Internet Resources:
BARTOLOMEO, Joseph E. “Subversion
of Romance
in The Old Manor House.” [GGII: 0305].
BOWSTEAD,
Diana. “Convention and Innovation in Charlotte Smith’s Novels.” [GGI: 0511].
BURGESS, Miranda J. “Charlotte
Smith, The Old Manor House” (pp. 122-30). In A Companion to Romanticism, ed. Duncan
Wu.
CONWAY, A. “Nationalism, Revolution and the Female Body: Charlotte Smith’s Desmond.” Women’s Studies 24-25 (1995): 395-409.
EHRENPREIS, Anne H. “Introduction.” To The Old Manor House. [GGI: 0513].EHRENPREIS, Anne H. “Introduction.”
To Emmeline, The Orphan of the Castle. [GGI:
0515].
ELLIS, Katherine. “Charlotte
Smith’s
Subversive Gothic.” [GGII: 0306].
FLETCHER, Loraine. “Charlotte Smith’s Emblematic Castles.” Critical Survey 4 (1992): 3-8.
FLETCHER, Loraine. Charlotte Smith: A Critical Bibliography.FOSTER, James R. “Charlotte Smith:
Pre-Romantic Novelist.” [GGI: 0516].
FRY,
Carol. “Charlotte Smith, Popular Novelist.” [GGI: 0517].
FRY, Carol. Charlotte
Smith, Popular Novelist. [GGI: 0518].
HILBISH,
IMIG,
Barbara L. “Shooting Folly as it Flies: A Dialogic Approach to Four
Novels by
Charlotte Smith.” [GG-II: 0307].
JUNG, Sandro. “Some Notes on the ’single Sentiment’ and Romanticism of Charlotte Smith.” Connotations: A Journal for Critical Debate 9 (1999-2000): 269-84.
KENNEDY, Deborah. “Thorns and Roses: The Sonnets of Charlotte Smith.” Women’s Writing 2:1 (1995); 43-54.KIMZEY,
Donna Lee. “‘A Diagram of Raptur’: Pe-trarch, Gender, and Power in the
Romantic
Era (Mary Robinson, Anna Seward, Charlotte Smith, Emily Dickinson,
Sappho).” Dissertation Abstracts International
57:8 (1996): 3507A (
LABBE, Jacqueline. “Introduction”
(pp. 1-28). To The Old Manor House.
MC KILLOP, Alan Dugald.
“Charlotte Smith’s
Let-ters.”
PIORKOWSKI,
Joan L. “‘Revolutionary’ Sentiment: A Reappraisal of the Fiction of
Robert
Bage, Charlotte Smith, and Thomas Holcroft.” [GGI:
0521].
ROGERS, Katherine M.
“Inhibitions of
Eighteenth Century Women Novelists: Elizabeth Inchbald and Charlotte
Smith.” [GGI: 0523].
ROGERS, Katherine M. “Romantic
Aspirations,
Restricted
Possibilities: The Novels of Charlotte Smith” (pp. 72-88). In Re-Visioning Romanticism: British Women
Writers, 1776-1837, eds. Carol Shiner Wilson and Joel Haefner.
SCHOFIELD, Mary Anne.
“Charlotte Smith.” In Masking and Unmasking the Female
Mind:
Disguising Romances in Female Fiction, 1713-1799. [GGII:
0308].
SPENDER, Dale. “Charlotte
Smith and the Real
Life.” In Mothers of the Novel: 100 Good
Women Writers Before Jane Austen. [GGII:
0309].
STANTON,
Judith P. “Charlotte Smith’s Prose: A Stylistic Study of Four of her
Novels.” [GGI: 0524].
STANTON, Judith P. “Charlotte Smith
and
‘Mr. Monstroso’: An
Eighteenth Century Marriage in Life and Fiction.” Women’s
Writing 7:1 (2000): 7-22.
VOLLER, Jack G. “Charlotte
Turner Smith.” In Gothic Writers: A Critical and
Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller,
and
Frederick S. Frank.