Horace Walpole (1717-1797)
Internet Resources
The Lewis Walpole Library, Yale University, Farmington, Connecticut
ALBERTAZZI, Silvia. Il sogno gotico: fantasia onirica e coscienza femminile da Horace Walpole a Charlotte Brontë. Imola: Biblioteca di Spicilegio moderno, Galeati, 1980. [The Gothic dream: Oneiric fantasy and feminine conscience from Horace Walpole to Charlotte Brontë]. [GGIII: 0627].
AMES, Diane S. “Strawberry Hill: Architecture of the ‘as if.’” Studies in Eighteenth Century Culture 8 (1979): 353-63. [GGIII: 0628].ASHLEY, Mike. “Walpole, Horace.” St. James Guide to Horror, Gothic, and Ghost Writers, Ed. David Pringle. Detroit and New York: St. James Press, 1998. [GGIII: 0629]. 615-17.
AUFFRET-BOUCÉ, Héléne. “Contraintes et libertés du désir dans The Castle of Otranto d‘Horace Walpole.” Contraintes et Libertés dans le Grand-Bretagne du XVIIIe Siècle. Ed. Paul-Gabriel Boucé. Paris: Pubs. de la Sorbonne, 1988.109-124. [Constraints and Liberties of Desire in Horace Walpole's Castle of Otranto ]. [GGII: 0174].BAINES, Paul. “‘This Theatre of Monstrous Guilt’: Horace Walpole and the Drama of Incest.” Studies in Eighteenth Century Culture 28 (1999): 287-309. [GGIII: 0631].
BARRELL, R.A. “Horace Walpole and France.” Humanities Association Bulletin 23:2 (1972): 33-40. [GGI: 0211].BARTH. Marilyn. “Exploring the Book Arts Through one Fine Copy of The Castle of Otranto.” The English Novel. Eds. Susan Spencer, Albert Riviero, and Margo Collins. New York: AMS Press, 2001. 287-310. [GGIII: 0633].
BEDFORD, Kristina. “‘This Castle Hath a Pleasant Seat’: Shakespearean Allusion in The Castle of Otranto.” English Studies in Canada 14 (1988): 415-435. [GGII: 0175].BENTMAN, Raymond. “Horace Walpole’s Forbidden Passion.” Queer Representations; Reading Lives, Reading Cultures. Ed. and Intro. Martin Duberman. New York: New York University Press, 1997. 276-289. [GGIII: 0635].
BERNSTEIN, Susan. Housing Problems: Architecture and Literature in Goethe, Walpole, Freud, and Heidegger. Stanford: Stanford UP, 2008.
BILLI. Mirella. “Dal Terror all'ostensione dell'horror: The Mysterious Mother di Horace Walpole.” Il Teatro della Paura: Scenari Gotici del Romanticismo Europeo. Eds. Diego Saglia. Giovanna Silvani. Roma: Buzoni. 2005. 19-31. [On the Ostentatious Terror of Horror: Horace Walpole's Mysterious Mother ]. [GGIV: 0000].
BLEILER, E.F. Introduction. Three Gothic Novels: The Castle of Otranto, Vathek, The Vampyre. New York: Dover Publications, 1966. vii-xl. [GGI: 0213].
BRANDENBERG, Alice S. “The Theme of The Mysterious Mother.” Modern Language Quarterly 10 (1949): 464-474. [GGI: 0214].
BRANTLINGER, Patrick. “Gothic Toxins: The Castle of Otranto, The Monk, and Caleb Williams.” The Reading Lesson: The Threat of Mass Literacy in Nineteenth Century British Fiction. Bloomington: Indiana University Press, 1998. 25-48. [GGIII: 0639].
BRIX, Michel. “Du Château d'Otrante à la forteresse de Silling." “O saisons, O châteaux“: Château et littérature des Lumières à l'aube de la modernité (1764-1914). Eds. Pascale Auraix-Jonchière, Pierre Grouix. Clermont-Ferrand, France: Presses Universitaires Blaise Pascal, 2004. 283-295. [From the Castle of Otranto to the Fortress of Shilling]. [GGIV: 0000].
BURNEY, E.L. “Shakespeare in Otranto.” Manchester Review 12 (1972): 61-64. [GGI: 0215].CAMPBELL, Jill. “‘I Am No Giant’: Horace Walpole, Heterosexual Incest, and Love among Men.” The Eighteenth Century: Theory and Interpretation 39 (1998): 238-60. [GGIII: 0641].
CART, Michael. “Carte Blanche: What Walpole Wrought; or The Horror! The Horror!” Booklist 94:4 (19-97): 395-398. [GGIII: 0642].CLARKE, A.H.T. “Strawberry Hill.” [London] Times Literary Supplement 25 May 1940: 255.[GGI: 0218].
CLARKE, Stephen. "Horace Walpole's Architecural Taste." 1650-1850 16 (2009): 223-44.
CLERY, E.J. “Against Gothic.” Gothick Origins and Innovations. Eds. Allan Lloyd Smith and Victor Sage. Amsterdam and Atlanta, Georgia: Rodopi; Costerus New Series 91, 1994. 34-43. [GGIII: 0644].
CLERY, E.J. Introduction. The Castle of Otranto: A Gothic Story. London: Oxford University Press, 1996. vii-xxxiii. [GGIII: 0645].CLERY, E.J. “Walpole, Horace, Earl of Orford (1717-1797)." The Handbook to Gothic Literature. Ed. Marie Mulvey-Roberts. New York: New York University Press, 1998. 246-249. [GGIII: 0646].
CLERY, E.J. “Horace Walpole’s Mysterious Mother and the Impossibility of Female Desire.” The Gothic. Ed. Fred Botting. Cambridge, UK: Boydell and Brewer, 2001. 23-46. [GGIII: 0647].CONANT, Kenneth J. “Horace Walpole and the Gothic Revival.” Old Wedgwood 12 (1945): 62-69. [GGI: 0219].
CONGER, Syndy M. “Faith and Doubt in The Castle of Otranto.” Gothic: The Review of Supernatural Horror Fiction 1 (1979): 51-59. [GGI: 0220].
CORTI, Claudia. “Il Doppio coma paradigma fantas-tico-gotico: Testi di Horace Walpole e Beckford.” Confronto Letterarrio 8 (1991): 307-330. [The Double as Fantasy Gothic Paradigm: Texts of H. Walpole and W. Beckford]. [GGII: 0176].
COYKENDALL, Abigail Lynn. “Conjuring Inherited Empire: Gothic Real Estate and the Eighteenth Century British Novel.” Dissertation Abstracts International 63:8 (2002): 2879 (SUNY at Buffalo). [GGIII: 0651].
CROOK, J. Mordaunt. “Walpole’s ‘little Gothic castle’: The Ups and Downs of Strawberry Hill, and its Future.” [London] Times Literary Supplement 28 February 1997: 15. [GGIII: 0652].DOBRÉE, Bonamy. “Horace Walpole.” Restoration and Eighteenth Century Literature: Essays in Honor of Alan Dugald McKillop. Ed. Carroll Camden. Chicago: University of Chicago Press, 1963. 49-70. [GGI: 0221].
DOLAN, Janet A. “Horace Walpole’s The Mysterious Mother: A Critical Edition.” Dissertation Abstracts International 31 (1971): 4115A-4116A (University of Arizona). [GGI: 0222].
DOLE, Carol M. “Three Tyrants in The Castle of Otranto.” English Language Notes 26 (1988): 26-35. [GGII: 0177].
DOUGHTY, Oswald. Introduction (XXX). The Castle of Otranto. London: Scholartis, 1929. [GGI: 0223].
DRAKE, George A. “Historical Space in the Eighteenth-Century Novel.” Dissertation Abstracts International 58:6 (1998): 2222A (University of Washington). [GGIII: 0657].
EASTWOOD, Sidney K. “Horace Walpole.” Notes & Queries 189 (1945): 265. [GGI: 0224].EHLERS, Leigh A. “The Gothic World as Stage: Providence and Character in The Castle of Otranto.” Wascana Review 14:2 (1980): 17-30.[GGI: 0225].
FAIRCLOUGH, Peter & Mario PRAZ. Introduction. Three Gothic Novels: The Castle of Otranto, Vathek, Frankenstein. Baltimore: Penguin Books, 1968. 7-34. [GGI: 0229].
FINCHER, Max. “Guessing the Mould: Homosocial Sins in Horace Walpole’s The Castle of Otranto.” Gothic Studies 3 (2001): 229-45. [GGIII: 0661].
FRANK, Frederick S. “Horace Walpole’s The Castle of Otranto: A Gothic Story” (211-216). In Survey of Modern Fantasy Literature. Ed. Keith Neilson. Englewood Cliffs, NJ: Salem Press, 1983. [GGII: 0179].FRANK, Frederick S. “Proto-Gothicism: The Infernal Iconography of Walpole’s Castle of Otranto.” Orbis Litterarum 41 (1986): 199-212. [GGII: 0180].
FRANK, Frederick S. “Horace Walpole (1717-1797).” Gothic Writers: A Critical and Bibliographical Guide. Eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2000. 437-448. [GGIII: 0664].
FRANK, Frederick S. Introduction. The Castle of Otranto and The Mysterious Mother. Peterborough, ON: Broadview Press, 2003. 11-55. [GGIV: 0000].
FRANK, Marcie. “Horace Walpole's Family Romances.” Modern Philology 100 (2003): 417-35. [GGIV: 0000].
FRANKE, Marcie. "Horace Walpole's Theatricality." 1650-1850 16 (2009): 309-27.
FUJIMOTO, Yukio. “From Amusement to Quest: The Castle of Otranto and Edgar Huntley [sic].” Chu-Shikoku Studies in American Literature 14 (1978): 61-70. [GGI: 02-30].
FUKUEN, Yoko. “‘So Black Must Be the Passions’: Horace Walpole's Mysterious Insight in The Mysterious Mother.“ Tsuda Review: The Journal of the Department of English Literature, Culture, Language, and Communication 50 (2005): 53-75. (GGIV: 0000].
GAMER, Michael. “Introduction” (xiii-xxxv). To The Castle of Otranto by Horace Walpole. New York: Penguin Books, 2001. xiii-xxxv. [GGIII: 0667].
GARDNER, Elizabeth. The Gothic Novel: Horace Walpole, The Castle of Otranto, Jane Austen, Northanger Abbey, Henry James, The Turn of the Screw. Willoughby, New South Wales: Deed Publishing, 1993. [GGIII: 0668].
GARRIDO, Carlos. “El Nacimento de la novela gótica.” Quimera: Revista la Literatura 18 (1982): 33-39. [The Birth of the Gothic Novel]. [GGII: 0181].
GENTILE, Kathy Justice. "Sublime Drag: Supernatural Masculinity in Gothic Fiction." Gothic Studies 11.1 (2009): 16-31.
GOFF, Penelope Hope. “The Jehovah Imperative: Images of Incest and Blood Sacrifice in Walpole’s The Castle of Otranto and Flannery O‘Connor’s Wise Blood.” Master’s Thesis, University of Rhode Island, 1992. [GGIII: 0670].
GRAY, Jennie. Horace Walpole and William Beckford: Pioneers of the Gothic Revival. Chislehurst, UK: Gargoyle Press for The Gothic Society; Monograph Series 1, 1994. [GGIII: 0671].GREIN, Birgit. Von Geisterschlossern und spukhausern: Das motiv des gothic castle von Horace Walpole bis Stephen King. Wetzlar: Forderkreis Phantastik in Wetzlar, 1995. [Of ghostly castles and spooky houses: The motif of the Gothic castle from Horace Walpole to Stephen King]. [GGIII: 0672].
GUILDING, R. “‘Grecian gods and demi-Gods in the niches...fit for the Castle of Otranto’: Wilton House in the Early Nineteenth Century.” Apollo 154:477 (2001): 42-48. [GGIII: 0673].
GUTOVNIK, Tanja. The Representation of Evil in Gothic Fiction with Reference to The Castle of Otranto, Frankenstein, and Dracula. Berlin: Klagenfurt, 2002. [GGIV: 0000].
HAGGERTY, George. “Walpoliana.” Eighteenth Century Studies 34 (2001): 227-49. [GGIII: 0674].
HAGGERTY, George E. “Literature and Homosexuality in the Late Eighteenth Century: Walpole, Beckford, and Lewis.” Studies in the Novel 18 (1986): 341-352. Rpt. (167-78). In Homosexual Themes in Literary Studies, eds. Wayne R. Dynes, Stephen Donaldson. New York: Garland Publishing, 1992. [GGII: 0182].
HAMM, Robert B. "Hamlet and Horace Walpole's The Castle of Otranto." Studies in English Literature 49.3 (2009): 667-692.
HARFST, Betsy Perteit. “Horace Walpole and the Unconscious: An Experiment in Freudian Analysis.” Dissertation Abstracts International 29 (1968): 1511A-1512A (Northern Illinois University). [GGI: 0233].
HARFST, Betsy Perteit. Horace Walpole and the Unconscious: An Experiment in Freudian Analysis. New York: Arno Press, 1980. [GGI: 0234].
HAVENS, Munson A. Horace Walpole and the Strawberry Hill Press. Canton, PA: Kirgate Press, 1901. [GGI: 0235].
HAZEN, Allen T. A Bibliography of Horace Walpole. New Haven: Yale University Press, 1948. [GGI: 0236].
HENDERSON, Philip. Introduction. The Castle of Otranto, Shorter Novels of the Eighteenth Century. New York: E.P. Dutton, 1958. 5-10. [GGI: 0237].
HIRAI, Masako. “Burke’s Sublime and The Castle of Otranto: The Gothic Image and the Novel.” Kobe College Studies 40:3 (1994): 1-12. [GGIII: 0680].
HOGAN, Charles Beecher. “The Theatre of George III” (227-40). In Horace Walpole: Writer, Politician, and Connoisseur. Essays on the 250th Anniversary of Walpole’s Birth, ed. Warren Hunting Smith. New Haven: Yale University Press, 1967. [GGIII: 0681].
HOLZKNECHT, Karl J. “Horace Walpole as Dramatist.” South Atlantic Quarterly 28 (1929): 174-189. GGI: 0238].JOHNSON, Anthony. “Gaps and Gothic Sensibility: Walpole, Lewis, Mary Shelley, and Maturin.” Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. Eds. Valeria Tinkler Viviani, Peter Davidson, with Jane Stevenson. Amsterdam: Rodopi, 1995. 7-24. [GGIII: 0683].
GENTILE, Kathy Justice. "Sublime Drag: Supernatural Masculinity in Gothic Fiction." Gothic Studies 11.1 (2009): 16-32.
KAHN, Madeleine. “‘A By-Stander Often Sees More of the Game Than Those That Play’: Ann Yearsley Reads The Castle of Otranto.” Bucknell Review 42 (1998): 59-78. [GGIII: 0684].KALLICH, Martin. Horace Walpole. New York: Twayne, 1971. [GGI: 0239].
KETTON-CREMER, R.W. Horace Walpole: A Biography. London: Longman's, Green, 1940; Rpt. London: Methuen, 1964. [GGI: 0240].
LÉVY, Maurice. “Lecture plurielle du Château d‘Otrante” (149-153). In Le Morte, le fantastique, le surnaturel du XVIe siècle a l’époque romantique. Lille: Université de Lille Centre de Recherches sur Angleterre des Tudores à la Regence, 1980 [Plural Reading of the Castle of Otranto]. [GGI: 0242].
LEWIS, Paul. “The Atheist’s Tragedy and The Castle of Otranto: Expressions of the Gothic Vision.” Notes & Queries 25 (1978): 52-54. [GGI: 0243].
LEWIS, Wilmarth S. “The Genesis of Strawberry Hill.” Metropolitan Museum Studies 5:1 (1934): 57-92. [GGI: 0244].
LEWIS, Wilmarth S. “Horace Walpole Reread.” Atlantic Monthly , July 1945: 48-51. [GGI: 0245].
LEWIS, Wilmarth S. Introduction. The Castle of Otranto: A Gothic Story. London: Oxford Univesity Press, 1969. i-xviii. [GGI: 0246].
MACK, Robert. Introduction. The Castle of Otranto and Hieroglyphic Tales by Horace Walpole. London: Dent; Rutland, VT: Tuttle, 1993. i-xxxvii. [GGIII: 0692].
MAGNIER, Mireille. “Sir Horace Walpole: Le Château d‘Otrante, ébauche d‘un retour au moyen âge des merveilles.” Mythes, Croyances, et Religions dans le Monde Anglo-Saxon 2 (1984): 55-65. [The Castle of Otranto: Rough Draft of the Return to the Middle Ages of the Marvelous]. [GGII: 0183].MASSARA, Giuseppe. “G.B. Piranesi and the Novel.” Studi Inglesi: Raccolta di Saggi e Ricerche. Ed. Agostino Lombardo. Bari, Italy: Adriatica, 1978. 77-92. [GGI: 0247].
MCKINNEY, David. “History and Revivalism: Horace Walpole’s Promotion of the Gothic Style of Architecture.” Dissertation Abstracts International 54 (1983): 1570A (University of Virginia). [GGII: 0186].
MCKINNEY, David. “‘The Castle of my Ancestors’: Horace Walpole and Strawberry Hill.” British Journal for Eighteenth Century Studies 13 (1990): 199-214. [GGII: 0185].
MCWHIR, Anne. “The Gothic Transgression of Disbelief: Walpole, Radcliffe, and Lewis.” Gothic Fictions: Prohibition/Transgression. Ed. Kenneth W. Graham. New York: AMS Press, 1989. 29-47. [GGII: 0187].
MEHROTRA, Kevala-Krishna. Horace Walpole and the English Novel: A Study of the Influence of The Castle of Otranto 1764-1820. Oxford: Basil Blackwell, 1934; Rpt. New York: Russell & Russell, 1970. [GGI: 0248].
MENGELING, Marvin E. “Walpole’s ‘Otranto’: The Gothic Thrust Toward Heaven.” Count Dracula Society Quarterly 1:9 (1974): no pagination. [GGI: 0249].
MILES, Robert. “Europhobia: the Catholic other in Horace Walpole and Charles Maturin.” European Gothic: A Spirited Exchange 1760-1960. Ed. Avril Horner. Manchester and New York: Manchester University Press, 2002. 84-103. [GGIII: 0699].
MILLER, Norbert. Strawberry Hill, Horace Walpole und die ästhetik der schönen unregelmässikeit. München, West Germany: Hanser, 1986. [Strawberry Hill, Horace Walpole, and the Aesthetic of Beautiful Irregularity].[GGII: 0188].MORRISSEY, Lee. “‘To Invent in Art and Folly’: Postmodernism and Walpole’s Castle of Otranto.” Bucknell Review 41:2 (1998): 86-99. [GGIII: 0701].
MOWL, Timothy. Horace Walpole: The Great Outsider. London: John Murray, 1996. [GGIII: 0702].MUDRICK, Marvin. Introduction. (XXX). The Castle of Otranto. London: Collier-Macmillan, 1963. [GGI: 250].
PERKINSON, Richard H. “Walpole and a Dublin Pirate.” Philological Quarterly 15 (1936): 391-400. [GGIII: 0704].
PUN-CHUEN, Lia Criselda Lim. “Social Disruption in the Gothic Novels of Horace Walpole, Elizabeth Inchbald, and Jane Austen.“ Master's Thesis, East Tennessee State University, 2005. [GGIV: 0000].
PORTER, David. “From Chinese to Goth: Walpole and the Gothic Repudiation of Chinoiserie.” Eighteenth Century Life 23 (1999): 46-58. [GGIII: 0705].RIELEY, John. “The Castle of Otranto Revisited.” Yale University Library Gazette 53 (1978): 1-17. [GGI: 0254].
RIGGS, Blanche. “The Place of Horace Walpole in the Gothic Revival.” Doctoral Dissertation, University of Chicago, 1909. [GGI: 0255].
ROSE, Edward J. “‘The Queenly Personality’: Walpole, Melville, and Mother.” Literature and Psychology 15 (1965): 216-229. [GGI: 0256].
RUTHERFORD, S. “The Castle of Otranto.” The Teaching of English 3 (1993): 38-44. [GGIII: 0710].
SABOR, Peter. “‘An old tragedy on a disgusting subject’: Horace Walpole and The Mysterious Mother.” Writing and Censorship in Britain, ed. Paul Hyland and Neil Sammells. London and New York: Routledge, 1992. 92-106. [GGIII: 0711].\
SABOR, Peter, ed. The Works of Horatio Walpole, Earl of Orford, 1798. From the 1798 edition. Ed. and Intro. Peter Sabor. London: Pickering and Chatto, 1998. 5 vols. 2,900 pages. [GGIII: 0712].
SAMSON, John. “Politics Gothicized: The Conway Incident and The Castle of Otranto.” Eighteentn-Century Life 17 (1986): 145-153. [GGII: 0189].
SANTINI, Florio. “La Nascita del romanzo gotico.“ Silarus: Rassegna Bimestrale di Cultura 44:236 (2004): 68-71. [The Birth of the Gothic Romance]. [GGIV: 0000].
SILVER, Sean R. "Visiting Strawberry Hill: Horace Walpole's Gothic Histriography." Eighteenth Century Fiction 21.4 (2009): 535-564.
SMITH, Horatio E. “Horace Walpole Anticipated Victor Hugo.” Modern Language Notes 41 (1926): 458-461. [GGI: 0259].
SMITH, Warren Hunting. “Strawberry Hill and Otranto.” [London] Times Literary Supplement. 23 May 1936: 440.[GGI: 0260].
SOLOMON, Stanley J. “Subverting Propriety as a Pattern of Irony in Three Eighteenth Century Novels: The Castle of Otranto, Vathek, and Fanny Hill “ Erasmus Review 1 (1971): 107-116. [GGI: 0261].
SPURGEON, Caroline F. E. Introduction (XXX). To The Castle of Otranto. London: Chatto & Windus, 1907. [GGI: 0263].
STEIN, Jess M. “Horace Walpole and Shakespeare.” Studies in Philology 31 (1934): 51-68. [GGI: 0264].
STEVENSON, John Allen. “The Castle of Otranto: Political Supernaturalism.” The British Novel, Defoe to Austen: A Critical History. Boston: Twayne/G.K. Hall, 1990. 90-109. [GGII: 0190].
STOLER, John A. “Walpole, Horace.” Encyclopedia of Romanticism: Culture in Britain, 1780s-1830s. Ed. Laura Dabundo. New York: Garland Publishing, 1992. 603-604. [GGIII: 0720].
SUMMERS, Montague. Introduction. The Castle of Otranto and The Mysterious Mother. London: Constable, 1924. ix-lvii. [GGI: 0265].SUMMERS, Montague. “Strawberry Hill Castle.” Everybody's Weekly 4 September 1943: 11-12.[GGII: 0191].
SVILPIS, J. E. “Coupling and Transgression in The Castle of Otranto and The Monk.” Transactions of the Samuel Johnson Society of the Northwest 16 (1985): 101-106. [GGII: 0192].
TAPP, R. “Mothers and Fathers in Horace Walpole’s Fiction,” Master’s Thesis, West Virginia University, 1975. [GGIV: 0000].
THACKER, Christopher. “That Long Labyrinth of Darkness.” The Wildness Pleases: The Origins of Romanticism. London: Croom Helm, 1983; New York: St. Martin's Press, 1983. 111-128. [GGII: 0193].THIERGARD, Ulrich. “Schiller und Walpole: Ein Beitrage zur Schillers verhältnis zur schauer-literatur.” Jahrbuch der Schiller Gesellschaft 3 (1959): 102-117. [GGI: 1922].
UNSIGNED. “MARCH 2nd, 1797: Death of Horace Walpole, ‘Gothick’ Man of Letters,” History Today 47:3 (March, 1997): 33. [GGIII: 0727].
VALENSISE, Rachele. “The Castle of Otranto e l‘incubo del potere.” Siculorum Gymnasium 28 (1975): 391-410. [The Castle of Otranto and the Nightmare of Power]. [GGI: 0267].VARMA, Devendra P. “Horace Walpole” I. Supernatural Fiction Writers. Ed. E.F. Bleiler. New York: Charles Scribner's, 1985. 131-137. [GGII: 0194].
VERZEA, Ileana. Castelul din Otranto. Bucharest: Romania, 1982. [GGII: 0195].
WATT, Ian P. “Time and the Family in the Gothic Novel: The Castle of Otranto.” Eighteenth Century Life 10 (1986): 159-171. Rpt. (126-40). In The Literal Imagination: Selected Essays, eds. Ian Watt, Bruce Thompson. Stanford, CA: Stanford Humanities Center, Stanford University, 2002. [GGII: 0196].
WEIN, Toni. “Tangled Webs: Horace Walpole and the Practice of History in The Castle of Otranto.” English Language Notes 35 (1998): 12-22. [GGIII: 0733].
WELCHER, Jeanne K. “The Literary Opinions of Horace Walpole.” Doctoral Dissertation, Fordham University, 1954. [GGI: 0271].WILLIAMS, Anne. “Monstrous Pleasures: Horace Walpole, Opera, and the Conception of Gothic.” Gothic Studies 2 (2000): 104-18. [GGIII: 0735].
WILLIAMS, Anne. “Horace in Italy: Discovering a Gothic Imagination.“ Gothic Studies 8 (2006): 22-34. [GGIV: 0000].
WILTON-ELY, John. “‘Gingerbread and Snippets of Embroidery’: Horace Walpole and Robert Adam.” Eighteenth-Century Life 25 (2001): 147-69. [GGIII: 0736].
WRIGHT, Andrew. Introduction. The Castle of Otranto, The Mysteries of Udolpho, and Northanger Abbey. New York: Holt, Rinehart, Winston, 1963. vii-xxi. [GGI: 0272].
ZELENKO, T.V. “Osobennosti khudozhestvennoi sistemy romana goratsia uolpola ‘Zamok Otranto.’” Problemy Sovremennoi Filologii Dialektika Formy i Soderzhaniia Iazyke i Literature. Eds. S. Iu. Adlivankin, K.V. Veselukhina, L.A. Gruzberg. Perm, USSR: Permskii Gosudarstvennyi Univ., 1982. 166-167. [Translation Needed]. [GGII: 0197].