Internet Resources: 

ABDULATIEF, Soraya. “Of Pain or Pleasure: The Construction of Women as Sado-Masochistic Subjects in Radcliffe’s The Mysteries of Udolpho” (pp. 6-14). In Inter Action, eds. Loes Nas and Lesley Marx. Capetown, South Africa: Department of English, University of Capetown; Department of English, University of Western Cape , 1994.

ADICKES, Sandra Elaine. The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution. [GGII: 0238].

AHERN, Stephen “Between duty and desire: Sentimental Agency in British Prose Fiction of the Later Eighteenth Century.” Dissertation Abstracts International 61:6 (1999): 246 (McGill University).

AHERN, Stephen. “Disciplining the Sensible Self: Dialectics of Passion and Reason in Radcliffe’s The Mysteries of Udolpho” (XXX). In Affected Sensibilities: Romantic Excess and the Genealogy of the Novel, 1610-1810. New York: AMS Press, 2007. [GGIV: 0000].

ALBERTAZZI, Silvia. “Figurazinoni oniriche nel romance ‘Italiano’ di Radcliffe.” [GGI: 0391].

ALBRIGHT, Richard S. "No Time Like the Present: The Mysteries of Udolpho." Journal for Early Modern Cultural Studies 5 (2005): 49-75.

ALTOMARI, Lisa. “Monstrous Dialogue: Ann Radcliffe and Matthew G. Lewis.” Dissertation Abstracts International 61:4 (2000): 1415 (New York University).

ANOLIK, Ruth Bienstock, “‘There Was a Man’: Dangerous Husbands and Fathers in The Winter's Tale, A Sicilian Romance, and Linden Hills” (83-101). In Horrifying Sex: Essays on Sexual Difference in Gothic Literature, ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007.

ARNAUD, Pierre. “Un Document inédit: Le Contrat de Mysteries of Udolpho.” [GGI: 0393].

ARNAUD, Pierre. Ann Radcliffe et le fantastique: Essai in psychobiographie. [GGI: 0394].

ARNAUD, Pierre. Les Jardins dans les romans de Mrs. Radcliffe.” In Autour de l‘idée et civilisation: Pédagogie de livers. [GGII: 0239].

ARNOLD, Ellen. “Deconstructing the Patriarchal Palace: Ann Radcliffe’s Poetry in The Mysteries of Udolpho.” Women and Language 19:2 (1996): 21-29.

AUGUSTIN, Sabine. “Ann Radcliffe: The Mysteries of Udolpho” (XXXX). In Eighteenth-Century Female Voices: Education and the Novel. Frankfurt: Peter Lang, 2005.

BARROS, Carolyn A. and Johanna M. SMITH, eds. “Ann Radcliffe” (pp. 322-33). In Life-writings by British women, 1660-1815: An Anthology. Boston: Northeastern University Press, 2000.

BATAILLARD, Pascal. “Ethos du sentiment, e-thique du sujet” (pp. 99-117). In Les Mystères de Mrs. Radcliffe: Nouveaux essais sur Les Mysteres d‘Udolphe (1794): The Mysteries of Udolpho Revisited, ed. Max Du-perray. Aix-en-Provence, France : Université de Provence, 1999. [Ethos of Sentiment, Ethic of Subject].

BECKER, Matthew. “Enlightenment Psychomachia: The Embattled Child in Radcliffe’s Gothic Romance and Wordsworth’s ‘Immortality Ode.’” Dissertation Abstracts International 60:6 (1998): 2035 (University of Southern California).

BENEDICT, Barbara M. “Radcliffe, Godwin, and Self-Possession in the 1790s” (pp. 89-110). In Women, Revolution, and the Novels of the 1790s, ed. Linda Lang-Peralta. East Lansing: Michigan State University Press, 1999.

BERGLUND, Birgitta. “Ann Radcliffe and Rebecca.” Studia Neophilologica 68 (1996): 73-81.

BLASZAK, Marek. Ann Radcliffe’s Gothic Romances and the Romantic Revival. Opole : Wyzsza Szkola Pedagogiczna im. Powstanców Slaskich w Opolu, 1991.

BOHLS, Elizabeth Ann. “Aesthetics and Ideology in the Writings of Ann Radcliffe.” [GGII: 0242].

BOUR, Isabelle. “Corps, paysage, nation ou comment le roman britannique est devenu moderne” (pp. 159-72). In Modernité et Romantisme, eds. Isabelle Bour, Eric Dayre, and Patrick Nee. Paris: Champion, 2001. [Body, Landscape, Nation or How the British Novel is Becoming Modern].

BOZZETTO, Roger. “Mrs Radcliffe: The Italian or the Confessionnal of the Black Penitents” (pp.113-22). In Le Roman noir anglais dit gothique, ed. Max Duperray. Paris: Ellipses, 2000.

BRABON, Benjamin. “Surveying Ann Radcliffe's Gothic Landscapes.” Literature Compass 3:4 (2006): 840-45.

BREY, Joseph. Die Naturschilderungen in den romanen und gedichten der Mrs. Radcliffe, nebst einem rückblick aut die entwicklung der naturschilderung im englischen romane des 18. jahrhunderts. [GGI: 0398].

BROADWELL, Elizabeth P. “The Veil Image in Ann Radcliffe’s The Italian.” [GGI: 0399].

BRONFEN, Elisabeth. “Hysteria, Phantasy and the Family Romance: Ann Radcliffe’s Romance of the Forest.” Women’s Writing 1: 2 (1994): 171-80. Character study of the heroine Adeline from a Freudian perspective.

BRUCE, Donald Williams. “Ann Radcliffe and the Extended Imagination.” [GGII: 0243].

BURGESS, Miranda. “Domesticating Gothic: Jane Austen, Ann Radcliffe, and National Romance” (pp. 392-412). In Lessons of Romanticism: A Critical Companion, eds. Thomas Pfau and Robert F. Gleckner. Durham : Duke University Press, 1998.

BUTLER, Gerald. “Ann Radcliffe’s Novels: Peace and War, Sublimity and Maiden Fears; Actes des colloques de decembre 1994, decembre 1995, et mars 1996” (pp. 361-70). In Guerres et paix: La Grande-Bretagne au XVIIIe siecle, I-II, ed. Paul Gabriel Boucé. Paris: Université de la Sorbonne Nouvelle, 1998.

BYAM, Paige Beresford. “Mysteries in Narrative: Female Figures, Fear, and the Disruption of Telos.” Dissertation Abstracts International 54 (1994): 2565A (University of Wisconsin).

CAFARELLI, Annette Wheeler. “How Theories of Romanticism Exclude Women: Radcliffe, Milton, and the Legitimation of the Gothic Novel” (pp. 84-113). In Milton, the Metaphysicals, and Romanticism, eds. Lisa Low and Anthony Harding. Cambridge, UK: Cambridge University Press, 1994.

CAIRNEY, Christopher Thomas. “The Villain Character in the Puritan World: An Ideological Study of Richardson, Radcliffe, Byron, and Arnold.” Dissertation Abstracts International 57:9 (1995): 3946A (University of Missouri).

CAMDEN, Jennifer Bonnie. "The Other Woman: Secondary Heroines in the Nineteenth Century British and American Novel." Dissertation Abstracts International 66:5 (2005): 1760 (Ohio State University).

CANNON, Mercy. “Embodying Nature: Medicine, Law, and the Female Gothic.” Dissertation Abstracts International 66:10 (2006): 3656 (University of Tennessee).

CANUEL, Mark E. “Romantic Emancipation: Religion and the Nation in British Letters, 1790-1830.” Dissertation Abstracts International 57:5 (1996): 2046A (Johns Hopkins University).

CAPONE, Giovanna. “‘What do I see?...’: Un Paradigma nel romanzo gotico.” [GGI: 0400].

CASTLE, Terry. “The Spectralization of the Other in The Mysteries of Udolpho.” In The New Eighteenth Century: Theory, Politics, and English Literature. [GGII: 0244].

CASTLE, Terry. “Introduction” (pp. vii-xxxiii). To The Mysteries of Udolpho. New York: Oxford University Press, 1998.

CHAPLIN, Sue. “Romance and Sedition in the 17-90s: Radcliffe’s The Italian and the Terrorist Text.” Romanticism: The Journal of Romantic Culture and Criticism 7 (2001): 177-90.

CHERENKOVA, N.I. “Tvorscheskii Metod a Radklif; Transformatisiia Goicheskogo Romana.” [GGII: 0246].

CHOI, Julie. “Gothic Preoccupations: Penetrating Personal Boundaries in Radcliffe’s The Italian.” Feminist Studies in English Literature 7:2 (2000): 63-91.

CLERY, E.J. “Ann Radcliffe and D.A.F. de Sade: Thoughts on Heroinism.” Women’s Writing 1:2 (1994): 203-14.

CONGER, Syndy M. “Austen’s Sense and Radcliffe’s Sensibility.” [GGII: 0248].

CONGER, Syndy M. “Sensibility Restored: Radcliffe’s Answer to Monk Lewis’s The Monk.” In Gothic Fictions: Prohibition/ Transgression. [GGII: 0249].

CORNETT, Judy Mae.“The Construction of Female Subjectivity: Common Issues in Eighteenth-Century Law and the Novel.” Dissertation Abstracts International 58:6 (1998): 2221A (University of Virginia).

CUSICK, Edmund. “The Mysteries of Udolpho. Novel by Ann Radcliffe, 1794.” In Reference Guide to English Literature. [GGII: 0251].

DECOTTIGNIES, Jean. “a l‘Occasion centenaire de la naissance d‘Anne Radcliffe: Un Domaine ‘maudit’ dans les lettres françaises aux environs de 1800.” [GGI: 0404].

DE GATEGNO, Paul J. “Ann Radcliffe.” In Critical Survey of Long Fiction. [GGII: 0252].

DOBRÉE, Bonamy. “Introduction.” To The Mysteries of Udolpho. [GGI: 0405].

DOUGAL, Theresa A. “Spreading their Wings: The Travel Narrative as an Alternative Genre for Late Eight-eenth-Century Women.” Dissertation Abstracts International 55:4 (1994): 971A (University of Chicago).

DUCKWORTH, Alistair M. “Fiction and Some Us-es of the Country House Setting from Richardson to Scott.” [GGI: 0406].

DUFFY, Cian. “‘Faint Traces Which the Memory Bears’: A Radcliffe Source in Schiller.” Notes and Queries 49:4 (2002): 447-49.

DUPERRAY, Max. “La représentation dans Les Mystères d‘Udolphe” (pp. 105-12). In Le Roman noir an-glais dit “gothique,” ed. Max Duperray. Paris: Ellipses, 2000. [Performance in The Mysteries of Udolpho].

DURANT, David S. Jr. Ann Radcliffe’s Novels: Experiments in Setting. [GGI: 0408].

DURANT, David S. Jr. “Aesthetic Heroism in The Mysteries of Udol-pho.” [GGI: 0409].

DURANT, David S. Jr. “Ann Radcliffe and the Conservative Gothic.” [GGI: 0410].

DUTOIT, Thomas. “Epiphanic Reading in Ann Radcliffe’s The Mysteries of Udolpho”  (pp. 85-100). In Moments of Moment: Aspects of the Literary Epiphany, ed. Wim Tigges. Amsterdam, Netherlands: Rodopi, 1999.

ELLIS, Kate Ferguson. “Ann Radcliffe and the Perils of Catholicism.” Women’s Writing 1:2 (1994): 161-69.

ELLIS, Stewart Marsh. “Ann Radcliffe and her Literary Influence.” [GGI: 0411].

EPSTEIN, Lynne. “Ann Radcliffe’s Gothic Landscape of Fiction and the Various Influences Upon It.” [GGI: 0414].

EPSTEIN, Lynne. “Mrs. Radcliffe’s Landscapes: The Influence of Three Landscape Painters on her Nature Descriptions.” [GGI: 0413].

FARRAND, Margaret L. “Udolpho and Childe Harold.” [GGI: 0416].

FAWCETT, Mary Laughlin. “Udolpho’s Primal Mystery.” [GGII: 0254].

FITZGERALD, Lauren F. “Inescapable Gothic: A Reception Study of Ann Radcliffe and Matthew Gregory Lewis.” Dissertation Abstracts International 58:12 (1998): 4664A (New York University).

FLAXMAN, Rhoda. “Radcliffe’s Dual Modes of Vision.” In Fettr‘d or Free: British Women Novelists, 1679-1815. [GGII: 0256].

FRANK, Frederick S. “A Bibliography of Writings About Ann Radcliffe.” [GGI: 0418].

FRANK, Frederick S. “Ann Radcliffe (1764-1823)” (pp. 349-60). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2000.

GARBER, Frederick. “Introduction.” To The Italian. [GGI: 0420].

GARRETT, John. “Gothic Strains and Bourgeois Sentiments in the Novels of Mrs. Radcliffe and her Imitators.” [GGI: 0421].

GARRETT, John. Gothic Strains and Bourgeois Sentiments in the Novels of Mrs. Radcliffe and her Imitators. [GGI: 0422].

GAUTIER, Gary. “Ann Radcliffe’s The Italian in Context: Gothic Villains, Romantic Heroes, and a New Age of Power Relations.” Genre 32 (1999): 201-24.

GAY, Penny. “In the Gothic Theatre.“ Persuasions 20 (1998): 175-84.

GIUDICI, Antonella. “Interiorita ed Esteriorita Descrittiva nei Romanzi di Ann Radcliffe.” Thesis, Universita degli Studi, Milan, 1992. [Internal and external descriptions in the romances of Ann Radcliffe].

GOBEL, Walter. “Stimulating and Stifling the Emotions: An 18th-Century Dilemma and a Gothic Example.” REAL: The Yearbook of Research in English and American Literature  16 (2000): 133-47. 

GRAHAM, Kenneth W. “Emily’s Demon-Lover: The Gothic Revolution and The Mysteries of Udolpho.” In Gothic Fictions: Prohibition/Transgression. [GGII: 0257].

GRANT, Aline. Ann Radcliffe. [GGI: 0423].

GREENER, Amy. “Ann Radcliffe, Novelist.” In A Lover of Books: The Life and Literary Papers of Lucy Harrison. [GGI: 0424].

GREENFIELD, Susan C. “Veiled Desire: Mother-Daughter Love and Sexual Imagery in Ann Radcliffe’s The Italian.” [GGII: 0258].

GREENFIELD, Susan C. “Gothic Mothers and Homoerotic Desire: Incestuous Longing in The Italian” (pp. 57-78). In Mothering Daughters: Novels and Politics of Family Romance: Frances Burney to Jane Austen. Detroit: Wayne State University Press, 2002.

GRIGORESCU, Dan. “Introduction.” To Misterie din Udolpho. [GGII: 0259].

HAGGERTY, George E. “Sensibility and Sexuality in The Romance of the Forest” (pp. 8-16). In The Critical Response to Ann Radcliffe, ed. Deborah D. Rogers. Westport, Ct: Greenwood Press, 1994.

HAGGERTY, George E. “The Pleasures of Victimization in The Romance of the Forest” (pp. 158-70). In Unnatural Affections: Wo-men and Fiction in the Later Eighteenth Century. Bloomington: Indiana University Press, 1998; Boulder, Co.: Net Library, 1999.

HAGSTRUM, Jean H. “Pictures to the Heart: The Psychological Picturesque in Ann Radcliffe’s The Mysteries of Udolpho.” In Centennial Studies: Essays Presented to Donald Greene in the Centennial Year of the University of Southern California. [GGII: 0260].

HARLAN, Elizabeth. “Sexual or Supernatural Threats in Radcliffe's The Italian” (102-110). In Horrifying Sex: Essays on Sexual Difference in Gothic Literature, ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007.

HAUPT, Adam. “Polanski’s Gothic Mission\.” (pp. 79-93). In Inter-Action, eds. Loes Nas and Lesley Marx. Capetown, South Africa: Department of English, University of Capetown; Department of English, University of Western Cape, 1994.

HELLER, Lynne Epstein. Ann Radcliffe’s Gothic Landscape of Fiction and the Various Influences upon it. [GGI: 0426].

HENDERSHOT, Cyndy. “The Possession of the Male Body: Masculinity in The Italian, Psycho, and Dressed to Kill.” Readerly Writerly Texts: Essays on Literature, Literary Textual Criticism, and Pedagogy 2:2 (1995): 75-112.

HOEVELER, Diane Long. “Equivocal Beings: Politics, Gender and Sentimentality in the 1790s––Wollstonecraft, Radcliffe, Burney and Austen.” Wordsworth Circle 27 (1996): 219-21.

HOWARD, Jacqueline. “Introduction” (pp. vii-xxxix). To The Mysteries of Udolpho. London and New York: Penguin Books, 2001.

HUSHAHN, Helga. “Sturm und Drang in Radcliffe and Lewis” (pp. 89-98). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition, eds. Valeria Tinkler-Villani, Peter Davidson, and Jane Stevenson. Amsterdam: Rodopi, 1995.

JACKSON, Jessamyn. “Women of Feeling: Female Sensibility in Eighteenth-Century English Novels and Conduct Literature.“ Dissertation Abstracts International 54:8 (1994): 3040A (Yale University).

JONES, Lilia Crisafulli. “Parodia e satanismo nel romanzo ‘Italiano’  di Ann Radcliffe.” [GGI: 0430].

KAMIO, Mitsuo. “Ureijo no Uchi to Seto: Ann Rad-cliffe’s The Mysteries of Udolpho.” [GGII: 0266].

KAMIO, Mitsuo. “The Fate of Plot and the Plot of Fate: Ann Radcliffe, The Romance of the Forest.” Nagoya Daigaku Bungakubu Kenkyu Ronshu Bungaku 38 (1992): 293-303.

KANE, Sarah Kim “The Sublime, the Beautiful and the Picturesque in the Works of Ann Radcliffe.” Dissertation Abstracts International 61:1 (2000): 196 (University of Tennessee).

KEEBLER, Lee E. “Ann Radcliffe: A Study in Achievement.” [GGI: 0432].

KELLIHER, Michele Walsh. “Radcliffe’s Dilemma; Propriety or Rebellion in the Heroine.” Dissertation Abstracts International 56:4 (1995): 1368A (Catholic University of America).

KELLY, Gary. “Radcliffe, Ann (née Ward).” In Reference Guide to English Literature. [GGII: 0267].

KICKEL, Katherine E. "Novel Notions: Eighteenth Century Fiction and the Mapping of the Imagination." Dissertation Abstracts International 65:9 (2005): 3398 (Case Western Reserve University).

KIRWAN, James. “Vicarious Edification: Radcliffe and the Sublime” (pp. 224-45). In The Greening of Literary Scholarship: Literature, Theory, and the Environment, eds. Steven Rosendale and Scott Slovic. Iowa City: University of Iowa Press, 2002.

KOENIG, Linda Ruth. “Ann Radcliffe and Gothic Fiction.” [GGI: 0435].

KOOIMAN-VAN MIDDENDORP, Gerarda M. “Ann Radcliffe.” In The Hero in the Feminine Novel. [GGI: 0435A].

KORNIGER, Siegfried. “Radcliffe: The Mysteries of Udolpho.” In Der Englische roman: Vom Mittelalter zur moderne. [GGI: 0436].

KOSTELNICK, Charles. “From Picturesque View to Picturesque Vision: William Gilpin and Ann Radcliffe.” [GGII: 0268].

KOZLOWSKI, Lisa. “A Source for Ann Radcliffe’s The Mysteries of Udolpho.” Notes and Queries 44:2 (1997): 228-30.

KUCZYNSKI, Ingrid. “Reading a Landscape: Ann Radcliffe’s A Journey Made in the Summer of 1794, Through Holland and the Western Frontier of Germany, With a Return Down the Rhine (1795); Festschrift for Horst Meller” (pp. 241-57). In British Romantics as Readers: Intertextualities, Maps of Misreading, Reinterpretations, eds.  Michael Gassenmeier, Petra Bridzun, Jens Martin Gurr, and Erik Frank Pointner. Heidelberg, Germany: Carl Winter Universitatsverlag, 1998.

KULLMANN, Thomas. Vermenschlichte Natur: Zur Bedeutung von Landschaft und Wetter im Englischen Roman von Ann Radcliffe bis Hardy. Tubingen: Max Niemeyer Verlag, 1995. [Humanized nature: On the significance of landscape and weather in the English novel from Radcliffe to Hardy].

LANG, Andrew. “Mrs. Radcliffe’s Novels.” [GGI: 0437].

LANG, Andrew. “Mrs. Radcliffe’s Novels” and “The Supernatural in Fiction.” In Adventures Among Books. [GGI: 0438].

LAUZANNE, Alain. “Aspects de la mort violente chez Ann Radcliffe: Meurtres et meurtriers” (pp. 225-33). In Les Ages de la vie en Grande Bretagne au xviiie siècle: Actes de colloques decembre 1990 et decembre 1991, ed. Serge Soupel. Paris: Presses de la Sorbonne Nouvelle, 1995. [Aspects of violent death in the works of Ann Radcliffe: Murders and murderers].

LÉVY, Maurice. “Une Nouvelle source d‘Ann Radcliffe: Les Memoires du Comte de Comminge.” [GGI: 04-39].

LÉVY, Maurice. “à Propos des Mystères d‘Udolphe: Ann Radcliffe et la poetique du cache.” Études Anglaises 49 (1996): 29-42. [Apropos of The Mysteries of Udolpho: Ann Radcliffe and hidden poetics].

LIPSCOMB, David C. “Geographies of Progress: An Atlas of the Historical Novel in English, 1790-1830.” Dissertation Abstracts International 59:7 (1998): 2492A (Columbia University).

LONDON, April. “Ann Radcliffe in Context: Marking the Boundaries of The Mysteries of Udolpho.” [GGII: 0269].

MAC CLINTOCK, Mary Law. “Romantic Tendencies in the Work of Ann Radcliffe.” Master’s Thesis, University of Chicago, 1902.

MACDONALD, D.L. “Bathos and Repetition: The Uncanny in Radcliffe.” [GGII: 0270].

MACEY, John David Jr. “‘Blest be this  kind  retreat’: Eighteenth-Century Gardening and the Novel.” Dissertation Abstracts International 59:7 (1998): 2523A (Vanderbilt University).

MACKENZIE, Scott. “Ann Radcliffe’s Gothic Narrative and the Readers at Home.” Studies in the Novel 31 (1999): 409-31.

MACKENZIE, Scott R. “An English Woman's Work House is Her Castle: Poor Management and the Gothic Fiction of the 1790s." ELH 74 (2007): 681-705. [GGIV: 0000]. 

MAGNIER, Mireille. “Le Fantastique selon Mrs. Radcliffe.” [GGII: 0271].

MAGNIER, Mireille. “l‘Italien; ou le confessional des penitents noirs, réussite majeure de Mrs. Radcliffe.” [GGII: 0272].

MAGNIER, Mireille. “Croyances médiévales dans Gaston de Blondeville (1826).” [GGII: 0273].

MAYHEW, Robert J. “Latitudinarianism and the Novels of Ann Radcliffe.” Texas Studies in Literature and Language 44 (2002): 273-301.

MAYO, Robert D. “Ann Radcliffe and Ducray-Duminil.” [GGI: 0441].

MC CULLOUGH, Bruce. “The Gothic Romance, Mrs. Ann Radcliffe: The Mysteries of Udolpho.” In Representative English Novelists: Defoe to Conrad. [GGI: 0442].

MC INTYRE, Clara F. Ann Radcliffe in Relation to her Time. [GGI: 0443].

MC KILLOP, A.D. “Mrs. Radcliffe on the Supernatural in Poetry.” [GGI: 0444].

MEDLIN, Dorothy. “Ann Radcliffe’s Italian in French: Translations by Mary Gay, André Morellet and Narcisse Fournier.” Annales du Monde Anglophone 8 (1998): 11-32.

MESSAC, Régis. “Les Mystères du château d‘U-dolphe.” In Le Detective novel l‘influence de la pensée scientifique. [GGI: 0445].

MESSIER, Vartan P. “The Conservative, the Transgressive, and the Reactionary: Ann Radcliffe's The Italian as a Response to Matthew Lewis' The Monk.” Atenea 25:2 (2005): 37-48.

MEYER, Georges. “Les Romans de Mrs. Radcliffe.” [GGI: 0446].

MIALL, David S. “The Preceptor as Fiend: Ann Radcliffe’s Psychology of the Gothic” (pp. 21-43). In Jane Austen and Mary Shelley, and their Sisters, ed. Laura Dabundo. Lanham, MD: University Press of America, 2000.

MILBANK, Alison. “Introduction” (pp. vii-xxiv). To The Castles of Athlin and Dunbayne. New York: Oxford University Press, 1995.

MILES, Robert. “Radcliffe, Ann (1764-1823)” (pp. 181-88). In The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.

MILES, Robert. “Ann Radcliffe and Matthew Lewis” (pp. 41-57). In A Companion to the Gothic, ed. David Punter. Oxford, UK and Malden, MA: Blackwell Publishers, 2000.

MILES, Robert. “Introduction” (pp. vii-xxxiii). To The Italian; or, The Confessional of the Black Penitents. London: Penguin Books, 2000.

MORGAN, Chris. “Radcliffe, Ann” (pp. 469-70). In St. James Guide to Horror, Gothic, and Ghost Writers, ed. David Pringle. Detroit and New York: St. James Press, 1998.

MURPHY, Ann Brian. “Persephone in the Underworld: The Motherless Hero in Novels by Burney, Radcliffe, Austen, Brontë, Eliot, and Woolf.” [GGII: 0274].

MURRAH, Charles C. “Mrs. Radcliffe’s Landscapes: The Eye and the Fancy.” [GGII: 0275].

MURRAY, E. B. Ann Radcliffe. [GGI: 0450].

NAPIER, Elizabeth R. “Ann Radcliffe” (Vol. 39, pp. 365-71). In British Novelists 1660-1800; Dictionary of Literary Biography, ed. Martin Battestin. Detroit: Gale Research, 1985.

NICHOLS, Nina da Vinci. “Place and Eros in Radcliffe, Lewis, and Brontë.” In The Female Gothic. [GGII: 0277].

NOLLEN, Elizabeth. “Ann Radcliffe’s A Sicilian Romance: A New Source for Jane Austen’s Sense and Sensibility.” [GGII: 0278].

NORTON, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. London: Leicester University Press, 1998.

OGÉE, Frédéric. “Les Songes d‘Adeline: Quelques remarques sur les lieux du gothique dans The Romance of the Forest d‘Ann Radcliffe.” Caliban 33 (1996): 29-42. [The dreams of Adeline: Several remarks on the Gothic places in The Romance of the Forest].

ORESTANO, Francesca. “Picturesque, a Transformation: William Gilpin's Aesthetics and Ann Radcliffe's Visual Imagination.” English Studies in Italy 18 (2005): 39-60.

PARADISE, Nathaniel. “Interpolated Poetry, the Novel, and Female Accomplishment.” Philological Quarterly 74 (1995): 57-76.

PECK, W.E. “Keats, Shelley, and Mrs. Radcliffe.” [GGI: 0452].

PERKINS, Pam. "John Moore, Ann Radcliffe, and the Gothic Vision of Italy." Gothic Studies 8 (2006): 35-51.

PHILLIPS, Laura Rea. “Ann Radcliffe’s The Italian vs. Matthew Lewis’s The Monk: The Gender Battle of the Gothic Genre.” Master’s Thesis, West Chester University, 1999.

POOVEY, Mary. “Ideology and The Mysteries of Udolpho.” [GGI: 0456].

POTTS, Mary Ellen. “A Question of Survival: Trials of the Orphan Heroine in Three Eighteenth Century Novels by Women.” Dissertation Abstracts International 62:11 (2002): 3797-98 (Union Institute and University).

POURTEAU, Leslie Katherine. “‘The Pride of Conscious Worth’: Characterization of the Female in the Novels of Ann Radcliffe.” Dissertation Abstracts International 58:11 (1997): 4282A (Texas  A&M University).

RENO, Robert Princeton. “The Gothic Visions of Ann Radcliffe and Matthew Gregory Lewis.” [GGI: 0459].

RENO, Robert Princeton. The Gothic Visions of Ann Radcliffe and Matthew Gregory Lewis. [GGI: 0460].

RICHARDSON, Leslie Ann. “Her Best Self Did Not Escape: Rape and the Crisis of Identity in the Early English Novel.” Dissertation Abstracts International 59:9 (1998): 3469A (Tulane University).

ROBERTS, Bette B. “The Horrid Novels: The Mysteries of Udolpho and Northanger Abbey.” In Gothic Fictions: Prohibition/Transgression. [GGII: 0279].

ROGERS, Deborah D. “Ann Radcliffe in the 1980s: An Annotated Bibliography of Criticism.” [GGII: 0280].

ROGERS, Deborah D. “Introduction” (pp. v-xiii). To The Italian; or the Confessional of the Black Penitents by Ann Radcliffe and Northanger Abbey by Jane Austen in Two Gothic Classics by Women. New York: Dutton Signet, 1995.

ROGERS, Deborah D. The Critical Response to Ann Radcliffe. Westport, CT: Greenwood Press, 1994.

RONALD, Ann. “Terror-Gothic: Nightmare and Dream in Ann Radcliffe and Charlotte Brontë.” In The Female Gothic. [GGII: 0281].

RUFF, William. “Ann Radcliffe, or, the Hand of Taste.” In The Age of Johnson, Essays Presented to Chaun-cey Brewster Tinker. [GGI: 0465].

RUSSETT, Margaret. “Narrative as Enchantment in The Mysteries of Udolpho.” ELH 65:1 (1998): 159-86.

SAGE. Victor. “The Epistemology of Error: Reading and Isolation in The Mysteries of Udolpho.” QWERTY: Littératures and Civilisations du Monde Anglophone, October 1996: 6 107-13.

SAMARA, Donya Anne. “Questionable Ends: Reflections on the Sublime in Contemporary Culture.” Dissertation Abstracts International 60:2 (1998): 435 (Indiana University).

SANNA, Vittoria. I Romanzi Gothica di Ann Radcliffe. [GGII: 02-82].

SATZ, Martha. “Radcliffe, Ann.” In British Women Writers: A Critical Reference Guide. [GGII: 0283].

SCHAFF, Barbara. “Venetian Views and Voices in Radcliffe’s The Mysteries of Udolpho and Braddon’s The Venetians” (pp. 89-98).

SCHMITT, Cannon. “Techniques of Terror, Technologies of Nationality: Ann Radcliffe’s The Italian.” ELH 61 (1994): 853-76.

SCOTT, Linda Kane. “The Wages of Sin in Udolpho” (p. 30). In The Critical Response to Ann Radcliffe, ed. Deborah D. Rogers. Westport, CT: Greenwood Press, 1994: 30.

SEDGWICK, Eve Kosofsky. “The Character in the Veil: Imagery of the Surface in the Gothic Novel.” [GGI: 0469].

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SPENCE, Sarah Domingue. “Nurturing in the Novels of Fanny Burney, Ann Radcliffe, and Ellen Price Wood.” Dissertation Abstracts International 55:11 (1995): 3525A (Louisiana State University).

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WARE, Malcolm. Sublimity in the Novels of Ann Radcliffe: A Study of the Influence upon her Craft of Edmund Burke’s Enquiry into the Origin of our Ideas of the Sublime and Beautiful. [GGI: 0503].

WARE, Malcolm. “The Telescope Reversed: Ann Radcliffe and Natural Scenery.” In A Provision of Human Nature: Essays on Fielding and Others in Honor of Miriam Austin Locke. [GGI: 0504].

WEISSMAN, Alan. “Thoughts in Things: Ann Radcliffe as a Psychological Novelist.” [GGII: 0300].

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