13. Percy Bysshe Shelley

(1792-1822)

 

Title Pages for the Shelley Gothics, Zastrozzi (1810) and St. Irvyne (1811)

Internet Resources:

ANTIPPAS, Andy. “The Structure of Shelley’s St. Irvyne: Parallelism and the Gothic Mode of Evil.” [GGI: 0672].

BEHRENDT, Stephen C. “Introduction.” To Zastrozzi: A Romance and St. Irvyne; or, The Rosicrucian. [GGII: 0387].

BEHRENDT, Stephen C. “Introduction” (pp. 9-53). To Zastrozzi: A Romance and St. Irvyne; or, The Rosicrucian. Peterborough, ON : Broadview Press, 2001.

CHESSER, Eustace. Shelley and Zastrozzi: Self-Revelation of a Neurotic. [GGI: 0673].

CLARKE, George Elliott. “Racing Shelley, or Reading The Cenci as a Gothic Slave Narrative.” European Romantic Review 11 (2000): 168-85.

COATS, Sandra W. “Gothic Elements in Shelley’s Prometheus Unbound.” [GGI: 0674].

COATS, Sandra W. “Shelley and the Promethean Myth.” [GGII: 03-88].

COLLINS, Grace Calvert. “Shelley’s Treatment of the Legend of the Wandering Jew.” [GGI: 0675].

EAKIN, William R. “The Daemonic in the Early Poems of Percy Bysshe Shelley.” [GGII: 0389].

FINCH, Peter.  “Monstrous Inheritance: The Sexual Politics of Genre in Shelley’s St. Irvyne.” Keats-Shelley Journal 48 (1999): 35-68.

FRANK, Frederick S. “Introduction.” To St. Irvyne; or, The Rosicrucian and Zastrozzi; A Romance. [GGI: 0678].

FRIGO, Gabriele. “St. Irvyne; or, The Rosicrucian: Shelley davvero rosacrociano ad Oxford––1810-11?” [GGII: 0390].

GREER, Germaine. “Foreword” (pp. vii-xii). To Zastrozzi; A Romance. London : Hesperus Press, 2002.

HALL, Spencer. “‘Beyond the Realms of Dream’: Gothic, Romantic, and Poetic Identity in Shelley’s Alastor.” Gothic Studies 3 (2001): 8-14.

HALLIBURTON, David G. “Shelley’s ‘Gothic Nov-els.’” [GGI: 0679].

HOGLE, Jerrold E. “Shelley’s Fiction: ‘The Stream of Fate.’” [GGI: 0681].

HOGLE, Jerrold E. “Early Attachments: From the ‘Gothic Sensibility’ to ‘Natural Piety’ and Alastor” In Shelley’s Process: Radical Transference and the Development of his Major Works. [GGII: 0391].

HUGHES, A.M.D. “Shelley’s Zastrozzi and St. Irvyne.” [GGI: 0682].

JONES. Frederick L. “Alastor Foreshadowed in St. Irvyne.” [GGI: 0683].

KOSZUL, Andre. “Quelques sources de romans de Shelley.” [GGI: 0684].

MC CURDY, Harold G. “Shelley’s The Assassins.” [GGI: 0686].

MICHASIW, Kim Ian. “Haunting the Unremembered World: Shelley’s Gothic Practice.” In Gothic Fictions: Pro-hibition/Transgression. [GGII: 0392].

MURPHY, John V. “Gothic Elements in Shelley’s Canon.” [GGI: 0687].

MURPHY, John V. The Dark Angel: Gothic Elements in Shelley’s Works. [GGI: 0688].

PECK, Walter E. “Interchapter II: The Sources and Significance of St. Irvyne; or, The Rosicrucian” (pp. 90-100). In Shelley: His Life and Work. Boston and New York : Houghton, Mifflin, 1927.

RAJAN, Tilottama. “Promethean Narrative: Overdetermined Form in Shelley’s Gothic Fiction” (pp. 240-52).  In Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran. Baltimore: Johns Hopkins University Press, 1996.

SARGENT, Laura Jane. “Gender Politics and the Beautiful Parricide: Beatrice Cenci as a Nineteenth Century Icon.” Dissertation Abstracts International 61 (2000):   13-92 (Texas A&M University).

SEED, David. “Shelley’s ‘Gothick’ in St. Irvyne and After.” In Essays on Shelley. [GGII: 0393].

SEED, David. “Mystery and Monodrama in Shelley’s Zas-trozzi.” [GGII: 0394].

SICKELS, Eleanor. “Shelley and Charles Brockden Brown.” [GGI: 0690].

SOLVE, Melvin T. “Shelley and the Novels of Brown.” In Fred Newton Scott Anniversary Papers. [GGI: 0692].

STEINMAN, Lisa. “These Common Woes: Repetition and Conversation in the Work of Percy Bysshe Shelley” (pp. 87-134). In Masters of Repetition: Poetry, Culture, and Work in Thomson, Wordsworth, Shelley, and Emerson. New York: St. Martin’s Press, 1998.

STRONG, Archibald. “The Sinister in Shelley.” In Three Studies in Shelley. [GGI: 0693].

TWITCHELL, James. “Shelley’s Use of Vampirism in The Cenci.” [GGI: 0694].

TYLER, Henry. “Thrillers at Eton.” [GGII: 0395].

VOLLER, Jack G. and Douglass THOMSON. “Percy Bysshe Shelley” (pp. 399-407). In Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.

WHATLEY, John. “Romantic and Enlightened Eyes in the Gothic Novels of Percy Bysshe Shelley.” Gothic Studies 1 (1999): 201-21.

WHATLEY, John. "'The ghost of a forgotten form of sleep': The Gothic in Shelley's 'The Triumph of Life.'" Gothic Studies 5:1 (2003): 71-93.

YOUNG, A.B. “Shelley and M.G. Lewis.” [GGI: 0695].

ZIMANSKY, Curt R. “Shelley’s Wandering Jew: Some Borrowings from Lewis and Radcliffe.” [GGI: 0696].

ZIMANSKY, Curt R. “Zastrozzi and The Bravo of Venice: Another Shelley Borrowing.” [GGI: 0697].

ZIMMERMAN, Phyllis. Shelley's Fiction. Los Angeles: Darami Press, 1998.