Internet
Resources:
BACKUS,
Margot Gayle. “Homophobia
and the Imperial
Demon Lover: Gothic Narrativity in Irish Representations of the Great
War.” Canadian Review of Comparative Literature
21:1-2 (1994): 45-63.
CLAUSSON, Nils. "'Culture and Corruption': Paterian Self-Development Versus Gothic Degeneration in Oscar Wilde's The Picture of Dorian Gray." Papers on Language and Literature 39 (2003): 339-64.
ELKINS, Mary J. “Oscar Wilde.” In Supernatural Fiction Writers. [GGII: 0772].EUSEBI,
Madame. “The Devil in Dorian Gray.” [GGII:
0773].
GOMEL, Elana. "The Picture of Dorian Gray and the (Un)Death of the Author." Narrative 12 (2004): 74-92.
GREEN, Stephanie.”Grave Desires: Sexual Alterity and Gothic Romance in Oscar Wilde’s The Canterville Ghost.” Australasian Victorian Studies Journal 3 (1997): 71-79.
LAWLER, Donald. “The Gothic Wilde” (pp. 249-68). In Rediscovering Oscar Wilde, ed. George Sandulescu. Gerrards Cross, UK: Smythe, 1994.MURRAY, Isobel. “Strange
Case of Dr. Jekyll and Oscar Wilde.” [GGII: 0774].
POTEET, Lewis J. “Dorian Gray and
the Gothic
Novel.” [GGII: 1255].
POWELL, Kerry. “Tom, Dick, and Dorian Gray: Magic Picture Mania in Late
Victorian Fiction.” [GGII: 0775].
RIQUELME, Jean Paul. “Oscar Wilde’s Æsthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray.” Modern Fiction Studies 46 (2000): 608-31.
SAMMELLS, Neil. “Wilde, Oscar (1854-1900)” (pp. 252-54). In The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.SOUSA,
Maria Leonor Machado de.
“Mock Gothic,
o Gotico Satirico” (pp. 45-53). In Violencia
e Possessao: Estudos Ingleses Contemporaneos, eds. David Callahan,
Maria
Aline Seabra Ferreira, and A.D. Barker. Portugal: Universidade de
Aveiro, 1998.
[Mock Gothic, or Satiric Gothic].
STEWART, Garrett. "The Gothic of Reading: Wilde, du Maurier, Stevens, and Stoker." (pp. 343-92). In Dear Reader: The Conscripted Audience in Nineteenth Century British Fiction. Baltimore: Johns Hopkins Press, 1996.
WOMACK, Kenneth. “‘Withered, Wrinkled, and Loathsome of Visage’: Reading the Ethics of the Ethics of the Soul and the Late-Victorian Gothic in The Picture of Dorian Gray” (pp. 168-81). In Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Basingstoke: Palgrave, 2000.ZEENDER, Marie-Noëlle. “John
Melmoth and
Dori-an Gray: The Two-Faced Mirror” (pp. 432-40). In Rediscovering
Oscar Wilde, ed. C. George Sandulescu. Gerrards
Cross, UK: Smythe, 1994.