Sir Walter Scott (1771-1832)
Internet Resources
ARATA, Stephen. “Scott’s Pageants: The Example of Kenilworth.” Studies in Romanticism 40 (2001): 99-107. [GGIII: 2260]
BOATWRIGHT, Mody C. “Scott’s Theory and Practice Concerning the Use of the Supernatural in Prose Fiction in Relation to the Chronology of the Waverley Novels.” PMLA: Publications of the Modern Language Association 50 (1935): 235-61. [GGI: 0951].
BOSWELL, George W. “Supernaturalism in Scott’s Novels.” Mississippi Folklore Register 8:2 (1974): 187-99. [GGI: 0952].
CAMERON, Donald. “History, Religion, and the Supernatural: The Failure of The Monastery.” Studies in Scottish Literature 6 (1969): 79-90. [GGI: 0953].
CAMPBELL, James L. “Sir Walter Scott.” I. Supernatural Fiction Writers, ed. E.F. Bleiler. New York: Charles Scribner's, 1985. 169-76. [GGII: 0597].
CHANDLER, Alice. “Sir Walter Scott and the Medieval Revival.” Nineteenth Century Fiction 19 (1965): 315-22.[GGII: 0598].
DUNCAN, Ian Hamish. “Modern Romance: The Gothic, Scott, Dickens.” Dissertation Abstracts International 50 (1990): 3600A (Yale University). [GGII: 0599].
DUNCAN, Ian Hamish. Modern Romance and Transformations of the Novel: The Gothic, Scott and Dickens. Cambridge, UK: Cambridge University Press, 1992. [GGII: 0600].
DUNCAN, Ian Hamish. “Walter Scott, James Hogg, and Scottish Gothic.” A Companion to the Gothic. Ed. David Punter. Oxford, UK and Malden, MA: Blackwell Publishers, 2000. 70-80. [GGIII: 2268]
FREYE, Walter. The Influence of “Gothic“ Literature on Sir Walter Scott. Rostock, Germany: H. Winterberg, 1902. [GGI: 0954].
GAMER, Michael C. “Marketing a Masculine Romance: Scott, Antiquarianism and the Gothic.” Studies in Romanticism 32 (1993): 523-49. [GGIII: 2270]
GAMER, Michael. “Sir Walter Scott.” Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002. 380-88. [GGIII: 2271]
GOTTLIEB, Evan and DUNCAN, Ian. "Approaches to Teaching Scott's Waverly Novels. Approaches to Teaching World Literature 110. New York: Modern Language Association of America, 2009.
HARTLAND, R.W. Walter Scott et le roman ‘frénétique‘: Contribution à l‘Étude de leur fortune en France. Paris: Edouard Champion, 1928. [GGI: 0956].
HILL, Richard. "The Illustration of the Waverly Novels: Scott and Popular Illustrated Fiction." Scottish Literary Review 1.1 (20090; 69-98.
IRVINE, Robert P. “Scott’s The Black Dwarf: The Gothic and the Female Author.” Studies in Romanticism 38 (1999): 223-48. [GGIII: 2273]
LEERSSEN, J.Th. “Fiction Poetics and Cultural Stereotype: Local Colour in Scott, Morgan and Maturin.” Modern Language Review 86 (1991): 273-84. [GGIII: 2274]LE TELLIER, Robert Ignatius. Sir Walter Scott and the Gothic Novel. Lewiston, NY: Edwin Mellen Press, 1995. [GGIII: 2275]
MACK, Douglas. “Scottish Gothic.” The Handbook to Gothic Literature. Ed. Marie Mulvey-Roberts. New York: New York University Press, 1998. 208-10. [GGIII: 2276]MADDOX, James H. Jr. “The Survival of Gothic Romance in the Nineteenth Century Novel: A Study of Scott, Charlotte Brontë, and Dickens.” Dissertation Abstracts International 32 (1971): 442A (Yale University).[GGI: 0957].
MAYO, Robert Donald. “The Waverley Novels in their Relation to Gothic Fiction.” Doctoral Dissertation, Princeton University, 1938. [GGI: 0958].
ORR. Marilyn. “Repetition, Reversal, and the Gothic: The Pirate and St. Ronan’s Well.” English Studies in Canada 26 (1990): 187-99. [GGII: 0601].
PARSONS, Coleman O. “The Interest of Scott’s Public in the Supernatural.” Notes & Queries 185 (1943): 92-100. [GGI: 0959].
PARSONS, Coleman O. “Scott’s Fellow Demonologists.” Modern Language Quarterly 4 (1943): 473-93.[GGI: 0960].
PARSONS, Coleman O. Witchcraft and Demonology in Scott’s Fiction. Edinburgh: Oliver & Boyd, 1964. [GGI: 0961].
ROBERTSON, Fiona. “The Function of Gothic Elements in Relation to Walter Scott’s Narrative Technique.” Dissertation Abstracts International 51 (1991): 3757A-58A (Oxford University). [GGII: 0602].
ROBERTSON, Fiona. “Castle Spectres: Scott, Gothic Drama, and the Search for the Narrator.” Scott in Carnival. Eds. J.H. Alexander, David Hewitt. Aberdeen: Association for Scottish Literary Studies, 1993. 444-58. [GGIII: 2284]
ROBERTSON, Fiona. Legitimate Histories: Scott, Gothic, and the Authorities of Fiction. Oxford; Clarendon Press; New York: Oxford UP, 1994. [GGIII: 2285]
STUART, Ferguson. "'Nostra Causa Agitur': Walter Scott's The Heart of Mid-Iothian and George Lukács's Historical Meta-Text." AUMLA 111 (2009): 47-68.
SUMMERS, Montague. “Scott and the Supernatural.” Notes & Queries 185 (1943): 170-71. [GGII: 0603].TAYLOR, Michael. “Reluctant Romancers: Self Consciousness and Derogation in Prose Romance.” English Studies in Canada 17 (1991): 89-106. [GGII: 0604].
WILT, Judith. “Transmutations: From Alchemy to History in Quentin Durward and Anne of Geierstein.” European Romantic Review 13 (2002): 249-60. [GGIII: 2288]