franklin IV . “Blackwood Articles à la Poe: How to Make a False Start Pay.” [GGI: 1545] . 

FISHER, Benjamin Franklin IV . “The Flights of a Good Man’s Mind: Gothic Fantasy in Poe’s ‘The Assignation.’” [GGII: 0937] . 

FISHER, Benjamin Franklin IV . “Poe, Edgar Allan (1809-49)” (pp. 173-80). In The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998 .

FISHER, Benjamin Franklin IV . “Poe and the Gothic Tradition” (pp. 72-91). In The Cambridge Companion to Edgar Allan Poe, ed. Kevin J.  Hayes. Cambridge, UK: Cambridge University Press, 2002 .

FORCLAZ, Roger. “A Source for ‘Berenice’ and a Note on Poe’s Reading.” [GGI: 1547]. 

FORCLAZ, Roger. “Poe et le roman noir.” [GGII: 0938]. 

FRANK, Adam. “Symptom and Sensation in Edgar Allan Poe, Emily Dickinson, and Gertrude Stein.” Dissertation Abstracts International 58:12 (1998): 4653A (Duke University).

FRANK, Frederick S. “The Aqua-Gothic Voyage of ‘A Descent into the Mælström.’” [GGI: 1549]. 

FRANK, Frederick S . “Poe’s House of the Seven Gothics: The Fall of the Narrator in ‘The Fall of the House of Usher.’” [GGI: 1550] .

FRANK, Frederick S . “The Gothic at Absolute Zero: The Narrative of Arthur Gordon Pym.” [GGI: 1551] . 

FRANK, Frederick S . “Neighborhood Gothic: Poe’s ‘Tell-Tale Heart.’” [GGI: 1552] . 

FRANK, Frederick S . “Polarized Gothic: An Annotated Bibliography of Poe’s Narrative of Arthur Gordon Pym.” [GGI: 1553] . 

FRANK, Frederick S . “Introduction.” To  Special Poe Issue of The Sphinx: A Magazine of Literature and Society. [GGII: 09-39] . 

FRANK, Frederick S . “Poe’s Gothicism: An Analytic Bibliography.” [GGII: 0940] . 

FRANK, Frederick S. “Edgar Allan Poe (1809-1849)” (pp. 330-43). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.

FRANK, Frederick S. and Anthony MAGISTRALE. The Poe Encyclopedia. Westport, CT: Greenwood Press, 1997.

FRIEDL, Herwig. “Die Bedeutung der perspektive in den landschaftsskizzen von Edgar Allan Poe.” [GGI: 1555]. 

FURROW, Sharon. “Psyche and Setting: Poe’s Picturesque Landscapes.” [GGI: 1556]. 

GALLOWAY, David. “Introduction.” To  Edgar Allan Poe: Selected Writings. [GGI: 1557]. 

GARGANO, James W. “The Question of Poe’s Narrators.” [GGI: 1558]. 

GARRISON, Joseph M. Jr. “The Function of Terror in the Work of Edgar Allan Poe.” [GGI: 1559]. 

GAUER, Denis. “‘The Tell-Tale Heart de Poe’: Angoisse et stratégie littéraire.” [GGII: 0941].

GIDDINGS, Robert. “Poe: Rituals of Life and Death.” In American Horror Fiction: From Brockden Brown to Stephen King. [GGII: 0942]. 

GINSBERG, Lesley. “Slavery and the Gothic Horror of Poe’s ‘The Black Cat’” (pp. 99-128). The American Gothic: New Interventions in a National Narrative, eds. R.K. Martin and Eric Savoy. Iowa City: University Iowa Press, 1998.

GRANGER, Byrd Howell. “Devil Lore in ‘The Raven.’” [GGI: 1560]. 

GRIFFITH, Clark. “Poe’s ‘Ligeia’ and the English Romantics.” [GGI: 1561]. 

GRIFFITH, Clark. “Poe and the Gothic.” In Papers on Poe: Essays in Honor of John Ward Ostrom. [GGI: 1562]. 

GRUENER, Gustav. “Notes on the Influence of E.T.A. Hoffmann upon Edgar Allan Poe.” [GGI: 1563]. 

GUILDS, John C. Jr. “Poe’s Vaults Again.” [GGI: 1564]. 

HALLIBURTON, David G. “The Grotesque in  American Literature: Poe, Hawthorne, and Melville.” [GGI: 1566].

HARTMANN, Jonathan. “'Neither in nor out of Blackwood's': The Marketing of Edgar Allan Poe's Prose Address.” Dissertation Abstracts International 65:12 (2005): 4564 (City University of New York).

HELLER, Terry. “Poe’s ‘Ligeia’ and the Pleasures of Terror.” [GGI: 1567]. 

HENRY, Katherine. “Life-in-Death: The Monstrous Female and the Gothic Labyrinth in [James Cameron's] Aliens and 'Ligeia'” (27-39). In Horrifying Sex: Essays on Sexual Difference in Gothic Literature, ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007.

HIRSCH, David H. “The Pit and the Apocalypse.” [GGI: 1568]. 

HIRSCH, David H. “Another Source for ‘The Pit and the Pendu-lum.’” [GGI: 1569].

HOFFMAN, Daniel. “Poe’s Obsessive Themes.” In The Origins and Originality of American Culture. [GGII: 0943]. 

HOFFMAN, Daniel. Poe Poe Poe Poe Poe Poe Poe. Garden City, NY:  Doubleday, 1972.

HOFFMAN, Michael J. “The House of Usher and Negative Romanticism.” [GGI: 1570].

HUSTIS, Harriet. “‘Reading Encrypted but Persistent’: The Gothic of Reading and Poe’s ‘The Fall of the House of Usher.’” Studies in American Fiction 27 (1999): 3-20.

HYNEMAN, Esther F. Edgar Allan Poe: An Annotated Bibliography of Books and Articles in English 1827-1973. [GGI: 1571]. 

KELLY, Thomas B. “Poe’s Gothic Masques.” [GGI: 1572]. 

KEMPER, Steven E. “Poe, Twain, and Limburger Cheese.” [GGII: 0944]. 

KENDALL, Lyle H. Jr. “The Vampire Motif in ‘The Fall of the House of Usher.’” [GGI: 1573]. 

KENNEDY, J. Gerald. “Phantasms of Death in Poe’s Fiction.” In The Haunted Dusk: American Supernatural Fiction, 1820-1920. [GGII: 0945]. 

KENNEDY, Veronica M.S. “Gothic: Ghastly, Gruesome, and Romantic.” [GGII: 0946]. 

KERLIN, R.T. “Wieland and ‘The Raven.’” [GGI: 1574]. 

LAWES, Rochie. “The Dimensions of Terror: Ma-thematical Imagery in ‘The Pit and the Pendulum.’” [GGII: 0947]. 

LAWSON, Lewis A. “Poe’s Conception of the Gro-tesque.” [GGI: 1575]. 

LECERCLE, Ann. “l’inscription du Regard.” In Du Fantastique en littérature: Figures et figuration: Eléments pour une poétique du fantastique sur quelques exemples anglo-saxons. [GGII: 0948]. 

LENZ, William E. “Poe’s Arthur Gordon Pym and Narrative Techniques of Antarctic Gothic.” [GGII: 0949]. 

LÉVY, Maurice. “Edgar Poe et la tradition ‘Go-thique.’” [GGI: 1576]. 

LEVY, Maurice. “Poe and the Gothic Tradition.” [GGI: 1577].

LEWIS, Paul. “The Intellectual Functions of Gothic Fiction: Poe’s ‘Ligeia’ and Tieck’s ‘Wake Not the Dead.’” [GGI: 1579]. 

LEWIS, Paul. “A ‘Wild’ and ‘Homely Narrative Resisting Argument in “The Black Cat.’” Poe Studies 35 (2002): 1-13.

LIND, Sidney E. “Poe and Mesmerism.” [GGI: 15-80]. 

LJUNGQUIST, Kent P. “Uses of the Dæmon in Selected Works of Edgar Allan Poe.” [GGI: 1581]. 

LLACER LLORCA, Eusebio V. “La traduccion del terror, un enfoque integrador: Propuesta de traduccion de ‘The Masque of the Red Death,’ ‘The Pit and the Pendulum’ y ‘The Cask of Amontillado.’” Doctoral Dissertation, Universitat de Valencia, 1995. [The Translation of Terror, a Focusing Integrator: Proposal for the Translation of “The Masque of the Red Death,” “The Pit and the Pendulum,” and “The Cask of Amontillado”].

LLOYD-SMITH, Alan Gardner. “Edgar Allan Poe, the Will, and Horror Fiction.” In American Fictions: New Readings. [GGII: 0950]. 

LLOYD-SMITH, Alan Gardner. “The Romantic Uncanny: Poe’s Horror Fiction” In Uncanny American Fiction: Medusa’s Face. [GGII: 09-51].

MABBOTT, Thomas O. “Poe’s Vaults.” [GGI: 15-83]. 

MAGISTRALE, Tony. Student Companion to Edgar Allan Poe. Westport, CT: Greenwood Press, 2001.

MAGISTRALE, Tony and Sidney POGER. Poe’s Children: Connections Between Tales of Terror and Detection. New York : Peter Lang, 1999.

MAINVILLE, Stephen. “Language and the Void: Gothic Landscapes in the Frontiers of Edgar Allan Poe.” [GGI: 1584]. 

MAROVITZ, Sanford E. “Poe’s Reception of C.W. Webber’s Gothic Western, ‘Jack Long; or, The Shot in the Eye.’” [GGI: 1586]. 

MARRS, Robert L. “‘The Fall of the House of Ush-er’: A Checklist of Criticism Since 1960.” [GGI: 1587].

MARTIN, John Edward. “Disquieting Intimacies: Confession and the Gothic Poet in Edgar Allan Poe and Emily Dickinson.” Dissertation Abstracts International 67:8 (2007): 2987 (Northwestern University). [GGIV: 0000]. 

MATTHIESSEN, F.O. “Poe.” [GGI: 1588]. 

MERIVALE, Patricia. “The Raven and the Bust of Pallas: Classical Artifacts and the Gothic Tale.” [GGI: 15-91].

MERIVALE, Patricia. “Gumshoe Gothics: ‘The Man of the Crowd’ and His Followers” (pp.163-79). In Narrative Ironies, eds. Raymond Prier, Gerald Gillespie. Amsterdam, Netherlands : Rodopi, 1997.

MERTON, Orren. “Coleridge and Poe: Gothic Dread through Narration.” Master’s Thesis, California State University, Long Beach , 1995.

MOONEY, Stephen L. “Poe’s Gothic Wasteland.” [GGI: 1594]. 

MORRISON, Claudia C. “Poe’s ‘Ligeia’: An Analysis. [GGI: 1595]. 

MOSIG, Dirk W. “Poe, Hawthorne, and Lovecraft: Variations on a Theme of Panic.” [GGII: 0953]. 

NADAL, Marita. “Beyond the Gothic Sublime: Poe’s Pym or the Journey of Equivocal (E)motions.” Mississippi Quarterly 5 (2000): 373-89.

NEWLIN, Paul A. “The Uncanny in the Supernatural Fiction of Poe, Hawthorne, and James.” [GGI: 1596]. 

OLIBONI, Mario Fernando. “Friccao, fissura, e que-da da casa de Usher.” [GGII: 0954]. 

PIKE, Judith. “Poe and the Revenge of the Exquisite Corpse.” Studies in American Fiction 26 (1998): 171-92.

PITCHER, Edward W.R. “Beyond ‘Gothic’ Flummery: A Cosmoramic View of Poe’s Symbolism and Ideas.” [GGII: 0955]. 

POLLIN, Burton R. “Poe and Godwin.” [GGI: 15-98]. 

PUNTER, David. “Death, Femininity and Identification: A Recourse to ‘Ligeia.’” Women’s Writing 1: 2 (1994): 215-28.

RAJAN, Gita. “A Feminist Rereading of Poe’s ‘Tell-Tale Heart.’” [GGII: 0956]. 

RICHMOND, Lee J. “Edgar Allan Poe’s ‘Morella’: Vampire of Volition.” [GGI: 1601]. 

RIDDEL, Joseph N. “The ‘Crypt’ of Edgar Poe.” [GGI: 1602]. 

RIGGIO, Thomas P. “American Gothic: Poe and An American Tragedy.” [GGI: 1603]. 

RINGE, Donald A. “Poe’s Debt to Scott in ‘The Pit and the Pendulum.’” [GGI: 1604]. 

ROBERTS, James Lamar. Poe’s Short Stories: Notes. Boulder, CO : Net Library, 2000.

SALAS, Claudio Damian. “The Tell-Tale Ending: The Poetics of Closure in Poe’s Short Stories.” Master’s Thesis, University of Puerto Rico , 1999.

SALZBURG, Joel. “The Gothic Hero in Transcendental Quest: Poe’s ‘Ligeia’ and James’s ‘The Beast in the Jungle.’” [GGI: 1605].

SCHNEPF, Chester. The Protagonist's Dilemma in Poe and Le Fanu: The Emergence of the Modern Gothic Tradition. Walddoboro, ME: Goose River Press, 2003. 

SENELICK, Laurence. “Charles Dickens and ‘The Tell-Tale Heart.’” [GGI:1606].

SHELDEN, Pamela J. “Poe’s Urban Nightmare: ‘The Man of the Crowd’ and the Gothic Tale.” [GGI: 1607]. 

SHELDEN, Pamela J. “‘True Originality’: Poe’s Manipulation of the Gothic Tradition.” [GGI: 1608]. 

SIEGEL, Gerald. “The Poe-esque Tale in American Magazines, 1830-1860.” [GGI: 1609]. 

SLOANE, David E.E. “Gothic Romanticism and Rational Empiricism in Poe’s ‘Berenice.’” [GGI: 1610]. 

SLOANE, David E.E. “Poe’s Revisions in ‘Berenice’: Beyond the Gothic.” [GGI: 1611]. 

STABLEFORD, Brian. “POE, Edgar Allan” (453-55). In St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.

STADE, George. “Horror and Dissociation with Examples from Edgar Allan Poe.” In Split Minds/Split Brains: Historical and Current Perspectives. [GGII: 0957].

ST. ARMAND, Barton Levi. “The ‘Mysteries’ of Edgar Poe: The Quest for a Monomyth in Gothic Literature.” [GGI: 1613]. 

STEIN, William Bysshe. “The Twin Motif in ‘The Fall of the House of Usher.’” [GGI: 1614]. 

STEPP, Walter. “The Ironic Double in Poe’s ‘The Cask of Amontillado.’” [GGI: 1615]. 

STOEHR, Taylor. “Unspeakable Horror in Poe.” [GGI: 1616]. 

STONE, Edward. “Usher, Poquelin, and Miss Emily: The Progress of Southern Gothic.” [GGI: 1617]. 

SULLIVAN, Ruth. “William Wilson’s Double.” [GGI: 1620]. 

SUMMERS, Montague. “Poet of Fear.” [GGII: 09-58]. 

SWANN, Charles. “Poe and Maturin––A Possible Debt.” [GGII: 0959]. 

THOMPSON, G.R. “Poe’s Romantic Irony: A Study of the Gothic Tales in a Romantic Context.” [GGII: 0960].

THOMPSON, G.R . “Poe’s ‘Flawed’ Gothic: Absurdist Techniques in ‘Metzengerstein’ and the Courier Satires.” [GGI: 1622] . 

THOMPSON, G.R . “‘Proper Evidences of Madness’: American Gothic and the Interpretation of  ‘Ligeia.’” [GGI: 1623] . 

THOMPSON, G.R . “The Face in the Pool: Reflections on the Doppelgänger Motif in ‘The Fall of the House of Usher.’” [GGI: 1624] . 

THOMPSON, G.R . Poe’s Fiction: Romantic Irony in the Gothic Tales. [GGI: 1625] . 

THOMPSON, G.R . “Poe and the Paradox of Terror: Structures of Heightened Consciousness in ‘The Fall of the House of Usher.’” In Ruined Eden of the Present: Hawthorne, Melville, and Poe. [GGI: 1626] . 

THOMPSON, G.R . “Locke, Kant, and Gothic Fiction: A Further Word on the Indeterminism of Poe’s ‘Usher.’” [GGII: 0961].  

TINTNER, Adeline R. “Fire of the Heart in ‘Al Aa-raaf.’” [GGII: 0962]. 

TOMBLESON, Gary E. “Poe’s ‘Fall of the House of Usher’  as Archetypal  Gothic: Literary and Architectural Analogs of Cosmic Unity.” Nineteenth-Century Contexts 12:2 (1988): 83-106.

TUCKER, B.D. “‘Tell-Tale Heart’ and the ‘Evil Eye.’” [GGI: 1628]. 

UNSIGNED. “The Detached Terrorism of Poe.” [GGI: 1541].

VAUGHAN, Larry. “Poe and the Mystery of Things: A Remembrance.” [GGII: 0963]. 

VOLLER, Jack G. “The Power of Terror: Burke and Kant in the House of Usher.” [GGII: 0964]. 

VOLOSHIN, Beverly. “Explanation in ‘The Fall of the House of Usher.’” [GGII: 0965]. 

VON DER LIPPE, George B. “The Fictionalization of Hoffmann: Three Articles Considering the Literary Relationship of Edgar Allan Poe to the Figure of E.T.A. Hoffmann. [GGI: 1631].

VON DER LIPPE, George B . “The Figure of E.T.A. Hoffmann as Doppel-gänger to Poe’s Roderick Usher.” [GGI: 1630].  

VON DER LIPPE, George B . “Beyond the House of Usher: The Figure of E.T.A. Hoffmann in the Works of Poe.” [GGI: 1632].  

VON DER LIPPE, George B . “La Vie de l’artiste fantastique: The Metamorphosis of the Hoffmann-Poe Figure in France.” [GGI: 16-33].  

WALKER, I.M. “The ‘Legitimate Sources’ of Terror in ‘The Fall of the House of Usher.’” [GGI: 1634]. 

WHITT, Celia. “Poe and The Mysteries of Udolpho.” [GGI: 1635]. 

ZEYDEL, Edwin H. “Edgar Allan Poe’s Contacts with German as Seen in His Relations with Ludwig Tieck.” In Studies in German Literature of the Nineteenth and Twentieth Centuries: Festschrift for Frederic E. Coenen. [GGI: 1638].