Oscar Wilde (1854-1900)
BACKUS, Margot Gayle. “Homophobia and the Imperial Demon Lover: Gothic Narrativity in Irish Representations of the Great War.” Canadian Review of Comparative Literature 21:1-2 (1994): 45-63. [GGIII: 2813]
BEVILLE, Maria. "Dorian Gray: the 'Decadent' Gothic and Terror of 'Self.'" In-between 14.1 (2005): 69-78.
CLAUSSON, Nils. "'Culture and Corruption': Paterian Self-Development Versus Gothic Degeneration in Oscar Wilde's The Picture of Dorian Gray." Papers on Language and Literature 39 (2003): 339-64. [GGIV: 0000]
DRYDEN, Linda. The Modern Gothic and Literary Doubles: Stevenson, Wilde, and Wells. Foreword Laurence Davies. New York: Palgrave Macmillan, 2003.
ELKINS, Mary J. “Oscar Wilde.” Supernatural Fiction Writers. Ed. E.F. Bleiler. New york: Charles Scribner's, 1985, I, 345-350. [GGII: 0772].EUSEBI, Madame. “The Devil in Dorian Gray.” Mythes, Croyances, et Religions dans le Monde Anglo-Saxon 5 (1987): 85-89. [GGII: 0773].
GOMEL, Elana. "The Picture of Dorian Gray and the (Un)Death of the Author." Narrative 12 (2004): 74-92.
GREEN, Stephanie.”Grave Desires: Sexual Alterity and Gothic Romance in Oscar Wilde’s The Canterville Ghost.” Australasian Victorian Studies Journal 3 (1997): 71-79. [GGIII: 2816]
LAWLER, Donald. “The Gothic Wilde.” Rediscovering Oscar Wilde, ed. George Sandulescu. Gerrards Cross, UK: Smythe, 1994. 249-68. [GGIII: 2817]MURRAY, Isobel. “Strange Case of Dr. Jekyll and Oscar Wilde.” Durham University Journal 79 (1987): 311-319. [GGII: 0774].
POTEET, Lewis J. “Dorian Gray and the Gothic Novel.” Modern Fiction Studies 17 (1971): 239-248. [GGI: 1255].
POWELL, Kerry. “Tom, Dick, and Dorian Gray: Magic Picture Mania in Late Victorian Fiction.” Philological Quarterly 62 (1983): 147-170. [GGII: 0775].
RIQUELME, Jean Paul. “Oscar Wilde’s Æsthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray.” Modern Fiction Studies 46 (2000): 608-31. [GGIII: 2821]
SAMMELLS, Neil. “Wilde, Oscar (1854-1900).” The Handbook to Gothic Literature. Ed. Marie Mulvey-Roberts. New York: New York University Press, 1998. 252-54. [GGIII: 2822]SOUSA, Maria Leonor Machado de. “Mock Gothic, o Gotico Satirico.” Violencia e Possessao: Estudos Ingleses Contemporaneos. Eds. David Callahan, Maria Aline Seabra Ferreira, and A.D. Barker. Portugal: Universidade de Aveiro, 1998. 45-53. [Mock Gothic, or Satiric Gothic]. [GGIII: 2823]
STEWART, Garrett. "The Gothic of Reading: Wilde, du Maurier, Stevens, and Stoker." Dear Reader: The Conscripted Audience in Nineteenth Century British Fiction. Baltimore: Johns Hopkins Press, 1996. 343-92.
WOMACK, Kenneth. “‘Withered, Wrinkled, and Loathsome of Visage’: Reading the Ethics of the Ethics of the Soul and the Late-Victorian Gothic in The Picture of Dorian Gray." Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Basingstoke: Palgrave, 2000. 168-81. [GGIII: 2824]ZEENDER, Marie-Noëlle. “John Melmoth and Dorian Gray: The Two-Faced Mirror” (pp. 432-40). In Rediscovering Oscar Wilde. Ed. C. George Sandulescu. Gerrards Cross, UK: Smythe, 1994. 432-40.[GGIII: 2825]