Ann Radcliffe (1764-1823)
ABDULATIEF, Soraya. “Of Pain or Pleasure: The Construction of Women as Sado-Masochistic Subjects in Radcliffe’s The Mysteries of Udolpho.” Inter Action. Eds. Loes Nas and Lesley Marx. Capetown, South Africa: Department of English, University of Capetown; Department of English, University of Western Cape , 1994. 6-14. [GGIII: 0963]
ADICKES, Sandra Elaine. “The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution.” Dissertation Abstracts Int. 38 (1978): 7308A (New York University). [GGI: 0390].ADICKES, Sandra Elaine. The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution. New York: Peter Lang, 1991. [GGII: 0238].
AGUIRRE, Manuel. "Geometries of Terror: Numinous Spaces in Gothic, Horror and Science Fiction." Gothic Studies 10.2 (2008): 1-17.
AHERN, Stephen “Between Duty and Desire: Sentimental Agency in British Prose Fiction of the Later Eighteenth Century.” Dissertation Abstracts International 61:6 (1999): 246 (McGill University). [GGIII: 0966]
AHERN, Stephen. “Disciplining the Sensible Self: Dialectics of Passion and Reason in Radcliffe’s The Mysteries of Udolpho” (XXX). Affected Sensibilities: Romantic Excess and the Genealogy of the Novel, 1610-1810. New York: AMS Press, 2007. [GGIV: 0000].
ALBERTAZZI, Silvia. “Figurazinoni oniriche nel romance ‘Italiano’ di Ann Radcliffe.” Spicilegio Moderno: Saggi e Ricerche di Letterature e Lingue Straniere 9 (1978): 146- 153. [GGI: 0391].
ALBRIGHT, Richard S. "No Time Like the Present: The Mysteries of Udolpho." Journal for Early Modern Cultural Studies 5 (2005): 49-75. [GGIV: 0000]
ALTOMARI, Lisa. “Monstrous Dialogue: Ann Radcliffe and Matthew G. Lewis.” Dissertation Abstracts International 61:4 (2000): 1415 (New York University). [GGIII: 0968]
ANOLIK, Ruth Bienstock, “‘There Was a Man’: Dangerous Husbands and Fathers in The Winter's Tale, A Sicilian Romance, and Linden Hills.” Horrifying Sex: Essays on Sexual Difference in Gothic Literature, ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007. 83-101. [GGIV: 0000]
ARNAUD, Pierre. “Un Document inédit: Le Contrat de Mysteries of Udolpho.” Etudes Anglais 20 (1967): 55-57. [GGI: 0393].
ARNAUD, Pierre. Ann Radcliffe et le fantastique: Essai in psychobiographie. Paris: Aubier Montaigue, 1976. [GGI: 0394].
ARNAUD, Pierre. Les Jardins dans les romans de Mrs. Radcliffe.” In Autour de l‘idée et civilisation: Pédagogie de livers. Paris: Didier, 1977. 83-89. [GGII: 0239].
ARNOLD, Ellen. “Deconstructing the Patriarchal Palace: Ann Radcliffe’s Poetry in The Mysteries of Udolpho.” Women and Language 19:2 (1996): 21-29. [GGIII: 0972]
AUGUSTIN, Sabine. “Ann Radcliffe: The Mysteries of Udolpho” (XXXX). In Eighteenth-Century Female Voices: Education and the Novel. Frankfurt: Peter Lang, 2005. [GGIV: 0000]
BARROS, Carolyn A. and Johanna M. SMITH, eds. “Ann Radcliffe” (pp. 322-33). In Life-writings by British women, 1660-1815: An Anthology. Boston: Northeastern University Press, 2000. [GGIII: 0973]
BATAILLARD, Pascal. “Ethos du sentiment, e-thique du sujet.” Les Mystères de Mrs. Radcliffe: Nouveaux essais sur Les Mysteres d‘Udolphe (1794): The Mysteries of Udolpho Revisited, ed. Max Duperray. Aix-en-Provence, France : Université de Provence, 1999. 99-117. [Ethos of Sentiment, Ethic of Subject]. [GGIII: 0974]
BEATY, Frederick L. “Mrs. Radcliffe’s Fading Gleam.” Philological Quarterly 42 (1963): 126-129. [GGI: 0395].BECKER, Matthew. “Enlightenment Psychomachia: The Embattled Child in Radcliffe’s Gothic Romance and Wordsworth’s ‘Immortality Ode.’” Dissertation Abstracts International 60:6 (1998): 2035 (University of Southern California). [GGIII: 0976]
BENEDICT, Barbara M. “Pictures of Conformity: Sentiment and Structure in Ann Radcliffe’s Style.” Philological Querterly 68 (1989): 363-377. [GGII: 0240].BENEDICT, Barbara M. “Radcliffe, Godwin, and Self-Possession in the 1790s.” Women, Revolution, and the Novels of the 1790s. Ed. Linda Lang-Peralta. East Lansing: Michigan State University Press, 1999. 89-110. [GGIII: 0978]
BERGLUND, Birgitta. Woman’s Whole Existence: The House as an Image in the Novels of Ann Radcliffe, Mary Wollstonecraft, and Jane Austen. Lund, Sweden: Lund University Press: Bromley, Kent, UK ; Chartwell-Bratt, 1993. [GGIII: 0979]BERGLUND, Birgitta. “Ann Radcliffe and Rebecca.” Studia Neophilologica 68 (1996): 73-81. [GGIII: 0980]
BERTHIER, Philippe. “Stendhal, Mme. Radcliffe et l‘art du paysage.” Stendhal-Club 17 (1975): 305-307. [GGI: 0396].BLASZAK, Marek. Ann Radcliffe’s Gothic Romances and the Romantic Revival. Opole: Wyzsza Szkola Pedagogiczna im. Powstanców Slaskich w Opolu, 1991. [GGIII: 0982]
BLODGETT, Harriet. “Emily Vindicated: Ann Radcliffe and Mary Wollstonecraft.” Weber Studies: An Interdisciplinary Humanities Journal 7 91990): 48-61. [GGII: 0241].BOHLS, Elizabeth Ann. “Aesthetics and Ideology in the Writings of Ann Radcliffe.” Dissertation Abstracts International 50 (1990): 3959A (Stanford University). [GGII: 0242].
BOUR, Isabelle. “Corps, paysage, nation ou comment le roman britannique est devenu moderne.” Modernité et Romantisme, eds. Isabelle Bour, Eric Dayre, and Patrick Nee. Paris: Champion, 2001. 159-72. [Body, Landscape, Nation or How the British Novel is Becoming Modern]. [GGIII: 0985]
BOZZETTO, Roger. “Mrs Radcliffe: The Italian or the Confessionnal of the Black Penitents." Le Roman noir anglais dit gothique. Ed. Max Duperray. Paris: Ellipses, 2000. 113-22. [GGIII: 0986]
BRABON, Benjamin. “Surveying Ann Radcliffe's Gothic Landscapes.” Literature Compass 3:4 (2006): 840-45. [GGIV: 0000]
BREY, Joseph. Die Naturschilderungen in den romanen und gedichten der Mrs. Radcliffe, nebst einem rückblick aut die entwicklung der naturschilderung im englischen romane des 18. jahrhunderts. Nüremberg, Germany: F. Zorn, 1911. [GGI: 0398].
BROADWELL, Elizabeth P. “The Veil Image in Ann Radcliffe’s The Italian.” South Atlantic Bulletin 40.4 (1975): 76-87. [GGI: 0399].
BRONFEN, Elisabeth. “Hysteria, Phantasy and the Family Romance: Ann Radcliffe’s Romance of the Forest.” Women’s Writing 1: 2 (1994): 171-80. Character study of the heroine Adeline from a Freudian perspective. [GGIII: 0989]
BRUCE, Donald Williams. “Ann Radcliffe and the Extended Imagination.” Contemporary Review 258.1505 (June, 1991): 300-308. [GGII: 0243].
BURGESS, Miranda. “Domesticating Gothic: Jane Austen, Ann Radcliffe, and National Romance.” Lessons of Romanticism: A Critical Companion. Eds. Thomas Pfau and Robert F. Gleckner. Durham : Duke University Press, 1998. 392-412. [GGIII: 0991]
BUTLER, Gerald. “Ann Radcliffe’s Novels: Peace and War, Sublimity and Maiden Fears; Actes des colloques de decembre 1994, decembre 1995, et mars 1996.” Guerres et paix: La Grande-Bretagne au XVIIIe siecle, I-II, ed. Paul Gabriel Boucé. Paris: Université de la Sorbonne Nouvelle, 1998. 361-70. [GGIII: 0992]
BYAM, Paige Beresford. “Mysteries in Narrative: Female Figures, Fear, and the Disruption of Telos.” Dissertation Abstracts International 54 (1994): 2565A (University of Wisconsin). [GGIII: 0993]
CAFARELLI, Annette Wheeler. “How Theories of Romanticism Exclude Women: Radcliffe, Milton, and the Legitimation of the Gothic Novel.” Milton, the Metaphysicals, and Romanticism. Eds. Lisa Low and Anthony Harding. Cambridge, UK: Cambridge University Press, 1994. 84-113. [GGIII: 0994]
CAIRNEY, Christopher Thomas. “The Villain Character in the Puritan World: An Ideological Study of Richardson, Radcliffe, Byron, and Arnold.” Dissertation Abstracts International 57:9 (1995): 3946A (University of Missouri). [GGIII: 0995]
CAMDEN, Jennifer Bonnie. "The Other Woman: Secondary Heroines in the Nineteenth Century British and American Novel." Dissertation Abstracts International 66:5 (2005): 1760 (Ohio State University). [GGIV: 0000]
CANNON, Mercy. “Embodying Nature: Medicine, Law, and the Female Gothic.” Dissertation Abstracts International 66:10 (2006): 3656 (University of Tennessee). [GGIV: 0000]
CANUEL, Mark E. “Romantic Emancipation: Religion and the Nation in British Letters, 1790-1830.” Dissertation Abstracts International 57:5 (1996): 2046A (Johns Hopkins University). [GGIII: 0996]
CAPONE, Giovanna. “‘What do I see?...’: Un Paradigma nel romanzo gotico.” Spicilegio Moderno: Saggi e Ricerche de Letterature e Lingue Strangiere 10 (1978): 96-114. [GGI: 0400].
CASTLE, Terry. “The Spectralization of the Other in The Mysteries of Udolpho.” In The New Eighteenth Century: Theory, Politics, and English Literature. Eds., Felicity Nussbaum, Laura Brown. New York and London: Mthuen, 1987. 231-253. [GGII: 0244].
CASTLE, Terry. Introduction. The Mysteries of Udolpho. New York: Oxford University Press, 1998. vii-xxxiii. [GGIII: 0999]
CAVALIERO, Roderick. “Behind the Black Veil: Italian Terror and English Imagination.” Journal of Anglo-Italian Studies 3 (1993): 99-109. [GGIII: 1000]CHANDLER, Ann. "Ann Radcliffe and Natural Theology." Studies in the Novel 38 (2006): 133-53. [GGIV: 0000]
CHAPLIN, Sue. “Romance and Sedition in the 17-90s: Radcliffe’s The Italian and the Terrorist Text.” Romanticism: The Journal of Romantic Culture and Criticism 7 (2001): 177-90. [GGIII: 1001]
CHARD, Chloe. Introduction. The Romance of the Forest. New York: Oxford UP, 1986. vii-xxiv. [GGII: 0245].CHERENKOVA, N.I. “Tvorscheskii Metod a Radklif; Transformatisiia Goicheskogo Romana.” Vestnik Leningradskago Universiteta. Seriia Istorii, lazyka: Literatury 2.4 (1987): 50-53. [GGII: 0246].
CHOI, Julie. “Gothic Preoccupations: Penetrating Personal Boundaries in Radcliffe’s The Italian.” Feminist Studies in English Literature 7:2 (2000): 63-91. [GGIII: 1004]
CLERY, E.J. “Ann Radcliffe and D.A.F. de Sade: Thoughts on Heroinism.” Women’s Writing 1:2 (1994): 203-14. [GGIII: 1005]
CONGER, Syndy M. “Fellow Travellers: Eighteenth Century English Women and German Literature.” Studies in Eighteenth Century Culture 14 (1985): 109-128. [GGII: 0247].CONGER, Syndy M. “Austen’s Sense and Radcliffe’s Sensibility.” Gothic 2 (1987): 16-24. [GGII: 0248].
CONGER, Syndy M. “Sensibility Restored: Radcliffe’s Answer to Monk Lewis’s The Monk.” In Gothic Fictions: Prohibition/ Transgression. Ed. Kenneth W. Graham. New York: AMS Press, 1989. 113-149. [GGII: 0249].
COOPER, Andrew L. "Gothic Threats: The Role of Danger in Critical Evaluation of The Monk and Mysteries of Udolpho. Gothic Studies 8.2 (November 2006): 18-34.
CORNETT, Judy Mae.“The Construction of Female Subjectivity: Common Issues in Eighteenth-Century Law and the Novel.” Dissertation Abstracts International 58:6 (1998): 2221A (University of Virginia). [GGIII: 1009]
COTTOM, Daniel. “Ann Radcliffe: The Figure in the Landscape” and “Ann Radcliffe: The Labyrinth of Decorum.” In The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Walter Scott. Cambridge: Cambridge UP, 1985. 35-67. [GGII: 0250].CUSICK, Edmund. “The Mysteries of Udolpho. Novel by Ann Radcliffe, 1794.” In Reference Guide to English Literature. Ed. D.L. Kirkpatrick. Caicago and London: St. James pESS, 1991. 1728-1729. [GGII: 0251].
DECOTTIGNIES, Jean. “a l‘Occasion centenaire de la naissance d‘Anne Radcliffe: Un Domaine ‘maudit’ dans les lettres françaises aux environs de 1800.” Revue des Sciences Humaines 116 (1974): 447-475. [GGI: 0404].
DE GATEGNO, Paul J. “Ann Radcliffe.” Critical Survey of Long Fiction. Ed. Frank Magill. Englewood Cliffs, NJ: Salem Press, 1983, XI. 2195-2204. [GGII: 0252].
DOBRÉE, Bonamy. Introduction. The Mysteries of Udolpho. London: Oxford UP, 1966. vii-xvi. [GGI: 0405].
DOUGAL, Theresa A. “Spreading their Wings: The Travel Narrative as an Alternative Genre for Late Eight-eenth-Century Women.” Dissertation Abstracts International 55:4 (1994): 971A (University of Chicago). [GGIII: 1015]
DREW, Lorna. “The Emily Connection: Anne Radcliffe, L.M. Montgomery and the Female Gothic.” Canadian Children’s Literature/Littérature Canadienne pour la Jeunesse 77 (1995): 19-32. [GGIII: 1016]DUCKWORTH, Alistair M. “Fiction and Some Us-es of the Country House Setting from Richardson to Scott.” Landscape in the Gardens and the literature of Eighteenth-Century England. los Angeles: Williams Andews Clark Memorial Library, University of California, 1981. 91-128. [GGI: 0406].
DUFFY, Cian. “‘Faint Traces Which the Memory Bears’: A Radcliffe Source in Schiller.” Notes and Queries 49:4 (2002): 447-49. [GGIII: 1018]
DUPERRAY, Max. “La représentation dans Les Mystères d‘Udolphe.” Le Roman noir an-glais dit “gothique.” Ed. Max Duperray. Paris: Ellipses, 2000. 105-12. [Performance in The Mysteries of Udolpho]. [GGIII: 1019]
DURANT, David S. Jr. “Ann Radcliffe’s Novels: Experiments in Setting.” Dissertation Abstracts International 32 (1972): 5225A-5226A (University of North Carolina). [GGI: 0407].DURANT, David S. Jr. Ann Radcliffe’s Novels: Experiments in Setting. New York: Arno Press, 1980. [GGI: 0408].
DURANT, David S. Jr. “Aesthetic Heroism in The Mysteries of Udolpho.” The Eighteenth Century: Theory and Interpretation. 22 (1981): 175-188. [GGI: 0409].
DURANT, David S. Jr. “Ann Radcliffe and the Conservative Gothic.” Studies in English Literature, 1500-1900 22 (1982): 519-530. [GGI: 0410].
DUTOIT, Thomas. “Epiphanic Reading in Ann Radcliffe’s The Mysteries of Udolpho." Moments of Moment: Aspects of the Literary Epiphany. Ed. Wim Tigges. Amsterdam, Netherlands: Rodopi, 1999. 85-100. [GGIII: 1024]
EDE, W.R. “The Gentlewoman as Creative Artist in the Life and Romances of Ann Radcliffe: 1764-1823.” Unpublished Doctoral Dissertation, University of wales, 1986. [GGII: 0253].ELIA, Adriano. “Sublime and Word Painting in Ann Radcliffe's The Mysteries of Udolpho.” English Studies in Italy 18 (2005): 61-76. [GGIV: 0000]
ELLIS, Kate Ferguson. “Ann Radcliffe and the Perils of Catholicism.” Women’s Writing 1:2 (1994): 161-69. [GGIII: 1026]
ELLIS, Kate Ferguson. “Can You Forgive Her? The Gothic Heroine and Her Critics” (pp. 257-68). In A Companion to the Gothic. Ed. David Punter. Oxford, UK and Malden, MA: Blackwell Publishers, 2000. [GGIII: 1027]ELLIS, Stewart Marsh. “Ann Radcliffe and her Literary Influence.” Contemporary Review 123 (1923): 188-197. [GGI: 0411].
EPSTEIN, Lynne. “Ann Radcliffe’s Gothic Landscape of Fiction and the Various Influences Upon It.” Dissertation Abstracts International 32 (1972): 5735A (New York University). [GGI: 0414].
EPSTEIN, Lynne. “Mrs. Radcliffe’s Landscapes: The Influence of Three Landscape Painters on her Nature Descriptions.” Hartford Studies in Literature 1 (1969): 107-120. [GGI: 0413].
FARRAND, Margaret L. “Udolpho and Childe Harold.” Modern Language Notes 45 (1930): 220-221. [GGI: 0416].
FAWCETT, Mary Laughlin. “Udolpho’s Primal Mystery.” Studies in English Literature (1500-1900). 23 (1983): 481-484. [GGII: 0254].
FITZGERALD, Lauren F. “Inescapable Gothic: A Reception Study of Ann Radcliffe and Matthew Gregory Lewis.” Dissertation Abstracts International 58:12 (1998): 4664A (New York University). [GGIII: 1033]
FITZGERALD, Lauren F. “Gothic Properties: Radcliffe, Lewis, and the Critics.” Wordsworth Circle 24 (1993): 167-170. [GGII: 0255].FLAXMAN, Rhoda. “Radcliffe’s Dual Modes of Vision.” Fettr'd or Free: British Women Novelists, 1679-1815. Ed. Mary Anne Schofield. Athens, OH: Ohio UP, 1986. 124-133. [GGII: 0256].
FRANK, Frederick S. “A Bibliography of Writings About Ann Radcliffe.” Extrapolation: A Journal of Science Fiction and Fantasy 17 (1975): 54-62. [GGI: 0418].
FRANK, Frederick S. “Ann Radcliffe (1764-1823).” Gothic Writers: A Critical and Bibliographical Guide. Eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2000. 349-60. [GGIII: 1037]
FREEMAN, R. Austin. Introduction. The Mysteries of Udolpho. New York: Dent and Dutton, 1959. v-xi. [GGI: 0419].GARBER, Frederick. Introduction. The Italian. London: Oxford UP, 1986. iii-xxii. [GGI: 0420].
GARRETT, John. “Gothic Strains and Bourgeois Sentiments in the Novels of Mrs. Radcliffe and her Imitators.” Doctoral Dissertation, Dalhousie University, Halifax, Nova Scotia, 1973. [GGI: 0421].
GARRETT, John. Gothic Strains and Bourgeois Sentiments in the Novels of Mrs. Radcliffe and her Imitators. New York: Arno Press, 1980. [GGI: 0422].
GAUTIER, Gary. “Ann Radcliffe’s The Italian in Context: Gothic Villains, Romantic Heroes, and a New Age of Power Relations.” Genre 32 (1999): 201-24. [GGIII: 1042]
GAY, Mary. “Ann Radcliffe’s Italian in French Translation.” Une Littérature de l‘inquiétude. Paris: l‘Harmattan and Aix-Marseille, Université de Provence; No. 8, Annales du Monde anglophone, 1998. 71-84. [GGIII: 1043]GAY, Penny. “In the Gothic Theatre.“ Persuasions 20 (1998): 175-84. [GGIII: 1044]
GEPHARDT, Katarina. "Hybrid Gardens: Travel and the Nationalization of Taste in Ann Radcliffe's Continental Landscapes." European Romantic Review 21.1 (2010): 3-28.
GEORGE, Jean S. “Paintings in Three Eighteenth-Century British Novels.” Dissertation Abstracts International 56:7 (1995): 2692A (University of North Carolina). [GGIII: 1045]GIUDICI, Antonella. “Interiorita ed Esteriorita Descrittiva nei Romanzi di Ann Radcliffe.” Thesis, Universita degli Studi, Milan, 1992. [Internal and external descriptions in the romances of Ann Radcliffe]. [GGIII: 1046]
GOBEL, Walter. “Stimulating and Stifling the Emotions: An 18th-Century Dilemma and a Gothic Example.” REAL: The Yearbook of Research in English and American Literature 16 (2000): 133-47. [GGIII: 1047]
GRAHAM, Kenneth W. “Emily’s Demon-Lover: The Gothic Revolution and The Mysteries of Udolpho.” Gothic Fictions: Prohibition/Transgression. Ed. Kenneth W. Graham. New York: AMS Press, 1989. 163-171. [GGII: 0257].
GRANT, Aline. Ann Radcliffe. Denver, CO: Alan Swallow, 1951. [GGI: 0423].
GREENER, Amy. “Ann Radcliffe, Novelist.” A Lover of Books: The Life and Literary Papers of Lucy Harrison. London: J.M. Dent, 1916. 183-204. [GGI: 0424].
GREENFIELD, Susan C. “Veiled Desire: Mother-Daughter Love and Sexual Imagery in Ann Radcliffe’s The Italian.” The Eighteenth Century: Theory and Interpretation 33 (1992): 73-89. [GGII: 0258].
GREENFIELD, Susan C. “Gothic Mothers and Homoerotic Desire: Incestuous Longing in The Italian.” Mothering Daughters: Novels and Politics of Family Romance: Frances Burney to Jane Austen. Detroit: Wayne State University Press, 2002. 57-78. [GGIII: 1052]
GRIGORESCU, Dan. Introduction. Misterie din Udolpho. Budapest, Romania: Minerva, 1983. [GGII: 0259].
HAGGERTY, George E. “Sensibility and Sexuality in The Romance of the Forest.” The Critical Response to Ann Radcliffe. Ed. Deborah D. Rogers. Westport, Ct: Greenwood Press, 1994. 8-16. [GGIII: 1054]
HAGGERTY, George E. “The Pleasures of Victimization in The Romance of the Forest." Unnatural Affections: Wo-men and Fiction in the Later Eighteenth Century. Bloomington: Indiana University Press, 1998; Boulder, Co.: Net Library, 1999. 158-70. [GGIII: 1055]
HAGSTRUM, Jean H. “Pictures to the Heart: The Psychological Picturesque in Ann Radcliffe’s The Mysteries of Udolpho.” Centennial Studies: Essays Presented to Donald Greene in the Centennial Year of the University of Southern California. Eds. Paul J. Korshin, Robert R. Allan. Charlotesville, VA: Virginia UP, 1984. 434-444. [GGII: 0260].
HARLAN, Elizabeth. “Sexual or Supernatural Threats in Radcliffe's The Italian.” Horrifying Sex: Essays on Sexual Difference in Gothic Literature, ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007. 102-110. [GGIV: 0000]
HAUPT, Adam. “Polanski’s Gothic Mission.” Inter-Action. Eds. Loes Nas and Lesley Marx. Capetown, South Africa: Department of English, University of Capetown; Department of English, University of Western Cape, 1994. 79-93. [GGIII: 1057]
HAVENS, Raymond T. “Ann Radcliffe’s Nature Descriptions.” Modern language Notes 66 (1951): 251-255. [GGI: 0425].HELLER, Lynne Epstein. Ann Radcliffe’s Gothic Landscape of Fiction and the Various Influences upon it. New York: Arno press, 1980. [GGI: 0426].
HENDERSHOT, Cyndy. “The Possession of the Male Body: Masculinity in The Italian, Psycho, and Dressed to Kill.” Readerly Writerly Texts: Essays on Literature, Literary Textual Criticism, and Pedagogy 2:2 (1995): 75-112. [GGIII: 1060]
HERRERA, C. Andrea O‘Reilly. “Nuns and Lovers: Tracing the Development of Idyllic Conventual Writing.” Dissertation Abstracts International 54:7 (1994): 2588A (University of Delaware). [GGIII: 1061]
HILLARD, Tom J. "'Deep Into That Darness Peering': An Essay on Gothic Nature." Interdisciplinary Studies in Literature and Environment 16.4 (2009): 685-695.
HOEVELER, Diane Long. “Equivocal Beings: Politics, Gender and Sentimentality in the 1790s––Wollstonecraft, Radcliffe, Burney and Austen.” Wordsworth Circle 27 (1996): 219-21. [GGIII: 1062]
HOWARD, Jacqueline. Introduction. The Mysteries of Udolpho. London and New York: Penguin Books, 2001. vii-xxxix. [GGIII: 1063]
HUSHAHN, Helga. “Sturm und Drang in Radcliffe and Lewis.” Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. Eds. Valeria Tinkler-Villani, Peter Davidson, and Jane Stevenson. Amsterdam: Rodopi, 1995. 89-98. [GGIII: 1064]
IKEGAMI, Robin Umeko. “French Principles and English Women: The Novel of Feminist Exposure, Wollstonecraft to Austen.” Dissertation Abstracts International 54:11 (1993): 4102A (University of Michigan). [GGIII: 1065]JACKSON, Jessamyn. “Women of Feeling: Female Sensibility in Eighteenth-Century English Novels and Conduct Literature.“ Dissertation Abstracts International 54:8 (1994): 3040A (Yale University). [GGIII: 1066]
JOHNSON, Claudia. Equivocal Beings: Politics, Gender, and Sentimentality in the 1790s: Wollstonecraft, Radcliffe, Burney, Austen. Chicago: Chicago University Press, 1995. [GGIII: 1067]JONES, Lilia Crisafulli. “Parodia e satanismo nel romanzo ‘Italiano’ di Ann Radcliffe.”Spicilegio Moderno: Saggi e Ricerche de Lettertature e lingue Straniere 9 (1978): 136-145. [GGI: 0430].
KAMIO, Mitsuo. “Ureijo no Uchi to Seto: Ann Radcliffe’s The Mysteries of Udolpho.” Eibung Aku Kenkyu (Tokyo) 63 (1986): 61-74. [GGII: 0266].
KAMIO, Mitsuo. “The Fate of Plot and the Plot of Fate: Ann Radcliffe, The Romance of the Forest.” Nagoya Daigaku Bungakubu Kenkyu Ronshu Bungaku 38 (1992): 293-303. [GGIII: 1070]
KANE, Sarah Kim “The Sublime, the Beautiful and the Picturesque in the Works of Ann Radcliffe.” Dissertation Abstracts International 61:1 (2000): 196 (University of Tennessee). [GGIII: 1071]
KEANE, Angela. “Resisting Arrest: The National Constitution of Picturesque and Gothic in Radcliffe’s Romances.” News from Nowhere: Theory and Politics of Romanticism 1 (1995): 96-119. [GGIII: 1072]KEEBLER, Lee E. “Ann Radcliffe: A Study in Achievement.” Disseration Abstracts 28 (1968): 3145A (University of Wisconsin). [GGI: 0432].
KELLIHER, Michele Walsh. “Radcliffe’s Dilemma; Propriety or Rebellion in the Heroine.” Dissertation Abstracts International 56:4 (1995): 1368A (Catholic University of America). [GGIII: 1074]
KELLY, Gary. “‘A Constant Vicissitude of Interesting Passions’: Ann Radcliffe’s Perplexed Narratives.” Ariel 10.2 (1979): 45-64. [GGI: 0433].KELLY, Gary. “Radcliffe, Ann (née Ward).” Reference Guide to English Literature. Ed. D.L. Kirkpatrick. Chicago and London: St. James Press, 1991. 1117-1118. [GGII: 0267].
KICKEL, Katherine E. "Novel Notions: Eighteenth Century Fiction and the Mapping of the Imagination." Dissertation Abstracts International 65:9 (2005): 3398 (Case Western Reserve University). [GGIV: 0000]
KIRWAN, James. “Vicarious Edification: Radcliffe and the Sublime” (pp. 224-45). In The Greening of Literary Scholarship: Literature, Theory, and the Environment, eds. Steven Rosendale and Scott Slovic. Iowa City: University of Iowa Press, 2002. [GGIII: 1077]
KNOX-SHAW, Peter. “’strange fits of passion’: Wordsworth and Mrs. Radcliffe.” Notes and Queries 45:2 (1998): 188-89. [GGIII: 1078]KOENIG, Linda Ruth. “Ann Radcliffe and Gothic Fiction.” Dissertation Abstracts International 39 (1978): 297A-298A (University of Iowa). [GGI: 0435].
KOOIMAN-VAN MIDDENDORP, Gerarda M. “Ann Radcliffe.” In The Hero in the Feminine Novel. New york: Haskell House, 1966. 35-38. [GGI: 0435A].
KORNIGER, Siegfried. “Radcliffe: The Mysteries of Udolpho.” In Der Englische roman: Vom Mittelalter zur moderne. Düsseldorf, W. Germany: Basel, 1969, I, 312-337. [GGI: 0436].
KOSTELNICK, Charles. “From Picturesque View to Picturesque Vision: William Gilpin and Ann Radcliffe.” Mosaic: A Journal for the Interdisciplinary Study of Literature 18.3 (1985): 31-48. [GGII: 0268].
KOZLOWSKI, Lisa. “A Source for Ann Radcliffe’s The Mysteries of Udolpho.” Notes and Queries 44:2 (1997): 228-30. [GGIII: 1083]
KUCZYNSKI, Ingrid. “Reading a Landscape: Ann Radcliffe’s A Journey Made in the Summer of 1794, Through Holland and the Western Frontier of Germany, With a Return Down the Rhine (1795); Festschrift for Horst Meller.” British Romantics as Readers: Intertextualities, Maps of Misreading, Reinterpretations. Eds. Michael Gassenmeier, Petra Bridzun, Jens Martin Gurr, and Erik Frank Pointner. Heidelberg, Germany: Carl Winter Universitatsverlag, 1998. 241-57. [GGIII: 1084]
KULLMANN, Thomas. Vermenschlichte Natur: Zur Bedeutung von Landschaft und Wetter im Englischen Roman von Ann Radcliffe bis Hardy. Tubingen: Max Niemeyer Verlag, 1995. [Humanized nature: On the significance of landscape and weather in the English novel from Radcliffe to Hardy]. [GGIII: 1085]
LANG, Andrew. “Mrs. Radcliffe’s Novels.” Cornhill Magazine 9.49 (1900): 23-34. [GGI: 0437].
LANG, Andrew. “Mrs. Radcliffe’s Novels” and “The Supernatural in Fiction.” In Adventures Among Books. London: Longman, 1905. 119-138; 273-276. [GGI: 0438].
LAUZANNE, Alain. “Aspects de la mort violente chez Ann Radcliffe: Meurtres et meurtriers.” Les Ages de la vie en Grande Bretagne au xviiie siècle: Actes de colloques decembre 1990 et decembre 1991, ed. Serge Soupel. Paris: Presses de la Sorbonne Nouvelle, 1995. 225-33. [Aspects of violent death in the works of Ann Radcliffe: Murders and murderers]. [GGIII: 1088]
LAUZANNE, Alain. “Guerre et paix dans l’oeuvre d’Ann Radcliffe; Actes des colloques de decembre 1994, decembre 1995, et mars 1996.” Guerres et paix: La Grande Bretagne au XVIIIe siècle, I-II. Ed. Paul Gabriel Boucé. Paris: Université de la Sorbonne Nouvelle, 1998. 351-60. [War and Peace in the Work of Ann Radcliffe]. [GGIII: 1089]LÉVY, Maurice. “Une Nouvelle source d‘Ann Radcliffe: Les Memoires du Comte de Comminge.” Caliban 1 (1964): 149-156. [GGI: 0439].
LÉVY, Maurice. “à Propos des Mystères d‘Udolphe: Ann Radcliffe et la poetique du cache.” Études Anglaises 49 (1996): 29-42. [Apropos of The Mysteries of Udolpho: Ann Radcliffe and hidden poetics]. [GGIII: 1091]
LIPSCOMB, David C. “Geographies of Progress: An Atlas of the Historical Novel in English, 1790-1830.” Dissertation Abstracts International 59:7 (1998): 2492A (Columbia University). [GGIII: 1092]
LONDON, April. “Ann Radcliffe in Context: Marking the Boundaries of The Mysteries of Udolpho.” Eighteenth Century Life 10.1 (1986): 35-47. [GGII: 0269].
MAC CLINTOCK, Mary Law. “Romantic Tendencies in the Work of Ann Radcliffe.” Master’s Thesis, University of Chicago, 1902. [GGIII: 1094]
MACDONALD, D.L. “Bathos and Repetition: The Uncanny in Radcliffe.” Journal of Narrative Technique 19 (1989): 197-204. [GGII: 0270].
MACEY, John David Jr. “‘Blest be this kind retreat’: Eighteenth-Century Gardening and the Novel.” Dissertation Abstracts International 59:7 (1998): 2523A (Vanderbilt University). [GGIII: 1096]
MACKENZIE, Scott. “Ann Radcliffe’s Gothic Narrative and the Readers at Home.” Studies in the Novel 31 (1999): 409-31. [GGIII: 1097]
MACKENZIE, Scott R. “An English Woman's Work House is Her Castle: Poor Management and the Gothic Fiction of the 1790s." ELH 74 (2007): 681-705. [GGIV: 0000].
MAGNIER, Mireille. “Le Fantastique selon Mrs. Radcliffe.” Mythes, Croyances, et Religions dans le Monde Anglo-Saxon 7 (1989): 125-132. [GGII: 0271].
MAGNIER, Mireille. “l‘Italien; ou le confessional des penitents noirs, réussite majeure de Mrs. Radcliffe.” [GGII: 0272].
MAGNIER, Mireille. “Croyances médiévales dans Gaston de Blondeville (1826).” [GGII: 0273].
MAYHEW, Robert J. “Latitudinarianism and the Novels of Ann Radcliffe.” Texas Studies in Literature and Language 44 (2002): 273-301. [GGIII: 1101]
MAYO, Robert D. “Ann Radcliffe and Ducray-Duminil.” Modern Language Review 36 (1941): 501-505. [GGI: 0441].
MC CULLOUGH, Bruce. “The Gothic Romance, Mrs. Ann Radcliffe: The Mysteries of Udolpho.” In Representative English Novelists: Defoe to Conrad. New York: Harper, 1946. 84-96. [GGI: 0442].
MC INTYRE, Clara F. Ann Radcliffe in Relation to her Time. New Haven: Yale up, (Yale Studies in English #62), 1920; rpt. Hamden, CT: Archon, 1970. [GGI: 0443].
MC KILLOP, A.D. “Mrs. Radcliffe on the Supernatural in Poetry.” Journal of English and Germanic Philology 31 (1932): 352-359. [GGI: 0444].
MEDLIN, Dorothy. “Ann Radcliffe’s Italian in French: Translations by Mary Gay, André Morellet and Narcisse Fournier.” Annales du Monde Anglophone 8 (1998): 11-32. [GGIII: 1106]
MEDLIN, Dorothy. “Across the Channel: French Translations of Radcliffe’s The Mysteries of Udolpho” (pp. 191-207). In La Traduction des langues modernes au XVIIIe siècle ou “La Derniere Chemise de l’amour,” ed. Annie Rivara. Paris: Champion, 2002. [GGIII: 1107]MESSAC, Régis. “Les Mystères du château d‘U-dolphe.” In Le Detective novel l‘influence de la pensée scientifique. Paris: Edouard Champion, 1929. 158-177. [GGI: 0445].
MESSIER, Vartan P. “The Conservative, the Transgressive, and the Reactionary: Ann Radcliffe's The Italian as a Response to Matthew Lewis' The Monk.” Atenea 25:2 (2005): 37-48. [GGIV: 0000]
MEYER, Georges. “Les Romans de Mrs. Radcliffe.” Revue Germanique 5 (1909): 509-550. [GGI: 0446].
MIALL, David S. “The Preceptor as Fiend: Ann Radcliffe’s Psychology of the Gothic.” Jane Austen and Mary Shelley, and their Sisters, ed. Laura Dabundo. Lanham, MD: University Press of America, 2000. 21-43. [GGIII: 1110]
MILBANK, Alison. Introduction. A Sicilian Romance. New York: Oxford University Press, 1993. ix-xxix. [GGIII: 1111]MILBANK, Alison. Introduction. The Castles of Athlin and Dunbayne. New York: Oxford University Press, 1995. vii-xxiv. [GGIII: 1112]
MILES, Robert. Ann Radcliffe: The Great Enchantress. Manchester and New York: Manchester University Press; New York: St. Martin’s Press, 1995. [GGIII: 1113]MILES, Robert. “Radcliffe, Ann (1764-1823).” The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998. 181-88. [GGIII: 1114]
MILES, Robert. “Ann Radcliffe and Matthew Lewis.” A Companion to the Gothic, ed. David Punter. Oxford, UK and Malden, MA: Blackwell Publishers, 2000.41-57. [GGIII: 1115]
MILES, Robert. Introduction. The Italian; or, The Confessional of the Black Penitents. London: Penguin Books, 2000. vii-xxxiii. [GGIII: 1116]
MOESCH, Vasil. Naturschau und naturgefühl in dem romanen der Mrs. Radcliffe und in der zeitgenössichen englischen reisliteratur. Freiburg, Germany: Caritas, 1924. [GGI: 0449].MORGAN, Chris. “Radcliffe, Ann.” St. James Guide to Horror, Gothic, and Ghost Writers, ed. David Pringle. Detroit and New York: St. James Press, 1998. 469-70. [GGIII: 1118]
MOSKAL, Jeanne. “Anne Radcliffe’s Lake District.” Wordsworth Circle 31 (2000): 56-62. [GGIII: 1119]MURPHY, Ann Brian. “Persephone in the Underworld: The Motherless Hero in Novels by Burney, Radcliffe, Austen, Brontë, Eliot, and Woolf.” Dissertation Abstracts International 47 (1987): 3436A (University of Massachusetts). [GGII: 0274].
MURRAH, Charles C. “Mrs. Radcliffe’s Landscapes: The Eye and the Fancy.” University of Windsor Review 18(1984): 7-23. [GGII: 0275].
MURRAY, E. B. Ann Radcliffe. Twayne English Authors Series #149. New York: Twayne, 1972. [GGI: 0450].
NAPIER, Elizabeth R. “Ann Radcliffe.” Vol. 39. British Novelists 1660-1800; Dictionary of Literary Biography. Ed. Martin Battestin. Detroit: Gale Research, 1985. 365-71. [GGIII: 1123]
NEROZZI BELLMAN, Patrizia. “Terro e consumo: La popularizzanione del Gotico nel romanzo di Ann Radcliffe.” Sheherazade in Inghilterra: Formule Narrative nell‘Evoluzione del ‘Romance’ Inglese. Milan, Italy: Cisalpino-Goliardica, 1983. 117-141. [GGII: 0276].NICHOLS, Nina da Vinci. “Place and Eros in Radcliffe, Lewis, and Brontë.” The Female Gothic. Ed. Juliann E. Fleenor Montreal, PQ: Eden Press, 1983. 187-206. [GGII: 0277].
NOLLEN, Elizabeth. “Ann Radcliffe’s A Sicilian Romance: A New Source for Jane Austen’s Sense and Sensibility.” English Language Notes 22 (1984): 30-37. [GGII: 0278].
NORTON, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. London: Leicester University Press, 1998. [GGIII: 1127]
OESTENHELD, Helen Carmel. “Re-Writing the Wo-man of Feeling: Sarah Scott, Ann Radcliffe, Mary Wollstonecraft, and the Eighteenth-Century Novel of Sensibility.” Dissertation Abstracts International 62:6 (2001): 2126 (University of California, Irvine). [GGIII: 1128]OGÉE, Frédéric. “Les Songes d‘Adeline: Quelques remarques sur les lieux du gothique dans The Romance of the Forest d‘Ann Radcliffe.” Caliban 33 (1996): 29-42. [The dreams of Adeline: Several remarks on the Gothic places in The Romance of the Forest]. [GGIII: 1129]
ORESTANO, Francesca. “Picturesque, a Transformation: William Gilpin's Aesthetics and Ann Radcliffe's Visual Imagination.” English Studies in Italy 18 (2005): 39-60. [GGIV: 0000]
PARADISE, Nathaniel. “Interpolated Poetry, the Novel, and Female Accomplishment.” Philological Quarterly 74 (1995): 57-76. [GGIII: 1130]
PECK, W.E. “Keats, Shelley, and Mrs. Radcliffe.” Modern Language Notes 39 (1924): 251-252.[GGI: 0452].
PERKINS, Pam. "John Moore, Ann Radcliffe, and the Gothic Vision of Italy." Gothic Studies 8 (2006): 35-51. [GGIV: 0000]
PHILLIPS, Laura Rea. “Ann Radcliffe’s The Italian vs. Matthew Lewis’s The Monk: The Gender Battle of the Gothic Genre.” Master’s Thesis, West Chester University, 1999. [GGIII: 1132]
PLATT, Constance M. “Patrimony as Power in Four Eighteenth Century Novels: Charlotte Lennox, Henrietta (1758); Fanny Burney, Evelina (1778); Charlotte Smith, Emmeline (1788); Ann Radcliffe, The Mysteries of Udolpho (1794). Dissertation Abstracts international 41 (1981): 3595A (University of Denver). [GGI: 0453].POOVEY, Mary. “Ideology and The Mysteries of Udolpho.” Criticism 21 (1979): 307-330. [GGI: 0456].
POTTS, Mary Ellen. “A Question of Survival: Trials of the Orphan Heroine in Three Eighteenth Century Novels by Women.” Dissertation Abstracts International 62:11 (2002): 3797-98 (Union Institute and University). [GGIII: 1135]
POUND, Edward Fox. “The Influence of Burke and Psychological Critics on the Novels of Ann Radcliffe.” Dissertation Abstracts International 25 (1964): 1198 (University of Washington). [GGI: 0457].POURTEAU, Leslie Katherine. “‘The Pride of Conscious Worth’: Characterization of the Female in the Novels of Ann Radcliffe.” Dissertation Abstracts International 58:11 (1997): 4282A (Texas A&M University). [GGIII: 1137]
PRICE, F.W. "Ann Radcliffe, Mrs. Siddons, and the Character of Hamlet.” Notes and Queries 23 (1976): 164-167. [GGI: 0458].RENO, Robert Princeton. “The Gothic Visions of Ann Radcliffe and Matthew Gregory Lewis.” Dissertation Abstracts International 37 (1977): 7767A (Michigan State University). [GGI: 0459].
RENO, Robert Princeton. The Gothic Visions of Ann Radcliffe and Matthew Gregory Lewis. New york: Arno press, 1980. [GGI: 0460].
RICHARDSON, Leslie Ann. “Her Best Self Did Not Escape: Rape and the Crisis of Identity in the Early English Novel.” Dissertation Abstracts International 59:9 (1998): 3469A (Tulane University). [GGIII: 1141]
ROBERTS, Adam. “Coleridge’s Ancient Mariner and Mrs. Radcliffe’s Mariner.” Notes and Queries 42:2 (1995): 177-78. [GGIII: 1142]ROBERTS, Bette B. “The Horrid Novels: The Mysteries of Udolpho and Northanger Abbey.” In Gothic Fictions: Prohibition/Transgression. Ed. Kenneth W. Graham. New York: AMS Press, 1989. 89-111. [GGII: 0279].
ROGERS, Deborah D. “Ann Radcliffe in the 1980s: An Annotated Bibliography of Criticism.” Extrapolation 32 (1991): 343-349. [GGII: 0280].
ROGERS, Deborah D. Introduction. The Italian; or the Confessional of the Black Penitents by Ann Radcliffe and Northanger Abbey by Jane Austen in Two Gothic Classics by Women. New York: Dutton Signet, 1995. v-xiii. [GGIII: 1145]
ROGERS, Deborah D. Ann Radcliffe: A Bio-Bibliography. Westport, CT: Greenwood Press, 1996. [GGIII: 1146]ROGERS, Deborah D. The Critical Response to Ann Radcliffe. Westport, CT: Greenwood Press, 1994. [GGIII: 1147]
ROGERS, Deborah D. “Ann Radcliffe.” Eighteenth-Century Anglo-American Women Novelists: A Critical Reference Guide, eds. Doreen Alvarez Saar and Mary Anne Schofield. New York: G.K. Hall, 1996. 241-47. [GGIII: 1148]RONALD, Ann. “Terror-Gothic: Nightmare and Dream in Ann Radcliffe and Charlotte Brontë.” The Female Gothic. Ed. Juliann Fleenor. Montreal, PQ: Eden Press, 1983. 176-186. [GGII: 0281].
RUFF, William. “Ann Radcliffe, or, the Hand of Taste.” In The Age of Johnson, Essays Presented to Chauncey Brewster Tinker. [GGI: 0465].
RUSSETT, Margaret. “Narrative as Enchantment in The Mysteries of Udolpho.” ELH 65:1 (1998): 159-86. [GGIII: 1151]
SADLEIR, Michael. “Poems by Ann Radcliffe.” London Times Literary Supplement (March 29, 1928): 242. [GGI: 0466].SAGE. Victor. “The Epistemology of Error: Reading and Isolation in The Mysteries of Udolpho.” QWERTY: Littératures and Civilisations du Monde Anglophone, October 1996: 6 107-13. [GGIII: 1153]
SAGLIA, Diego. “Looking at the Other: Cultural Differences and the Traveler’s Gaze in The Italian.” Studies in the Novel 28 (1996): 12-37.
SALTER, David. "'This Demon in the Garb of a Monk': Shakespeare, the Gothic and the Discourse of Anti-Catholocism." Shakespeare 5.1 (April 2009): 52-67.
SAMARA, Donya Anne. “Questionable Ends: Reflections on the Sublime in Contemporary Culture.” Dissertation Abstracts International 60:2 (1998): 435 (Indiana University). [GGIII: 1155]
SANNA, Vittoria. “La Datazione del libro di viaggi di Ann Radcliffe.”Critical Dimensions: English, German, and Comparative Literature Essays in Honor of Aurelio Zanco. Cuneo, Italy: SASTA, 1978. 291-312. [GGI: 0467].SANNA, Vittoria. I Romanzi Gothica di Ann Radcliffe. Pisa, Italy: ETS, 1985. [GGII: 02-82].
SATZ, Martha. “Radcliffe, Ann.” British Women Writers: A Critical Reference Guide. [GGII: 0283].
SCHAFF, Barbara. “Venetian Views and Voices in Radcliffe’s The Mysteries of Udolpho and Braddon’s The Venetians” (pp. 89-98). [GGIII: 1159]
SCHANEMAN, Judith Clark. “Rewriting Adèle et Théodore: Intertextual Connections Between Madame de Genlis and Ann Radcliffe.” Comparative Literature Studies 38 (2001): 31-46. [GGIII: 1160]
SCHILLACE, Brandy Lain. "Temporary Failure of mind: Déjà Vu and Epilepsy in Radcliffe's The Mysteries of Udolpho." Eighteenth-Century Studies 42.2 (2009): 273-287.
SCHMITT, Cannon. “Techniques of Terror, Technologies of Nationality: Ann Radcliffe’s The Italian.” ELH 61 (1994): 853-76. [GGIII: 1161]
SCHROEDER, Natalie. “The Mysteries of Udolpho and Clermont: The Radcliffean Encroachment on the Art of Regina Maria Roche.” Studies in the Novel 12 (1980): 131-143. [GGI: 0468].SCOTT, Linda Kane. “The Wages of Sin in Udolpho.” The Critical Response to Ann Radcliffe. Ed. Deborah D. Rogers. Westport, CT: Greenwood Press, 1994. 30. [GGIII: 1163]
SCRITTORI, Anna Rosa. “Le suggestioni del terrore: Anne Radcliffe e il gotico.” Annali di Ca‘Foscari: Rivista della Facoltá di Lingue e Letterature Straniere dell‘Univer-sita di Venezia 33:1-2 (1994): 367-82. [Suggestions of Terror: Ann Radcliffe and the Gothic]. [GGIII: 1164]SEDGWICK, Eve Kosofsky. “The Character in the Veil: Imagery of the Surface in the Gothic Novel.” Publications of the Modern Language Association 96 (1981): 255-270. [GGI: 0469].
SFORZA, Raffaella.:"'Agressi sunt mare tenebrarum, quid in eo esset exploraturi', Attesa e suspense in The Italian e The Monk " Confronto Letterario: Quaderni del Dipartimento di Lingue e Letterature Straniere Moderne dell'Universita di Paviae del Dipartimento di Linguistica e Letterature Comparate dell'Universita di Bergamo 5:10 (1988): 399-416. [GGIV: 0000]
SHAPIRA, Yael. “Where the Bodies Are Hidden: Ann Radcliffe’s ‘Delicate’ Gothic.” Eighteenth-Century Fiction 18 (2006):453-476. [GGIV: 0000]
SHERMAN, Leona F. “Ann Radcliffe and the Gothic Romance: A Psychoanalytic Approach.” Dissertation Abstracts international 36 (1975): 1536A (State University of New york at Buffalo). [GGI: 0471].
SHERMAN, Leona F. Ann Radcliffe and the Gothic Romance: A Psychoanalytic Approach. New York: Arno Press, 1980. [GGI: 0472].
SHOR, IU.V. “Stilisticheskie Osobennosti Angliisk-kogo Goticheskogo Romana: Na Materiele Romana A. Radklif Udol‘fskie Tainy.” Analiz Stilei Zarubezhnoi Khudozhestvennoi Nanchoi Literatury (Lenningrad) 6 (1989): 57-85. [GGII: 0284].
SHROYER, Frederick. Foreword to The Castles of Athlin and Dunbayne. New york: Arno Press, 1972. [GGI: 0473].
SKINNER, John. “Ann Radcliffe’s The Mysteries of Udolpho and William Godwin’s Caleb Williams” An Introduction to Eighteenth-Century Fiction: Raising the Novel. Houndsmills, Basingstoke, Hampshire, UK and New York: Palgrave, 2001. (pp. 212-36). [GGIII: 1170]
SMITH, Nelson C. “The Art of the Gothic: Ann Radcliffe’s Major Novels.” Dissertation Abstracts 29 (1968): 240A-241A (Washington State University). [GGI: 0474].SMITH, Nelson C. “Sense, Sensibility, and Ann Radcliffe.” Studies in English Literature, 1500-1900. 13 (1973): 577-590. [GGI: 0475].
SMITH, Nelson C. The Art of the Gothic: Ann Radcliffe’s Major Novels. New York: Arno Press, 1980. [GGI: 0476].
SNYDER, William C. “Mother Nature’s Other Natures: Landscape in Women’s Writing: 1770-1830.” Women's Studies: An Interdisciplinary Journal 21 (1992): 143-163. [GGII: 0285].
SOLOVIOVA HORVILLE, Natalia. “Radcliffe’s Plot of Female Development” (pp. 37-47). In The Crossroads of Gender and Century Endings, eds. Alcinda Pinheiro Sousa, Maria Luisa Flora, Teresa de Ataide Malafai, and Isobel Armstrong. Lisbon: Colibri, 2000. [GGIII: 1175]
SORDI, Michele Marie. “Managing Desire: Friendship and Courtship in the Early English Novel.” Dissertation Abstracts International 55:4 (1994): 976A (University of California, Santa Cruz). [GGIII: 1176]SOUPEL, Serge. “D‘un archetype à l‘autre: The Mysteries of Udolpho et Robinson Crusoe.” Bulletin de la Société d‘études Anglo Américaines des XVIIe et XVIIIe Siècles 43 (1996): 51-61. [The Archetype of the Other: The Mysteries of Udolpho]. [GGIII: 1177]
SPACKS, Patricia Meyer. “Female Orders of Narrative: Clarissa and The Italian.” Rhetorics of Order/Ordering Rhetorics in English Neoclassical Literature, eds. J. Douglas Canfield and J. Paul Hunter. Newark: University of Delaware Press, 1989. 158-71. [GGIII: 1178]SPACKS, Patricia. “Fathers and Daughters: Ann Radcliffe.” Desire and Truth: Functions of Plot in Eighteenth Century English Novels. Chicago and London: Chicago UP, 1990. 147-174. [GGII: 0286].
SPECTOR, Robert D. and Martin TUCKER. Introduction. A Sicilian Romance. New York: Arno Press, 1980. [GGI: 0477].
SPENCE, Sarah Domingue. “Nurturing in the Novels of Fanny Burney, Ann Radcliffe, and Ellen Price Wood.” Dissertation Abstracts International 55:11 (1995): 3525A (Louisiana State University). [GGIII: 1181]
SPENDER, Dale. “Ann Radcliffe and the Gothic.” Mothers of the Novel: 100 Good Women Writers Before Jane Austen. London and New York: Pandora Press; Routledge and Kegan Paul, 1986. 230-245. [GGII: 0287].SPINA, Giorgio. L‘Epoca d‘oro dei “Tales of Terror:” Ann Radcliffe. Genova, Italy: Bozzi, 1970. [GGI: 0478].
STEEVES, Harrison R. Introduction. The Romance of the Forest in Three Eighteenth Century Romances. New York: Scribner's, 1971. [GGI: 0479].
STOLER, John A. “Ann Radcliffe: The Novel of Suspense and Terror.” Dissertation Abstracts International 32 (1972): 5203A (University of Arizona). [GGI: 0480].
STOLER, John A. Ann Radcliffe: The Novel of Suspense and Terror. New York: Arno Press, 1980. [GGI: 0481].
STOLER, John A. “Radcliffe, Ann Ward.” Encyclopedia of Romanticism: Culture in Britain, 1780s-1830s, ed. Laura Dabundo. New York: Garland Publishing, 1992. 481-83. [GGIII: 1187]
STOLER, John A. “Having Her Cake and Eating, Too: Ambivalence, Popularity, and Psychosocial Implications of Ann Radcliffe’s Fiction.” Jane Austen and Mary Shelley, and their Sisters. Ed. Laura Dabundo. Lanham, MD: University Press of America, 2000. 19-29. [GGIII: 1188]SUMMERS, Montague. “A Great Mistress of Romance: Ann Radcliffe, 1764-1823.” Transactions of the Royal Society of Literature 35 (1917): 39-78; Rpt. Essays in Petto. Freeport, NY: Books for Libraries, 1967. [GGI: 0482].
SVENSTRUP, Svend Aage. “Gotiske Steder: Fysis-ke, faenomenologiske og litteraere rum i den gotiske tradition.” Kand K: Kultur og Klasse, Kritik og Kulturanalyse 28:2 (2000): 97-111. Compares Radcliffe’s treatment of space in The Italian with spatial presentation in Beckford’s Vathek and the Danish writer Christian Winther’s Skriftestolen. [GGIII: 1190]
SWIGART, Ford H. “A Study of the Imagery in the Gothic Romances of Ann Radcliffe.” Dissertation Abstracts 27 (1967): 2509A-2510A (University of Pittsburgh). [GGI: 0483].
SWIGART, Ford H. “Ann Radcliffe’s Veil Imagery.” Studies in the Humanities 1 (1969): 55-59. [GGI: 0484].
SWIGART, Ford H. A Study of the Imagery in the Gothic Romances of Ann Radcliffe. New York: Arno Press, 1980. [GGI: 0485].
SYPHER, Wylie. “Social Ambiguity in the Gothic Novel.” Partisan Review 12 (1945): 50-60. [GGI: 0486].
TALLOENS, Els. “Het beeld van de vrouw in twee gothic novels: The Mysteries of Udolpho (1794) en Dracula (1897).” Doctoral Dissertation, Université de Liège, Belgium, 1993. [The Image of Woman in Two Gothic Novels: The Mysteries of Udolpho and Dracula]. [GGIII: 1195]
TAMKIN, Linda Ellen. “Heroines in Italy: Studies in the Novels of Ann Radcliffe, George Eliot, Henry James, E. M. Forster, and D. H. Lawrence.” Dissertation Abstracts International 45 (1985): 2536A (University of California at Los Angeles). [GGII: 0288].
TATU, Chantal. “Cris et chuchotements dans Les Mystères d‘Udolphe by Anne Radcliffe: Mais à quoi le Fantastique?” Caliban 16 (1979): 87-97. [GGI: 0487].
TATU, Chantal. “l‘Histoire des Mystères d‘Udolphe en France, ou les péripéties ‘populaires’ d‘un imaginaire conservateur.” Europe: Revue Littéraire Mensuelle 659 (1984): 38-53. [GGII: 0289].
TATU, Chantal. “Les Mystères d‘Udolphe: mélodrame avant la lettre?” Mélodrames et romans noirs, eds. Simone Bernard-Griffiths and Jean Sgard. Toulouse: Presses de l‘Université Toulouse-Le Mirail, 2000. 83-98. [Melodrama Before the Letter?]. [GGIII: 1199]
THOMAS, Donald. “The First Poetess of Romantic Fiction: Ann Radcliffe, 1764-1823.” English 15 (1964): 91-95. [GGI: 0488].THOMPSON, L.F. “Ann Radcliffe’s Knowledge of German.” Modern Language Review 20 (1925): 190-191. [GGI: 0489].
THOMSON, John. “The Novels of Ann Radcliffe.” Doctoral Dissertation, University of Otago, New Zealand, 1975. [GGI: 0490].
THOMSON, John. “Ann Radcliffe’s Use of Philippus Van Lim-borch’s The History of the Inquisition.” English Language Notes 18 (1980): 31-33. [GGI: 0491].
THOMSON, John. “Seasonal and Lighting Effects in Ann Radcliffe’s Fiction.” Journal of the Australasian Language and Literature Association: A Journal of literary Criticism, Philology, and Linguistics 56 (1981): 191-200. [GGI: 0492].
TIMPANE, John. “Ann Ward Radcliffe.” An Encyclopedia of British Women Writers. Eds. Paul and June Schlueter. New York: Garland, 1988. 373. [GGII: 0290].
TODD, Janet. “Posture and Imposture: The Gothic Manservant in Ann Radcliffe’s The Italian.” Women and literature 2 (1982): 25-38. [GGII: 0291].
TODD, Janet. “‘The Great Enchantress’: Ann Radcliffe.” The Sign of Angelica: Women’s Writing, and Fiction, 1660-1800. New York: Columbia UP, 1989. 253-272. [GGII: 0292].
TOMPKINS, J.M.S. “The Work of Mrs. Radcliffe and its Influence on Later Writers.” Doctoral Dissertation, Bedford College of the University of London, 1921. [GGI: 0494].
TOMPKINS, J.M.S. “Raymond de Carbonières, Grosley, and Mrs. Radcliffe.” Review of English Studies 5 (1929): 294-301. [GGI: 0495].
TOMPKINS, J.M.S.. Ann Radcliffe and her Influence on Later Writers. New york: Arno Press, 1980. [GGI: 0496].
TOOLEY, Brenda. “Gothic Utopia: Heretical Sanctuary in Ann Radcliffe’s The Italian.” Utopian Studies 11:2 (2000): 42-56. [GGIII: 1211]
TORRIJOS, María del Mar Ramón. “Ideological Ambivalence in the Early Female Gothic Tradition: Ann Radcliffe's Mysteries of Udolpho.” Interactions: Aegean Journal of English and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi 14 (2005): 257-68. [GGIV: 0000]
TOWNSHEND, Dale. “Constructions of Psychosis and Neurosis in Ann Radcliffe’s The Mysteries of Udol-pho.” Pretexts: Literary and Cultural Studies 9:2 (2000): 175-206. [GGIII: 1212]UNSIGNED. “Extricating Emily.” Time (April 22, 1966): 88. [Review of an edition of the text]. [GGI: 0415].
VARMA, Devendra P. Introduction. The Italian; or, The Confessional of the Black Penitents. New York: Russell and russell, 1968. [GGI: 0498].
VARMA, Devendra P. Introduction. The Italian; or, The Confessional of the Black Penitents. Wood engraving by Sarah van Niekerk. London: Folio Society, 1987. vii-xiii. [GGII: 0298].
VARMA, Devendra P. “Introduction.” To A Sicilian Romance. New York: Arno Press, 1972. [GGI: 0499].
VARMA, Devendra P. Introduction. A Sicilian Romance. Wood engravings by Sarah can Niekerk. London: Folio Society, 1987. vii-xii. [GGII: 0295].
VARMA, Devendra P. “Introduction.” To Gaston de Blondeville; or, The Court of Henry III Keeping Fesitival in Ardenne. New York: Arno press, 1972. [GGI: 0500].
VARMA, Devendra P. Introduction. Gaston de Blondeville; or, The Court of Henry III Keeping Festival in Ardenne. Wood engraving by Sarah van Niekerk. London: Folio Society, 1987. vii-xi. [GGII: 0299].
VARMA, Devendra P. Introduction. The Romance of the Forest. Forward by Frederick Garber. New york: Arno Press, 1974. [GGI: 0501].
VARMA, Devendra P. “Introduction.” To The Romance of the Forest. Wood engraving by Sarah van Niekerk. London: Folio Society, 1987. vii-xi. [GGII: 0296].
VARMA, Devendra P. Introduction. The Castles of Athlin and Dunbayne. Wood engraving by Sarah van Niekerk. London: Folio Society, 1987. vii-xv. [GGII: 0294].
VARMA, Devendra P. Introduction. The Mysteries of Udolpho. Wood engraving by Sarah van Niekerk. London: Folio Society, 1987. vii-xiii. [GGII: 0297].
VARMA, Devendra P. “Ann Radcliffe.” Supernatural Fiction Writers. Ed. E.F. Bleiler. New York: Charles Scribner's, 1985, I. 145-151. [GGII: 0293].
VOLLER, Jack. Introduction. The Veiled Picture; or, The Mysteries of Gorgono. Chicago: Valancourt Press, 2006. [GGIV: 0000]
WARE, Malcolm. “Mrs. Radcliffe’s ‘Picturesque Embellishment.’” Tennessee Studies in Literature 5 (1960): 67-71. [GGI: 0502].
WARE, Malcolm. Sublimity in the Novels of Ann Radcliffe: A Study of the Influence upon her Craft of Edmund Burke’s Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Uppsala; Sweden: Lindequist; English Institute of the University of Uppsala: Essays and Studies on on English Language and Literature, 1963. [GGI: 0503].
WARE, Malcolm. “The Telescope Reversed: Ann Radcliffe and Natural Scenery.” In A Provision of Human Nature: Essays on Fielding and Others in Honor of Miriam Austin Locke. University, AL: Alabama UP, 1977. 169-189. [GGI: 0504].
WEISSMAN, Alan. “Thoughts in Things: Ann Radcliffe as a Psychological Novelist.” Dissertation Abstracts International 42 (1982): 4013A (City University of New York). [GGII: 0300].
WELLINGTON, Charmaine. “Ann Radcliffe.” Research Guide to Biography and Criticism. Ed. Walter Beacham. Washington, DC: Research Publishing, 1985. 948-951. [GGII: 0301].
WENNER, Barbara Ann Britton. “Prospect and Re-fuge: Heroines in Nineteenth-Century Novelistic Land-scape.” Dissertation Abstracts International 54:6 (1993): 2160A (University of Cincinnati). [GGIII: 1230]
WEST, Melissa Ann. "Hauntings in the Church: Counterfeit Christianity through the Fin de Siécle Gothic Novel." Master's Thesis. May 2009. Liberty Uiversity, Lynchburg, Virginia.
WHITING, Patricia. “Literal and Literary Representations of the Family in The Mysteries of Udolpho.” Eighteenth Century Fiction 8 (1996): 485-501. [GGIII: 1231]WIETEN, Alida Albertine Sibbelina. Mrs. Radcliffe, Her Relation towards Romanticism; With an Appendix on the Novels Falsely Ascribed to Her. Amsterdam, Netherlands: H.J. Paris, 1926. [GGI: 0506].
WILLIAMS, Anne. “Ann Radcliffe’s Female Plot.” Studies on Voltaire and the Eighteenth Century 304 (1992): 823-25. [GGIII: 1233]
WINTER, Kari J. “Sexual/Textual Politics of Terror: Writing and Rewriting the Gothic Genre in the 1790s.” Misogyny in Literature: An Essay Collection. Ed. Katerine Anne Ackley. New York: Garland Publishing, 1992. 89-103. [GGII: 0302].
WOLFF, Cynthia G. “The Radcliffean Gothic Model: A Form for Feminine Sexuality.” Modern Language Studies 9.3 (1979): 98-113. [GGI: 0507].
WOLFF, Cynthia. “The Radcliffean Gothic Model: A Form of Feminine Sexuality.” The Female Gothic. Ed. Juliann E. Fleenor. Montreal, PQ: Eden Press, 1983. 207-223. [GGII: 0303].
WOLSTENHOME, Susan C. “Gothic Visions and Writing Women: Radcliffe, Shelley, Stowe, Eliot.” Dissertation Abstracts International 50 (1990): 2914A (Cornell University). [GGII: 0304].
WRIGHT, Andrew. Introduction. The Mysteries of Udolpho [abridged]. New York: Holt, Rinehart, Winston, 1963. vii-xxi. [GGI: 0508].
WRIGHT, Eugene P. “A Divine Analysis of The Romance of the Forest.” Discourse 13 (1970): 379-387. [GGI: 0509].
YAMANO, Rebecca Ann. “Concealed Strength: Veil imagery in Three Novels by Ann Radcliffe, Jane Austen, Mary Shelley,“ Master’s Thesis, California State University, Long Beach, 1999. [GGIII: 1240]
YURCHUK, Maryanne. “Emotion and Reason in The Romance of the Forest” (p. 7). In The Critical Response to Ann Radcliffe. Ed. Deborah D. Rogers. Westport, CT: Greenwood Press, 1994. [GGIII: 1241]